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"amontillado" poems
I wanna have lunch with Poe, at Burger King, because I'm sure he would appreciate how ghoulish that King in their commercial is I don't want him to recite verse while we fill our medium cups with corn syrup nectar--a giant leap down from laudanum I do want to ask about the Cask of Amontillado and being walled in slowly, for eternity for to me that is creepier than all the crimson cream in the Masque of the Red Death I want to know if he likes the fries--will he dare to dip them in scarlet paste we call catsup mostly I want to know if he remembers the alley where he was found, not yet a legend, consumed by consumption and delirium in equal measure and if there were rodents privileged to hear his last whispered words--or even a gasp I am buying, Ed, so grab that Whopper with both bony paws and tell me terrible tales, evermore
0
Sep 5, 2017
Sep 5, 2017 at 7:40 PM UTC
dining with Edgar
If you get it, you lost it. I am here (On this platform it is evident for your reading now) I express myself (Heads scratching, wondering what and how?) I share pieces of me (A defragmented glimpse of an experience deemed ‘worthwhile') Callous, sensuality? (Or a traitor in sheep cosplay?) A dead-end hi-way? Or this pawn from yesterday? Here, your final say This family we never asked Amontillado without it's cask Dry and cheery Heart’s are bleary We own this laborious task My sins are scrollable, thumbed in haste, Wrapped in ribbons of curated taste. A gallery of masks, all timed just right, My shadow dances in the ring light. What of shame when shame gets likes? What of thought when thought’s in spikes? I weep in drafts, but post a grin— The world won’t wait for the shape I’m in. So brand the bruise, then sell the hue: A wellness tip in sponsored blue. This self I host in feedback’s cage— A pet, a post, a digital page. I bare my soul (or just its shell). You’ll never know. I sell it well. I logged on seeking something undefined, A tether, maybe—some reciprocal ache. But all I found were mirrors misaligned, Each smile too wide, each word opaque. The comments pile like leaves, not read. Applause from ghosts, replies from ghosts. I feed the feed, it feeds instead— A hunger that consumes its hosts. I draft a truth. I dress it twice. Add polish. Then delete. I write in blood, convert to nice, Make trauma fit a beat. No lesson left. No higher shelf. Just one more version of myself.
0
Jun 10, 2025
Jun 10, 2025 at 10:16 PM UTC
Empty Casks
If you get it, you lost it. I am here (On this platform it is evident for your reading now) I express myself (Heads scratching, wondering what and how?) I share pieces of me (A defragmented glimpse of an experience deemed ‘worthwhile') Callous, sensuality? (Or a traitor in sheep cosplay?) A dead-end hi-way? Or this pawn from yesterday? Here, your final say This family we never asked Amontillado without it's cask Dry and cheery Heart’s are bleary We own this laborious task My sins are scrollable, thumbed in haste, Wrapped in ribbons of curated taste. A gallery of masks, all timed just right, My shadow dances in the ring light. What of shame when shame gets likes? What of thought when thought’s in spikes? I weep in drafts, but post a grin— The world won’t wait for the shape I’m in. So brand the bruise, then sell the hue: A wellness tip in sponsored blue. This self I host in feedback’s cage— A pet, a post, a digital page. I bare my soul (or just its shell). You’ll never know. I sell it well. I logged on seeking something undefined, A tether, maybe—some reciprocal ache. But all I found were mirrors misaligned, Each smile too wide, each word opaque. The comments pile like leaves, not read. Applause from ghosts, replies from ghosts. I feed the feed, it feeds instead— A hunger that consumes its hosts. I draft a truth. I dress it twice. Add polish. Then delete. I write in blood, convert to nice, Make trauma fit a beat. No lesson left. No higher shelf. Just one more version of myself.
