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Josiah W Menzies Mar 2013
You grip my throat sporadically, erratically – not often.
And trickle in through passages and pores I can’t defend.
Treacle through fingers.
But you avoid me too, and I hate it just as much.

I wait for your hand to loosen,
I breathe cool air,
Then I feel your absence.

Your gloopy venom is addictive.
I tasted you once, and now my tongue yearns,
And eats itself –
It flickers and twists and spits its serpentine-self out. In vain.
A vague, dull shadowy lustre remains,
Undulating under baited breath,
For another foul injection.

In reality I fear you. I despise you. I hate you.
If you’d only never return,
I could spit you out forever,
And tongue sweeter, healthier, more benign stuff.
No more swilling,
No more idiosyncratic sways upon social norms,
High Society and empty smiles that stifle natural intentions.

You are a disease, and far from untreated.
You are the last drag, the last hit,
The very last dose that no one actually wants.

I rebuke myself wholeheartedly
At even entertaining the idea of having you in my company. Yet there you are –

In every message, in every ransacked draw,
In every turned out rucksack, every old coat pocket,
Every ***** shirt, every unstitched button,
In every visitor’s news, every car back-seat,
Every dusty notebook, every empty fruit-bowl,
Every old, long-unseen smile, every dowsed fire,
Every man woman and child I sit across the table from.

There you are. Somehow. In some form.
Turning my sweat cold like cheap wine,
In what is otherwise an already disturbingly depressing
Struggle to maintain some kind of equilibrium or serenity,
Let alone with your smug mug cropping up scornfully uninvited.

You ****** me before I recognise you.
Helping yourself to the food on my plate with a wink,
While I do nothing as if handcuffed, and chained at the soul.
Then I move to eat.
Hand to fork.
Fork to mouth.
And it tastes of you.
It reeks of you.
And if I were anything but human,
I’d spit you out onto the kitchen floor,
Stamp on the bile you’ve stolen from me,
Burn you with kerosene,
And wage a third world war on the very concept of you ever existing.

But I am a human.
And moments later you have me
‘******* and thinking of death’
As coy and Marvellian as you like.

I indulge in full-knowing paralysis,
Lapping up your unvanquished honeyed venom,
With a voraciousness that redefines Lovesick –
Giving it a whole new meaning
Going beyond the epitome of disgust.

Enslaved, you have me smash myself against the ceiling.
And eat myself over again from within.
Consuming me like the fire I found you in.

You have me rage and conspire against those I don’t know.
But I will conspire against you one-day.
You have me hate others, but I will forever hate you.
You have me search my soul and grate it upon street corners
And the pavement of city-centres,
While you gleefully, whimsically **** my past
Or polish vain, rose-tinted hopes that without you
I’d know were futile and unjust –
Until I ruin them myself, knowing all the while
That you are the author of my unnecessary devastations.

But I will smash your green demonic skull into obsolescence
In some back-alley where none will find your
Bubbling frothing corpse.
You will be utterly repudiated even by the rats.
And the flies will drop you,
Iota
By
Iota,
Onto the tracks at Dalston to be rendered into absolute oblivion.
And I will go, a man unshackled, about my business –
Whether it be of importance or not,
It will be with a conscience cleansed.

But for now, vile sham of an emotion that you are,
I do your inglorious bidding.
Zombified and putrid, my actions smell of you.
They reek of you.

You intoxicate what should be left alone
And endured with silence and rapidity.
Yet you elongate these private, personal trails torturously,
In some sensational Cold War.

It goes without saying,
The world would be well rid of you.
Yet godlike, you endure the ages
Just as we endure you.

Perhaps Keats was too afraid to admit it –
You are the original
La Belle Dame Sans Merci.
Pluto’s daughter in persistent disguise.
To be seen presently
‘******* and thinking of death’.
K G Dec 2016
We all looked up to your encrypted pattern
Like a baseball, they fly past our eyes
Right into & through the saturn

Few have cut their strings
And risked it all to chase their dreams
Few have grown their wings
To take pride in the task they achieved
To pleasure on materialistic things
Or to take part in the view of other's agony

From your monster height, they please
You the queen
You fail to find someone to trust
And your downfall undoes it's rust
Drink at all costs, avoid the pain
Shame comes down on you at once
Like a bullet to the brain
KG
Alan Maguire Feb 2013
what about food for thought and food for your belly, how about some raspberry jelly, or jelly fish that come from tropical seas, captured by the Japanese and are ten feet in diameter, not the Japanese but the gloopy seas creature .

