SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.
Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in

CHILD of the Aztec gods,
how long must we listen here,
how long before we go?
  
The dust is deep on the lintels.
The dust is dark on the doors.
If the dreams shake our bones,
  what can we say or do?
  
Since early morning we waited.
Since early, early morning, child.
There must be dreams on the way now.
There must be a song for our bones.
  
The dust gets deeper and darker.
Do the doors and lintels shudder?
  How long must we listen here?
  How long before we go?

The night before I killed myself I tried to sleep but couldn't. The mantle clock sounded second ticks long-handed. Loud, long ticks.

I climbed up on the roof. Sat on shingles layered in leaves I'd promised but never got around to blowing off. The neighbor's cat stared at me across the way. A look as empty and weightless as I felt. She meowed one plangent note before she left me there.

Dark mistletoe hung unused from lintels long ago. You and I we stood there not sure of what to do.

The night before I killed myself I built a fire. Fed it the notes you wrote.
Declerations of love turned to ash without protest. Your pleas were next, their ashes floating up in black and white.
Columns of supplication falling cold and grey.
You never want to see me again; I saved that one for last, just as you did.

The night before I killed myself I searched my contacts. Only a few remained and still it felt crowded, filled with intimate strangers who'd stopped calling long ago. I tried to count the people who might care, but I came up empty handed.

The night before I killed myself the moonlight spilled on lawns manicured through quiet dedication only suburbs can posess. I enjoyed it once. Now the silent solitude I sought ran screaming, chased by racing thoughts and guilt I could no longer place.

That night I tried to tell myself to live, while the last lights flickered in my eyes. Ash is what's left when the fire dies.

Just a cool stone falling from the sky. A parachute smoking Parliament Lights coasting the real world that was passing it by. Coaxing a kettle to observe kashrut law but tamely give it time and it'll start handling the swine in the huge sunlight of Williamsburg's Southeast side. It will learn to pedal its parlor tricks in order to survive.

The tabloids had the story neatly bundled up with a news team in their 3-floor flat. Bubble-wrapped and packaged with plastic. Two new reasons to draw a truce to the agonizing and circuitous chasing of the playground muse. Beautiful warmed cerise porcelain skin intertwined by the golden threads worth never ever choosing to blink again. Beautiful like imaginary childhood sword fights among the assurance of our towering grandparents. Beautiful as the vintage polaroid blur of a person whose city slept itself into the sea. She slept herself into the sea.

From the sacred realm of the many desk drawers, lintels, cupboards, and closets where so many objects of misdirection, confusion, and memory appear out of 25¢ rings, faded business cards, nameless sentimental must-haves, four or five photographs that are never looked at, three or four leather cuffs, brass knuckles, a sailor's compass, 12 cigarettes, and two empty cigar boxes of stuff that is home to even lesser known finer sentimentally necessary stuff.

The commoner takes no notice of these fantastical theorems or the promulgating tantrummers in the sweaty cobblestone streets where in the sarcasm of a daydream, he the dreamer sleeps here yet he's awake in July the Fourth, Eighteen Seventy-Three, Independence Day or though it would seem. The narrator who is played by Humbert Humbert constantly fidgets with a steel 6-shot revolver, he drops it multiple times while his eyes are stricken with the brightest shine from the sheen off a knife in the hands of the stranger's while he shuffled and whined.

Inside the shells of flightless birds there are always the tormented ears echoing the screams of the children that they hurt. Who will never gait through wild strawberry fields or understand that everything is only as real as we choose to feel.

