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Nora Feb 2016
Children, gather round
Your second parent calls
A simple box
Wooden and metal
A face of glass
Adorned with two knobs
Take your seats
And take off your shoes--naughty!
Elbows off the table
Legs crossed, hands clasped
Black and white
Levittown
Like your mary janes and stockings
Your president birthed
And mourned
Mother’s in the kitchen
The window outside your little world
Is black and red but not white
Malcolm X, and all the rest
Standing up for their territory
Little girl, the country’s changing
Pick your daisy
We’re not crazy
The bombs come closer every day
Haven’t you seen Castro
And our fiascos by the bay?
Great Society
Social Security
Aid for the old and poor
Dinner’s ready
Mother’s specialty
Credibility on a plate
Crudely disguised
Plastic, fantastic, and uniform
Yet your mind is so hungry
That you eat it all the same
And give it no thought
The window’s widening
Its light reflected
On that glowing omniscient face
Color! Color!
Bright and vivid
Dancing at your fingertips
Brother’s gone off to Nam
Off with your skirts, your stockings,
Your mary janes,
And that awful ribbon in your hair
Burning dope
The rainbow bathes you
In its splendid glory
The birds in the sky
Like rolling thunder
Hawks tearing at the doves
****** falling to the trees
Agent Orange
Fire, death, destruction
Where’s your meal now?
Johnson stumbled,
Faith has crumbled
And so have the foundations
Of your enclosed walls
Bobby’s groovy--
No--he’s gone
And King’s dream
Escaped with his last breath
White rabbit,
Gentle rabbit
Sing your peace
The country’s ablaze
At home and away
Stand your ground
Chicago, Ohio
Each one’s a battlefield
Time for dessert--
Licking lollipops
LSD
Clear your plates
For a second course
50s/60s zeitgeist.
Chase Graham Nov 2014
Leaving Minnesota on train or buses,
crowded and alone, were you fearful
to sleep on couches and of the Village
people with a rhapsody of dreams

and cacophony of chords, under rain
and sewer stank was it hard,
to step inside and play
the first time for glistening eyes
and stage lights and to let melody
escape your belly-throat

for them, or did you know
more, that words can sculpt
delicacy as smooth
as Donatello and that life can be bought
without wrinkled greens and pressed

threads? Walking under a hard-rain
of assumption and change, did Greenwich
birth a demon-sadness, so you hid
your neck beneath collars and dark
glasses and smoky rhyme, when the ship

comes in will you be onboard or escape
to Louisiana, misunderstood, working
a river boat after you give Lennon
a puff and Warhol a tight-fist?

Did sad-eyed Sara send you back
leather spanish boots or forget,
and was Christ able to mend that
broken love, and did you later kick his idiot
wind away and in 2009 on stage when I could
see emptiness and heartbreak
hidden underneath your creased stetson,
were you still singing
it ain't me, babe?
Maria Vera Oct 2014
it became a perpetual motion
a dance
someone hands the card, another lights
the amount of aching discolored grazed fingers was immense
put your finger on the flint wheel
press it down

karen thought we should make a sign
the scrambles of bruised fingers for a piece of cardboard
my fingers throbbed as i scratched our message on the board
i kept the pink flower locked in the crease of my hand
and threw them in air
“draft card burning here”

it was 7 00 in the morning
october 21 1967
i was only 17
my brother jeffrey was flying a plane over dien bien phu
a friend richard was screaming in the trenches of xuan loc
a lover michael treading through a swamp in mui bai ****

i stepped up to The Police.
The. Men. In. Suits. Stared. At. Me
Blank. Faces. And. No. Expression.
I picked up my Pink Daisy, and brought it up to their bayonets
this is for Jeffrey, for Richard, and for Michael

the men in suits stared at me
in a world of chaos and confusion
all I heard was
Silence.
“La Jeune Fille a la Fleur,” a photograph by Marc Riboud, shows the young pacifist Jane Rose Kasmir planting a flower on the bayonets of guards at the Pentagon during a protest against the Vietnam War on October 21, 1967. The photograph would eventually become the symbol of the flower power movement. I wrote this poem from this photograph.

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