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"Terence, this is stupid stuff:
You eat your victuals fast enough;
There can't be much amiss, 'tis clear,
To see the rate you drink your beer.
But oh, good Lord, the verse you make,
It gives a chap the belly-ache.
The cow, the old cow, she is dead;
It sleeps well, the horned head:
We poor lads, 'tis our turn now
To hear such tunes as killed the cow.
Pretty friendship 'tis to rhyme
Your friends to death before their time
Moping melancholy mad:
Come, pipe a tune to dance to, lad."

Why, if 'tis dancing you would be,
There's brisker pipes than poetry.
Say, for what were hop-yards meant,
Or why was Burton built on Trent?
Oh many a peer of England brews
Livelier liquor than the Muse,
And malt does more than Milton can
To justify God's ways to man.
Ale, man, ale's the stuff to drink
For fellows whom it hurts to think:
Look into the pewter ***
To see the world as the world's not.
And faith, 'tis pleasant till 'tis past:
The mischief is that 'twill not last.
Oh I have been to Ludlow fair
And left my necktie God knows where,
And carried half way home, or near,
Pints and quarts of Ludlow beer:
Then the world seemed none so bad,
And I myself a sterling lad;
And down in lovely muck I've lain,
Happy till I woke again.
Then I saw the morning sky:
Heigho, the tale was all a lie;
The world, it was the old world yet,
I was I, my things were wet,
And nothing now remained to do
But begin the game anew.

Therefore, since the world has still
Much good, but much less good than ill,
And while the sun and moon endure
Luck's a chance, but trouble's sure,
I'd face it as a wise man would,
And train for ill and not for good.
'Tis true, the stuff I bring for sale
Is not so brisk a brew as ale:
Out of a stem that scored the hand
I wrung it in a weary land.
But take it: if the smack is sour
The better for the embittered hour;
It will do good to heart and head
When your soul is in my soul's stead;
And I will friend you, if I may,
In the dark and cloudy day.

There was a king reigned in the East:
There, when kings will sit to feast,
They get their fill before they think
With poisoned meat and poisoned drink.
He gathered all that sprang to birth
From the many-venomed earth;
First a little, thence to more,
He sampled all her killing store;
And easy, smiling, seasoned sound,
Sate the king when healths went round.
They put arsenic in his meat
And stared aghast to watch him eat;
They poured strychnine in his cup
And shook to see him drink it up:
They shook, they stared as white's their shirt:
Them it was their poison hurt.
--I tell the tale that I heard told.
Mithridates, he died old.
Del Maximo Feb 2011
awoke from a dream last Wednesday
strangely refreshing and uplifting
resounding in music
the notes still reverberating on my heartstrings
it was the first dream of my brother
since his passing
it may be my first dream of him ever
he was laying in bed
contemplating his demise
don’t know if he was speaking before or after the fact
guess it really doesn’t matter
with one simple sentence
and just a hint of anger
“Life is stupid”, he said.
implying remorse and resentment
for still having so much to do
I backed away to give him his privacy

as I readied myself for work
he got up out of bed and found me
happy and smiling, a sparkle in his eyes and teeth
corroborated his contentment
he was walking around the house playing his guitar
it was acoustic and unplugged
but the sound was electric
he was playing a Mexican folksong
his ex-wife appeared, singing the refrain:

“Ay, ay, ay, ay, canta y no llores
por qué cantando se alegran
Cielito Lindo, los corazones” 1

his song struck a chord whose message was immediate:

“sing and don’t cry
for singing gladdens the heart”

his daughter’s seventeenth birthday is today
with a party this weekend
timing is often coincidental
but it seems to me
this message was for her
and everyone at the gathering

for those who would listen
Terence would tell us:

“Life is stupid...so sing and don’t cry”
© February 18, 2011

1 Cielito Lindo, a Mexican folksong
ConnectHook Sep 2015
‘TERENCE, this is stupid stuff:
You eat your victuals fast enough;
There can’t be much amiss, ’tis clear,
To see the rate you drink your beer.
But oh, good Lord, the verse you make,         
It gives a chap the belly-ache.
The cow, the old cow, she is dead;
It sleeps well, the horned head:
We poor lads, ’tis our turn now
To hear such tunes as killed the cow.         
Pretty friendship ’tis to rhyme
Your friends to death before their time
Moping melancholy mad:
Come, pipe a tune to dance to, lad.’

