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Terry Collett Nov 2013
Lydia's mother
sliced the bread thinly
and buttered sparingly
and handed Lydia

two limp slices
and said
get that inside you

can't have you going
everywhere
with your stomach rumbling
people'd think

you've not been fed
Lydia took the two slices
and a mug of stewed tea

but she hadn't been fed
that was why
she went and got
the rolls and bread

but she said nothing
just nodded her head
and followed her mother

into the living room
and sat at the table
her big sister
had gone to bed

her father was sleeping
off the beer
Lydia nibbled like a mouse

a thin long haired girl
of a mouse
can I go up West?
she asked

up West?
her mother repeated
as if her daughter

had sworn at her
up West?
she said again
turning the words around

in her head
to see how they fitted in best  
can I?

her daughter
asked again anxiously
you can in the sense
that it's possible

but if you mean may
as a permissibility
then no

her mother said
what?
Lydia said
uncertain where

she was
in her request
your gran always said

that the difference
between can and may
is one of possibility
over permissibility

said Lydia's mother
may I go?
Lydia asked softly

no you may not
her mother said
why not?
her daughter asked

because I said so
her mother replied
why do want to go there?

her mother asked
Benedict said
he was going there
and that he'd take me

Lydia replied
oh him
her mother said

she sat and took a bite
from her sandwich
picturing the boy
from upstairs

in the flats
with his hazel eyes
and big smile

and self assurance
about him
why does he want to go
up West?

she asked
he likes adventures
Lydia said

adventures?
her mother said
repeating the word
as if

it were unknown to her
who does he think he is
Biggles or someone

like that?
Lydia sat nibbling
frowning
holding the bread

in her thin hands
he's never mentioned Biggles
Lydia said

don't talk
with your mouth full
her mother scolded
Lydia swallowed

the bread
he's not said nothing
about no Biggles

Lydia said
well you can't go
her mother said firmly
looking at her daughter's

thin frame
and lank long hair
do you mean I mayn't?

Lydia uttered gently
I said what I mean
her mother said
and don't get mouthy

like your big sister
or you'll feel
my hand

across your backside
Lydia nibbled
and looked away
a train steamed crossed

the railway bridge
leaving grey white smoke
behind it

lingering there
unsettling the air
her mother muttered words
but Lydia didn't listen

