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"heartsickness" poems
it's one o'clock in the morning and it smells of drugstore perfume, daisies mixed with something attempting to be sweeter than sugar when its truly salt swirled together with arsenic and my vapid feelings. it's one o'clock in the morning and it feels like static, like the fuzziness on television screens and the sensation of the wires in my brain snapping from this exhaustion that was never there till i gave up on the phantom innocence i'd been clinging to in the hopes it was still clinging onto the shreds of clothing at my feet. it's one o'clock in the morning and it looks as though everything has been painted monochrome. it's a series of hazy greys and blurry whites, but it's mostly a black delved so dark i can't see anything through it; it's not transparent enough to even glance at the stars blinking down toward the earth because the nighttime won't let me see anything but mysteries and untouched memories. it's one o'clock in the morning and it tastes like blood, so much blood. there's metal on my tongue and it's everywhere because there's no knife anywhere, just this transpiercing pain in my stomach and my lungs are being sliced open and the gore of my guts is spilling onto the tile floor and there's blood covering my hands and my face is cracking against concrete and i'm puking rainbows again and it tastes of heartsickness. it's one o'clock in the morning and it sounds like nothing. it's the kind of nothing that everyone notices: the breath that stops when one gets the news that their loved one is leaving them for good, the nothing after a performance that's left everyone contemplating the universe and love and whether i actually want to live at all, the silence following the coffin being shut. it's the nothingness of sobs and heartbreak and death. it's the sound of loneliness - particularly mine.
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Oct 1, 2014
Oct 1, 2014 at 7:51 PM UTC
the five senses at one a.m.
it's one o'clock in the morning and it smells of drugstore perfume, daisies mixed with something attempting to be sweeter than sugar when its truly salt swirled together with arsenic and my vapid feelings. it's one o'clock in the morning and it feels like static, like the fuzziness on television screens and the sensation of the wires in my brain snapping from this exhaustion that was never there till i gave up on the phantom innocence i'd been clinging to in the hopes it was still clinging onto the shreds of clothing at my feet. it's one o'clock in the morning and it looks as though everything has been painted monochrome. it's a series of hazy greys and blurry whites, but it's mostly a black delved so dark i can't see anything through it; it's not transparent enough to even glance at the stars blinking down toward the earth because the nighttime won't let me see anything but mysteries and untouched memories. it's one o'clock in the morning and it tastes like blood, so much blood. there's metal on my tongue and it's everywhere because there's no knife anywhere, just this transpiercing pain in my stomach and my lungs are being sliced open and the gore of my guts is spilling onto the tile floor and there's blood covering my hands and my face is cracking against concrete and i'm puking rainbows again and it tastes of heartsickness. it's one o'clock in the morning and it sounds like nothing. it's the kind of nothing that everyone notices: the breath that stops when one gets the news that their loved one is leaving them for good, the nothing after a performance that's left everyone contemplating the universe and love and whether i actually want to live at all, the silence following the coffin being shut. it's the nothingness of sobs and heartbreak and death. it's the sound of loneliness - particularly mine.
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The romantics quiver before beauty. Charmed in alarming ways. Does such an asset have a fatal flaw? A longing at all costs. Perhaps the beauty of the character changes on its environment. Stringing bones together. As for fate, a cruel short distance to arrive, perhaps the actions is not random. Immersing yourself, in daily life. Just to be plucked out and placed into obscurity. Some understand their own hearts, rolling over into their character, defeating flaws and killing fear. For now, you’re alone in a world you never made. Lucid heartsickness. Learning now, why one would crave true beauty in another’s character. A life without that soul bearing love, where poems bragged about, is not worth living, unless it’s a passionate life, wild soulmates. Grief pounding, losing attributes, such as insecurity and gaining contentment gasping meaning. Finding love, a strange waves of awe and personal awakening. (knowledge variable)
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Jun 8, 2018
Jun 8, 2018 at 8:20 PM UTC
DIP - Love
In the beginning there is burning desire, Pleasurable pain and incessant thudding against omniscient walls Love burns bright with the glow of ethereal passion As lovers trade scents and nail marks and scars The days go quickly with patience and calm And the nights go slow with ignited libido As sweet and sticky honey flows expeditiously from a jar Suddenly the serene beginning ends The prominent, shrill cry of an egotistical infant sounds Through a night that once was home to passion Resentment lodges a spot in the marrows of tired bones The nights are quick and well awaited And the days are spent nursing and feeding and preparing for a paramount life As sweet and sticky honey slows its thriving speed All of the sudden, it is nor the beginning or the end The age of sticky hands and Crayola and Goodnight moon Little feet make floorboards creak at the end of the day with excitement And the lack of lust is surrogated by the richness of love Day jobs are dreary but devotion is not The days go on and on and on And the nights go quietly with small joys As honey settles in its jar for what feels perpetual Rapidly, it is the beginning of the end Slammed doors and Aerosmith records blaring with bitterness The egotistical child that once screeched for affection now rejects it But love remains and despite dark rooms and harsh words traded with reckless abandon, It overcomes The days are lonely And the nights are too As the honey rapidly slips away So it is the end As trivial collections are arranged in boxes To be shipped to a new home far away from this one Old videos make for heartsickness and phone calls make for bittersweet joy And elders reflect on a life that was not in vain The floorboards still creak at the end of the day Not with excitement, but rather with age The days are quiet and The nights are too but that is okay The jar may be empty but the residue is sweeter still
0
Oct 6, 2014
Oct 6, 2014 at 12:05 AM UTC
Honey
In the beginning there is burning desire, Pleasurable pain and incessant thudding against omniscient walls Love burns bright with the glow of ethereal passion As lovers trade scents and nail marks and scars The days go quickly with patience and calm And the nights go slow with ignited libido As sweet and sticky honey flows expeditiously from a jar Suddenly the serene beginning ends The prominent, shrill cry of an egotistical infant sounds Through a night that once was home to passion Resentment lodges a spot in the marrows of tired bones The nights are quick and well awaited And the days are spent nursing and feeding and preparing for a paramount life As sweet and sticky honey slows its thriving speed All of the sudden, it is nor the beginning or the end The age of sticky hands and Crayola and Goodnight moon Little feet make floorboards creak at the end of the day with excitement And the lack of lust is surrogated by the richness of love Day jobs are dreary but devotion is not The days go on and on and on And the nights go quietly with small joys As honey settles in its jar for what feels perpetual Rapidly, it is the beginning of the end Slammed doors and Aerosmith records blaring with bitterness The egotistical child that once screeched for affection now rejects it But love remains and despite dark rooms and harsh words traded with reckless abandon, It overcomes The days are lonely And the nights are too As the honey rapidly slips away So it is the end As trivial collections are arranged in boxes To be shipped to a new home far away from this one Old videos make for heartsickness and phone calls make for bittersweet joy And elders reflect on a life that was not in vain The floorboards still creak at the end of the day Not with excitement, but rather with age The days are quiet and The nights are too but that is okay The jar may be empty but the residue is sweeter still
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