The bells tolling and gallow stools
Carved by a crisp knife sharpened by a stone flint-shaped among the garden tools
The molded and weak rose like the solid and stolid coveting
The dolorous limelight seekers were sure about the fun settling
The call-in your wake is sure to make you disagree, subversively
Pretentious till it leads me into ruinous states, with each verse
Troubled and telling about the stoic salacious dread, of your *******
The sins and arresting rebels brought you minister and spirit
The apologetic and shrieking in their walls their apologies
Am I the only one, who thinks
They don't change their disposition
Time I'm tearing you up into fragments
My stories are getting caught up in their endings
Caught by the hook of standing on the ceiling, rear-ended
The knee-deep hell, mountain high harp, what the ****!
Reelin' and rockin' in heaven, indeed purgatory calls your bulls and porgies
Greed and corporeal blood and recipe for dreadful disaster, and luck you yammer about out-and-out too
It's in your flesh and bones, ****** vain too
Feels like time is slipping and sliding out of my oval face and hateful hands
The friends you seek to hold you when you're ready?
Blows, busy days, France in its hey-day had some passion rather saints who come marching in
Are you ready to read your death in the newspapers, when your stomach lurches like holes in the air
Or here from storytellers like a burnt legacy, in the papers that herald flying guns and leveraging politics
And hate, rising with the ashes, the education burning blue like a phoenix
Apogee, really, after so many a doubt and clusterfuck of redactions, I'm ready to learn about counted visage among the many faces on a business street
About my attraction to nature and fantastic reality, I'm jumping with joy
But, smaller than the cosmic bubble that keeps us from dying
I can tell no one, this is our one and only time with faded humor
You're breeding and you're dying with famished and frayed daughters of petulant sons believing hilarious rumors
I am dismembered much to my won't, the stentorious frolicking reeks around astute anecdotes of my pain of having a name
Even it's a fake one and adopted by pretty old me
The antidote of all this, love and peace, it must be the end of fashion and integrity
Peace and love cradling the waves wandering in mystery
Walking among the feet of trembling rage hungry for power, our love is just an island, but, not the little flower that just matured
If I engender myself, I will be free from being prematurely always on
Smidges and shakes for the collared contingent of successful women
For the one, surreptitiously resting under the invisible sun, sticking out their necks for none
Smack her flesh across till light turns still
The center light pops in expectation of blue days and flooring her money on her mind
On the reeling hail, tying the wrong laces and pushing wrong buttons
I left the hall crazed and surprisingly fully-dressed
Snake-like heads facing away from each other with their smothering hands around my neck
I unhand my royal touch and my license for the cream-crop
Not sure about my violence and clammy hands, but, my old man didn't like it all that much
Handing the trembling papers of my record for another dispensary
The errands that I have to run, I would recommend this to no one
Watching movie reruns and playing my new dreams in my trailer park, every time she was the one
Tea and teeming, brink and livid feeling, reelin' with the great high upstart
Cosmopolitans and Neapolitans, I'm probably going play to Jupiter jazz for another meridian of Earth
Red rain splaying like the sand Andalusian like, waving my hands care-free, only to slam my self down easily
Into another speakeasy with a wake-up call and nightcap, dusk till dawn
The day seems brighter and the sun scintillating like the queenie-eyes on the resting sunshine on the iridescent soil
Ecstasy open miles ahead, the eyes lay in peace and capacious lamps full of soul food and meals
Like lamps and little lintels, the coruscating fire makes the colors of the day seem much more real
The tears in Heaven are adjusted for a place in my salvation
Vitriolic, but, mellifluous in it's surmise, you're sure about the music you're hearing
Crouching upon old times like washed memories
Or is it the waters of the ocean afar from snake-like repellent waves of the oceanic dreams
The snake passes by, in the time of your lifeless soul
You were just pacing yourself, the motto is "Always look your prime and best"
They are your true reflection, this is the one and only reflective surface I will attest to, lest I sound sanctimonious
Bo vine and in vino veritas, you're ecstatic about auriferous objects
Sheep and tipping civilization with the conquest of the times, and the same sundial from Eratosthenes that made citadels
The conquest of Troy is any different from the present oligarchy
Librarian of Alexandria, and the Trojan horse of cursed hands mixed with the opportunity
A couplet for a couple of composite numbers is enough to tempt the prime number
In showing up in your  classes brimming with achievers, some students among them
Eratosthenes' sieve is diligent work on simplicity, so yes, whoever reads this, the wake-up call is not a snake bite
This is Stoicism, and poetry is stoic writing cannot be duplicated
The moral could be looking at hopeless dreams, helplessly
Just passing by without shedding any of it on your probity

In twilight sounds of Louis Prima,
I blast the clouds of milky *****,
Loosies falling through  cracked plastic casings. The leather race.
The skin race. Mother Goose's shoes gave me a ******* for starving
Innocent women children- how I love
All. The lintels excisions' forgiven,
My libations intended for an astronaut of solemn jazz solos.

Puking narrative, out a gentle cough gives way.
To the colors of Mars candy bar caramel coatings. How we gloat.
Glowing of paradigms, distraught by the quiet ring of the cup & string.
Earned from an evening of perfervid pervert cacophonies
Often where I where the shoes with backs cut from shreds,
I know have uneven shreds. The Dead plastique of alligator cleats.

Ichbarken, lucifers *** drawings of Darwin, making alive the living Room shackles where I pack backpacks of narrow-minded princess Girlfriends, and I
Trespass reason for every hedonistic reason I please.
Whilst I onward huddle(belly out) guarding the Heraldic heretics of
Every disgruntled guilty Jewish mother- hands and toes I nibbled on.

My name is The Bill, and I am fasteeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee­eeeeeeeeer than goblets of lye which decompose wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww­wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww­wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww­wwwwwwwwwwwwwwww

Departing life, grandeur of elysium. Daylight and strife.
Mid-minimal ocular display, see it if you do.
The ****** morale is scaly and prickly as coral flowers, within
The rut of cornery blossoms, ransacked by pronghorns in rut.