she watched clouds
cross the sky darkly
carrying a storm

or rain
she liked her backside
as it was
she didn't want

no pain
she'd not ask
again.
A YOUNG GIRL IN LONDON IN 1950S AND HER MOTHER.
Terry Collett Mar 2015
Do steam trains go from Kings Cross to Scotland? Lydia asks. Her father sober smiles. Are you eloping with the Benny boy of yours? He says. Big eyes staring; blue  large marble like. Whats eloping? She asks, frowning. Running off to be married secretly, the daddy says. No, Benedict and I are only nine, so how would we be eloping? Practice run? No no, she says. Nibbles her buttered toast her mother gave. You be mindful, busy that place; crowds are there. He sips his tea. She nibbles more toast, staring at him. How are you getting there; too far to walk? Dont know; Benedictll know; he knows these things. Underground trains best, the daddy suggests. But how to get the money for fare? He asks; his eyes narrow on to her. Dont know, she says, looking at the tablecloth, patterned, birds. Has your Benny boy the money? Sober, good humoured, he smiles. Expect so, she says, doubtful. See your mother, ask her, he suggests, smiling, as if. Well, must be off, work calls, he says. Where are you today? She asks. Train driving to Bristol. Is that near Scotland? He smiles, shakes the head. No, Bristols west, Scotlands north; do you not know your geography? The daddy says. She shrugs. Sober he shakes the head. Well, Im off. See your mother about the fares. She nods; he goes taking a last sip of tea. She eats the buttered toast, cold, limp. She sits and gazes out the window. Sunny, warm looking. The birds on the grass; the bomb shelter still there. Wonders if the mother will. Money for fares. Knock at the front door. Her daddy answers. Opens up. Your Bennys here, Princess, he mocks. See you mind her, Benny boy, shes my precious, the daddy says out the door and away. Lydia goes to the door. Benny is standing there looking at her daddy walking through the Square. Her mother comes to the door wiping her hands on an apron, hair in rollers, cigarette hanging from her lip corner. Whats all this? her mother asks. Lydia looks at Benny. He gazes at the mother. Kings Cross, he says. Is he? The mother says. Train station, Benny adds unsmiling. So? We thought wed go there, Lydia says, shyly, looking at her mother. How do you think of getting there? Underground train, Daddy said. Did he? And did he offer the money? No, said to ask you. Did he? The mother pulls a face, stares at Lydia and Benny. Am I to pay his fare, too? She says, staring at Benny. No, Ive me own, he says, offering out a handful of coins. Just as well. If your daddyd not been sober youd got ****** all permission to go to the end of the road, her mother says, sharp, bee-sting words. Wait here, she says, goes off, puffing like a small, thin, locomotive. Benny stands on the red tiled step. Your dad was sober? She nods, smiles. Rubs hands together, thin, small hands. How are you? Fine, excited if we go, she says, eyeing him, taking in his quiff of hair and hazel eyes; the red and grey sleeveless jumper and white skirt, blue jeans. He looks beyond her; sees the dull brown paint on the walls; a smell of onions or cabbage. Looks past her head at the single light bulb with no light shade. Looks at her standing there nervous, shy. Brown sandals, grey socks, the often worn dress of blue flowers on white, a cardigan blue as cornflowers. They wait. Hows your mother? Ok, he replies. Your dad? Hes ok, he says. They hear her mother cursing along the passage. He says ask for this, but he never dips in his pocket I see, except for the beer and spirit, and o then it out by the handfuls. She opens her black purse. How much? Dont know. The mother eyes the boy. How much? Two bob should do. Two bob? Sure, shell give you change after, Benny says. Eye to eye. Thin line of the mothers mouth. Takes the money from her purse. Shoves in Lydias palm. Be careful. Mind the roads. Lydia looks at her mother, big eyes. Shyly nods. You, the mother points at the boy. Take care of her. Of course. Beware of strange men. I will. Stares at Benny. Hes my Ivanhoe, Lydia says. Is that so. Go then, before I change my mind. Thin lips. Large eyes, cigarette smoking. Take a coat. Lydia goes for her coat. Hows your mother? The mother asks, looks tired when I see her. Shes ok, gets tired, Benny says, looking past the mothers head for Lydia. Not surprised with you being her son. Benny smiles; she doesnt. He looks back into the Square. The baker goes by with his horse drawn bread wagon. Hemmy on the pram sheds with other kids. What you doing making the fecking coat? The mother says over her thin shoulder. Just coming, Lydia replies. Shes there coat in hand. The mother scans her. Mind you behave or youll feel my hand. Lydia nods, looks at Benny, back at the mother. Mind the trains; dont be an **** and fall on the track, the mother says, eyeing Benny, then Lydia. Shes safe with me, Benny says. Ill keep her with me at all times. Youd better. I will. Eye to eye stare. And eat something or youll faint. Ill get us something, the boy says. The mother sighs and walks back into the kitchen, a line of cigarette smoke following her. Ok? She nods. They go out the front door and Lydia closes it gently behind her, hoping the mother wont rush it open and change her mind. They run off across the Square and down the *****. Are we eloping? She asks. What? Us are we eloping? No, train watching. Why? The daddy says. Joking. Sober. Benny smiles, takes in her shy eyes. Whats eloping? He asks. Running off to marry, Daddy says. Too young. Practice run. Daddy said. Not today, Benny says, smiling, crossing a road. Looking both ways. Not now, not in our young days.
A GIRL AND BOY IN LONDON IN 1950S AND A TRIP TO KING'S CROSS.
Terry Collett Mar 2014
Lydia's mother
opened the door
of the flat
after I had knocked

and gave me
a stern stare
is Lydia coming out?
I asked

she looked hard
at me
where?
to the herbalist

get some sarsaparilla
I said
sarsaparilla?
she said

yes it's good for you
they say
makes blood
I said

she looked
at my scuffed shoes
and blue jeans
and the gun and holster

hanging
from the snake head
elastic belt
around my waist

I suppose she can
her mother said
LYDIA
she bellowed

windows rattled
a dog
across the Square
barked

the milkman's horse
lifted its head
from the nosebag
Lydia came to the door

and poked her head
out from under
her mother's arm
Benedict here

wants to take you
to get a sarsaparilla
Lydia looked at you
her eyes narrowing

then widening
ok
she said
can I go?

