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"loiterers" poems
We are not survivors. we are residue. the soot that lingers on collapse's last tongue. entropy's loiterers— spiteful, unfinished. neurons in feedback. systems with no gods. the architects left when the scaffolds imploded. we cradle their blueprints like scripture in ash. rebuild? with what breath? with what myth? our dreams are famine-shaped. nirvana is a severance package. emptiness sold in velvet robes. a silence that never asked about wreckage. so we sharpen our vowels. scribe ruin in elegy. chant hymns for dead logics. leave witness marks in the marrow of this glitch. we were not chosen. we remained.
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May 23, 2025
May 23, 2025 at 4:34 AM UTC
Failure Spiral // Witness Marks
These tiny loiterers on the barley’s beard, And happy units of a numerous herd Of playfellows, the laughing Summer brings, Mocking the sunshine on their glittering wings, How merrily they creep, and run, and fly! No kin they bear to labour’s drudgery, Smoothing the velvet of the pale hedge-rose; And where they fly for dinner no one knows— The dew-drops feed them not—they love the shine Of noon, whose suns may bring them golden wine All day they’re playing in their Sunday dress— When night reposes, for they can do no less; Then, to the heath-bell’s purple hood they fly, And like to princes in their slumbers lie, Secure from rain, and dropping dews, and all, In silken beds and roomy painted hall. So merrily they spend their summer-day, Now in the corn-fields, now in the new-mown hay. One almost fancies that such happy things, With coloured hoods and richly burnished wings, Are fairy folk, in splendid masquerade Disguised, as if of mortal folk afraid, Keeping their joyous pranks a mystery still, Lest glaring day should do their secrets ill.
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2.1k
Insects
power pose in front of the angry men "we're not scared of you" but they should be she spits fire bright from lips she wears matte dark she's digging the perfectly manicured claws into the palms of her hand hands that bring incredible generosity and incredible pain depending on how audaciously you approach her with your alcohol-stenched breath and a body that takes up space but contains nothing of substance aside from liquor of course an empty, angry vessel of wordy slurs and slurred words she knows they don't deserve her tears they should feel grateful to receive even a smirk an ounce of her attention in this economy with the men who untuck their shirts after a long day's work unaware of what the women have been up to is priceless you can't commodify what you can't touch they are not beds waiting for you to lay down on to make your lives easier while you weigh down upon ours her silk sheet skin and the comfort of knowing she will be there at 2pm and 2am this is her home this body is an address it is not your residence loiterers will be fined she will be fine power pose the power grows this is your power prose because mama, you will be fine
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Sep 5, 2017
Sep 5, 2017 at 6:50 PM UTC
mama phoenix
It’s one dollar per load Wednesday and Time move’s slow at the corner of East Clinton Street Where under dim flickered fluorescent lamp posts Tricks tossed in bottles than splashed back in flasks Flung to back pockets of loiterers at the Laundromat, Seems to be a prized accessory of the regular. The regular, leans on washers with leather skin wrinkled wrung hung far from healed bones, like hangers hanging loose clothes. With soapy brain, bleached hair matted like a rats She remembers rents way past due, Joey about to come through, and hunger is bad. Fast thoughts surpass the regular She smiles behind me through glass reflecting washers. Mouth full of rotting cavities gleam in the mirror, the sass shuffles outside and lights a red for a change of scenery Waiting hesitantly during weekly ritual Which entails more steps than her walk up the avenue Separating the darks from the whites, like Grandma used to Detergent, unbranded is used sparingly She folds each article of clothing carefully, basking in each minute Diligent about cold wash versus perm press best suggests that for her today life is made easy For the regular, laundry day is a great escape Because fabric builds fast in those plastic baskets basked with sweat saturated dresses for a baby And Joey’s boxers Today the regular can transact funds to feel fresh, dryer warm complacency in jean skirts plagued with rhinestones Costumes crafted to endure weekend sin At the corner of East Clinton Street, those who do not feel like feeling when dire deeds did ***** cheap lose meaning; come here to worship or cleansed Meaning, I can’t seem to haul this hamper of laundry laundered with various v-neck tees tainted by poisonous stains, regretfully sunk to the bottom of cotton follicles It’s too heavy to toil with
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Jun 9, 2014
Jun 9, 2014 at 11:22 PM UTC
Confession