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45
Fortunato, I am called. My friends rate me a connoisseur. Tonight I wear a jester’s garb for the feast day of misrule. Tonight is fine, the wine flows free With honeyed sweetness on my lips My headgear rings with happiness as I enjoy another sip.. Montresor came to speak with me He wore a mask and monkish gown. I shook the hand he offered me. We spoke about a cask of wine. A cask of sherry, dark and sweet Amontillado- so he claimed My friend had paid a premium. Wished me to judge and share his gain. He thought he’d ask Luchresi’s help But that man is no judge of wine. Give him grape juice in a cup And Luchresi would exclaim “How fine” I took his arm and off we went, Not knowing how this night would end. I went quite willing to my doom with this fiend I thought a friend. Montressor’s servants were away Leaving he and I alone He poured for me a warming glass then led me to the catacombs. We sampled others of his wines to keep the cold and damp away. I coughed and could not catch my breath. But from my goal could not be swayed. In the darkness of the tombs Among Montressor’s ancestral bones He victimized my drunkenness I found myself chained to the stones. I quickly learned it was no jest I screamed in vain- none heard my cry As he with brick and mortar built this prison tomb where I will die..
0
Dec 2, 2011
Dec 2, 2011 at 9:05 PM UTC
Amontillado
The owl and the pussycat went on the randan*. The boat was in dock for repairs. Roller skates borrowed from friends of the Sandman Proved helpful, but not on the stairs. The Sandman was eager to help with the journey The Ferryman told to watch out The feline and strigidae rolled on the jetty With meat pies and plenty of stout. On boarding the ferry they found some dry sherry. An Amontillado from Spain. The owl soon felt woozy, all seasick and ***** The cat tried avoiding the rain. At the end of the trip the two friends would quip That the pies were amazingly nice The filling consisted of mustard and biscuit That compliments meat from blind mice. Despite witty banter and skills of a chanter The sun was elusive and grey Twas then they decided to be less misguided They’ll book all inclusive one day. *Scots for party/merriment/thedancin’
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Mar 18, 2017
Mar 18, 2017 at 7:34 AM UTC
(UN)HAPPY HOLIDAY.
Who am I? And who are you? And how did it end up Just us two? *Why you are you, And I am me,               And it seems like this     'Tis but a dream.* So tell me then, O wise Supreme If 'tis but a dream, Then where are we?                    *Well, don't ask me, I am not the maker. 'Tis your dream sir, And you are Its creator.* Well certainly if That was true, I'd at least pick someone more Knowing than you. *Oh sir, you jest! You comical fellow But can you make sense of what you don't know?* Oh, you talk nonsense, An amicable Fortunato! Just tell me where the devil We are stowed? *Ahh, yes perhaps my lips would be more willing With a bottle of Amontillado, yes. To be blunt with you sir, We are simply dead.* Simply dead, are you mad? That can't possibly be right! Fie! Fie! I can't think,             What a ****** night!                                                            ****** night indeed my fellow man For you stumbled out the tavern And into my hands. 'Tis alright good fellow, no fretting now, For 'tis almost time, any moment now.* Time, sir? What could you possibly mean? Time for what? Time for whom. What the devil do you mean? *Aye sir, you know very well That time is a valuable thing, And it seems* It seems? That your time has tinged. Tinged? Indeed. But you said 'tis a dream! *Indeed, I did, and what a pity It has become, 'tis but a dream       You will never wake up from.*
0
Dec 20, 2014
Dec 20, 2014 at 12:29 AM UTC
A Polite Parler in Purgatory