That are kinda pink or red but taste really good and go with vanilla ice cream but be careful with these gloopy jellied things , they stings, I mean, they sting , so don't bite or chomp or chew but slice them up with a blade made outta a reinforced steel , but they feel pain and memories and all sorts of things, so they are not just things that are dragged from the depths, for us to poke or **** or ridicule on facebook or youtube

how'd you feel if tomorrow we was invaded by raspberry flavoured jellied creatures that came from the fifth and fourth dimension, did I mention that they're here to abduct us, to **** and poke us with weird instruments, but not musical ones but frightful ones, long ones , ones we've never heard of , but they have heard of us the raspberried creatures that is

from the fourth and fifth and possibly sixth dimension but I forgot to mention it's our own fault , our own frugal fault, that they've come in huge ,hovering , harbingered things, that hover above us without any wings, yes without wings and to these gelatinous, gluttonous things we are just things  to be dispatched, devoured and digested within one working week, with one ******* gulp we'd go down their sleek gullets or whatever they have
you are calling from the kitchen

would I like
   strawberry jam on my toast

strawberry jam?

   I think
I forgot we had some

in the refrigerator
   between the peanut-butter

   the almost empty jar
of gloopy marmalade

I shout back yes

I will have jam on my toast
   why not

   I feel healthy
I am growing a smile

there’s you and there’s life
and it’s only Monday

   you know
Written: September 2015.
Explanation: A poem written quickly in my own time. A (deliberately) very simple piece, supposed to highlight how small things can cheer you up a little bit. A link to my Facebook writing page can be found on my home page here on HP.
NOTE: Many of my older pieces will be removed from HP in the coming months.
the heartbeat rumble
in your ears
is the signal
you’ve been waiting for
   a warning
that too much
has piled up
and your head
has gone all Kandinsky
   blood lights
blinking like sequins
in the crook of your vision
   tangle of duvet
half lolloped on the floor
   echo
of a neighbour’s conversation
a gloopy mumble
through the walls
   and you’re thinking
of skin the colour of wheat
un-lipsticked lips
   a song that hasn’t been written
but the words exist
longing for you to pluck them
like a novel from a shelf
in a second-hand shop
   a thunderclap
snaps you back
to the same room
the same face
looking back from the mirror
with its wet blueberry eyes
   and you say
you have a story
fashioned from mashed potato
and sticky tape
   all it needs is a listener
to kiss a whisper
to your neck
drip syllables
that glow as torches
tell you everything is fine
   your listener
as the shower rain
leaves a network of streets
jogging down your cheeks
Written: May 2017.
Explanation: A poem written in my own time, partially inspired/stimulated by a YouTube video (uploaded by Lucy Moon) I had very recently watched. The poem is not about the video, but I created a piece from brief elements of it, I suppose. All feedback welcome. A link to my Facebook writing page can be found on my HP home page
NOTE: Many of my older pieces will be removed from HP at some point in the future.
judy smith Dec 2015
Having stormed the 2015 catwalks, the 1970s trend is now tilting its felt beret towards our make-up bags. Good news for the party season, when a red lip and a metallic wash on the lids are ideal for anyone who struggles beyond the realms of a slick of foundation, bronzer and mascara.

Because while the era's make-up is rich in glamour, colour and confidence, it's also easy to emulate. So channel Jerry Hall and Diana Ross, and let Alex Babsky, UK make-up ambassador for Lancôme, show you how to get the look with a contemporary update.

Take one (above)

"Choose one element of the glam look - a shimmery or emerald eyeshadow, for example - and temper it with a subtle approach to the rest of your make-up. Think a nod to the 1970s, not Studio 54 pastiche," advises Babsky.