she asked
course if I say so
as long
as you are wrapped warmer

than you are now
her mother said
Lydia rushed back inside
and her mother

took a long drag
of a cigarette
her yellowing fingers
in a V shape

what's your father
do for a living?
she asked
the smoke carrying

her words to me
he's a metal worker
I said
he makes things

from metal
she stared at me
a few loose hairs
had escaped

the flowery scarf
about her head
I think
he frequents ******

she said
I see
I said
unsure

what she was saying
she inhaled
on the cigarette again
her eyes

gazing beyond me
keep Lydia out
a fair while
she said

pushing out smoke
I want to rest
my eyes a while
ok

I said
she went indoors
and I waited for Lydia
sniffing in the smoke

hanging about
the doorstep
the dog barked again
the horse ate

from the nosebag
the milkman whistled
a few notes
from some tune

I sniffed the smoke again
hoping Lydia
would be out
wrapped warm soon.
A BOY AND GIRL IN 1950S LONDON.
Terry Collett Mar 2014
I knocked
on Lydia's front door
and waited
the morning sun

was coming
into the Square
Lydia's old man
opened the door

and stared at me
with bloodshot eyes
what do you want?
he said

is Lydia
coming out?
I asked
who wants to know?

I do
why?
wondered if she'd like
to see the trains

I said
why would she
want to see trains?
he said gruffly

she likes trains
I said
he looked beyond me
at the block of flats behind  

who said
she likes trains?
she did
I said

I work
with fecking trains
all day
she's never said

about trains before
he said
looking at me again
his eyes trying

to focus
we often
go see trains
I said

we went  to Waterloo
train station
the other week
he closed his eyes

rubbed
his hairy chin
and breathed out
a beery flavour

LYDIA
he bellowed suddenly
I stepped off
the front door step

and stood
gaping at him
LYDIA
he called again

he opened his eyes
and stared at me
I detected life
behind the mask

Lydia came
to the door
and peeped under
her old man's arm

this kid wants to know
if you want go see
fecking trains
he said gently

his voice silky
do you?
she nodded her head
yes

can I?
she asked
he looked at me
as if I’d just

stolen his wallet
trains?
he said
steam trains

I said
yes steam trains
she said
we like watching them

he raised his eyebrows
and looked down at her
under his arm
resting on the door jamb

ok ok
if you want go see trains
go see trains
he said

and wandered off
inside
leaving Lydia and me
looking at each other

Waterloo again?
I asked
what about Victoria station?
she said

ok sure
I replied
and she turned
around

to go get
her shoes inside.
A BOY AND GIRL IN 1950S LONDON.
Terry Collett May 2014
You want to go to where?
Victoria rail station
Lydia said
her mother

as she dried the plate
a cigarette hanging
from her lower lip
asked

who with?
Benny the boy upstairs
in the flats
over there

Lydia said
her mother wiped
another plate
why there?

and why with him?
Lydia played
with her fingers
nervously

trains
steam trains
she said
we like to see them

and I like Benny
he's funny
her mother
stared at her

don't seem funny to me
but his mother's
a good sort
so he can't be

too bad I suppose
Lydia looked
at her mother's
red wet hands

how are you
getting there?
bus I guess
Lydia said

and I suppose
you want money
for the fare?
Lydia stared

Benny said
he'd pay
did he now
her mother said

think I can't
afford the fare?
she put the plates
in a cupboard

and stared
at her daughter
thin
weedy looking

she got her black purse
and took out
some coins
don't make a habit

of going out to
faraway places
her mother said
she put the coins

into her daughter's
thin white hands
and walked off
to tidy

the sitting room
Lydia looked
at the coins
in the palm

of her hand
she pocketed them
in her fading red dress
and opened

the front door
to see
if Benny was coming
the baker

was going by
on his horse drawn cart
the horse looked tired
and trotted slow

then she saw Benny
coming across
the Square towards her
riding his

imaginary horse
with his 6 shooter gun
and holster
of course.
GIRL AND HER MOTHER AND A BOY IN 1950S LONDON
Terry Collett May 2014
From her bedroom window
Lydia could see
the grass and pigeons

and some boy
with a bow and arrow
she could hear

her mother shouting
at her father
her sister

still asleep
in the big bed behind
the tattooed arm

hanging from the bed
her mouth open
Lydia saw the boy turn

it was Benedict
his quiff of hair
an arrow in his bow

pointing downwards
he was mouthing words
and making gestures

with his free hand
she opened the window
letting in

the morning air
are you coming out?
Benedict asked

Lydia's sister
stirred in the bed
where are you going?