Who am I? And who are you? And how did it end up Just us two? *Why you are you, And I am me,               And it seems like this     'Tis but a dream.* So tell me then, O wise Supreme If 'tis but a dream, Then where are we?                    *Well, don't ask me, I am not the maker. 'Tis your dream sir, And you are Its creator.* Well certainly if That was true, I'd at least pick someone more Knowing than you. *Oh sir, you jest! You comical fellow But can you make sense of what you don't know?* Oh, you talk nonsense, An amicable Fortunato! Just tell me where the devil We are stowed? *Ahh, yes perhaps my lips would be more willing With a bottle of Amontillado, yes. To be blunt with you sir, We are simply dead.* Simply dead, are you mad? That can't possibly be right! Fie! Fie! I can't think,             What a ****** night!                                                            ****** night indeed my fellow man For you stumbled out the tavern And into my hands. 'Tis alright good fellow, no fretting now, For 'tis almost time, any moment now.* Time, sir? What could you possibly mean? Time for what? Time for whom. What the devil do you mean? *Aye sir, you know very well That time is a valuable thing, And it seems* It seems? That your time has tinged. Tinged? Indeed. But you said 'tis a dream! *Indeed, I did, and what a pity It has become, 'tis but a dream       You will never wake up from.*
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57
Let my past be published now, I care for it no longer; Look between my righteous things To see I was the wronger. Gather all the worries I'd fret about in winter; Shove them off the highest cliff, Make them crack and splinter. Traipsing in the gardenside, Dancing in the hollow; Feeling for a mason's nook, Sweet Amontillado. Down within the castle walls, Down among the relics; Bearded faces line the halls, Lilting in Goidelic. Slowing pace to stop and smell Of a strange antiquity; Thinking on a silver day That happened once in Brittany. Countrymen with muskets bared, Bent on fiery shot, Pounced upon the zealous rogues Of Napoleonic lot. Wand'ring mind, drop your guard, Stop your nagging ways; Hark! the drap'ry's bold aura Welcomes warmer days. Happiness is fleeting, Sadness is extinct, So let my every passing thought Be mindful and succinct.
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Feb 22, 2018
Feb 22, 2018 at 1:06 PM UTC
Poetic Afterthought
you are my Brutus and I love you more with each blade you slice into me 23 stab wounds later and I am made of wax no longer bleeding or beating but approaching thermosomatic phase transition when you burn me alive strike a match on my cheek light a cigarette stub it out my torso your ashtray, my heart a candle lit vigil burning low to ignite your frozen ire I love you classical I love you Brutal I love you Antony asleep in my tomb I love you buried under municipal concrete I love you Amontillado I love you simultaneously Héloïse and Abélard I love you Delilah and I love you you let me count the ways a six-sided die comes up 23 but my chest is already split open and you forgot to feed the dog give me public indecency and walk away it's not your job to fix every schmuck who comes along with a missing heart on your beat
0
Sep 17, 2013
Sep 17, 2013 at 1:35 PM UTC
23
He slipped on a set of headphones, Adjusted a dial or two, Then introduced his radio show And the members of his crew, ‘The Horror Tales of the Greats’ he read Each week to the folk in town, Just as the Moon was coming up With the sun then truly down. And the folk had huddled round speakers To hear, in a thousand homes, The tales of Edgar Allan Poe In the speaker’s crackling tones, And an eerie mist fell over the town If they chanced to look outside, As the ghosts of horror stories past Rose up from the place they died. Each tone was sent with a shiver From the night’s Plutonian shore, Just as that stately bird of old Had repeated, ‘Nevermore!’ While the cats had yowled in the alleyways When he read a tale of sin, Of walling up the corpse of his wife When the Black Cat did him in. The Fall of the House of Usher, The Masque of the Red Death, The tales built up in the atmosphere And made them short of breath, The Cask of Amontillado, The Pendulum and the Pit, Whatever the horror, and most intense There was always more of it. The stars that shone in the evening sky Had gone, though the sky was clear As the Moon had dropped down, over a hill While the airwaves dripped with fear, And the walls back there, in the studio Were seeming to seep a flood, As the speaker droned in the microphone The studio filled with blood. And suddenly then, a different voice Was heard all over the town, Rattling through their radio’s And shouting the reader down. ‘Shutter your windows and lock your doors Put children under the bed, Hide yourselves right under the stairs Or you may well end up dead!’ ‘The very air that you breathe has been Long saturated with dread, Has filled your lungs with the ripe unclean That came from somebody’s head. The ghostly voice on your radio That has whispered blood and gore, Will drown tonight in the studio So there won’t be any more.’ And right behind that terrible voice There was choking sounds and screams, Enough to curdle the very blood And to give them nightmare dreams, Then after a long, chilled silence of The type that terror sates, A voice said, ‘that was the final of The Horror Tales of the Greats.’ David Lewis Paget