America, corner of the second century. Title of the thermopolium and its Lintels. Chests of coals from where fox kin stuffed goose meat and wild fowl.
Anchors us into the Earth. Salt vibrations echo through narrow thickets of Grazers. Undulates flaunt urea on every cleft of green, this shelf of plateau, Any gall stone thrown this way or that way.

Underneath the hours, under nine, we sample ginger and sugar snaps under Our tongues. We race, like royal rats, through the timbrels, down the trail, Out into the outer-woods, down the ravines, up through the terrace where The hedgehogs go, and out to the quay and rills where father fits the stream With his string laps and lanterns. Margaret loves roe while I can barely stand Anything that breathes underwater. Except for the sharks, I am crazy for Them, how there quill-like teeth paint me into oblivion and my amazing Flight for death.

Mommy hates the subway, she says it's gritty and for trollops and beggars, But I say it's an adventure. We have our own tunnel, and George comes with us too. I wonder if his daughters in Cropredy come too, or if they have to. And papa taught me to listen for them. 1-2-3-4-5 CRASH!! 1-2-3-4-5-6-7-8-9-10 BOOOM!!!! They fly over to us, from France papa says. It's the Germans he says, "but by '45 it'll all be done with, America can't keep its hands out of our pockets, and when they come everyone will go home." And I ask him,"Even George, even George will go home?" And so he told me no, not then. Not ever really.

“The brightness of the Zsablas came from the night sky, then began to fade at the end of the onslaught of winter first, her skewer has discovered her by comparing her current situation with what she had before when her light began to dim. They all look at her and attack with all her strength seeing the shine of the dazzling sword as great Heroy Ukrayiny. The bizarre were taken with visible return light and with arms attached to each other already fallen with their fingers on the hammer. The images reveal changes that occur in its star when seeing the breaking of its vain flood of flash, both in brilliance and in an apparent way to grumble from the peaceful pair of providences on the legs of the cavalry advancing without pair, nor stopping of escalation that occurred after the Bucha massacre. Four hundred corpses have appeared at the Kramatorsk station, such Soviet missiles killed more than fifty citizens of Volodymyr, such Those 48 words shocked the world”

Ellipsis Kramatorsk, April 13, 2022, day 48 of the invasion. Volodímir speaks: "Children, your mother will take care of you at the time of the great Mikaiyáh to bring you the divine grace of accompanying you with the Abba Pealim, who will embrace you like a calf in her lap, tearing himself apart from the loving mystery for your lives for when they all fall embraced"

Olena says: “My beloved sir! I know that at this time there will be the same oratory that we can be worth for your ineffable courage, for the court, and cultivate passion with the Polish Zsablas. Here you can feel your thundering through the mountains and valleys where we used to notice the unknown world, eating delicious Vergun and Babka in their warm houses. I will never change my verdict having met you at the Besarabsky festival, you approached and made the united noise of my outfit with the white coming of dawn and all week when it brushed against its worn floor. From now on, renowned as my alba skirt clothes, offer your smiling eyes with tunics and cloaks that dazzle those who celebrated electing me as princess of the harvest. Nothing else would make me be just your look if it weren't for the Albacete of my house with the parents. My hairstyle was adorned with rodents eating our bodies and outstanding ruby spikes of celestial falcons with Albi-yellow flags dazzling your company, settling in the front crown..., always your Olena at the highest altar next to Mikaiyáh.”

Volodímir modulates: “My children, life will continue to be good, I have you in my prayers where no compensation will change drug compounds for the ingenious desire to have you close to me as hussars and their Zsablas. I have been reborn, I continue to feel my flesh and body on fire for you. I know that in Mariupol I will pacify attire, ****** attachments will not stop moving my legs to offer your help. But I will not get tired of moving against the sun and against the wind, of everything that I violated one day by seeing them between their open eyes hoping to help them. I will be with you, until the end, even if plundered forces profane illustrious missions beyond all life and bad outcome. In the silence of your calm words, the next day I will continue to exist with meager and magical words to the beat of your seasoning.”

