the osprey flys overhead, but the baby rabbit trembles not

~for any grandparent-poet lurking about~


the osprey overflies, a regularity scheduled patrol over
our backyard emporium and all its hors d’oeuvre creatures,
he/she has parental responsibilities, beaks to feed, PTA conferences,
the pilot, a wary watchful animal-his-rights guy, catalogues their still living  existentialism, for though they are not fish, his diet of preference, but in a pinch a rodent  or rabbit stew will do, if the fish are running too deep for no warming sun beckoning them to the surface.

Motel^ the baby rabbit, who lives with his parents,
(who doesn’t these days?) beneath the deck,
chews the clover overnight sprung, blissfully i g n o r a n t,
unawares or ignoring the poet be-laureating (him-her) but a mere
few feet above and away, pays no attention to the Poppy’s (grandfather) lecture about the rules of the animal kingdom,
who, eats whom, and to be more attentive to flying raptors.

thunderstorms forecast for the afternoon, severe say
the textured textual phone-netical all green messages, which
of course is a signal signal to the sun his job is done and can
leave the untanned poet in his state of original sin, soooo deliciously
white that he earns an appraising glance from eyes of the osprey,
a privilege he would happily tan away to promote equality ‘n stuff like peace on earth.

Motel, with his thermometer-humidity nasal instrumentation twitcher, decides, after chewing it over most carefully, time to go underneath where the white half naked people domicile, in order to avoid bathing, not his fav pastime, but making the osprey quitter le ciel, which is French for get out of Dodge, they got babies of their own to shelter and protect, even feed.

The Poppy, contented, thinks to himself, god couldn’t be everywhere,
so he invented grandpas to be “En Loco Parentis”  which
Does Not Mean Instead of Crazy Parents,
but easily could,
for who else writes
poems like this?

~for Honey~

upon arrival in May, 2020, at the sheltering island:

sparser, leaner, the overage of summer fullness lacking,
some of the presumptuous early blooms silly attempting
with no success, the deceiving of new arrivals, while the many
naked branches, leaf-less, trees, struggling be fully realized, needy
to join, volunteer, with the troops of advancing green recruits

this no poem, just descriptive, a viewpoint, my eyes awaken
to calm waterways, white boat dots trawling, looking
for new births, bounties of raw refreshment, sailing to an audience
of landed, gentrified emerald grasses, their chorale singing ‘thirsty!’

of me they ask, who be you, we’ve not seen nary a human trod
our land and seascape for months many, we have no recollection,
no issuing, of an invitation to any two legged slightly-familiar interlopers, reply simple, essence of essential, I’m being, being here!

your shores shore me in ways undefinable, that my
travels and travails don’t dare accompany or defy,
looking for old friends, natural ones, some likely passed,  all
whilst I sing Over the Rainbow, wishing wishes wonderful

already becoming truth, eyes daren’t deceive, my somewhere
here, where a winter’s rainbow made its landing, dreams truthful revealed, richly greeted, our presence yet welcomed, by sea salted
odiferous air, lapidaries of sapphiric waves, animals of the Kingdom

the poetry nook members, askance asking, why, what so long took,
we, your audience, waiting patiently for a coming, to pen our
woods and tales, long, short and tall, prophecies of storms,
lighting crashes, of a stilling peacefulness, heaven-bequeathed

the Adirondack thrones, four kings, wearied worn, beyond gray,
show their weathering rings pride of ‘another year, we’ve survived,’
saying now, we’ll speak to the world, through you-man-poet,
our minions too, deer, wolves, rabbits, starfish, osprey, sea trout, piping plover, all winter survivors, will enjoin your verses

much to tell, newly created, new spells, to trance your eyes,
you seeing only our surfaces, guessing at our depths, our inherency,
looking for recovered keys to unlock your own hardy boyish mysteries, but ours, are perpetual unsolvable which is why,
you humans, ne’er fail to return

your soft footfalls, children’s shrieks, jewels to adorn us,
our nature, needs adoration and adulation, our tree limbs
for swinging on lumber-cut swings, flying towards our blued skies, requires humans to summer-slum, breaching the winters remaining slumbering yet few ends to join you when you at last first chant,

                               that, that’s where
                               you will find me, 
                               thinking,
                               think to myself,
                                                         ­ oh, what a wonderful world!

-for Olson-

this gift of envisioning words repurposed contextually,
untethered not from meaning, but used in a meaningful but
newly birthed, eye delighting manner of speaking, well, so well,
somewhere between copious laughter, adulterated glee
and tears of amazed jealousy, mock myself thinking this poet
makes me feel like English is just my second(ary) language and I sadly speak no other.

I buy my paintings supplies from the only store in town
————————————————————————-


<>

I buy my paintings supplies from the only store in town, Jack’s on Bridge Street, the hardware *** toy *** anything-you-need store.

I buy my painting supplies by special order, delivered by ferry,where they get crazed at the colors I select, Vermillion, Drunk-tank pink, and the marvelous, quite scandalous, ***** Gallant.

My easel resides on my front porch, never moved, only when a wipe down is necessitated, or rain storm torrential makes it essential,
to avoid  warping wood.

From the porch, I paint the view, from my house on the hill, overlooking the channel separating our tiny isle from the mainland is deemed magical amazing, for this same scene painted repeatedly, but  differently,
a thousand times, a thousand changing ways.

Almost every home, only for the year rounders, has its own version, so my obituary, will be both in the town newspaper and forever before their eyes.

I do not sell my paintings, the ones supplied, gifted by my island.
Unasked, I notice that someone walks past my porch, my existence thus a daily-verification, in every season, but for the winter, but then, my presence is marked, publicized, nonetheless, duly reported,
by Jack’s delivery boys.

The Thew Of Phantasmagoria



<for Sanders Maurice Foulke III>

The Thew Of Phantasmagoria

the muscles of the brain, design bridges, author poems, obviously
the strongest force upon the Earth, whence & where the powerful
coiling of our mortal coexistence energies be stored & unleashed

muscles summon previous unknowns, establishing neural connectivity
between colliding galaxies, undiscovered planetary rings, using kinetics
to create a vocabulary for the express purpose of astounding creation

the modest only dare inquire of themselves in wondrous silence
how came this thematic landscape, new language, to escape my
optics, my ken, my viewfinder, purview,  essential essence sensories?

the deniers claim magic lanterns, optical illusions, love, par example,
they ascertain, a chemical imbalance stimulates the sensorineural,
mocking those who believe the comet’s tail visible wags its orbital path

this poem abstruse, yet full of truths, a working man’s lunch pail
full of fine china chicanery, fooling those who observe only exteriors,
but we who live on bounded islands recognize safe passages available

when the thew of the phantasmagorical is debunked, acknowledging
that for something to be truly true, it must be agreed upon by two,
thus creating a language clarifying even if it’s punctuated by shadows



621pm 23-2-2020
IP lmn