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Feb 27, 2015
Feb 27, 2015 at 1:35 AM UTC
The Horror Tales of the Greats
He slipped on a set of headphones, Adjusted a dial or two, Then introduced his radio show And the members of his crew, ‘The Horror Tales of the Greats’ he read Each week to the folk in town, Just as the Moon was coming up With the sun then truly down. And the folk had huddled round speakers To hear, in a thousand homes, The tales of Edgar Allan Poe In the speaker’s crackling tones, And an eerie mist fell over the town If they chanced to look outside, As the ghosts of horror stories past Rose up from the place they died. Each tone was sent with a shiver From the night’s Plutonian shore, Just as that stately bird of old Had repeated, ‘Nevermore!’ While the cats had yowled in the alleyways When he read a tale of sin, Of walling up the corpse of his wife When the Black Cat did him in. The Fall of the House of Usher, The Masque of the Red Death, The tales built up in the atmosphere And made them short of breath, The Cask of Amontillado, The Pendulum and the Pit, Whatever the horror, and most intense There was always more of it. The stars that shone in the evening sky Had gone, though the sky was clear As the Moon had dropped down, over a hill While the airwaves dripped with fear, And the walls back there, in the studio Were seeming to seep a flood, As the speaker droned in the microphone The studio filled with blood. And suddenly then, a different voice Was heard all over the town, Rattling through their radio’s And shouting the reader down. ‘Shutter your windows and lock your doors Put children under the bed, Hide yourselves right under the stairs Or you may well end up dead!’ ‘The very air that you breathe has been Long saturated with dread, Has filled your lungs with the ripe unclean That came from somebody’s head. The ghostly voice on your radio That has whispered blood and gore, Will drown tonight in the studio So there won’t be any more.’ And right behind that terrible voice There was choking sounds and screams, Enough to curdle the very blood And to give them nightmare dreams, Then after a long, chilled silence of The type that terror sates, A voice said, ‘that was the final of The Horror Tales of the Greats.’ David Lewis Paget
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65
I hear you calling from within these walls, but I've spent forever pawing, clawing at the plaster to free you. My hands overflow with expanding silence. I cannot speak. I lay with you night after night separated by this wall of flesh that mimics my every breath as you sing me to sleep with your haunting, your taunting melody. Your   slowing     pulse is the most maddening rhythm. Your    fading      voice, the saddest cadence. I want to share your secrets with the world. Send your voice on the wind. Hammer your heartbeat into the ground. Heard. Felt. I will carve out my name With one of the finer points of life.
0
Jun 20, 2017
Jun 20, 2017 at 11:28 PM UTC
The Taste of Amontillado
He recalls the details of the grand fair- Dark Amontillado seeps in a bit. Sure of his love’s bright light that’s waiting there. He offers up to God a silent prayer- If it is heard he will have to admit he makes his way to his first ever fair. He steps into a swell of steamy air where half-truths and quick looks pull him to it. Sure of his love’s bright light that’s waiting there. The signs all point, but his mind is elsewhere. What kind of ode praises the opposite? He arrives at the ever-popular fair. The whole town knows but he decides not to care. He trusts the Snakes had nothing to omit. Sure of his love’s bright light that’s waiting there. She always hid but now wants to care. Adieu chérie scrawled on the eyes; unfit he waits at the gate of her past love’s affair. He never truly looked for her there.
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Dec 17, 2018
Dec 17, 2018 at 8:13 PM UTC
Ode of Scarborough