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John F McCullagh Dec 2011
Fortunato, I am called.
My friends rate me a connoisseur.
Tonight I wear a jester’s garb
for the feast day of misrule.

Tonight is fine, the wine flows free
With honeyed sweetness on my lips
My headgear rings with happiness
as I enjoy another sip..

Montresor came to speak with me
He wore a mask and monkish gown.
I shook the hand he offered me.
We spoke about a cask of wine.

A cask of sherry, dark and sweet
Amontillado- so he claimed
My friend had paid a premium.
Wished me to judge and share his gain.

He thought he’d ask Luchresi’s help
But that man is no judge of wine.
Give him grape juice in a cup
And Luchresi would exclaim “How fine”

I took his arm and off we went,
Not knowing how this night would end.
I went quite willing to my doom
with this fiend I thought a friend.

Montressor’s servants were away
Leaving he and I alone
He poured for me a warming glass
then led me to the catacombs.

We sampled others of his wines
to keep the cold and damp away.
I coughed and could not catch my breath.
But from my goal could not be swayed.

In the darkness of the tombs
Among Montressor’s ancestral bones
He victimized my drunkenness
I found myself chained to the stones.

I quickly learned it was no jest
I screamed in vain- none heard my cry
As he with brick and mortar built
this prison tomb where I will die..
A retelling of Poe's classic tale from the victim's point of view.
spysgrandson Sep 2017
I wanna have lunch with Poe,
at Burger King,

because I'm sure he would appreciate how ghoulish that King in their commercial is

I don't want him to recite verse
while we fill our medium cups with corn syrup nectar--a giant leap
down from laudanum

I do want to ask about the Cask of Amontillado and being walled in slowly, for eternity

for to me that is creepier than all the crimson cream in the Masque of the Red Death

I want to know if he likes the fries--will he dare to dip them in scarlet paste we call catsup

mostly I want to know if he remembers the alley where he was found,

not yet a legend, consumed by consumption and delirium in equal measure

and if there were rodents privileged to hear his last whispered words--or even a gasp

I am buying, Ed, so grab that Whopper with both bony paws and tell me terrible tales, evermore
Clem Nov 2016
Now let’s see what I can make of the chronology of Chase.
Some thick wet messy bird *****
missing its mark, a drop, browning vent
feathers, another drop
oozing perfectly in, to the oviduct, where
minerals and fetus and pre feathers formed.  

And now a slanted eye, lid half closed
after the fashion of a laying chicken hen,
a hen in its own right, Suzie Susan the bird,
sunflower seeds and malnutrition gracing her final
August days,
sits atop what can only be called a
cardboard cruelty to squeeze out the
rock and continue his

cycle
backward.

But: before.

The same lidded look, a male somewhere gesticulating
split rock shale hued feathers and
pink scaled lizard feet,
gripping,
as the unbelievable ordeal of egglaying begets
what will become a creature
((Chase))

and then warmth, a spot of raw pink
skin, so much like a goose bumped wet frozen bird
in the *** a day before supper,
warms the egg to a precise temperature
((Wikipedia knows what))
not to cook, but to love.

So many cages.  Straight up and down
black white silver metal plastic
bars, maybe a metal floor and maybe
unbreathable glass,
maybe even pine.  

How he made his way into a
rabbit’s cage much too sideways for
any bird, losing feathers from
eating buggy dry dusty seed which he loved
almost as much as procreating,
I wish to Hell I knew,
so I could ***** about it too
and hate not only myself, my parents,
the wooden door that ended him,
but their rotted brains as well.

Made perches.  Not safe, but sound.  
Wood, sycamore, not disinfected, but worn
down to a point of home decor.  
Birdshit everywhere, which was lovely
but I didn’t remember to clean it because
I was too young to know about anything
but Phantom of the Opera, dragons that have wings
and front arms always, don’t you dare ******* say different
because I will end you,
and the occasional long thin scab on the arm.

But, living.
Sitting by me -- hating me in a way that spoke
of kindred love and bond --
and nothing at all of the $3 diet that he somehow subsisted
on for possibly four years,
possibly thirteen,
or the improper bars slanted with thick white and gray urate and feces
paste uncleaned unchecked and untouched.