Lydia asked
thought I’d go
to one of the big

train stations
see the steam engines
he said

she looked back
at her sister
the blonde hair

over her face
a breast hanging
out of her nightie

which one?
she asked
he fired an arrow

at a pigeon
but it flew away
Victoria?

he said
I’ve no money
she said

he went
to pick up the arrow
stuck in the grass

he wiped mud
off the end
when are you going?

she asked
after lunch
he said

walking up
to her ground floor
window and peering in

at Lydia's sister
can you call for me?
she asked

sure
he said
will your mother

be ok about it?
last time
she almost

bit my head off
Lydia looked out
at the grass

and dandelions
growing
she'll be all right

she said
uncertain but trying
to convince him

ok
he said
I’ll call for you

he walked off
across the grass
holding his bow

and arrow
shut the blooming window
her sister said

turning over in bed
Lydia pulled down
the window

and watched
as Benedict
climbed the green

metal fence
and disappeared
from view

Lydia picked up
her sister's
***** washing

for something
(in the meantime)
to do.
A BOY AND GIRL IN 1950S LONDON.
Lydia, Lydia,
There are broken angels
beneath your skin.

Your face is stone,
and white as snow,
where the color should have been.

Your husband is by your side,
middle school passion left undead.
Your sister over your right shoulder,
smiling like the day you wed.

You don't hear Zach's talk of cereals,
but a tight smile shows on your face.
The greif streaked grime of tears and salt
rims your neck like wedding lace.

Tomorrow you will rise
and pour milk into your bowl.
Look across the table,
just to feel your crushing soul.

To not see the eyes
that were there for twenty years.
To share no more secrets,
or confide her sisterly fears.

You both spent your life devoted
to three hundred sixty-five words
of repiticious hope.
Only to wake up with the flipping of a page,
to find a car bent in ash and smoke.

This hollow eyed shell I saw in the store
clenched her teeth up tight,
to suffer along like the people of The Book,
and hold Faith to Father of Light.

You made me shed tears for you,
Madison,
because you made me come to see
I would never leave my little sister
By any of my own means.

I felt cheated for you,
so joyous in your Word.
To spread the light of God
to every part of Earth.

But now you are away,
taking flight,
still this young.
I go home with knotted throat,
and my eyes felling as if theyd been stung.

I've been thinking of you both,
Sisters,
by blood and faith.
I'm so sorry for your loss,
the unknowing,
all the rage.

I weep for you, dear Madison.
You lived only in a blink.
But I weep for you still more, Lydia.
And I pray that you won't sink.
A passing of the eldest sister in our home town this week, her sister having been a classmate. A devestation, to say the least.
Lydia my Sweet Lydia let down your flowing hair
her eyes glisten through the sunset port
harbor respects for passion & lust
you had been mindful in the past
dream big to heavens port
of long ago passing dreams

when I look deep into your eyes Lydia
I can see my future
filled with hope for a better tomorrow
through the flames of sorrow sweet Lydia
a pearl of deep desires reflects your heart

I saw you shiver in the rain
as you drenched your coat in sullen boots
minutes ago a tender smile would flow
gives cadence to the simple
as a beacon of light
to a much hurting word in need of love

Lydia my dearest Lydia as a fawn is groomed in late pastures fell
your charm and warmth is so hard to tell
a challenge to be free is a quest of time
your heart is an opened door until we meet in heaven
Terry Collett Dec 2013
Lydia
watches through
a thin gap
in the dark

brown curtains
her sister
much older
in the bed

holding tight
to her tall
spiv boyfriend
and kissing

his thick lips
then his ears
which even
nine year old

Lydia
finds quite gross
it takes all
her childish

innocence
not to know
what the show
is about

she looking
through the gap
sees the spiv
put his hand

on the ****
buttocks of
her sister
Lydia

looks away
looks out at
the green grass
and the flats

and windows
opposite
ignoring
the giggles

and snorty
sounds she hears
from the bed
behind her

behind dark
brown curtains
how the heck
she got trapped

behind there
in her games
pretending
the window

was a stage
and she a
child actress
awaiting

to begin
when her big
sister came
tiptoeing in

with the spiv
while hiding
unseen there
Lydia

silently
hid her feet
and stealthily
had her peek

now she sees
pigeons walk
or kids play
with skip rope

or football
or cowboys
and Injuns
but behind

the curtains
on the bed
another
game is played

two actors
in combat
by the sounds
her sister

breathlessly
makes beyond
but innocent
Lydia

puts her hands
to cover
her small ears
watching kids

play their games
and joyfully
run about
ignoring

whatever makes
her sister
giggle soft
then loudly
laughing shout.
A 9 year old unwittingly get stuck in the bedroom while her big sister and boy friend make out.
Terry Collett Dec 2013
Lydia is quiet
going down the *****
by Arrol House
and onto