Parable Bogdan Khmelnitskyi: “perceptibly saw how the sky of Kyiv was crossed by heavy metalloids of bronze, tin, and acrobalistics; for the cavalry and six warriors who used to ride on the roof of the Záratos appeared, belling with sounds in their acroteries. In these episodes, twelve swords were multiplied in advance by thousands before the palace began to be built after its ruins. They were dimensions of relevant victorious cavalry and virtual foundation lines to rescue the Heroy of Mariupol. Acrostics will pass through the steeds of Thessaly, riding on the palfrey of the Polish Winged Hussars, charging twelve wings of cuirassiers with twelve horsemen in adjoining halos of heavy cavalry at Katyn, lying abducted by a parapsychological and circum-regressive ellipsis of the 1939 event in Poland. Each rider was strung in blood with golden wing feathers from a Raptor game bird. Each of the wings carried the curved Szabla saber, to tacitly cover up oppressors and intruding musketeers from the hearth of the armory of the hypothetical or unknown enemy, but an outsider assaulting the flanks of the rooftops in the Mariyinsky Palace…, virtual of Kyiv. , using Kopias or pikes that concocted impetus as deadly resistance of the lineage betrayed in Hellenic, London, and Berlin museums. The roof pointed to the southwest where the light of Orion was reflected by the aerial forms of the Orfeón de Azov, riding over the high seas with votive offerings or offerings of Cyclamen and Red Poppies sifted to Silbones and Spoonbills birds that flew majestically in the nomadic rhythm of a Rhapsodas, coffering with epic elegies of Mariyinsky, and of those revived venerable triumphs that stretched out from the banner of glory and bed of the epiphany of Ukraine with the brave victors.

Rhapsode proclaims thus: “In Katyn, Polish Wings and Golden Woods with Red Poppies, adorned Bellis Perennis in twelve thousand rags of our steppes harassing their moan in blood offensives, framed in great chapters and threshold lintels in their mounted war. There were twelve thousand red poppies burning from the executory pilaster near Smolensk.” How much must he get fed up with the Polish cavalry of the 17th century, when he glimpses barbarous sounds in the temple that approached them to the altar of the Virtual Palace, showing off an acquiescent ceremonial and lifeless aristocracies, with living needy and vanquished mortals who posed in the rear of twelve thousand officers slain in the Katyn Forest assisting nine thousand of the slain in Mariupol, like gallant gentiles and medieval men of the contemporary untimely invasive. Here in this place, the winged horsemen with puffs went by their destiny to be sacrificed in steel quilts that galloped on their heads protected by brotherhoods and Hussars who protected them with Tiger and Lion breastplates with their retracted claws. Bogdan Khmelnitskyi watched in the virtuous image of him as winged medieval specimens protected the frontispiece of the palace in bullets of super-existence, fear, and historical trance. Here on this ground each one of the officers was aided by each 17th-century Polish cuirassier with ferocious wings, they were making their dying honor and glory with those similar, twice right there inequality and interwoven misty discrepant blood executing with apocryphal witnesses that covered them with sinister appearance, overflowing evasion and truce of bodies stained in mourning with disconsolate blankets carrying scattered red poppies adjoining a naive defenseless forest. About exalted memorandums, secrets, and epithets they felt in the tears of Adrastea next to Mikaiyáh.

Eagles of Kyiv will go to act of the spell of Didraskein, where no Slavic invaders and lethal punishments will be spared. The nymphs procreated their kind, the Slavs would drown in the cries of cuirassiers like Didraskein, before sobbing in platitudes of foliage and rotten hopes of those who hit them from behind, for a little water wasted such as heroes of Katyn. Here neither Cronus nor Mother Rhea heard them, only Adrastea avoided the cries of men-children and of those who atoned for her back, unburdening them from the foliage of the Didraskein with tears of lumpy mercury. Volodymyr's steeds rise carrying the curved Zsabla, before each one is shot in their heads as twelve thousand Winged Riders caught in each Zsabla plus nine thousand immolated from Mariupol, sacrificing them before they were killed from the waist of their head lost in loved ones, not being expired by ammunition, rather by sabers of honor and glory of their own winged protectors that would lead them by sharp weapons towards the holocaust surrounded by red poppies. “The red fog of the forest carried the souls of the Hussars by passing them through the sabers of their compatriots before they were immolated by Soviets, in this way apostolates and souls would be catechized by Zsablas in dyed airs of Red Poppies converted into the breathed air of the heroes of the Katyn Forest and Mariupol, seeing themselves redeemed by the 17th Century Golden-Winged Riders of Poland and Adrastea”

Bogdan with the immensity of voices and epithets heard Adrastea, she differed from volatile metal sabers, and explosives present when they went out in the crooked armor of Polish and Ukrainian beings, in a rear that Volodymir finally settled with the weave of the immaculate suspended habit of twelve thousand Red Poppies crossed by their forehead before being shot in the cortex, and occipital lobe forging with transvestite golden sabers, and cenobites that received them in the arms of the sublime stench of the effluvium of blood and hosts of nine thousand from Mariupol, never left and desisted from the bubbling figure of the acroteria near Mariyinski, idem to the Katyn Forest itself, surrounded in a string of the Rosary that was dazzled with Saint Sophia adopting them.