It’s one dollar per load Wednesday and Time move’s slow at the corner of East Clinton Street Where under dim flickered fluorescent lamp posts Tricks tossed in bottles than splashed back in flasks Flung to back pockets of loiterers at the Laundromat, Seems to be a prized accessory of the regular. The regular, leans on washers with leather skin wrinkled wrung hung far from healed bones, like hangers hanging loose clothes. With soapy brain, bleached hair matted like a rats She remembers rents way past due, Joey about to come through, and hunger is bad. Fast thoughts surpass the regular She smiles behind me through glass reflecting washers. Mouth full of rotting cavities gleam in the mirror, the sass shuffles outside and lights a red for a change of scenery Waiting hesitantly during weekly ritual Which entails more steps than her walk up the avenue Separating the darks from the whites, like Grandma used to Detergent, unbranded is used sparingly She folds each article of clothing carefully, basking in each minute Diligent about cold wash versus perm press best suggests that for her today life is made easy For the regular, laundry day is a great escape Because fabric builds fast in those plastic baskets basked with sweat saturated dresses for a baby And Joey’s boxers Today the regular can transact funds to feel fresh, dryer warm complacency in jean skirts plagued with rhinestones Costumes crafted to endure weekend sin At the corner of East Clinton Street, those who do not feel like feeling when dire deeds did ***** cheap lose meaning; come here to worship or cleansed Meaning, I can’t seem to haul this hamper of laundry laundered with various v-neck tees tainted by poisonous stains, regretfully sunk to the bottom of cotton follicles It’s too heavy to toil with
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25
Stringent to lilly livered Toxic if afraid, galling to goers Who thrive on being brave, Enthralling to observers Who see finer tones, And fatal to loiterers With shrapnel in bones. Loose lips in the war zone An anathema to we Who strive for control In adversity. Loose lips in the war zone A systems relapse, Which preceeds establishment's Rapid collapse. Marshalg @the bach 11 May 2011
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May 10, 2011
May 10, 2011 at 6:38 PM UTC
Loose Lips in the War Zone
“Beyond the Last Lamp”                             (Near Tooting Common) By Thomas Hardy                                  I While rain, with eve in partnership, Descended darkly, drip, drip, drip, Beyond the last lone lamp I passed                  Walking slowly, whispering sadly,                  Two linked loiterers, wan, downcast: Some heavy thought constrained each face, And blinded them to time and place.                                 II The pair seemed lovers, yet absorbed In mental scenes no longer orbed By love’s young rays. Each countenance                  As it slowly, as it sadly                  Caught the lamplight’s yellow glance, Held in suspense a misery At things which had been or might be.                                 III When I retrod that watery way Some hours beyond the droop of day, Still I found pacing there the twain                  Just as slowly, just as sadly,                  Heedless of the night and rain. One could but wonder who they were And what wild woe detained them there.                                 IV Though thirty years of blur and blot Have slid since I beheld that spot, And saw in curious converse there                  Moving slowly, moving sadly                  That mysterious tragic pair, Its olden look may linger on— All but the couple; they have gone.                 V Whither? Who knows, indeed. ... And yet To me, when nights are weird and wet, Without those comrades there at tryst                  Creeping slowly, creeping sadly,                  That lone lane does not exist. There they seem brooding on their pain, And will, while such a lane remain.
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Oct 8, 2014
Oct 8, 2014 at 1:18 PM UTC
“Beyond the Last Lamp"
“Beyond the Last Lamp”                             (Near Tooting Common) By Thomas Hardy                                  I While rain, with eve in partnership, Descended darkly, drip, drip, drip, Beyond the last lone lamp I passed                  Walking slowly, whispering sadly,                  Two linked loiterers, wan, downcast: Some heavy thought constrained each face, And blinded them to time and place.                                 II The pair seemed lovers, yet absorbed In mental scenes no longer orbed By love’s young rays. Each countenance                  As it slowly, as it sadly                  Caught the lamplight’s yellow glance, Held in suspense a misery At things which had been or might be.                                 III When I retrod that watery way Some hours beyond the droop of day, Still I found pacing there the twain                  Just as slowly, just as sadly,                  Heedless of the night and rain. One could but wonder who they were And what wild woe detained them there.                                 IV Though thirty years of blur and blot Have slid since I beheld that spot, And saw in curious converse there                  Moving slowly, moving sadly                  That mysterious tragic pair, Its olden look may linger on— All but the couple; they have gone.                 V Whither? Who knows, indeed. ... And yet To me, when nights are weird and wet, Without those comrades there at tryst                  Creeping slowly, creeping sadly,                  That lone lane does not exist. There they seem brooding on their pain, And will, while such a lane remain.