  Why, if ’tis dancing you would be,         
There’s brisker pipes than poetry.
Say, for what were hop-yards meant,
Or why was Burton built on Trent?
Oh many a peer of England brews
Livelier liquor than the Muse,         
And malt does more than Milton can
To justify God’s ways to man.
Ale, man, ale’s the stuff to drink
For fellows whom it hurts to think:
Look into the pewter ***         
To see the world as the world’s not.
And faith, ’tis pleasant till ’tis past:
The mischief is that ’twill not last.
Oh I have been to Ludlow fair
And left my necktie God knows where,         
And carried half way home, or near,
Pints and quarts of Ludlow beer:
Then the world seemed none so bad,
And I myself a sterling lad;
And down in lovely muck I’ve lain,         
Happy till I woke again.
Then I saw the morning sky:
Heigho, the tale was all a lie;
The world, it was the old world yet,
I was I, my things were wet,         
And nothing now remained to do
But begin the game anew.
lines from "A Shropshire Lad"  

by A. E. Housman (1859–1936)
Alan Maguire Mar 2013
A is for Adam the Aardvark and his band the African Ants
B is for Broderick the bumble bee who thinks they are pants

C is for a cynical cat named Crusoe
While D is for Darwin the delightful deer
E is for Eric the elephant who always drinks my beer
F is for Fernando the Fox but in Spain he known as  Zorro
He lost his wife Matilda last week and is now brimming with sorrow
G is for Gerald and yes he is a Giraffe
He wore odd socks last Tuesday and made Heinrich the Hyena laugh
Imelda is an Iguana and she is quite immense, though she is really old but has unstoppable sense.
Jack the Jackal has a regular name but he is an assassin and has a pretty good aim
K is for Kimberly who happens to be a kangaroo but she doesn't live in the outback anymore because she lives in London Zoo

Laramie the Llama lives south of the United states , he loves hiking in the mountains but one thing he hates, is being mixed up with Arnie the Alpaca.

Monty the Moose loves drinking maple syrup and playing ice hockey,
yes he is a stereotype but I am his Jockey
Nero the Narwhal is the unicorn of the deep, he loves scaring sailors and loves to sleep
Olive the Orangutan is a neighbour of Kimberly the kangaroo
but they have a plan to escape from London Zoo.

Pug is a Pig , just a regular pig, but he wishes to be ferocious and really big
Quentin is a quail and buddies with Pug, he likes eating sunflower seeds but never a slug
Ramon the Rhinoceros also dwells in the Zoo and is part of the escape plan with The red ape and kangaroo , he'll actually be the one to bust them out,
but to get his attention you really must shout.

Sylvia slithers, Sylvia is sleek if you were a mouse and saw her, you'd go EEK!
Terence T. Tiger is terrified, because he was asked to escape from the Zoo,
yes with the Red ape , Rhino and Kangaroo.

Ulysses is a horse who super glued a horn to his fore-head , he wanted to be the last known Unicorn because he heard that they were all dead. Vincent is a Bat, just a Vampire Bat,
he doesn't really like blood but is enemies with Crusoe the Cat.

Warren the wolf has many female fans but spends half the day with Eric the Elephant drinking my cans .Xenops is not an alien , it's just a rain forest bird, I'll give you more info as soon as I've heard
Y is for Yul and I don't mean the bald actor , this Yul is a yak but does watch the X factor
Z is for a Zebra named Zak and yes he does know the Yul the Yak , they were introduced by a certain kangaroo, and now it's their job to visit London Zoo
Darren Scanlon Aug 2015
My friend Terrence
was a little happy sole,
he didn't need a kennel,
nor a house or a hole.

