~took a walk in the city today,
and this happened in the O'Henry traditional way~


the blind man crossing E. 15th,
does not look, nor does he care,
all foes on-coming,
come hither, he dares

his light is red,
yet his cane extended,
he click clacks steadily ahead,
unaware and unbeknownst,
his new step by step sidekick,
Sheriff Natty,
is writing an air poem to a
taxi driver with his
shotgun *******,
a NY gesture of
welcoming *******...

a green light means passage
is a taxi's right,
but my left shoe firm
attached to his bumper,
plus multiple looks mine,
any of which could ****,
his argumentation poses
do somewhat chill...

the sheriff of the city, his motto,
sic transit finger gloria

~

among the sadder sights
of city life
is contrast...

the dark-only coolness
of an Irish bar,
on a bright spring day
when life and love
is bud sprouting
while old white men,
on single soiled solitary stools,
their colored cheeks green
from the reflection of
TV emerald diamond fields,
sipping many pre-game $3
Guinness draughts

around the second inning,
they switch, onto
boilermakers to make
the languid afternoon stretch on,
this I know for sure,
for in the large gilded mirror
behind the bar,
see the barkeep's back asking me,
"what will it be for you
this fine spring day?"


~


next to the bar, in the corner market,
an old man's hands tremble in an old man's way,
in a way I only know thru his testimony,
as he does his daily self-feeding,
his wallet removed, fumbling for two
single soiled solitary one dollar bills.

the shopkeeper's fingers
beat the counter impatiently,
the old man's beer brown bagged,
transport ready, though the old one
rather be next door,
the extra Dollar saved causes
a last minute delay, shaky fingers,
asking for an extra purchase,
a small can of dog food please,
so he can watch the game at home
and share the same meal
with the man's real and best,
and only true spring weather friend

~

the mayor proclaimed as a matter of
public safety, public decorum,
a pack of three or more woman
wearing all black Lululemon athletic wear,
were now banned from being outside after nightfall

later this night, in Carl Schurz Park,
many vamp(ire) voices were heard
singing the lyrics to
"i want to do bad things to you,"
but they staked him only
to a free color reeducation

~

these takes I witnessed,
all or some,
these tales I took
some or all,
from beneath my skin,
where city streets grit
injected beneath my skin
came with the title,
City Boy,
and honored me
with its O'Henry life and lore,
and the vision to believe what is
in my bloodstream
just another true tale of life in Manhattan.com~

~took a walk in the city today,
and this happened in the O'Henry tradition~*


the blind man crossing E. 15th,
does not look, nor does he care,
all foes on-coming,
come hither, he dares

his light is red,
yet his cane extended,
he click clacks steadily ahead,
unaware and unbeknownst,
his new step by step sidekick,
Sheriff Natty,
is writing an air poem to a
taxi driver with his
shotgun *******,
a NY gesture of
welcoming *******...

a green light means passage
is a taxi's right,
but my left shoe firm
attached to his bumper,
plus multiple looks mine,
any of which could ****,
his argumentation poses
do somewhat chill...

the sheriff of the city, his motto,
sic transit finger gloria

~

among the sadder sights
of city life
is contrast...

the dark-only coolness
of an Irish bar,
on a bright spring day
when life and love
is bud sprouting
while old white men,
on single soiled solitary stools,
their colored cheeks green
from the reflection of
TV emerald diamond fields,
sipping many pre-game $3
Guinness draughts

around the second inning,
they switch, onto
boilermakers to make
the languid afternoon stretch on,
this I know for sure,
for in the large gilded mirror
behind the bar,
see the barkeep's back asking me,
"what will it be for you
this fine spring day?"