Fourteen vibrations of enthronement polarized from Volodímir instantly to his brother Bógdan, making filial gradation in the possible conception of cult and death who is suspended from one to the other under a damning accent of past lives. It is typical of the facsimile of his own genetic shadow, perhaps of Sem-Asur, who finally come together as blood relatives of the same Orbis Alius trunk. Rejecting not accessing Asur (as a healthy creative mind of Genesis) as an energy that could be restructured in any homologous of the world of Asur, as the son of Shem of Genesis..., as compared and inter-generational real mythology, pronouncing and enlivening in metaphors of the enchantment of what occurs in gender similarity or Mental field. The compensation and intemperance of living matter refer to the simultaneous undivided of each civilization as a phenomenon devoid of hearing and inclement winter periods. Here the outbreak lies cloistered in Menatira, daughter of Cránae, Queen of Eleusis Pro-Ukrania; such as a fluff of respite convulsing in both steppes of silence and hundreds of years B.C. prophesying to send aid to the victors of Volodymyr, Olena, Bógdan and the heroes of Mariupol with the Zsablas of Mikaiyah.

Time again
to notice things

glad galaxies
of primrose from
the window of
a taxi going back
to where I started..

to seek
the sound umbilical,
Spring lintels
at the hinterland

symbolic
of a simple need

returned.

Like a stranger in is gloom, reveals the blood from his knuckles,
And the runnel filled of sludge, covers the sides of its bucket,

The maggot carnival maps out the lines of the fox
With its skeleton unhooked it creaks like an antique grandfather's clock.

Whistling Old Mother Goose, with lintels bare like Mother Hubbard,
Kept quite neatly to herself to hide away her brimming cupboards,

And a risky little boy disobeys his father's orders,
To take a chancy feral ride on the feet of its horses.

For every penny that you throw there is a wish to be on order,
But when it comes you'll never know, since coincidences are difficult to uncover,

Each speck of light from the every bird that takes in flight,
Holds the wings with its might, crossing rivers in the night.

For every marten that touts its prize,
A fledgling mother has tearful eyes,

But to a supper full of crickets,
Isn't half as good as gizzards,

A great supplement you'll know is the faith you uncover,
To the God's that heaven sews, will keep you warmer than any other.

While a plane is in flight you must never pipe or smoke,
Each passenger aboard knows, that every instrument has a fragile note.

So if it's ignorance you hold, please find a different mother and father,
Because in our home you'll know, we strictly keep to order.

But one mistake isn't so bad, as a string of bad behavior,
And it shouldn't be so hard to believe, when you see the bruises on our neighbors.

If I'm getting better
Then, it's getting worse with the times

If I'm getting better
Then, it's reading between bittersweet lines
Serried and sweet

If I'm getting better
Then, it's getting better with my drowning
As I indulge in my ocean of surfing oceans
Repleting the lines and repairing the metaphors

If I'm getting better
I'm here for a good time in a badland with the metaphorical girl
In metaphysical worlds with epistles of compartments
I'm getting better, as the line keeps drowning in it's meaning
It's here and now and in the next line
Waiting for you in the extra mile in a time other than this, at least not ersatz to arson

If I'm getting better all the time
I revisit my poem again on highway sixty-nine
And write one more, in the regretful repose
Adorable and somewhat waiting for your next line
Instead of counting the faults in my words for the children falling on the earth looking for ghostless cars
Trailblazing the streets of Godly proportions, see the letter of red

Hoping they will disappear completely, but, everyone is around here
Everyone is so clear, but, so full of tears for fears sanctifying
I'm conscious of my own fears, I just hold back the glistening tears
It's a real tragedy when people are afraid of the light when darkness drives away the children of the post office pedestrians crossing the mind of my angry streets

We are in the fear of darkness, the plight is just everlasting
Pushing ourselves out of our sleep to dream of peace in our state of mind, often unconscious of what's there in immediate memory
Apologizing politely for what isn't ours to keep even though it is love, serried and sweet like our ghosts
Dead inside, because of these fears and elated harmonic motions of the spies of the motionless stars in Swedish skies dreaming of cinema, crime, and punishment for the dialing phones adding those soundtracks to their lives
Addresses, books, and phone numbers in the booth on an extra mile, waiting for a one night stand to get better knowledge about the road
Finally, we are asking strangers
The right questions, dreaming of centuries
In burnt letters and burning consciousness
Lintels and fireflies all shine in the timbre of the beating wings of flying centuries
We weren't sure of what we were doing was right, we were inventing ways to live the best part of ourselves and finding happiness in rarity
The lives in broken places, and the tears of the greater good, selling ourselves to the punishing attitudes
Optioning for realistic perceptions, and picking them from the payphone
Extra line for the ones waiting for a reception on the cell phone and the mundane conversations turn into romance
If I know love is in your house, then, I'd need the number to your street
Serried and sweet, and the pictures are enough to keep of weird fished out seeds
Love is the flower, let it grow
And these mundane conversations will turn into a passion
Talking of the romance in a time where are timeless clouds and living out our times, pursuit struggling with our free cloud

