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Edward Coles Apr 2017
The ***** house entryway
was lit up like Christmas Eve.
Two women lounge on stone benches
offering bored smiles between cigarettes
to each passer-by with an empty wallet.
Mosquitoes kiss stagnant water,
hover at their exposed ankles.
******* dress reflects her cellphone halo;
only ghosts of love are alive in these streets.
The Police know not to come.
For the married men
they are cheaper than divorce,
a scratch-off ticket-
like betting on a horse.

Red dress takes a stab at English
taught by her mother
to draw my attention.
Speaks just like my students
and looks no older.
Only came out for dinner
but the weekend is alive:
the sight of her lipstick and stockings
salts my hunger.
I stop in my tracks.
Sound of distant thunder,
I offer my name
and a drink;
she offers me shelter.

Leads me by the hand
beneath the fairy lights
into the dingy bar
of bad karaoke and
football on the big screen.
I order whiskey sours
and we sit at a table
playing games of conversation
over the ashtray as I stumble through
my sentences.
She plays with my fingers,
tells me I am her favourite;
that tonight
she is willing to kiss.

On the second drink
her black eyes covet mine.
Swollen in longing,
I tell her she is the most beautiful
thing I have ever seen
without a word of lie.
Though she blushes
and plays with her perfect hair
I know there is nothing I can say
she has not heard one thousand times.
Leads me by the hand,
places mine on her hips
as she turns to face me
in the half-lit room.


We hesitate.
I kiss her collarbones, her neck,
work my way to her lipstick;
kiss her ******* the mouth.
She deadens in my grip,
begins to work at my belt.
In the half-light we close our eyes-
she becomes flesh,
I become paper,
knowing these were the cards we were dealt.
She pulls on my hair,
when I finally surrender
she speaks softly in English;
she moans in Thai.

Laid exposed in the aftermath
she draws her painted fingernail
across the outline of my tattoo.
Asks for the meaning
but does not understand the answer.
We linger for a moment
before reality resumes
and the illusion is over.
She leads me by the hand
to the funeral wake of the weekend streets.
The storm is over.


Pollution blots out the stars.
She says farewell.
I say

see you next week.
C
Martin Bailes Mar 2017
Can a pretty girl
in a short red dress
take away
this emptiness?

Hold me close
squeeze me tight
fill my soul
with rays of light?

Used to be that
the prettiest girls
were actually boys
but no more,
for nowadays
there's a whole mess
of the most gorgeous women
in heels & short tight dresses,
standing on the corners
as offerings to the ways
of men,

some so youthful
that their long sweet legs
totter & tremble
in their fancy shoes
as do the steps
of a new-born
upon the vast
plains of Africa,

& strutting jazzily
their tender flesh
to catch an eye
& then lean
in provocative geometry
into car windows
to state terms
& size customers,

with small handbags
squeezed tight
to their sides,

as they gather in groups
emanating an ****** power
seemingly enhanced
by numbers,

& yet to stroll by
& listen in
reveals nothing more
than simple gossip
& observation,

for after all these
are only working girls
not goddesses at
their ease.
provocative geometry
Pagan Paul Mar 2017
.
The street lamp barely pierces the gloom
as darkness fills up Nature's room.
Any icy breeze blows down the street,
the air is full of rain and sleet.

She stands beneath the murky light,
one of a few out working tonight.
Her clothes do not reflect the weather,
miniskirt, t-shirt, long boots of leather.

Pinprick marks upon her arm reveal
a habit to hide all that she feels.
A daemon that has to be well fed,
from money made in a punters bed.

A low rumble, the quiet is disturbed,
creeping slowly, pulling up at the kerb.
Quick furtive words, a deal is complete,
she opens the door, slides into the seat.

Sometime later she has returned to her place,
crying and shaking, blood on her face.
The blood on her shirt is already dry,
and purple black bruises adorn her eyes.

She does not complain, she does not speak.
It just happens. At least once a week.
There is always one will have his way,
beat her about, and refuse to pay.

Give her a minute to fix her smile,
she will be back in just a short while.
Waiting tartly to be once more defiled,
hoping tonight she can feed her child.

She dreams her daughter will never see
this sick, dark side of her society.
For her sake she hopes to escape
the drugs, the violence, and the ****.

Maybe one eve she will not show
her charms under the street lamps glow.
Has she escaped to a better life instead?
Perhaps she is in the river, floating dead?

But 'til then she walks the pavement.
Big smile, **** out, making a statement.
She won't wait long for another ride,
she will block out whatever happens inside.

And the cycle repeats almost every night,
beneath the lamp with the murky light.
This is her spot, her street, her world.
This is the life of a poor street girl.


© Pagan Paul (03/03/17)
James Mahoney Mar 2017
Come with me
I said with glee
I'll take you to bed
Or we'll kiss instead

She agreed to the former
But it didn't seem to warm her
In fact, she seemed sad
Was I that bad?

It ended short
For we were keen to abort
And she ran away madly
Perhaps even gladly

Not really worth a dime
And I think next time
In search of better joy
I’ll pay for a boy
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