Here, he layered powder over cream shadow, in just one colour, "for more oomph" - using Stargazer Eye Dust in 17 (£4) and Anthony Vaccarello for Lancôme Hypnôse Eyeshadow Palette in Green Fever (£38). The strong eyes are balanced by "soft, liquid bronzer fusing into light, illuminating foundation, with a non-clumpy mascara [Lancôme Hypnôse Volume-à-Porter, £22.50] and natural brow".

Glow show

"The basis for all these looks is a perfected, but barely powdered, slightly sheeny skin finish," says Babsky. Look for an illuminating foundation, such as Lancôme Miracle Cushion (£29.50), which Babsky used here, or apply liquid illuminator underneath your foundation; tryLaura Mercier Foundation Primer - Radiance (£29) or Lancôme La Base Pro Hydra Glow (£28.50). "Leaving your skin with a reflective, 'real' finish allows you to incorporate bold make-up accents without it becoming overdone," says Babsky.

Shining Star

The sticky gloss of the 1970s has been superseded by a new generation of high-shine lip lacquers. "They almost roll on for a super-glistening finish. You don't need to blot, and they are a lot more comfortable on the lips," explains Babsky, who here used Lancôme Rouge In Love lipstick in 185N (£22).

Lighten up

"These are all quite 'made up' party looks, with a shine reminiscent of the glossy 1970s, but with a new lightness," says Babsky. Where 1970s make-up textures were often thick and gloopy, the 2015 version is all about taking advantage of today's finer, more languid textures. "A real must is a cream or liquid bronzer to give winter skin a much-needed moisturising glow," he says.

Here, Babsky used Giorgio Armani Maestro Liquid Summer Bronzer(£39.50) with a fine layer of Lancôme Belle de Teint (£35) over the top.

read more:www.marieaustralia.com/formal-dresses-sydney

www.marieaustralia.com/formal-dresses-melbourne
Gigi Tiji Nov 2015
Here it is
coming together
slowly and quickly
points being connected
connections being disappointed
disappointments being appointed
appointed proportionally and
disproportionally
click clack
stick it together
vertices criss cross
bricks and feathers
interlacing lines and
concentric circles dance
in and out of time it is a
convergence
a coming together
a going apart
it is silk spun in
every way you can think of
it is spit spat from every mouth you've ever heard
this blob of tip tap gloopy gloop tick tack
criss cross criss cross make it last
make it first
on the bus or in the hearse
in between or outside of
either way it's kind of
all the same and
very different
but look at that
and then it's not
a ghost in the periphery
a shadow in the center
Mr Ree Sep 2016
just finishing off monday
sarah woke up not groggy
this took practice
time for a coffee
banana granola greek style yogurt
quietly on her phone alone at home
perched on the sofa
a thought strays back to heartbreaks
heaven slips on it’s loafers

on time she quits lipsticks and ties coat
fluffs the hair
smiles
clicks down the stairs
she sounds attractive
tight and a skirt
smart tasteful coat
button’s no broach
appropriate

down the stairs and out the door
outside brain makes it up
all the same mornings
tunnel vision
work

down the street there’s magic
rays of it spot through sodden clouds
searching people
one to one to one, looking for Sarah
both violent and divine

Sarah weaves the street
walking not the fastest
used to like the rasmus
doesn’t think of coffee
maybe what’s for lunch
then the sky oppressed her
vibrating darker than death

shock from eyes of lightning  
for a moment buildings glitch
they lag fade and stutter
people stop and blink
they fear, look up for another
sarah feels a cold
heartbroken and lifeless
the world gets lower
slower
time’s flipped in a crisis
screaming colours from their fleeting faces
seep into her jelly legs
then her skin it turned to water
body a puddle
a gloopy goop of eyes and blubber
some hair on some putty
sun on her frogged eyes
one falls down the gutter
everyone chokes on a splutter

it most seldom expected
the day Sarah randomly melted
Sean A Fleming Oct 2011
Oscillating pulse blood

          makes perfect puddles

Makes swamps and marshes and wild bayous

         Puddles of thick sticky gloopy innards soak red **** carpet

In roadside motels
        
          Where we took turns on a parlytic ***** and he cried the ***** time

You mean the whole time?

          Stop daddy stop! Everything makes me uncomfortable.