Rockingham Street
Benedict says nothing
he thinks it best
to let her brood

until she’s ready
to speak
he's seen it
in the films before

where the female
opposite the cowboy
has her moods
or quiet times

and the cowboy
lets her get on with it
while he rides off
into the sunset

to fight the bad guys
or Injuns
or have a shot
of Red Eye

in the bar in the town
watching the dancers
on the makeshift stage
he gives Lydia

a side on gaze
her straight hair
seems unbrushed
her dress is creased

and the cardigan
has a hole
in the elbow
they walk up

towards Draper Road
by the blocks of flats
he says
(hating silence)

the parents
were rowing last night
something to do
with money

or the lack of it
from what
I could gather
through the bedroom door

lying in the dark
seeing the thin line
of light
from the other room

the old man hates
being short
needs dosh
to get

his best suits
and brown shoes
saw something odd
last night

Lydia says suddenly
looking at Benedict
odd? what was odd?
he asks

studying
her thin hands
the nails chewed
my big sister

and her man friend
your sister's always odd
says Benedict
no

more odd
she made me sleep
in the tiny cot bed
which I haven't done

for years as its
too small for me really
but anyway
she made me sleep there

so she and her man friend
could sleep there
he's been turned out
of his digs

as he calls them
and Mum didn't like
the idea but Dad
in his usual drunken state

said O let him stay
a few days
until he gets himself
a place

so there am I
stuck in the cot bed
feet dangling
over the ends

just about room for me
except my backside
gets cold
when I turn over

nothing worse
Benedict says
than a cold backside
well then

Lydia says
after the lights were out
and she thought
I was asleep

I heard this noise
like squashy sound
and I lay there
with my eyes open

looking
at the dark shapes
and hearing
these odd sounds

and the giggles
and snorts and such
Benedict gazes at her
side on

her thin lips
were opening
and closing
like the goldfish

he had which fell
into the sink
out of the fish bowl
and its tiny mouth

was closing
and opening
upon the wet
white surface

then the bed springs
were going gong gong
then silence
as if they were dead

odd
Lydia says
staring
straight ahead

and I never got
to sleep in the end
for ages
what with them

and the cold
on my backside
and the trains
going over

the railway bridge
and the shunting
of coal wagons
so you're tired

Benedict says
that’s why you
were quiet just now
thought I'd done

something wrong
when I first met you
outside your flat
and you came out

with a face
suppose so
she says
and they walk along

Draper Road
to the Penny shop
where he treats her
to a penny pop drink

and 4
fruit salad sweets
and they stand
by the penny

ball game machine
on the wall
and watch some kid
press the buttons

and the ball
goes around
and around
until it disappears

in a slot
and Lydia thinks
to herself
sipping her drink

grown ups
are an odd lot.
A BOY AND GIRL IN LONDON IN 1950S.
David Huggett Oct 2012
I miss Lydia I lost her from my side
I wanted so much for her to be my bride
now I feel so lost

She told me she was my sword and shield
I took her with me across many a field
but now I pay the cost.

I need her by my side she fought so well
from the Draugr, Bandits, the Forsworn and Dragons I cast many a spell
she held me very tight at nights so that she could defrost.

Lydia Lydia Lydia I call you're name
why am I so heart broken it's just a game.
I am now heavily laden items must get tossed

I might have to start this game anew
but that would make me feel so blue
I made it to Whiterun and the forest I crossed

I searched and searched for you as far as Markarth
when will you join me once more and satisfy my heart
I have come to a final point and feel extreme exhaust.
Terry Collett Dec 2014
The walk
from Peckham Rye
train station
to my aunt's
is quite a trek,
but Lydia and I
set off along
Rye lane.

Never been here before,
Lydia says.

I been here tons of times;
I was born up the road.

What this road?

No, at the hospital
nearby.

She has a thinness
about her,
her lank hair is caught
by the sunshine.

We pass by shops
and cross side streets;
pass people shopping.

