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Mike T Minehan Apr 2013
I like a whole lip-smacking smorgasbord of words,
such as preposterous and scrumptious,
sumptuous and curious,
roiling, rambunctious and trumpeting,
priapic, satyric and seraphic,
satyriasis and mimesis. Now this mimesis is the imitative
representation of nature and behavior in art and literature,
which is a pretentious way of trying to say what us writers do.
But hey, we don't just mimic things,
we can be sagacious and salacious, too.
Accordingly, I also like *******, which has a liquid sound,
and I'm not being facetious to suggest that
******* has a close connection to callipygous.
Then, for those who are suspicious of the libidinous,
I also like curmudgeonly and bodacious,
loquacious, precocious and pulchritudinous,
lubricious and fugacious,
scripturient, radiance, iridescence and magnificence,
lissome, lithe and languid (but not too limp),
shimmering and diaphanous, effulgent and evanescent,
flamboyant, fandango and flibbertigibbet,
(although this is difficult to say when you’re drunk),
voluptuous and vertiginous, slithery, **** and glistening.
And when I include crepuscular, strumpet and strawberry,
I may as well add whipped cream
as well, because this can be laid on in dollops,
and dollops is really an excellent word
along with slurping and *******, too.
Actually, I'm very flexible about words,
because in my lexicon, low moaning noises are OK, too.
These sounds come from the chord of creation
which is a sort of reverberation from the time of
primordial ooze, which I would like to squish between my toes.
Then there's protozoa, spermatozoa and also
wriggling flagella everywhere. So there.
But words don't even need to make sense,
because sweet nothings can say everything,
and heavy breathing can be ******,
even rhapsodic, ending in delirium.
Titillating should be in here too, because we all need
some tintinnabulation and tickling of the senses sometimes.
I've also decided that fecund is my second favorite word after love.
Fecund sounds abrupt, but it buds magnificently
in ******* and bellies to burgeon in absolute abundance,
everywhere. This brings me to *******, which I like, too.
I'm also partial to proud words, including bold, bulging and
brazen, along with a bit of swaggering braggadocio.
Then I like some big words, like brobdingnagian,
although I hope I'm not sesquipedalian.
Salivate is a word to celebrate as well,
along with onomatopoeia that helps choose some words here.
Drooling is highly evocative, too,
and it's not being provocative to observe that
even weapons drool when they're in the wrong hands.
And I shouldn't leave out *******, as you would expect,
because ****** is a sort of rippling word
that rhymes with spasm. Both sound deceptively simple,
but by golly, they can be intensely gripping.
And really, it's alright to writhe to this occasion
because all of us writers should endeavor
to have some good writhing in our oeuvre.
Even some bad writhing can be lots of fun, too.
But I almost forgot to mention yearning and burning (with desire)
and vulviform, velvet and venerous.
Yippee, yee har and hollerin' along with other exclamations
of exhortatory exuberance should be in this index, too.
Now. The words I don’t like include no, can’t, never,
stop and mustn’t. Also, irascible and intractable,
unmentionable, ineffable, inexpressible, incoherent,
immutable, impotent and impossible.
Then I don't like importune and misfortune,
and I don't know who thought up unthinkable,
because this is an oxymoron.
Inscrutable is also a complete cop out,
especially when there's no such word as scrutable.
Gawping, gaping, cavernous and cretinous, obsequious,
grovelling, pursed lips, circuitous,
obfuscation and isolation, unpalatable,
cruelty, tyranny and hypocrisy,
should also get the heave-**.
And I definitely don't like parsimonious and mendicant,
which are miserable words.
Quitting doesn't get there either,
and shut the **** up and ******* should also be taboo.
Also, hopeless is, really, well, it's hopeless
because it denies hope, and hope is buoyant and boundless.
I mean, sometimes hope is all we have.
But the word I dislike most is ****,
because this is an insulting word, and
to be taxonomical,
the negative score of this word is astronomical.
Hate is also right up there on this list. Hate is abominable
because it tries to destroy love, and love is indomitable.
Indomitable
is the
mightiest
word
of them all.
Yeah. So there.