Or even the of the hard saved handful of cash earmarked for a
slightly less inadequate cage (but a cage nonetheless)
traded instead for a Nightmare on Elm Street box set containing
movies 1-6, plus 7, and Freddy vs Jason as well but not the remake,

but definitely of how someone, maybe me, taught you how to
whistle the Andy Griffith theme song even though I never watched
the dumb old show, and how to whistle
like a construction worker with a mild *******
after an unintended female, with the “best ***
I ever ******* saw,”

and of strict bedtimes always met with a decent blanket,
and maybe even of the bird-like night frights in which
I felt my heart leap, and I turned on music for you with the
useless old sixty pound boxy computer that happened to still have
a working copy of windows media player installed

and singing Billy Joel’s Lullaby which had nothing to do with you
or I and everything to do with divorce and dying
but which was perfect,
and put you back to sleep without a broken neck or wing,
yet.

Does it matter if he’s a bird or man?
I tell you that he’s both.
He ate and shat and ****** and loved
and sang and slept and had grumpy days
and happy days
and ****** people off and was too loud
and was startled by screams
had to face the still silent unmoving sickening pregnant heat wave of grief
had favorite foods and songs and tv shows,
lived in boxes and only wanted out.  

Greedy how he chirped so high on top of his lover
doing the tail spinny grindey dance against her pulsating *******
center, and squirting
secretly much like the **** before him, whatever
and whoever he was, his eyes
wide and mouth open slightly.  

And then her fat cinnamon body lay so many
thick shelled deadly pearls,
which were empty but never cold.
They loved their empty stale stagnant infertile eggs, by God,
these two perfect doomed parents given
not nearly enough to survive the
war of childbirth and rearing,
which they only tried out but were not privileged to suffer.  

I would’ve named his sons Columbo after some name
I read in a book or maybe an online forum, that is
supposedly Italiano and supposedly means “dove,”
the fat birds of varying white and gray hues with the occasional
dazzle of blue or brown or black
that embody all the soft qualities of Chase, and Suzy

and I would attempt to end the misbegotten trend
that started when I named Chase after the gorgeous golden Aussie
character from House (which someone of my age probably
shouldn’t have watched)
and add some little Renatos and Ninfas and little
Agapetos or maybe even Uccellos or Ucellas.  

But what would have been a family of tiny winged storm - skies
brought instead a slowish painful death, that could have been
oh so easily prevented and fixed with a little bit of love,
some mercy, some money, a vet, and possibly a fingertip amount of
dollar store canola cooking oil.

And Chase, what can I say of how you screamed an elegy, a dirge
more harrowing than Percy Shelley’s or Rilke’s or that poem Billy Collins
wrote about nine eleven, more true than the entire ludicrous book of Lamentations,
simply by screaming extreme, shrill and for so long, so long,
so through that the house shook with it and I cried too?

You wailed with a small dry wordless tongue
that shot into my ears and to my skull, brain, gray and white matter,
that absolutely trembled with the familiar horrific confusion
of suddenly waking to find that someone is gone and you
don’t know how but you know you’ll
never
see them again

you’d never stroke the smooth laughter of
her cheeks, you’d never press your small warm chest
against her wide brown wing again, my love,
and I
would never remember
where the hell I laid her body,
lost the grave that you needed to touch and
maybe walk on and sing to,
once more.

But this wasn’t your life.
That instead was summed up,
concentrated into the small pregnant moment when
It Happened,
the flash and squeal of your body being
broken, crushed smashed practically severed,
dazed and shaken and slowly shut down
over the span of a weekend,
again
and again as it
replayed in my mind --
again, again,
again, again.

But these are only words and you can’t
exist in them except as a small sliver,
a fragment of soul, a quick whiff of heartbeat --

but I didn’t lose your grave.
There’s a soggy ground where you were lain, and a small wooden
plaque over your bones which painted with the words:
in pace requiescat,
which I admit I only know from Amontillado,
and the day and month and the year that you died
because you, the great mystery, have no birth date.

And I would proceed to cry and hate so many people,
myself, and you, and firstly my lovely parents,
who allowed you to die and pretended to apologize,
but most of all I would hate the world,
for swallowing up and making me think
that a part of your flesh, sloshy like the soil,

was absorbed and embodied as fresh growth on your
large drooping willow tree

and that if I stroke it,
when I touch it with these fat white fingers and let
the bark pierce my skin roughly,
rub it red and ****** dry,
that I am touching you

and letting you know
I remember and that Chase -- you spilling of bird
***** and calcified ****
that somehow became a grayish soul that God hardly
gave enough moons --

I’m sorry
I hit you with a door
trying to close it,

but less sorry that I killed you and more sorry
that it was because, out of grandmotherly fear,
I never let you learn how to fly,

I clipped your wings and you, and we were so clumsy

that you ambled head first into its already severing crack

I hope wherever the hell you might be --
birdy paradise, Dante’s hell where lovers fly and that is torment --
that you have wings,
and they aren’t clipped,
and someone cleans up your ****.
Sometimes a bird is just a bird.