Dad hates shopping,
Lydia says,
he says it's a ****
of a game,
worse than kissing
his boss's backside.

She laughs;
a link of light
brightens up
her eyes;
there's a hint
of beauty
about her.

Your mum
wasn't too keen
on you going with me,
I say.

Anything that hints
of spending money
and she's up in arms;
she wouldn't care
if I went
with the milkman
as long as he paid.

We walk on
and down a street
that leads
to my aunt's place;
the shops have gone now,
just houses and flats.

I heard your old man
singing in the Square
the other night,
I say,
drunk as a lord.

I know, I heard him, too,
Mum wasn't none
too pleased;
she dragged him in
and gave him her tongue;
I couldn't marry
a man like that;
does your father drink?

No, only the odd pint
or port at special times.

We pass a dog peeing
against a wall;
it wags its tail
as it runs off
down the road
leaving a pyramid shape
of wetness behind.

My brother Hem does that,
Lydia says,
***** ***.

There is an aspect
of light
when she's angry,
like a birth
of a new world.

Is your dad Irish?
he seemed to be singing
an Irish song
the other night?

No, he always sounds Irish
when he's drunk,
like he sounds Welsh
when he's sober.

She holds my hand
as we cross a busy road;
it's thin and bony;
I feel it
with my thumb
as we walk along,
her bony knuckles;
I squeeze it gently
and she softly
chuckles.
A NINE YEAR BOY AND GIRL IN LONDON IN 1950S
Mike Hauser Nov 2017
Lydia loves the Lord...

Sees no reason not
Takes him at his word
Through battles being fought
The Spirit in her testifies
The God of Love
Is the giver of life
And that is why

Lydia loves the Lord...

Still sometimes she's afraid
Of the world that's just outside
And what it would make her give away
People speak in whispers
But she won't answer in kind
To make it through this life
And that is why

Lydia loves the Lord...

Knows it's worth the fight
Wise beyond her years
Beauty holds her tight
In and out is clear
A blessing she is here
As clear as day and night
And that is why

Lydia loves the Lord...
A beautiful soul I met on this site and am proud to call her friend.
Terry Collett Nov 2013
He met Lydia
in Harper Road
near the newspaper shop
the one that had

the Rob Roy book
in the window
which he was planning to buy
with his pocket money

she looked unhappy
carrying a shopping bag
in her thin hand
where you off to?

Benedict asked
got to go home
with this
she said

lifting the bag
where you going?
she asked
seeing him carrying

his toy rifle
and wearing
his cowboy hat
going to fight

at the O.K. Corral
only it won't be
ok when I get there
he said smiling

O.K. Corral?
she said
where's that?
he pointed to a bomb site

across the road
near the doctor's surgery
oh
she said

who else is there?
a couple of other kids
he said
why don't you come along?

can't
got to take
this shopping home
and besides Mum's

in a state
what with my big sister
not coming home
until the early hours

and my dad having a row
and punch up
in the Square last night
with that man

on the 2nd balcony
can't remember his name
and Mum and him
having a row

and me trying to sleep
and Hemmy
my brother
putting an earwig

in my bed
making me scream
and Mum bellowing at me
for screaming

she stopped
and wiped her eyes
on the hem of her dress
Benedict put his arm

around her thin shoulders
I'll get your brother
for that the ***
he said

she said nothing
but sniffed
he took
the shopping bag

from her hand
and said
I'll walk you home
and after

we can come back
and have a penny drink
and lolly
in the Penny shop

what about the O.K.Corral fight?
she said
o that can wait
he said

they'll fight
amongst themselves
anyway
she nodded

and they walked back
and crossed
Rockingham Street
and into the Square

and he said
what does your sister do
until the early hours?
God knows

Lydia said
Mum says she's a *******
or something
I don't know

if it's a special
sort of job
or something
but it makes Mum annoyed

and Dad said
to leave her alone
as she's doing her bit
to keep ***** men occupied  

Benedict shrugged his shoulders
and hugged Lydia closer
so how about
that penny drink and lolly?