No it's fine, everything is always fine.
Driving for hours.
Nothing but road.
Me, head slumped
on one shoulder,
watching the rain
screech across the window.
You took over
as we crossed into Wisconsin,
the pattern of the steering-wheel
embedded in your palms.
Still got coffee from a café
a hundred miles back -
now like gloopy mud stuck in a cup.
The radio throws out
another Bon Iver track
as the wipers squeak
from side to side.
Both of us tired.
I see your eyelids flicker
between awake and not quite awake.
We stop for gas in Mazomanie.
The engine wheezes to a halt,
I hand you thirty bucks
which empties my wallet.
You stumble from the car
in a sluggish daze.
I try to shake my body alive,
my limbs heavy,
bones cracking.
Phone barely has any juice.
Enough to text home
a be home soon.
As we set off again
you give me a kiss,
a dash of caffeine on your lips.
I pinch my skin to a light red.
This is not in a dream.
Written: April 2015.
Explanation: A poem written in my own time - deliberately kept simple. Regards a couple driving home late at night after having been somewhere far away. Mazomanie is a real place in the USA. After looking for places where I could set this poem, the town's name appealed to me, hence its use in the writing, and also as the title. Not based on real events. All feedback welcome as normal.
NOTE: Many of my older poems will be removed from HP in the coming months.
Flailing arms in minestrone soup,
grasping ropes in gloopy slop.

Slippery snakes in slippy hands;
bobbing bereft in beefy broth.

Croutons swirl - a death knell eddy
clumping in a bread bricked tomb.
Melanie Melon Jun 2014
HER
I feel like I’m shrinking
like when you hug me I become smaller and smaller
until your arms become tightly wrapped around your ribs
and I find myself wading through my own tearstorm

I feel like I’m melting
not in a cutesy crush kind of way that you’d hope
like when you can’t kiss properly because you're smiling too hard
but in a gloopy eyeliner kind of way.

I feel like I’m *****
like my hair will never be untangled
and like I’ll never feel as lovely as I did that night
when you ran your hands through my blonde mess

I feel like I’m falling
falling for you all over again and realizing
that the giddy drunk girl who you kissed two years ago
is ****** up now and she

will never be so innocent,
will never be so whole,
will never be her.
tgrooms Sep 2014
I made space for you. Here
just under my collar bone and
between the gloopy lobes of lung.
I cracked open the bony sternum door,
reached in and mucked out the place that
I’ve spent my life filling with hopes and dreams.
When I pulled them out, my
hands came away covered in the
stinking rot of goals unfulfilled; my
wrists burned as the decaying poison of
unmet expectation ate away the flesh there.
I scrubbed the walls of my new empty spot
with the essence of despair and an infusion of apathy tinged
with a hint of resentment. Chemicals so corrosive
that the nerve endings burned
off leaving a sterile, unfeeling space.
I did all that for you.

You died while I was cleaning.
You had gone out, frustrated again
about how I never made time for us to spend
with just each other.
You slammed the door and even as my
hair blew back from my
face with the force of your anger,
I resolved to make a change. I had only just
finished disposing of my toxic waste when a
soft-sorry knock replaced your slam on the door.
At first I saw the gun on his hip, right next to the flashlight
and under the shade of a doughnut-filled muffin top.
‘I’m sorry,’ he said. ‘Your heart - it’s dead.’ and then
went on to explain something about a bus and a busy
city street. I couldn’t be sure exactly what he said.
My mind was distracted by the glare of the bright, burning
sunset jumping off the badge on his chest
stabbing me in the eye and
the feeling of numb negative space hanging
off the front of my spine.
Catherine Feb 2014
I sip and wait for the drop of semi-congealed Nescafe to hit my shrunken bag of a stomach.
Cigarettes and caffeine. How typical.
How obvious - is that the right term? - that these have become my survival remedies.
I am weak, sometimes stumble absentmindedly on the pavement, the jagged teeth like slabs catching my feet out.
People glance at my paled face. An echo of before, a walking vision of someone exhausted, ill or plain oblivious to the own destruction of their body.
They think that I am drunk.
I awkwardly regain my pace, feeling that child like shyness creeping back into my demeanour.
Then I run one tired, bacteria ridden finger along my blunt jaw. Ah. It feels good.