~


next to the bar, in the corner market,
an old man's hands tremble in an old man's way,
in a way I only know thru his testimony,
as he does his daily self-feeding,
his wallet removed, fumbling for two
single soiled solitary one dollar bills.

the shopkeeper's fingers
beat the counter impatiently,
the old man's beer brown bagged,
transport ready, though the old one
rather be next door,
the extra Dollar saved causes
a last minute delay, shaky fingers,
asking for an extra purchase,
a small can of dog food please,
so he can watch the game at home
and share the same meal
with the man's real and best,
and only true spring weather friend

~

the mayor proclaimed as a matter of
public safety, public decorum,
a pack of three or more woman
wearing all black Lululemon athletic wear,
were now banned from being outside after nightfall

later this night, in Carl Schurz Park,
many vamp voices were heard
singing the lyrics to
"i want to do bad things to you,"
but they staked him only
to a free color reeducation

~

these takes I witnessed,
all or some,
these tales I took
some or all,
from beneath my skin,
where city streets grit
injected beneath my skin
came with the title,
City Boy,
and honored me
with its O'Henry life and lore,
and the vision to believe what is
in my bloodstream

The venom in your snake bite glare ties my pain in knots, Knots

don’t come undone

Every time you yell I smell smoke

You’re burning us, you know

You’re burning us.

And I’m drowning in the fire.

You’ve got your magnifying glass in hand like a detective,

And I know you’re searching for something better

I know you’re searching for clues that we could make it better,
between us

But you always look in the same place, you always look through these
piles and stacks of Anger that we’ve been collecting and you haven’t
looked anywhere else, you know, no matter how magnified that
Anger is, it won’t change what it is.

You’ve been standing in that same spot searching for too long, and that
magnifying glass is burning us

And it’s not that I don’t still think you’re made of stars, because I do

I still do

I still need you, mom

I need you to breathe,

I do.

You’re my oxygen, you always have been but

This Oxygen is suffocating me.

Do you remember that story I told you so many times? About that day
in kindergarten when the craft table got new materials? When there
was nice

Purple

Shiny heart shaped box and I wanted it

So did everyone else, but I got to it first

So it was mine

I had it in my hands

I had it

But then the other little girl spent all morning talking to me about how
she wanted it

She wanted the pretty, shiny, heart-shaped chocolate box so that she
could make a pretty gift for her mommy and I didn’t want to give it
up, but I finally gave in to the guilt and gave up that box to her

Do you know why?

Because I thought about how I had the best mommy in the whole wide
world and I wanted to give that pretty box to you because I loved you
so much and I thought maybe that little girl loved her mommy the
same way I loved you, and I understood why she would want to give
her mommy a pretty thing and to this day, that time in kindergarten
when I gave up my pretty box that I wanted to give to you is one of my
deepest regrets, because I loved you so much and I wanted to give you
that pretty gift.

I still do, you know

I still see you as the duct tape to fix what I broke and the hands that tie
the back of my dress in a bow for me on Easter Sunday, sure I still see
you as the lullaby I fall asleep to because I used to replay that
recording of your choir solo you downloaded on my very first IPod for
me every night before I went to bed one year when I was in elementary
so that in case I died before I woke up, the last voice I ever heard
would have been yours. Or in case you died at least I heard your voice
last. I always romanticized death back then, but now I can see how icy
the frosty fingers of death really are when the death of our old bond is
staring me right in the face, Mom!

Do you remember that one month I spent making absolute sure the last
thing I said to you before you shut my door and left after saying
goodnight was: I love you so that the last thing I ever said to you
was “I love you”? Same logic, mom. In case you died before the next
time I saw you, at least that was the last thing I ever said to you I never
wanted you to forget, and yes mom, I still see you as the stiches in my
torn up nylons but I don’t see you as my blanket on a cold day,
anymore.

I can trust you to save me, I can trust you to love me overall, in the end

But I can’t trust you to comfort me and you tell me to call you when
I’m sad, but you wouldn’t get it.

I can give you ten reasons why you and I need you to stop chasing me
into pain’s open arms and all ten are on my hands, balled up in fists
that are bruised from fighting, I’m done fighting with you mom, I can’t
anymore.

I’m too tired.