His home was a shell
that he carried on his back,
so that all he had to do
was drop down on the track.

Then he'd pull his head inside,
followed by his legs and feet
and he’d look inside the fridge
for something tasty to eat.

If it started raining
or got too chilly cold,
his friends would run for shelter
beneath trees or in their holes.

But not our little friend,
because he'd climb inside his shell
and have a cup of tea
until the sun chased off the chill.

Wherever he did travel,
he would walk so nice and slow,
well there's no need to rush,
you might trip or stub your toe!

“And all the good things
come to those that wait”,
or so his mother told him
as he headed through the gate.

“If you’re rushing all the time
and your feet don’t want to stop
then you’ll end up getting dizzy
like a whizzing spinning top”.

His mother, how she loved him
and he loved her lots, right back
with her funny little sayings
she would help him stay on track.

So there my tale has ended,
for all you girls and boys,
and now you've met my little friend,
Terence the Tortoise.



*
Written by Darren Scanlon, 25th February 2014.
Revised, 30th August 2015.
Artwork by Angie Caira.
© 2015 Darren Scanlon. All rights reserved.
Sam WG Sep 2014
Through the act of speaking vividly, we enter into a flirtation with the domain of the imagination.
The ability to associate sounds, or the small mouth noises of language, with meaningful internal images, is a synesthetic activity.
I'm reading Food of The Gods and I love this little quote. It is almost poetic.
"Farewell to barn and stack and tree,
Farewell to Severn shore.
Terence, look your last at me,
For I come home no more.

"The sun burns on the half-mown hill,
By now the blood is dried;
And Maurice amongst the hay lies still
And my knife is in his side.

"My mother thinks us long away;
'Tis time the field were mown.
She had two sons at rising day,
To-night she'll be alone.

"And here's a ****** hand to shake,
And oh, man, here's good-bye;
We'll sweat no more on scythe and rake,
My ****** hands and I.

"I wish you strength to bring you pride,
And a love to keep you clean,
And I wish you luck, come Lammastide,
At racing on the green.

"Long for me the rick will wait,
And long will wait the fold,
And long will stand the empty plate,
And dinner will be cold."
To draw no envy, Shakespeare, on thy name
Am I thus ample to thy book and fame;
While I confess thy writings to be such
As neither Man nor Muse can praise too much.
'Tis true, and all men's suffrage. But these ways
Were not the paths I meant unto thy praise;
For silliest ignorance on these may light,
Which when it sounds at best but echoes right;
Or blind affection, which doth ne'er advance
The truth, but gropes, and urges all by chance;
Or crafty malice might pretend this praise,
And think to ruin where it seemed to raise.
These are as some infamous bawd or *****
Should praise a matron. What could hurt her more?
But thou art proof against them, and indeed
Above th' ill fortune of them, or the need.
I therefore will begin: Soul of the Age!
The applause, delight, the wonder of our stage!
My Shakespeare, rise; I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room:
Thou art a monument without a tomb,
And art alive still, while thy book doth live,
And we have wits to read, and praise to give.
That I not mix thee so, my brain excuses,
I mean with great but disproportioned Muses,
For if I thought my judgement were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee I would not seek
For names; but call forth thundering Aeschylus,
Euripides, and Sophocles to us,
Pacuvius, Accius, him of Cordova dead,
To live again, to hear thy buskin tread,
And shake a stage; or, when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
To whom all scenes of Europe homage owe.
He was not of an age, but for all time!
And all the Muses still were in their prime
When, like Apollo, he came forth to warm
Our ears, or, like a Mercury, to charm!
Nature herself was proud of his designs,
And joyed to wear the dressing of his lines!
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, **** Aristophanes,
Neat Terence, witty Plautus, now not please;
But antiquated and deserted lie,
As they were not of Nature's family.
Yet must I not give Nature all; thy art,
My gentle Shakespeare, must enjoy a part.
For though the poet's matter nature be,
His art doth give the fashion; and that he
Who casts to write a living line must sweat
(Such as thine are) and strike the second heat
Upon the Muses' anvil; turn the same,
And himself with it, that he thinks to frame,
Or for the laurel he may gain a scorn;
For a good poet's made as well as born.
And such wert thou. Look how the father's face
Lives in his issue, even so the race
Of Shakespeare's mind and manners brightly shines
In his well turned and true-filed lines:
In each of which he seems to shake a lance,
As brandished at the eyes of ignorance.
Sweet swan of Avon! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That did so take Eliza and our James!
But stay, I see thee in the hemisphere
Advanced, and made a constellation there:
Shine forth, thou Star of Poets, and with rage,
Or influence, chide or cheer the drooping stage,
Which, since thy flight from hence, hath mourned like night,
And despairs day, but for thy volume's light.
I'm seeking to amass a Collection
of the World's spiritual, mythic and philosophical codices.
I want to collect them out of veneration
for those who came before who have tried to illuminate the Paths:

