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Johnny Noiπ Jul 2018
I know that girl told u
   her       name was Jezebel
but it's really Tiamat & she's a monster;
   I recognize her face from  
[Neo-Assyrian cylinder seal
                                           impressions from the eighth century BC        
                      identified by several sources
                      as a possible depiction of the slaying
                      of Tiamat from the Enûma Eliš
                      of               Ancient   Mesopotamian religion:
Chaos Monster & Sun God    [Primordial beings (        )]
                 Abzu & Tiamat.                     Lahmu & Lahamu
                                Anshar & Kishar                      Mummu
               The          Seven gods who decree the       
               Other major deities;
               Minor deities,  Demigods & heroes,    
               Spirits &    monsters             of the
                                     [Tales
                                        of                      ­Ancient Near Eastern religions
[Sumerian &            Babylonian
                   In the religion of ancient Babylon,  Tiamat
                  (Akkadian:AM.TUM, Greek: Θαλάττη Thaláttē)
                   is a primordial goddess of the salt sea,
             mating with Abzû, the god of fresh water,
             to produce the   younger gods.
                    She is the symbol of the chaos of primordial creation.
  She is referred to as a woman       described as the glistening one.
                                              It is suggested that there are two parts
          to the Tiamat mythos,                            in the first
          Tiamat is a creator goddess,
through a sacred marriage between salt and fresh water,
                peacefully creating the cosmos
                through successive generations;
                In the second Chaoskampf Tiamat
is considered the monstrous embodiment of primordial chaos;
           Some sources identify her with images
           of a sea serpent or dragon
        [The motif of Chaoskampf (German: [ˈkaːɔsˌkampf], "struggle against
                                          chaos")
               is ubiquitous in global                        myth & legend,
               depicting a battle of a culture hero deity
               with a chaos monster, often in the shape
                                       of a serpent or dragon or beautiful woman;
                                       the same term has
   also been extended to parallel concepts
   in the Middle East and North Africa, such
   as the abstract conflict of ideas in the Egyptian
duality of Maat and Isfet or the battle of Horus and Set

The origins of the Chaoskampf myth
most likely lie in the Proto-Indo-European religion
                                          whose descendants
almost all feature some variation of the story
of the storm god fighting the
      sea serpent; representing
                                           clash between the forces of order and chaos;
Early work by German academics
such as Gunkel and Bousset's                             comparative mythology
popularized translating the mythological
sea serpent as a "dragon."
Indo-European examples of this mythic trope
include Thor vs. Jörmungandr (Norse),
Tarḫunz vs. Illuyanka (Hittite),
Indra vs. Vritra (Vedic),
                                     Θraētaona vs. Aži Dahāka (Avestan);
Zeus vs. Typhon (Greek) among others; Non-Indo-European
examples of this trope are
Yahweh vs. Leviathan (Hebrew),
Susano'o vs. Yamata no Orochi (Japanese) &
Mwindo vs. Kirimu (African).

In the Enûma Elish, the Babylonian epic of creation,
she gives birth to the first generation of deities;
her husband, Apsu, correctly assuming
they are planning to **** him and usurp his throne,
makes war upon them and is killed. Enraged, she,
too, wars upon her husband's murderers,
         taking on the form
of a massive sea dragon; |
                     she is slain by Enki's son,
the storm-god Marduk, but not before
      she has brought forth the monsters
        of the Mesopotamian pantheon, including the first dragons,
whose bodies she fills              w/          "poison instead of blood" -
Marduk then forms the heavens and the earth from her quartered body.
Yash Jan 2020
Tick tock, Slow clock
Piercing sound of Silence.
Disturbance of tranquillity
or is it the silence of the storm?

Eye of the storm
Hands of the clock
Wings of time
Ma'at or Isfet?

Coming of Christ or Kalki
Impending doom or
Time of tranquillity
What tidings do the stars bring?

Frozen, bloodied dove in Berlin.
Blaring sirens of the apocalypse
or news of the red man Gorbachev
which sound will come first?

Carrefour, welcome Hecate.
Blanche´s final invitation or
Lisa´s ticket out of Dissocia
which ride is it going to be?

Sylvia, Blanche, Lisa, Sarah.
Mahavira, Buddha, Moksh.
Time, Destiny, Moirai, Jury
What is the verdict?

So much sound, yet no voice from the trachea.
So much company, yet paint can only last so long.
So many words, yet not a single syllable spoken.
So much, yet none of it.

Storm of Isfet, Impending Kalki
Blaring apocalypse, Final Invitation.
Snip my scarlet line, Atropos.
Slow clock, Tick tock.
This poem is about the unnerving silence and what follows. The poem is a person wondering what will happen next, is it the silence of peace or the silence before the storm?
This poem was inspired by a moment in my life where, in the dead of the night, only the loud ticking of the clock was heard in the entire house.
Yash Feb 2020
Bleeding, missing platelets
Like a fountain, Exsanguination
Carcass, skin and bones left
Bury me, burn me, you better remember me.

Boy, get your paws right off me.
Growl, howl, gnaw, all you want.
Do not defile me. Leave, run for your life
Go face your reflection and scream, monster.

Snaked Nile, blue and white
carry the scratched Sarcophagus
to the end of the world.
Mummified monster.

Relic of the dark past
Monster of today
Destroyer of the bright future.
Don't let him escape, I pray to Horus.

Oh, the divine one-eyed one
heed my prayers.
Isis, guard him like Ra
Fear him like Apophis.

Otherwise, like ISIS
he will destroy your dreams, Mesopotamia.
Possessed by Set, blinded by red
Constrain him before he kills your Osiris.

Swamp, sudden snap. The jaws of Sobek
One monster to the rescue of the other.
Great Khnum, carry the golden coffin to the sea of chaos
destroyed by Isfet or swallowed by the black snake. Keine pflege.

Nephthys. Water, flood him
bury him deep within the death bed.
Vater, Moustached black man
Ich werde dich nicht vermissen.
Just to help understand this, this poem uses a lot of Egyptian mythology references and the end of the poem uses german words.

— The End —