You start every knitting project and never finish it before you start a
new one, and I don’t want to become just another unfinished project of
yours, the daughter who left home and never sent more than 10 emails,
one for each finger after that because it’s not that I don’t love you, it’s
just that we’re growing so distant now that when we fight, the “I love
you” is no longer implied and when you get angry, you’re scary

You call me worthless, you swear at me, you say some awful things
mom, and so do I, I know,

But then you demand in irritation why I consider myself worthless as
if I’m seeking attention or something when I admit to you how
worthless I feel, well if you would quit calling me useless and
worthless and I quote “The stupidest human being alive” maybe I
WOULDN’T FEEL LIKE THAT MOM!

Maybe your mom, who is supposed to be the over-sized, comfy hoodie
you can come home to when life is getting too complicated is
constricting you with her harmful words it’s hard to find any good in
myself anymore maybe I’m just really hurt that you would say that to
me.

My sisters came along and they STOLE you, I’m sorry if that sounds
like a selfish, angry six year old but I need to say it because I don’t care
how unbiased you think you are, you never show me the underlying
kindness you show them because mom, I don’t want money every time
we go to the movies, I don’t want two pairs of Lululemon leggings or
expensive boots I just want the Love I feel like you’ve lost for me when
you didn’t have enough to give to all three of your children I just want
you to Love me, mom. I’m scared that you don’t anymore, and God it
would be so much easier if I could hate you but I can’t bring myself to.
I wish I could say I hate you, but I don’t. Every time I cross the line and
scream something unforgivable at you, when you cry, I can hear every
teardrop that falls from your eyes crash to the floor and shatter, but I
feel like you can’t hear me even when I’m screaming, even when liquid
pain is pouring down my face mom I love you, but you can’t hear my
tears and I feel like you’ve lost the Love you used to have for me.

I wish you would come back to me, I wish you would spend just ONE
night without insulting me, or yelling at me because I’m not
exaggerating when I say you haven’t.

Mom, I’m asking you to help me fix this.

We are not going to find the answer to the Cold between us in this pile
of angry, so please lower your voice and lower your magnifying glass,
just stop burning us and help me rebuild our old bond, okay?

The venom in your snake bite glare ties my pain in knots, but knots

Can come undone

Untie this pain with me?

In an age of braless nymphettes wearing lululemon
Who speak of unequivocal virtues
We seek **** role models and female superheroes
Ambition has no equal in all its atavistic ambivalence
Still we ****** our ******* feminine values into each other’s faces
Disrespecting our past predators and predecessors
And the pirate priests who prepared our souls for fiery salvation
In wartime circuses we are all pretzels and pantyliners
Who necessitate no changing stations for these gyrating giants of industry
And the gentle guardians of the spirit
With giraffe sized necks and human hearts that beat in their vulturous beaks
Who tear each and every naive feminine seeker into thousands of tiny pieces
Till all that’s left are precocious and imperfect targets
Seeking articulations of their convulsive
Nay, compulsive addictions to affection
With dinosaur sized scars and crocodile scales covering their erogenous parts  
We hide beneath a pile of beautifully styled business cards and good marks
Like we are a bunch of naughty children caught lurking in someone else's basement
Until the morning comes and we heed the need to once again impale our flailing limbs on another angry treadmill
While pilates preachers speak tender secrets from palaces of perfection
A hungry intersection of underwear and diamonds
When we finance our families’ vacation with blockchain investments
That eventually all end up feeding the same weapons dealers who control the world’s most vulnerable food chains
We are all deniers of the warnings of climate change specialists
Who liberate their minds with psychedelic toad poison
Moist as the dawn we overcame the wolves of oblivion
And covered up a significant number of Mother Nature's sounds that we abhorred for all the wrong reasons
Preferring fir-scented yoga rooms to an authentic forest floor covered in pine-needles, acorns, cones and a plethora of edible fungi
We’ve come to detest our own chthonic scents, senses and instincts
So we try to pretend that we've never sweat before
Exactly like a pile of compassionately discarded compost
Innocently left to rot in the sun for several weeks on end
So now for fun we back-bend over thundering volcanoes
Earthenware bowls asymmetrically formed in our souls
If all our pelvises tilt slightly to the left of west
Then the forest’s health is a direct reflection of our own faulty perspectives
And now you justify selling your soul for meager earnings
For next to nothing is always better than being wholly broke
Or broken holy or even sometimes just a little bit more hungry