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43
To drop the latch and your belongings, to say 'put down tomorrow's feat, put down the tune of yesterday, put down what calls away your attention from the endless breadth of now' - to drop the latch and slot the key neatly in and not be reminded of the worst *** of your life, to look down at your shoes and not be in a montage flashback of every game of tennis last summer when each stroke was a delayed rebuttal from arguments before, the manly swipes, the posed sliding on asphalt, the gathering of ***** found sunbathing with the brown baking weeds, to run a mile and feel every jolt and not imagine a face to run from, and not pretend there is an amalgamated idol of petrified lovers just past the traffic lights, to not invent telepathy and play it like a game, reading the negativity in the loiterers outside the post office across the road. To see a mirror and forget to ignore it. To watch the face in perfect humble clarity, to see it as a friend would, to say okay on a daily basis to the eyes, to see for the first time their glory- colour, to be okay without repressing, to drink a glass of sauvignon blanc without accompany on a Thursday morning because the work rota allows the luxury. To turn the television off. to back into the night because you must, to back into the night so you cannot ***** your way with hands, to keep reversing and to watch what you pass and to only stop when necessary, and even then not for long, and turn around and give thanks to walls and tripwires-- in the morning, with nobody there to know, to take off all your clothes and then that final layer, to be devastated by the contours of another's, though it may be only memory, to be distracted by a speck of thought and start again, to be one day older and to never age.
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Apr 4, 2014
Apr 4, 2014 at 1:04 PM UTC
Knowing Knowing
To drop the latch and your belongings, to say 'put down tomorrow's feat, put down the tune of yesterday, put down what calls away your attention from the endless breadth of now' - to drop the latch and slot the key neatly in and not be reminded of the worst *** of your life, to look down at your shoes and not be in a montage flashback of every game of tennis last summer when each stroke was a delayed rebuttal from arguments before, the manly swipes, the posed sliding on asphalt, the gathering of ***** found sunbathing with the brown baking weeds, to run a mile and feel every jolt and not imagine a face to run from, and not pretend there is an amalgamated idol of petrified lovers just past the traffic lights, to not invent telepathy and play it like a game, reading the negativity in the loiterers outside the post office across the road. To see a mirror and forget to ignore it. To watch the face in perfect humble clarity, to see it as a friend would, to say okay on a daily basis to the eyes, to see for the first time their glory- colour, to be okay without repressing, to drink a glass of sauvignon blanc without accompany on a Thursday morning because the work rota allows the luxury. To turn the television off. to back into the night because you must, to back into the night so you cannot ***** your way with hands, to keep reversing and to watch what you pass and to only stop when necessary, and even then not for long, and turn around and give thanks to walls and tripwires-- in the morning, with nobody there to know, to take off all your clothes and then that final layer, to be devastated by the contours of another's, though it may be only memory, to be distracted by a speck of thought and start again, to be one day older and to never age.
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48
Over three hours highway view, Sitting idle wanting to feel new. Grasping for solidity, pining for the water, The dirt, the rocks, the firepit, the Father. This place, we say, holds the essence of Christ. No other place has ever sufficed. Acceptance is guaranteed, cliques are void. Never leaving is a thought that's been toyed, A thought that's been considered and desired. When we commune, my heart's set on fire. God's touch, his presence, his love, is within these borders. The day we leave, we act like loiterers. Longing to stay, to love, to praise, To be with each other and encourage always. Social networking attempts to keep us connected, But nothing is equal to what that cross did. The cross is a symbol, not only of Jesus' death, But of community, of oneness, of the Spirit's breath. Each visit to Heaven is filled with tears, Reminders of memories shared over the years, Reminders of pain, prayer and friendships. Words of love and thankfulness breeze through my lips. This ground, I swear, is full of grace! Heaven on Earth, my favorite place.
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Feb 4, 2014
Feb 4, 2014 at 11:20 AM UTC
My Favorite Place
I want to sit on the banks of the Xi Jiang Even if I am not connected to it in any way, Yet. I want to follow the west wind Go to shadowy depths of cities, toss up ideas on mankind- To opine about messages secretly received- opinions we’ve debated and have Yet to. I want to go where the lake has dried Giddy when I dream of dropped treasure left behind- value, poor loiterers have Yet to find. I want to seek orange rinds And follow them through the journey of tossed away remains Protectors once, you know, in times of yesterday I too have lost and have Yet to preserve a place. I want to peak through broken venetian blinds Spy on sneaking criminals and discuss intentions See how motives coincide They entwine and have Yet to preserve a place to fit in. Where they are exactly how they perceive themselves, no chagrin But, where they’re also still dreaming.
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Jul 28, 2014
Jul 28, 2014 at 1:12 PM UTC
Still Dreaming