Am I pathetic for being so consumed by grief over a literal cockatiel? It's not even a metaphor, guys.
Matt Jun 2017
I hear you calling from within these walls,
but I've spent forever

pawing,

clawing at the plaster to free you.
My hands overflow with expanding silence.
I cannot speak.

I lay with you night after night
separated by this wall of flesh that mimics my every breath
as you sing me to sleep with your haunting, your taunting melody.

Your
  slowing
    pulse
is the most maddening rhythm.
Your
   fading
     voice,
the saddest cadence.

I want to share your secrets with the world.
Send your voice on the wind.
Hammer your heartbeat into the ground.

Heard.

Felt.

I will carve out my name
With one of the finer points of life.
An oldie from my archives.
BJFWords Mar 2017
The owl and the pussycat went on the randan.
The boat was in dock for repairs.
Roller skates borrowed from friends of the Sandman
Proved helpful, but not on the stairs.

The Sandman was eager to help with the journey
The Ferryman told to watch out
The feline and strigidae rolled on the jetty
With meat pies and plenty of stout.

On boarding the ferry they found some dry sherry.
An Amontillado from Spain.
The owl soon felt woozy, all seasick and *****
The cat tried avoiding the rain.

At the end of the trip the two friends would quip
That the pies were amazingly nice
The filling consisted of mustard and biscuit
That compliments meat from blind mice.

Despite witty banter and skills of a chanter
The sun was elusive and grey
Twas then they decided to be less misguided
They’ll book all inclusive one day.

Scots for party/merriment/thedancin’
My take on the adventures of the owl and the pussycat. Part one.
Dawnstar Feb 2018
Let my past be published now,
I care for it no longer;
Look between my righteous things
To see I was the wronger.
Gather all the worries
I'd fret about in winter;
Shove them off the highest cliff,
Make them crack and splinter.

Traipsing in the gardenside,
Dancing in the hollow;
Feeling for a mason's nook,
Sweet Amontillado.
Down within the castle walls,
Down among the relics;
Bearded faces line the halls,
Lilting in Goidelic.

Slowing pace to stop and smell
Of a strange antiquity;
Thinking on a silver day
That happened once in Brittany.
Countrymen with muskets bared,
Bent on fiery shot,
Pounced upon the zealous rogues
Of Napoleonic lot.

Wand'ring mind, drop your guard,
Stop your nagging ways;
Hark! the drap'ry's bold aura
Welcomes warmer days.
Happiness is fleeting,
Sadness is extinct,
So let my every passing thought
Be mindful and succinct.
Updated Jul. 15, 2019.
Jordan Dec 2014
Who am I?
And who are you?
And how did it end up
Just us two?

Why you are you,
And I am me,              
And it seems like this    
'Tis but a dream.


So tell me then,
O wise Supreme
If 'tis but a dream,
Then where are we?
                  
Well, don't ask me,
I am not the maker.
'Tis your dream sir,
And you are Its creator.


Well certainly if
That was true,
I'd at least pick someone more
Knowing than you.

Oh sir, you jest!
You comical fellow
But can you make sense
of what you don't know?


Oh, you talk nonsense,
An amicable Fortunato!
Just tell me where the devil
We are stowed?

Ahh, yes perhaps my lips would be more willing
With a bottle of Amontillado, yes.
To be blunt with you sir,
We are simply dead.


Simply dead, are you mad?
That can't possibly be right!
Fie! Fie! I can't think,            
What a ****** night!
                                                          ­
****** night indeed my fellow man
For you stumbled out the tavern
And into my hands.
'Tis alright good fellow, no fretting now,
For 'tis almost time, any moment now.


Time, sir?
What could you possibly mean?
Time for what?

Time for whom.

What the devil do you mean?

Aye sir, you know very well
That time is a valuable thing,
And it seems


It seems?

That your time has tinged.

Tinged?

Indeed.

But you said 'tis a dream!