if we would've met at 16 our lives as teenagers would've been worlds different. we'd meet in the parking lot after school and we'd drive for a little, then hotbox in front of the pacific ocean. i'd play you all the stuff that i played on my weekly radio show and i'd ***** to you about how i was done with the world and every single lululemon wearing, frozen mocha drinking girl who thought i was inferior to her because i wasn't conventionally pretty, listened to anti-establishment punk rock of the 1970s and refused to straighten my hair even if my curls wouldn't quit that day.
i didn't know you four years ago. you were the exact opposite of me, and honestly you probably would have avoided me  - you put gel in your hair and you played sports, but you seemed like you might've been angry and sad for no apparent reason too. you were the same as you are now in some ways, you had the 24/7 off-duty model thing, you were smart, you bumped old school tunes, you knew old school sitcoms. i would've 100% been in love with you but i never would have done anything about it. all i wanted was someone that i could tell everything to, but nobody cared. knowing you could have eased the pain of the period of time in my life where i spent all my money on dime bags and twelve dollar packs of cigarettes and stability was the last thing on my mind and all i really wanted to do was dig a grave for myself. you probably would have never talked to me, but we would have been the coolest kids in the parking lot.
and can i tell you like, the cheesiest sounding thing in the world? yeah? okay. i can't wait to run into you on a beach on the north shore of kauai in 50 years. "shawshank redemption" style. i hope we're friends forever.

Madame LeCarvennec had asked the chauffeur to be at Manoir Tregont Mab by 7 PM, the start of civil twilight during the vernal equinox, which would give them plenty of time to get to Pointe du Raz by nightfall at 8:52 PM.

It would be bitterly cold and windy at Enez Sun, so Gaëlle put on her black Lululemon cold weather leggings, long sleeved top, fleece vest, black hooded Patagonia puff down jacket, and black military style UGG leather boots.

Madame LeCarvennec had her druidess clothes and things taken to the island this morning, so she could travel and fly unencumbered.

Gaëlle walked down the stairs, where Madame LeCarvennec was waiting for her. They kissed twice cheek to check in silence. Then Madame LeCarvennec gave her a quarter baguette, ham, and butter sandwich.

Gaëlle walked out into the drizzling cold and stepped into a black Evoque Range Rover. The chauffeur, a middle aged man, armed and former  1st Marine Infantry Paratrooper, gave her a quick glance in the rear view mirror and started to drive.

They drove  in silence up D783 to Quimper, then D784 east to Pointe du Raz. She looked at the windows at the ghostly landscape, houses passing by in a blur. The seriousness of the situation weighed on her, as she slipped deeper into her thoughts, watching the endless landscape of cornfields.

They pulled into the deserted Pointe du Raz gravel parking lot. The sound of muffled crunching rocks bring her back to the moment. The driver stopped. She got out, and gasped at the cold vicious wind. She closed the door, and the chauffeur drove off. She was alone, in the dark Finistère shoreline.  

She walked down the paved trail towards the Sémaphore de la Pointe du Raz, a modern lighthouse, equipped with the latest in high-tech lighting, electronics, and microwave communication equipment. Then pass the Notre Dame des Naufragés, Our Lady of the Shipwrecked statue, till she got to the edge of the jagged rocks jutting into the Atlantic.

Directly in front of her was La Vieille, a lighthouse built on a rock, to the north Phare de Tévennec, a lighthouse built on a big rock and said to be haunted, and to the northwest, the infamous lighthouse Ar Men, called the hell of hells by keepers.

Lighthouses were classified by keepers into three categories, according to the harsh working conditions: "Hell" for houses at sea, "Purgatory" for island houses,  and "Paradise" for houses on land.

5 miles out, she could barely make out Enez Sun. The island was dark. The residents had left. The island was deserted except for the nine priestesses. Gaelle jumped into the air, placing her hands to her side as she picked up speed and altitude. The wind was blowing hard, forming white caps on the waves below.

