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little dark girl with
kind eyes
when it comes time to
use the knife
I won't flinch and
i won't blame
you,
as I drive along the shore alone
as the palms wave,
the ugly heavy palms,
as the living does not arrive
as the dead do not leave,
i won't blame you,
instead
i will remember the kisses
our lips raw with love
and how you gave me
everything you had
and how I
offered you what was left of
me,
and I will remember your small room
the feel of you
the light in the window
your records
your books
our morning coffee
our noons our nights
our bodies spilled together
sleeping
the tiny flowing currents
immediate and forever
your leg my leg
your arm my arm
your smile and the warmth
of you
who made me laugh
again.
little dark girl with kind eyes
you have no
knife. the knife is
mine and i won't use it
yet.
It's now or never
Time latches hearts together

Every lapse of love a man dies
Deep inside these men is a devil in disguise
Love is our fire within
How we breath
How we think
How we live
The heart is where the man begins

It's now or never
Time latches hearts together

So will you be my love forever?*

*-Joseph B Schneider
© Joseph B Schneider. All rights reserved
Come here darling
Don’t be afraid
Im here to keep the darkness away
Kisses and hugs
Are wonderful things
I shall give you both so you can laugh and play
A shoulder to cry on
An ear to listen
Patience and love is all you require
Don’t  cry now
Please tell me whats wrong
I can help with tears, that’s all I desire
I am always here dearest one
Don’t stop living
Don’t stop shining
Your time of anxiety is hereby done
My girlfriend needed a lullaby to help with her anxiety. this is what i came up with.
Beat the rhythm
empty hand,
Iron cast chains
rattles command.

Ol' Boss Hogg,
baton raised
Self righteous fool
has need of praise.

In order that
he gain acclaim,
thinks with hate,
acts with shame.

Human beings,
commodity,
ships hold stacked
with those once free.

Bodies piled
upon high
you will not see
the strong ones die.

Scars embedded
on their backs
chained and shackled
to the racks.

We deal in branded
breathing stock,
Unload black vassal
from our docks.

Beat the rhythm
empty hands.
Iron cast chains
in far off lands.

We keep our skivvy,
wired hair blacks.
We work them hard,
we score their backs.

They do for us,
they work the field.
Grow the cotton,
pick the yield.

Keep the body,
take the mind.
Labour whatever's
left behind.

And if demeanour
does ever flinch.
We'll introduce you
Willie Lynch.

Beat the rhythm.
Empty hands
Iron cast chains.
Unfair demands.

Beat the rhythm,
shackled feet.
We take their worst
but can't be beat.
Anybody know who Willie Lynch was? Anybody? Raise your hand. No one? He was a vicious slave owner in the West Indies. The slave-masters in the colony of Virginia were having trouble controlling their slaves, so they sent for Mr. Lynch to teach them his methods. The word "lynching" came from his last name. His methods were very simple, but they were diabolical. Keep the slave physically strong but psychologically weak and dependent on the slave master. Keep the body, take the mind.  (Melvin B Tolson)

19th  July 2015
© Copyright Christopher K Bayliss 2014
My brain is a factory,
producing every toxic part of me.
******* until my hand gets lazy,
fantasizing about Lexi Belle
and being Martin Scorsese.

My blood is a vacuum,
alone in a crowded room;
my white blood cells like to
travel to my *****,
so I can someday infect
designer uterine walls.

Locked and loaded,
my heart exploded.
The tissue and issues
attracted crocodiles
that swam from the mall,
for miles and miles.

Store-bought baby, my body isn't ready,
to be stripped down to the bone,
and sold to teenage radios,
that'll broadcast my American moans.

Caucasian nightmare:
my skin is not fair.
Peel enough off with chemicals,
until I decide there's no more,
and hide the layers in bathroom stalls,
located in the bleach of Baltimore.
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