The night sounds so sleepy peacefully
The standing giant houses mortgaged out, never run out of the romance
We can our ashes in tin-cans, selling them by the pound like tomb-raiders smoking trees
Who chained themselves to bright systems with the brilliance of the first of it's kind
Shadowed blind by the last time, you knocked me out
Do not lose yourself tonight, to the meditated lintels stretched across the stealing vermillion across the dull haze
Waking up to benzedrine, Brooklyn Bridge lies like an etherized patient slightly bleak and bare-naked Brooklyn rose
Forlorn rags in our mouths, dripping needles on arms dripping with blood and sweat
The forked night, fortnight light, studied the looks of people in the sunlight often reminiscent of flickering
Lightning reflected off the midnight hour striking the blind spool
Blind spoon turning the hydrogen jukebox, little by little striking the records joyously
The night sleeps so peacefully like a heroine bombing ballast hue strewn around the kids
Water floods the streets, steely-eyed hypnotizing hypersexual freely eddying around, criminal derelicts born to the greed
Afflicted by the ****, looking for a quicker fix than bar-brawls and cheap drinks
The last piece of adumbrated furniture meditating on the crowded streets, hypnotized by the summer madness
Or the pursuit of a higher road that used to move over us unlike the blindness that was once so welcoming
He said, he would leave us some clothes
He said he will be with us at the end of the road, holding our battered suitcases
He said he will be with us till the end of time as long as it takes
As long it takes?
Immortal or mortal
Hedonistic or purloined
Hero or heroine
We all must die in the end with our virtues and sins
Tell me a story of how you saved us from our sober souls
Praying with fierce tears unless the answer is crystal clear
I can handle the truth if you tell it to me like it is told
Instead of wailing at the end of the road, waiting for our redemption
Understanding us, then why are selling salvation to us in strains of marijuana smoke, oh how wonderful
Bless your knowledge God, aren't we growing with the deaths
Like we growing each day, and I say I speak into the soul like it never knew a mother or a home

Writing poetry, I feel at home pensive again
He writes to me through vultures, scavenging for reading material
He claims piousness to console my will and rest my soul with his wishes

When I see streets of life
In the streetlights of strife
It cuts me like a knife
To see I've much more to go
Than to grow
Realizing life works in the opposite way
At end
I find myself
Growing more
Than the work done behind
In many ways
The modern lanterns
Amidst motel lintels
Seem rather mellow
At first glance
My lady seems ravishing
But the smell of her...
I'll put my life's work
Into a concordant
The frets raise the pitch
Somehow I'm fretting
With my doubts
In life's pitch

The sea was black

What do you get when you mix:
Red
Blue
Yellow?

Primeval opaque primordial mash; marinating the multitude of lifes mass

Energy polarized and divided
Each gaseous faction lurching dredging dense cumulonimbus depths
Exhausting volume's finite designation
Convergent catalyst; cataclysm creation

Brightness bursting blacks truest shade
Ludicrous lashes cascade, unfurling hysterically from crystal prisim shrapnel; struck and shattered

Focused lazer pushing downward; lunging upwards

Coarsing carbons culmination
Ancient artistry; amino acids
Brilliantly binding
Briskly building Romanesque colonades
Lintels streched over arches spiraling into domes; Civilization's ornate chromosomal architecture