She saw the bonfire, outstretched her hands, lowered her legs, and started her descent, landing several meters away from the circle of priestesses. A priestess pointed to a sack with Gaelle’s clothes: a white heavy cotton dress, a thick green woolen cloak, and turnshoe soft leather shoes.    

The priestesses were standing, holding hands, around two standing stones called Les Causeur in a field south of Eglise Saint-Guénolé in the center of town. Gaelle watched as they chanted and swayed rhythmically as a group. She knew from her days as a priestess, she could not be part of the circle, as the individual priestesses gave their power to the circle and leader, the eldest of the priestess, to amplify and see into the future.  

The priestesses swayed, tilting their heads back, chanting, but the eldest, Kermorian, bowed her head, concentrating and focusing her Sight. Images would come into focus, and she could make out their meaning, front the context of the subject or their surroundings. It was up to her to piece together the visions and make sense of what she’d seen.

Kermorian dropped to her knees. Her head bowed low. The circle stilled and quieted. Kermorian spoke, “ I see her. She has returned to Paris. She seeks her mother, to bring her back. She had killed many girls and many more will die to resuscitate the mother. She is manipulating men, and one in particular, to unearth her mother. That is all that I can see this night.”    

Kermorian, fell back on her ***, exhausted from the vision. Her second attending to her. The priestesses broke their circle and gathered around the fire, breaking breads, cakes, and drinking wine.  Kermorian weakly got up and walked to the fire, sat down on a cut tree stump and stared into the bonfire.

Kermorian spoke, and the priestess quieted. “She is back. Our sisters in Čachtice had been watching her. It is clear why she is back. To resurrect her mother, whom the French archeologists from la Musée Carnavalet are excavating her coffin.”

Kermorian waved Gaelle to her. “You are the closest to the archeologist and the mother. He will lead you to the daughter. Only then will we know how to deal with her and how to stop her from resurrecting her mother. The mother is the one who decimated our people. She must not be allowed to return. When the archeologist removes the iron stake through her heart, and the daughter feeds her blood, the mother will resurrect and seek vengeance on our people.”

Gaelle knew of the horrors the vampires had wreaked on her people. The systematic slaughter most of the druids, priestesses, vaters, and bards, killing the leaders, dispersing the followers. She then killed the men, so no fields could be tilled, gamed hunted, or women and children protected. They died by the thousands, the luck ones were taken into slavery by the Romans.  

The Celts abandoned their cities, dispersed, and hid deep into the forest of Europe. Our people hid in forests around Rennes, Broceliande, Quimper, Carnac, and Armorique.  

The Celtic culture was slowly forgotten and replaced by Gallic, then Roman, and finally French.

A small group of priestesses and druids were able to **** and stop most of the vampires. The others fled Europe, going deep into the desolate and savage Ural mountains, where they stayed until now.

The Christians and their new ways dismissed vampires, fairies, and magik even though their Holy books spoke of Lilith and her sisters in the garden of Eden, succubi, and magik.

Gaelle had seen excavation, the coffin, and Gerard. She’d gotten close to him, ****** him, and made sure he'd not forget her.

she better have a ***** cast in gold,
acres of patience and miles of love.

she better have the perfect bikini line,
never a watch tan, but always on time-
had a good reason all three times she’s cried.

she better have a blonde squad that defends her,
lululemon avengers,
oh- and they all respect
her relationship with you.
but were something to happen,
you know they’d hop on that too.

she better be dorky, in all the right ways.
tan legs and a t-shirt, loses each time that she plays.

and it’s so sad that you can’t take her out
to the bar or the club,
all those ******* guys who see her and think:
mmm, gimme some!

then I can understand
how you could leave me,
sad, and home allll on my own.
because you’re with Venus herself,
and she’s dropping it low.

but- I can’t think about her,
getting mad, letting out a ****, a burp,
or a big snotty sneeze,
because then it’s not that she’s perfect.

you just didn’t want me.