The following is my library of such books of yet.
Entries in bold are my recommendations;
entries italicized are strongly recommended.

-Old Works:

Egyptian Book of the Dead
Tibetan Book of the Dead
The Bhagavad Gita
Euclid's Elements

Tao te Ching (I have 3 translations)
I Ching (2 translations and a workbook)
The Qur'an
The Bible

-Newer Works:

Plato and a Platypus walk into a Bar: Philosophy explained through Jokes
Quadrivium: Number, Geometry, Music, & Cosmology
The Pulse of Wisdom - College Eastern Philosophy Book
Food of the Gods by Terence McKenna
The Elements of Reason - College Logic Book
1001 Perls of Buddhist Wisdom
Net of Being by Alex Grey
Art Psalms by Alex Grey
The Portable Nietzsche
The Red Book of Jung
The Portable Jung

The Subtle Body - Encyclopedia of chakras, auras and other personal energy systems.
Who are you? - 101 Ways of Seeing Yourself
--

I seek to compile this Collection
not to have a nice looking bookshelf;
nor do I seek to find which one is right.

I seek to learn from each of these
the lessons that are intrinsic in our Lives;
they're all matters of perspectives.

I want to compile the aspects of each philosophy with which I resonate
and integrate them into my own,
forging a dynamic and holistic individual philosophy.

All of these books are Mystical masterpieces.
All of these books provide insights to the nature of our Holy Reality.
All of these books ultimately attempt to express the same ineffability.
All of these books are interpreted then translated and interpreted again.
The way I see it,
I may as well do it for myself; draw my own conclusions:
Think for myself.
If anyone seeks further information
such as publishers or Authors not mentioned, please let me know.
If anyone has suggestions for additions to my collection, please let me know. :)

Quadrivium is simply and unequivocally badass.
mike dm Jun 2015
I've listened to many Mckenna lectures but in this one he is at his most thoughtful

http://youtu.be/_NclGeWlkrY
Mateuš Conrad Dec 2016
allowing for a two part volume
of Proust's À la recherche du temps perdu...
is unforgiving... it's asking a meat-head
to read such a body like exploring a woman's...
a gay-man's psyche is pretty much a woman...
or what a woman thinks in secret,
gay men merely vocalise what a woman does
not say... and yes, that a with a diacritical
mark... that grave above the a? the à?
it works like a comma... à! a surprise kindred
an eureka that's not really original,
an: ah! and then you say the rest of the title...
iconic pause: in search of lost time...
          it took me about five minutes to figure
that one out... lost time, but occupied a space...
  and so much political vanity is consecrated
upon the reverse.. ineffective space:
thus gained time... for all that protests are worth.