she nodded and sniffed  
and I forgot to tell you
Benedict said
I saw this

Daniel Boone film
the other day
up in Camberwell Green
in some flea pit

of a cinema
but it was good
and he had a rifle
but older looking

than mine
she sniffed
but looked at him
sideways

a weak smile
on her face
you should have come
he said

maybe next time I will
she said sadly
sure you will
he said

and they reached
her flat door
and she said
thank you

and he gave her
back the shopping bag
and she kissed his cheek
and went in

and he looked around  
to make sure
none of the boys about
had seen the kiss

as he had
a reputation to maintain
and kissing
or being kissed

by a girl
was maybe deemed
as a bit cissy
but none had

and he walked over
to the pram sheds
and sat on the roof
until maybe

she reappeared
happier not less so
as he thought
and feared.
BOY AND GIRL IN 1950S LONDON.
Terry Collett Jul 2014
We sat on top
of the old bomb shelter
on the grass
outside Banks House

evening was creeping in
sky darkening
moon showing
lights on
in the flats
above us

Lydia said
I’ll have to go soon
or my mum'll be
on the  war path
me being out still
and school tomorrow

just a few more minutes
I said

a steam train
went over
the railway bridge
over the way
by the Duke of Wellington pub

I love the smell of trains
she said
if I close my eyes
I think I’m on a train
to Scotland or the seaside

we could go
to Paddington train station
I said
I think trains to Scotland
go from there

Lydia looked at me
do they?

yes I' sure they do
I said

she smiled
could we go there
some day?

what Scotland?
I said

no silly
to Paddington station
she said laughing

sure we can
she looked away
and at the moon
above us
stars were visible

best go
she said
or Mum'll
be after me

ok
but we'll make
Paddington
maybe Saturday?

I'll ask Mum
Lydia said
or maybe Dad
he'll know
which trains
go there

we stood up
and climbed down
the bomb shelter
onto the grass
and walked along
by the flats

and maybe one day
she said suddenly
we can go
to Scotland

sure we will
I said

and she seemed happy
about that
and we climbed
the metal fence
and walked up
the *****
and into the Square
and I walked her
to her front door

she knocked
and her mother
opened the door

you're late
she said sternly

we've been talking
Lydia said softly

her mother looked at me
with her stern eyes

it's late
the moon's out
and there's
school tomorrow

Lydia frowned
and walked in
and her mother
shut the door

I walked off
and up the stairs
to my parent's flat
thinking of Scotland
and Lydia and me
and the sky darkened
like a deep moonlit sea.
BOY AND GIRL IN 1950S LONDON.
Terry Collett Aug 2014
We were sitting
on the pram sheds
by the *****
that went down
from the Square
looking towards
Meadow Row

had to sleep
in the small bed
last night
Lydia said
all because my big sister
wanted her Spiv boyfriend
to stay over night
and Dad was at work
on one of his
far away journeys
and Mum couldn't be bothered
with her and so
he was in the bed
I shared with her

what would your dad say
if he knew?
I asked

he'd be livid he would
but he isn't here
so my big sister
gets away with things

what's wrong
with the little bed?

it's uncomfortable
and the springs are broken
and I hate it

Lydia looked
at the passers-by
going along the *****

my brother gets to have
his own bed
but not me
she added bitterly

I share with my little brother
I said
he's ok
so how long is the Spiv
going to stay?

until my dad gets back
I suppose
she'd daren’t once he's back

I nodded
watching an old woman
going up Meadow Row
carrying two bags
her backside swaying
side to side
her black hat lopsided

let's give that old girl
a hand with her bags
I said

what old girl?
Lydia said

her up Meadow Row

I jumped down
and ran across the grass
over the low metal fence
and across Rockingham Street

Lydia followed me
and when we caught up
to the woman
I said
can we help you
with those bags Mrs?

she stood upright
and gawked at us both

where do you live?
Lydia asked
out of breath already

just up the top there
she said
but I would appreciate it
if you could help

so we did
took a bag each
and walked up
the top of the Row with her
she talking
about her health
(or lack of it)
and how her son
was killed in the War
and her daughter
was in Kent

Lydia said nothing
but carried the bag
with both hands
and I answered
the old dear
when I thought I ought to
carrying the bag
in one hand
giving the impression
it wasn't heavy
when it was

we stopped outside
her house
on the left hand side

thank you both
it was very kind of you
she said
here have 3d each
for your help

no no need
of your money Mrs
you keep it
just glad to help

I insist
she said
you deserve it

so she gave us both
a 3d piece
and smiled at us
and went inside
with her bags
and closed the door

we looked at the coins
in our palms
not quite enough
for a Mars Bar
but it will get us a drink
and gob-stopper
I said