*Indeed, I did, and what a pity
It has become, 'tis but a dream      
You will never wake up from.
dean Sep 2013
23
you are my Brutus and I love
you more with each blade you slice into
me
23 stab wounds later and I am
made of wax
no longer bleeding or beating but
approaching thermosomatic phase transition when you
burn me alive
strike a match on my cheek light
a cigarette stub it out
my torso your ashtray, my heart a candle
lit vigil
burning low to ignite your frozen ire
I love you classical I love you Brutal I love you Antony
asleep in my tomb I love you buried under
municipal concrete I love you Amontillado I love you simultaneously
Héloïse and Abélard
I love you Delilah and I love you
you
let me count the ways
a six-sided die comes up 23
but my chest is already split open and you forgot
to feed the dog
give me public indecency and walk away
it's not your job to fix every schmuck who comes along
with a missing heart on your
beat
still playing with lack of punctuation idk whatever
He slipped on a set of headphones,
Adjusted a dial or two,
Then introduced his radio show
And the members of his crew,
‘The Horror Tales of the Greats’ he read
Each week to the folk in town,
Just as the Moon was coming up
With the sun then truly down.

And the folk had huddled round speakers
To hear, in a thousand homes,
The tales of Edgar Allan Poe
In the speaker’s crackling tones,
And an eerie mist fell over the town
If they chanced to look outside,
As the ghosts of horror stories past
Rose up from the place they died.

Each tone was sent with a shiver
From the night’s Plutonian shore,
Just as that stately bird of old
Had repeated, ‘Nevermore!’
While the cats had yowled in the alleyways
When he read a tale of sin,
Of walling up the corpse of his wife
When the Black Cat did him in.

The Fall of the House of Usher,
The Masque of the Red Death,
The tales built up in the atmosphere
And made them short of breath,
The Cask of Amontillado,
The Pendulum and the Pit,
Whatever the horror, and most intense
There was always more of it.

The stars that shone in the evening sky
Had gone, though the sky was clear
As the Moon had dropped down, over a hill
While the airwaves dripped with fear,
And the walls back there, in the studio
Were seeming to seep a flood,
As the speaker droned in the microphone
The studio filled with blood.

And suddenly then, a different voice
Was heard all over the town,
Rattling through their radio’s
And shouting the reader down.
‘Shutter your windows and lock your doors
Put children under the bed,
Hide yourselves right under the stairs
Or you may well end up dead!’

‘The very air that you breathe has been
Long saturated with dread,
Has filled your lungs with the ripe unclean
That came from somebody’s head.
The ghostly voice on your radio
That has whispered blood and gore,
Will drown tonight in the studio
So there won’t be any more.’

And right behind that terrible voice
There was choking sounds and screams,
Enough to curdle the very blood
And to give them nightmare dreams,
Then after a long, chilled silence of
The type that terror sates,
A voice said, ‘that was the final of
The Horror Tales of the Greats.’

David Lewis Paget
Spencer Cook Dec 2018
He recalls the details of the grand fair-
Dark Amontillado seeps in a bit.
Sure of his love’s bright light that’s waiting there.

He offers up to God a silent prayer-
If it is heard he will have to admit
he makes his way to his first ever fair.

He steps into a swell of steamy air
where half-truths and quick looks pull him to it.
Sure of his love’s bright light that’s waiting there.

The signs all point, but his mind is elsewhere.
What kind of ode praises the opposite?
He arrives at the ever-popular fair.

The whole town knows but he decides not to care.
He trusts the Snakes had nothing to omit.
Sure of his love’s bright light that’s waiting there.

She always hid but now wants to care.
Adieu chérie scrawled on the eyes; unfit
he waits at the gate of her past love’s affair.
He never truly looked for her there.
spysgrandson Oct 6
I wanna have lunch with Poe,
at Burger King,

because I'm sure he would appreciate how ghoulish that King in their commercial is

I don't want him to recite verse
while we fill our medium cups with corn syrup nectar--a giant leap
down from laudanum

I do want to ask about the Cask of Amontillado and being walled in slowly, for eternity

for to me that is creepier than all the crimson cream in the Masque of the Red Death

I want to know if he likes the fries--will he dare to dip them in scarlet paste we call catsup

mostly I want to know if he remembers the alley where he was found,

not yet a legend, consumed by consumption and delirium in equal measure

and if there were rodents privileged to hear his last whispered words--or even a gasp

I am buying, Ed, so grab that Whopper with both bony paws and tell me terrible tales, evermore

— The End —