i know i go on about this a lot, surprise surprise,
i'm actually engaging in systematisation...
once you enjoy writing as much as walking
you get to reach a systematisation,
     it's a painful process, i'd never do the editing process
of a Hemingway... write something: shoot some
camels and reindeer and go back and revise a piece
of writing: drink a *death in the afternoon
-
a shot of absinthe inside a champagne glug
or the modern: shot of Jägermeister inside a glass
of red bull... (yay-gay-mr.) -
                       or how do you make snakebite?
half a láger half a çíder - and a head of blackcurrant
squash... scoot meine good look.
  but diacritical marks are what punctuation marks
are... it's only that they've become elevated,
and unlike punctuation marks governing paragraphs
and sentences... they govern the words,
         they are syllable incision indicators...
  i mean: i don't revise something i've already written,
unless it's a spelling mistake... i just write
something new... it's sadistic in my mind's eye to
revise and revise a single effort of writing...
                i'd rather centralise a theme of the paradox
of re-, in the year 2018 i will still experience
the tetratempus - containing four seasons -
         and i will never return toward making a piece
of writing become a morbidly corrected statue...
     what's done is done, let us move toward another
circumstance of being able to acquire a new kind
of observation... i can't be a sadist in terms of also
being a perfectionist... i break a leg, i break a leg...
if i write a ****** poem, i'll write a ****** poem...
but i won't be bothered like human history has been
by preoccupying itself in forwarding the drama
on Golgotha Street...
    the newest addition to the vogue scene is a corset
paired with a waistcoat...
   the snooker championships are taking place,
and i says to my father: 'a bit like chess, ain't it?'
   'sure is', he replies, 'you have to think 3 moves ahead.'
and it is... a smart sport, actually the most intelligent
sport there is... ****** boring obviously,
unless you fake the boredom and think about angles
and triangles and Newton...
   and cover the game with such congestions of
pretending to hallucinate it all...
                or take to thinking about rebellious
Saturn spinning out of orbit and doing a Mike Tyson
to Jupiter...
          but it's very much like chess...
                   it's sporty chess... snooker is chess...
  and it definitely ain't pool...
         you could actually have a ******* on a snooker table...
while either doggy or missionary positioning on
the snooker table... so what are the odds?!
         but i'll tell you one thing... snooker beats golf...
i don't know why... but once colour televisions came into
existence: it made much more sense for both
spectator and commentator... and how dare you
not cling to the 20th century if you were born in it
to translate to the 21st androids how we experienced
an evolution of technology, that made much more sense
after what i just heard...
      so there's this woman in the U.S., and this is before
president-elect and whatnot...
  and she's 22, and it's all over vice news,
and she's scared, and she's a mother of a 1 year old...
    and then this picture emerges
(don't worry, it's not anything like playing the Sims
   and moving your Sim to play computer games
and seeing a wormhole, or the infinity mirror effect)...
and there's a scene when she's talking Donald Duck
to the child... there are no meaningful words being
said... merely sounds... onomatopoeias...
and yes... this makes perfectly good sense when
stressed as a cut-off capsule...
because Darwinism doesn't really provide much
history... Darwinism is a historical erasure:
the past 2000 years could have happened,
but not really...
  but it just fascinated me...
         when did we learn or who did we learn it from
given we were placed at so many different
plots of the globe and became convergent -
anyway - the woman is teaching the child
words via the onomatopoeia of a hoarse quacking
of a duck! i probably will not find an answer
(primarily because i'm not supposed to,
if i am to perpetuate what Aristotle taught, i.e.:
be wrong and continually circumstance being in awe,
given the mundanity that nonetheless
everything keeps repeating itself over and over again,
for sustenance, and you are not sustenance bound
as corrected by your language deficiency to
ever merge into an unconsciously organised module
that might also argue an ego) -
    but i wonder how difficult it must have been
to extract something beyond the minimalism of animals
that identifies a duck with a quack, a cow with a moo,
an serpent with a sss... a cat with a meow, a dog with a bark...
    i cannot conceive how difficult this explanation
will be... but given the timeframe, i'm more awe-stricken