Lydia put her coin
in her dress pocket
and we walked back
to the pram sheds

she said
I’ll be glad when Dad's back
then I can sleep
in my own bed

I thought of the 3d
and what to buy
going around
in my head.
BOY AND GIRL IN LONDON IN 1950S AND GOOD DEED DONE.
Terry Collett May 2015
The loud shush of the steam train shush shush and grey steam turning white shushing out from beneath the train and out of here and there of the huge black dragon and O the power of it Benny says sitting beside Lydia on Kings Cross Railway Station on a seat aged and discoloured watching the steam rise up and upwards and breathing in the smell of the train and steam and she sits with her small hands together between her knees poking out of her white dress with blue flowers her small hands pushing out of her corn blue coloured cardigan her fingers pressing against each other fingertips on fingertips will this train go to Edinburgh? she asks will this train go to Edinburgh? I think so Benny says Ill ask he says and leaps up and goes along the platform and seeing a porter with a trolley stops him and asks the porter glad to rest for a few moments eyes Benny and says yes it does and takes over six hours or more and seeing the boy standing there eyes hazel and bright and the quiff of hair why are you thinking of going? the porter asks smiling revealing a number of teeth missing no not today Benny says noting the absent teeth of the porter or rather the teeth remaining and trying to count the teeth but the porter closes his mouth and smiling walks off with his trolley so Benny walks back to Lydia on the seat yes it does the porter says six hours or more to get there he says thats a long time Lydia says longer than I sleep or my big sister and she can sleep a long time especially if shes been out until the early hours- her mother calls it ******* but Lydia knows nothing of what it means and never bothered to ask-he asked if am I going to Edinburgh and I said not today but it seems exciting to think we could go just get on the train without anyone seeing us and sit in a carriage on our own and if the ticket collector man comes we can say our parents are in the dining car and he might go off and we could go to Edinburgh Benny says smiling at Lydia and she looking at him taking in his grey sleeveless jumper and the white shirt and blue jeans and do you think we could? she says were only nine you and me and Im sure the ticket man would think it odd we were alone while our parents were in the dining car and we were sitting in the carriage alone Benny looks at the train and the steam and the powerfulness of it and says lets get nearer lets get as close as we can and she says all right but not too near Daddy says not too near ok Benny says and they walk as near to the train as they can sensing the powerfulness of the train all the more and the smell of it filling their lungs and been says isnt that great? yes it is Lydia says and reaching out to try and catch some steam but it flows through her fingers and even as she claps her hands together the steam escapes and goes on its journey upwards what do you think? Benny asks Edinburgh today? just us he watches her standing there beside him thin and pale and her hair lank and straight and her eyes peering at him its along way she says her eyes getting larger her mouth opening to a wide oval six hours or more he says although we could sleep maybe sleep until were there where to sleep? she asks rubbing her fingers together nervously wont we get hungry? she asks we never brought food or drink and Ive no money left to buy any she says looking at him wanting him to say it didnt matter they would find food some place but he looks at her and says we can sleep in the carriage our heads against the seat backs or lying down on the seats and food? she says what about that? he looks at her maybe I can get some from the dining car someone might leave things he says rolls or butter you never know what people may leave do you think we could? she says moving closer to him wanting him to say yes of course we could its going to be all right but he looks at the train and the long carriages filling with passengers and the windows having faces looking out at them and says maybe another day when we have some food with us and bottles of drink  and a change of clothes he says got to have change of clothing I havent much to change into she says Mum never gets it done in time some days and I have to wear clothes day after day we can plan it he says make sure it goes to plan with food and clothes and drink and money I can get some Benny says be better then we can go to Edinburgh then like it is on the billboards she looks at him feeling he is right and she does feel it would be a bit of a risky going today without a change of clothing especially knickers she needs those she muses not sure of how much clothing she might need depending she supposes on how long they go for and where to stay once they get there where to stay that is the question she asks herself and she takes Benny hand in hers and says yes another time when as you say we have food and clothes and money and drinks he nods and rubs her hand and says its long way off but we will go yes we will she says excitedly wanting to go that day but yes we will wait to go some other time and they look at the train as it gives out a huge shush of steam like a ******* dragon and they stand back as it gets louder and more powerful and a guard with a green flag waves it wildly and the train huffs away shush shush it goes steam rising and outward like grey white snow.
A BOY AND GIRL DREAM OF GOING TO EDINBURGH BY TRAIN FROM LONDON IN 1950S

— The End —