Inhibitions forgotten, perseverance in check.
My system turns its volume to mute as I sip more of the gloopy energy.
Hush now, I whisper internally.
Drawl on that stick of cancerous paper. Now every 30 minutes or so it takes its place between my dry, starved lips.
I am often described as quite a quiet, wet person. In this case, my strength is inward. I find tears for rebuke. I inspire concern and questioning but I do not feel their love in these remarks.
I turn the beauty of their words into hatred. I am in control. This is my body.
This is my mind.
This is my soul.
Only I can speak to that spiritual beast that I keep locked away in the caged remains of my skill.
How dare you question my choices I scream!

My strength to 'outdo' them is renewed. The beast grows while I shrink. He feeds on my sense of self pity and self worth. More. More.
I shrink from my own invention. I hide from it. I can only go on so much longer before I cannot face him anymore.

Frontal. Temporal. Back. Whatever lobe you want, he now sinks his contrastingly fleshy claws into them.
This cage has four sides to it; all now useless to me. All now given over to this beast. They reflect into the whirlwind of my conscience. Conflicting. Opposing.

Nature versus man.
Natural versus the mind.

Theres is no key to the lock on my cage.
Recovery. Falter. Healing. Falter. Faith. Rejection.
Back and forth. Back and forth.

What is the point?

My main stream of thought to anyone who questions my diet of caffeine and nicotine, my withering appearance, my paranoia fuelled actions, my distinct inability to accept their concern is;

You liars.
Destre' Apr 2018
It was flaccid on my tongue.
Tie dye design fading,
Tightly pressed fibers dissipating,
A paper spitball soon to be dissolved.

Out of sight out of mind,
Until the wood grain on his dresser started to shift,
Move together then apart
Like a kaleidoscope in tones of brown

I stumbled out,
Thin socks met frozen wooden planks,
Then black jeans were introduced
As I took a seat criss-crossed: perched.

Snow fell from above
Like shooting stars abandoning the sky.
They landed on my lashes,
So I blinked a Big Bang and galaxies were born.

Frostbite should’ve crept into my fingertips,
But I was all tingles: pins and needles,
My nerve endings firing like new year’s sparklers at midnight.

Music filled my ears without a sound in the air.
Northern lights were waves emitted from trees
And the waves in the sky danced in time to my imaginary melody.

He snuck up behind me,
Seemed to appear beside me,
So I laid my head on his knees,
But his leg hair started to crawl,
Each strand a pink and green gradient
Like a **** carpet come to life,
A 1970’s nightmare

He looked down at me
His pupils like black holes: ******* me in
Shivers crawled up my spine:
A thousand spiders carrying snowflakes.

He wasn't talking but his face was moving: morphing,
It wasn't gloopy as you'd expect morphing to be,
But sharp, Jagged:
Stained glass mismatched.
revised
harlee kae Apr 2019
me and you stick together
we're like glue
i'm the gloopy stuff
and you're the bottle
said by my favorite student
as she wrapped her arms around me
making the negativity seem to dissipate
i have no idea what i'll do this summer
Hypnagogic spell immediately cast
overpowering drug induced state fast
overcome even those who just woke
prolonged narcotic effect could last
bajillion years (hyperbole to wake
any lil lulled reader) superfast.

Before he/she succumbs without blame
impossible mission monseigneur or dame
to break loose against buttressed bed frame
magnetic pull overpowers
superman/woman and/or lame
nope, I can't rattle off any specific name
only no man, woman, nor child can tame
overpowering urge greater than whatshername?

Ja Sleeping Beauty, or similar
facsimile thereof within eye blink
shutters lids with soundless clink
quite elementary ma rinky ****
poem, but would ya expect me,

an arrogant, defiant, haughty,
career punster who doth hoodwink
matt er of fact Scott
**** trumpeting ratfink,
meanwhile, I will not let thee think,
lest ye become mettle some as hot zinc.