Mike T Minehan
II felt good after writing this - it was a bit like purging the personal dictionary in my head. I think all of us could write our own list...
The one created for sabotage
Adored by few
Abhorred by numerous numbers
He treads an eternal sorrow
Which tortures his blighted soul
Scheming against ingenious blueprints
His destiny's been read
By gypsy cherubs
He's learned the path
Trodden by none
His predestination
Answering to this heavy burden
His Father has brought a rebellious notion
No other celestial entity has knowledge
Except for him and his apostles
Agreeing to God's earthly will
To be forever cast into a shadow
Agreeing through pure love
For his Father
And sent to tortuous furnace
Unbeknowst to mortals of seraphic Lucifer's
startling sacrifice
God's grievous banishment of his son
For he only aspired
To become like his Father
61

Papa above!
Regard a Mouse
O’erpowered by the Cat!
Reserve within thy kingdom
A “Mansion” for the Rat!

Snug in seraphic Cupboards
To nibble all the day
While unsuspecting Cycles
Wheel solemnly away!
brandon nagley Jul 2015
Seraphic art her ways
Displayed on heaven's fountain
Drinking wine from her lonesome cave
I shalt abide with her in her solace.

Sidereal she's in reverence toward's her white-out orb
A woman, not a girl, just passing through to explore the tour's.
Distress she weareth upon her chest, as her hope dost dwindle
I shalt shake her and taketh her, wherein mine arms a fire kindles...


©Brandon nagley
©Lonesome poet's poetry
©Elsa angelica dedicated
Earl Jane Dec 2015

*                          
     ♥ ♥ ♥                                                             
Saccharine                                                        
kiss, a taste of heav-                                                    
              en, it's a chef d'eouvre,an                  ♥ ♥ ♥ ♥                                   
                exploding fulgent tint•                  ••of love••                               
                 & commitment;, our to\         /ngue limning ela-\                     
                 tion with these lips as ˋ•´canvas, stars detonate\              
       lavishing blessing from above to our bona fide\\
                love ethereal emoti-             on scintillate from w/in \               
             creating a paradigm-           of immaculacy of \\/\      
       endearment with an-       ....enfolding c- \\\/\/ /
           ape of assurance it's an e(mpyrean aroma from\//\///\
                two seraphic being wit(h ablazing devotion towards//\\
                 each other it erected a b(eatific paradise that link two/\\/\
                   souls together in love &    harmony & while your lips/\\///
               pressed to mine, it  also      push away all of my/ /\\////
              trepidation & replace.it        with prodigious/__/////  
                   bliss, it colors my coun ,,,_
,,,tenance with perfect\//////
                       euphoria that spread out to my psyche.oh how heaven\/\/
                        descended on earth & spiced our lips with its ethereal sa-  
                     vor oh how it birthed wings in our back that allow us to s-
                       oar high while relishing this very moment oh  how  it crea-  
                        ted a divine crown to our heads & dressed us with ecclesi-
                          astical robe that scintillate w/our love as the source of lig-
                          ht oh how I want the time to cease to eternally feel this--
                           juncture oh this kiss.oh this kiss,oh how exhilaration do-
                         minate in me oh this phase with my king,oh how I pray
                           this to never end a phase that ignore the world & just fo-
             *** to each other we           |are united)with the )
                love of God that bin-          |d us toget(\her a love(
                     that come out from -           |our mouth )\and reveal )
                       it with this kiss, oh t-          |he sweetest )\just the sw)
                      eetest of all, oh i close         |these eyes )   \and appre)
                   ciate each movement          |our lips p)      \erform o)
                    h how i love this kiss          |oh how i)         \w i love)
                      you my king, you ha-         |ve suppl)          \emented)
                     me with all nutrients          |that I n)              \eeded f)
                   or survival, your kiss          |have s)                \ituate)
                    d me in a bed so dear          |surro)                  \undin)
                  ­ g yellow flowers that          |bloo(                      \ms i(
                         n its most ravishing            /state,, )                     /oh this)
                      kiss became gleami-          /ng sun\                  /light th\
                        that gives us warm-         /th, yes \ \              /this sac\ \
                       charine kiss, a taste of  (heaven/   _\        (en you/   _\
             've let/    \me taste heaven!                                        