by this than merely being awe-bound by the time-scale...
which becomes the least affordable option of being
struck by awe, because one becomes merely awe-bound
by it, and therefore apathetic towards such a time-scale.
       how did we suddenly extract an understanding
of an onomatopoeia to distinguish our own ontological
basis for making a sound by infusing a sound that
doesn't resemble us? when did the first ape bark like
a dog? but then again, looking at the canvas already
apparent to us... what was the point of such an adventure?
hippy culture says: monkey accidently ate a mushroom,
monkey suddenly was blown away and reasoned of
a higher purpose other than a tree and a coconut...
     mudvayne quotes the guy on l.d. 50...
what's the guys name... uggh! not Timothy Leary...
ah ****! Terence McKenna! that's it!
        am i high? nope... my respectability of argument
comes from the mystical properties of... whiskey.
hmm...      that rarely happens to people.
                   it's what's called being earthbound, or gravity
prone... sink like a skipping pebble across the lake...
          and like a tonne of lard.
             tomorrow i'll wake once more and still
think about how we encouraged the discovery of
onomatopoeia to teach our children the multiplicity of
sounds, and later deconstruct such a multiplicity to
create meaningful words that go beyond knock knock! jokes
and grunts and barking...
                     but i will never know the man who
created the fermentation process from potatoes to make
*****...
                or the guy who brewed the first pint...
or the guy that smoked the first marijuana bush ensemble
while clearing the land for a place to harvest wheat...
   all the fame that exists is simply scholastic...
  schoolboy fame... which is why so much attention
goes into becoming famous in school...
                        but still that woman teaching her child how
to speak by going down into the blobby-gurgling
  tongue of the toddler, stiffening it,
      and tightening the **** and bladder too...
  by talking Donald Duck to it...
                        i probably could have had a family myself...
but can you imagine someone writing this load of
******* and having a family? there wouldn't be any time!
           still (god, what a need to repeat!)
         how did we progress from saying ape-****?
surely if we started to imitate other animals they'd join us
in our need to usurp those ******* lions!
  lo and behold... we managed to pet dogs (so they were
in on it all along)... and cats (who came from Japan,
if **** sapiens came from Africa... cats came from Japan...
bonsai frocked and all) -
                            but you have to admit...
from what is written history, to what is history and
a gap in history going back to a similitude of form -
      you can write as much historical fiction as you want...
    and you'll never have to write a bestseller about
some centurion in the Roman Empire...
   or a quo vadis by Sienkiewicz (nobel prize winner)
for the depiction of emperor Nero...
                               ******* Sesame St. giggles...
still, the question beckons... if animals can behave in
an ultra-intuitive way as if fashioned by a telepathy...
then telepathy can only exist upon a very simple,
atomic, terse vocalisation of an identity...
   a dog barks... a man can bark too...
                                but we have completely lost our
intuitive talent (if it can be called that)...
          to have sacrificed intuition is to have created
cults or counter-intuitive hierarchies...
  so a 1000 blah blahs later i still prefer to write what
i like... than write what people "might" understand
and talk to a girl about...
                                     a bit like a woman discovering
you faked writing a poem 20 years into a marriage...
                  obviously the setbacks to boot...
                            dyslexia is an optical dimension...
no one dyslexic says a word they don't understand
a meaning of... dyslexia seemingly came from
finally having enshrined the "secret" to the monopoly
of writing sounds...
                          nonetheless... at the end of the day...
it's just too much history... there's too much of it...
            there was never going to be a world
where carpe diem ruled it...
                               it was a question how we clung to
certain things, within a framework of
                                             salmon dye omni:
sure sure... piglet pink and innocent for the rest
of our lives... once Darwinism pointed at the ape,
and once physicists dropped the bomb and the bang...
no day has had any significance at all...
   + the 24h news channels...           snuggle up to a hog
             and say: fog over Heathrow... all flights are grounded.

— The End —