And what thwart my feeble
attempt to bewitch and beguile
quite aware ye probably ready
to spew glippy glop gloopy bile
spurring lifesaving recourse
insane asylum, cuz bedlam

forces thee to dial,
and splutter exhibiting harried style
swiftly tailored demeanor
hooping I get just desserts,
and be condemned at trial
within interim and meanwhile...

Yours truly will exalt inside
unit b44 downing
one after another
B52 eventually died
(jettisoning these lovely bones)
at least say to himself,

while gratefully dead, he tried
to curry lunacy, (albeit harmless)
across the the web, world wide
reading experience this
letterman being your lucky charm guide
into outer limits of twilight zone
ha... ha... ha... no place for ye

to run and hide,
which bolsters me prejudice and pride
without sense and/or sensibility
(think Jane Austen),
whose ghost would chide,
one twenty first century wordsmith,
who seeks a bartered bride

hmm, maybe someone allied
i.e. linkedin with AllPoetry,Cosmofunnel
FaceBook, MyPoeticSide,
PoetrySoup, Prose, All Poetry,
Hello Poetry, Tumblr...
I even roll out welcome Matt
for thyself tug get shanghaied.
A scenario unfolds
more abominable among
any previous warring factions,
his wicked weltanschauung
charred effigies futilely hung
against regime of brutality
considerably more unbearable
than infestation of fruit flies brung
about courtesy evil monster sprung
shortchanging restless and young.

Seconds to spare before
Doomsday clock strikes
twelve o'clock midnight
every man, woman and child
will need fend for themselves,
whereby prophetic apocalypse
(sponsored courtesy smug faced Putin -
man of lamb munch cha cha cha
self anointed how zen tyrant by proxy)
unleashing total mortal Kombat,
when the human race
reduced (née pulverized)
to nothing more intelligent
than nippy nap noopy,
glippy glop gloopy,
cheesy bonafide August dust
thermonuclear dystopian landscape
subjected to global nuclear winter.

Time measured in nanoseconds
1⁄1,000,000,000 of a second,
or 10⁻⁹ seconds. The term
combines the prefix nano-
with basic unit for one-sixtieth
of a minute. A nanosecond
equals 1000 picoseconds
or 1⁄1000 microsecond.

Yours truly will put his head
but tween these
skinny spindle shank legs
and kiss thine braying a$$
(donkey *** tee) good-bye
asper ma person,
thine gluteus maximus
during my roaring twenties
a boot the size of a hand held
palm pilot cell phone,

hence nada worth ache cry
though ah share
a preference not hood die
yet if push (shin
the atomic bombardier button)
combs **** hove Eli
zha would be nowhere in sight,
thence salvation might be sought
from a common
(sad dulled) horse fly
to bring deliverance

(due ling ban joe plucked solo)
to this generic goofy guy
who reckons, cuz
there will be no time to converse
‘cept as mentioned earlier me high
knee will be the sole recipient, I
one beetle browed capital one
**** earnestly frank gremlin hominid

will spout hot air
and confuse the burst
of flatulence from ma bare
swaying bell bottom as an echo –
loud and clear
that used to be mode of hen dear
mint ‘tween muss elf and spouse –
wherever she may be ‘ere
a presumption, she met her demise
amidst radiation with fear

and loathing uncertain who
to vent her angry glare
understandable to pay price
for the folly of heir
wannabe of history Don Trump –
perchance he too got vaporized
as crackling Geiger counter intimates
forecasts deadly snowfall icier
i.e. Mother nature adorned
***** flakes fluttering among
the global debacle – where jeer
ring grim reaper will be feted

as like at a fancy feast with choicest bit
of human remains of the doomsday,
and immune to perilous nuclear fit
loosed upon the terra firmae,
where most every
metropolitan center ground zero
but with heavy-duty weapons
of mass destruction,
one need not make a direct hit
cuz the deadly fallout
will make the entire globe
tuff Hester and become liquefied
bubbling as one large snake pit,
thus no more poetry competitions

– **** –
yet writing aye will not quit,
but upon fallout material
I will eke out underground subsistence
existence, and scratch out
whatever thoughts seem worthwhile
*** ping an alien will discover
visa vis bunched inside
an iron made in USA bunker
and held tightly sealed
qua many a makeshift rivet.

— The End —