Rendering relic reference point by which all will be considered

Rope to ***** the weather, sweet sixteen dreams
The mirror tells we can have some fun in teams
I can't find my reflection anymore, searching in eloped reconnaissance streams
Lassoes in the sky, stealing cars under the starlight standing in strong dreams
Another day in paradise, looking better in paraplegic purging preteens
The electric fuzz on your face touches my standing goosebumps gleam at the ****** seams
Bumblepuppy acolyte turning at the prongs of the tattered road, calling up your Hessian friend and making politics right at the sanguineous pea-brain lean veal after the mob gets out on Russian ruby streets running with honesty
On the other side of the world, where the sun sets and polite moonrock never survive on The Berlin Wall tonight abseiling away sealed away, waiting for the ballot or the ballet
Waiting for the limelight to subside, guts tellin' me to keep my self in lowly mad hatters tied to napes, hundreds hanging by weather reports claps in laughter, descending tents by the brook beaming at us in starry dynamo of the thousands
Losing himself in a lucid dream of what was once the world's reality now sleeping, dead presidents in stygian darkness
Hanging on to the word of the weatherman, crime is rising in Russian motherless children hung for misdemeanor looking for a metaphor, the nation understands and wants to know us
Ukraine leave us from the 1990s, too late the third stone from the sun has taken three turns, we are at the trapdoor
Resurrecting the insurrection, pejorative for misnomers and draconian dead beats sibilant suss
Too bad I see the whole earth, on my body stains on laconic red flags, still fly indeed
Flying in the wind, like idiots in the weatherman's underground cuss dirt into the report sowing dead seeds
Unable to see the sun behind cold clouds in stormy weather, battered suitcases breeze by murmurs talking by-lines and stolen **** in ****** underwear ****** unable to breed
Then, the bombs falling and shifting with changeling wind charred sun under the unbeing reading in the Aurelius light
Thousands in the starry dynamo might outshine us all and the nation can't hold us back and keep us far from the fault in stars
The silver lining in the cloud, puerile virile as lady lying Glasnost to the prognostic benzedrine patient
I've never seen a can in hang in stormy weather
Charting out the Chinaman on the hydrogen shore, communism is on the brink of helium war with itself, viscerally hanging from Tomorrow's daughter
Whipping up the foamy sea like cold ice nostrums thawed in search of the antidote to warm red planets named after Roman Gods
Looks like the sea lord created a thalassocracy for the sea cursed by memos and pastiche, droll parody in the mewling hall of the rebuke of free-prose poetry hanging on the tinkering lampshade
Touch me now, never or now bullish books read the list of people who were once on this winding road just like us shining crummy ******* now in a handful of stardust
Being is tougher than living, and the berserk wind keeps changing
Under forked lightning, it gets worse when the spoon picks me up
In my wet dreams, I'm killing myself hurting to find if you can put your mind to this cornish dream of Cavendish and hashish
Stuck in the stitches, and the ******* don't drip blood and sweat it
Ukraine leave us from the 1990s, too late the third stone from the sun has taken three turns already
Murders on the mystery train, never reach the orient station looking for a whimsical refill
Halting sloth the indolent, I remember redolently like moth attracting to the blazing coruscating gleam, that's when a screaming teen becomes an upstart or a fiend
With an iridescent grin, caviling on the shore asking more from jackknifed business kitsch photos of the crosses
Throwing them in the trash, just like that
Ire of the nation broken with the lugubrious sleep of dinners after the summer's madness, hurt by the locked hearts in an armed madhouse looking at everything like geniuses
Asking what does it mean? Motifs and everything, lintels on the fluorescent signs on numinous streets caressing our wires, hanging by the piano wire
Waning adolescence now has a name in Hades' beard made of fiery pubescence that doesn't wanna listen
Tantamount to the king's orders, ligature marks on the hands that only know cuffs
The que glibly glistens in the lively dungeon
Hosted by bacchanal and mistresses, Elizabeth Bathory in the company of friendly books full of picturesque pedestrians on the streets of angry murders with ****** sleeved shirts
Blackened lackeys looking for a toss of change or pederasty with Countess Dracula
Moloch, you have made my life changeable despite skiffs
Moloch, I hang in the balance of the skirmishes of scorching fire burning at the midriffs
Easter bloc, ropes hanging for whoever doesn't wanna burn in the witch fire, sold for 200 pounds in a dilapidated home, till the berserk wind blows the candle out, old under Tudors that say a lot in a few words about style in art as slavery is merrily rampant
Killing the people, in the name of the republic of 1968 reminiscent of Phoenician Lands, rueful murmurs arouse the twisted looks turning out the traitors
From the rapidly changing wind, that brushes our hair and kills the pain of hanging to our families in bunkers
From the road of hope, I find some affliction in the forgiveness
Of my lord in whom I find breadth, heareth, endeth the breath that lendeth thy will, in the lengths of my souls searching for horizons in Old Earth
I died with my elegy in 1968, the wind still hoists flags in my name in death three years in the latter

I washed ashore on the ripples of my memory
Tipping on the edge on a mortal island
And my mortality seemed greater
The accosted sailor had saved me in a fit
He saw me with a nightlight
I call it a large lantern
Simple really if you wonder how many people
Would never find among the flora and fauna
Understanding the flow of the universe
And I found my peace already
Or I thought it was better than changing my rhyme each verse
That's why the free verse is like this
When you look at the things you observe
But, you miss something in them and the going gets tough
The lugubrious streets are something imprinted
So, I kind of glad that the sailor changed my mind about the reverse
And the fate I had was maybe changed by a Godly act
And my human luck
Or it was just the flow of the universe that I landed upon
And islands were just a part of the metaphor
That was lucidly my life
Liberating myself from these lintels and circumstances, it's hard to forget that ballad
The song of poetic device like assiduous alliteration of the streetlamps
Sequacious sundry of people and the contingent of the serried three
People on a lone boat occupied the place
And burned the forests down to an ashen pile
These sailors had come looking for old gold

As there was not much time to feel sorry
I held back my words and felt I had left the world without words

Lintels and truth
Hotels juxtaposed in the syncopated flickering
Mobile hotels finding their meaning in a portmanteau
Laissez-faire calls for a reaction
Combing through the spring temperament, and passionate loquacity
Counting my words when talking about trash in fashion
Spend on the passing fashion and fester a little ****** peace and penned-letters of good grief from breathless representatives
Hanging from the balance of thought and action, clinging to crippling doubt

Mendaciousness amiss, my teenage
Fillibuster, towards my frescoed haired fray

Etude and capricious aria fawning in veritable aversion
Casting aspersions, with much alacrity

Surreptitiously digresses whilst crescendoing sucre sedulousness
Aspirations forced with petulance and force Carpe Omnia, rather jejune

Creedence clearwater crepuscular Crimean wars, perfunctory indeed
Katydids antediluvian lintels limit ospreys that fly across desires of frost

Dry dreary doth dubious dolorous dunes do much, take me too
Destined to dream beyond dimly lit dimes that count as time
Desired ecosystem

The night said it's peaceful
Said the guy waiting for the sun
I'm hovering with my head about you

The nights are floating, I thrill you and wait for you
The cupped half-time shadows as the sunrays over my sunny head
Useless and lazy as summer on Mars

Rueful and lackadaisical as the cloudy stardust uncountable as the hours
The dreaming of you takes me to June too
Right now it's August inane without sane you

The night said it's peaceful, no surprise
As long as you have a starry sky over your colorful blue
Midnight hue and cry, floating in the hallucinations of the sunny sands

Theremin hypnotism on the radio, I'll tell when the smile finishes as long our prayer broke our radio
I look for you in the static underground, thinking of you as always laughing as always

Your eyes open to a soul that has been mistreated as a tubby baby born on the cygnets in clouds lintels dilapidated crows ******* Moloch
So far it is getting farther from me, closer to flying doves, crying Moloch now over the star-spangled banner

Hallow on hollow men, lady yells from the dream wagon from the musket ride out on the street
Let's shine from shame, hang your shambled daughter
The night said it's so peaceful tonight, hear the high knell from Hightower from the midnight hour

You can handle your music better than your fumes
Fury of guitars, and sopranos better than your human
Humean passion Lemmon calls you out of the some
Like it hot as a wire, to be continued
Broken poetry might be a Luddite
Crashin gon the bed or the funambulist
Of apartment fringes, and the crescent crazed steering little
Lintels of the elementary of the crowd, among the militant
Literary of the eyes that see-through in the clashes among the bright guns
Son of the Brixton feud
Pritchard of the meritorious crowd
I band with their hands
I lend cuticles as I crush my body to write these, free light in your darkest meanest face that sheds light how it is logically demented
Pandering to the meritorious merry crowd, felt better when you are cumulus in the inexplicable ineffable lustrous tame floods
Servicemen, and slaves deal with their infested shy rooms, mushrooms
Ask, speak, service, and bleed out in your pen-appended murmur

Come let us look together at our writing
And how it does caress the world to meaning and to be.  
A word is not just breath, or dark lines on the white:
It is an instrument of conjuring touch; a single feather maybe,
But think what they can do in numbers in the sky,
Or singly, with a smile, when a face is turned away.

So it is with these. And more than that - these ghostly fingers
Take hold to lift together stories by the million;
Shape, lay waste, and seed, and seed again.

To grow stone lintels on a prehistoric plain.
Spell bridges, roads and dwellings  - all the necessary noise of life.

And then bring it back to this small line and time.
That points to what may be.

An inchoate who is looking to get better
In these familial dark worlds, lintels ringing
Freewill, think I am going to be a freedom rebel
Rebel and recuse yourself, the rights are to stand up
To incoherent talk of honesty, with the writs to dictate ownership
Ignorant talk of slavery, when bravery is mercy
Sober and brightening, still waking up to this kindness there-and-that
I've accustomed myself, to writing myself some double-talk
Questioning every thought, the music is mapped out for the greater good
Cutting through the noise, cherishing my moments with tocsins and sermons
I am religiously present, this is talk of dubiousness in polygamy
Why free will when you are forever in this mirror, of dying loathing
Why free will when you are ne'er in this mirror, of sleeping solipsism
Caitiffs cutting through the silver morning, to be glad to drink good times with opulence and ease

There are those children
out your window again,
but I'm trapped over the line
in the seething yellow dusk.

I count the gapped lintels
the next building over,
count to ten, twenty,
it doesn't stand.

I take up post
by the oven to hear
your anger at those children,
those ****** children.