*
with love <3


© Earl Jane
♥ E.J.C.S.
For Brandon <3 <3


oh my goodness!!! this is the hardest poem that I have ever made in my whole life,, and the form so funny ******, LOOLLLL :V :V :V took me lots hours to finish this,,, my monthsary gift to my king,, our monthsary will be tomorrow but i gotta do this ahead coz it's our exam and it's my big time mathematics so i gotta study and i know my king understand it.. i love you so much my king, and i am really trying my hardest to do everything for you, to give you time and make you happy always,, i love you ssoo much and i am waiting for you alone,, i am trying all my best for you,,, i love you most!! i am ssooo afraid to lose you my king!!! i can't lose you ever!!! i love you ssoo much!! i love you most,,

i hope you love this Brandon, this is not really perfect looking piece,, hope you love this :'( :'( :'( i love you most!!!


---i really don't understand it, i wanna put with normal font but there are lines that go bold italic, so i just do bold and it's messed up some parts
How this **** fable instructs
And mocks! Here's the parody of that moral mousetrap
Set in the proverbs stitched on samplers
Approving chased girls who get them to a tree
And put on bark's nun-black

Habit which deflects
All amorous arrows. For to sheathe the ****** shape
In a scabbard of wood baffles pursuers,
Whether goat-thighed or god-haloed. Ever since that first Daphne
Switched her incomparable back

For a bay-tree hide, respect's
Twined to her hard limbs like ivy: the puritan lip
Cries: 'Celebrate Syrinx whose demurs
Won her the frog-colored skin, pale pith and watery
Bed of a reed. Look:

Pine-needle armor protects
Pitys from Pan's assault! And though age drop
Their leafy crowns, their fame soars,
Eclipsing Eva, Cleo and Helen of Troy:
For which of those would speak

For a fashion that constricts
White bodies in a wooden girdle, root to top
Unfaced, unformed, the ******-flowers
Shrouded to suckle darkness? Only they
Who keep cool and holy make

A sanctum to attract
Green virgins, consecrating limb and lip
To chastity's service: like prophets, like preachers,
They descant on the serene and seraphic beauty
Of virgins for virginity's sake.'

Be certain some such pact's
Been struck to keep all glory in the grip
Of ugly spinsters and barren sirs
As you etch on the inner window of your eye
This ****** on her rack:

She, ripe and unplucked, 's
Lain splayed too long in the tortuous boughs: overripe
Now, dour-faced, her fingers
Stiff as twigs, her body woodenly
Askew, she'll ache and wake

Though doomsday bud. Neglect's
Given her lips that lemon-tasting droop:
Untongued, all beauty's bright juice sours.
Tree-twist will ape this gross anatomy
Till irony's bough break.
O show the lab’ring *****’s deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond’rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter’s and the poet’s fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown’d with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.

    Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless’d,
May peace with balmy wings your soul invest!
But when these shades of time are chas’d away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav’nly murmurs flow,
And there my muse with heav’nly transport glow:
No more to tell of Damon’s tender sighs,
Or rising radiance of Aurora’s eyes,
For nobler themes demand a nobler strain,
And purer language on th’ ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.
Sofia  Sep 2016
gemini boy
Sofia Sep 2016
your stars hung in pairs against the
accustomed singularity of celestial bodies
your stars held the promise of enlightenment
and i sought you the way kings did
hunting you down in the endeavor of navigation
pinned down and ****** until
man left the stars for devices of their own
and when the stars followed humanity
stardust resurrecting in the arrangement of atoms
constellations manifesting in wombs
nebulae shattering for the genesis
the universe destroyed itself for you

oh gemini boy

the cosmos are not kind
to boys who are destined to be halves
on an eternal voyage for missing fragments
in a lover's touch and a child's laugh
the world is not kind
to boys who look into your eyes
and only see their reflection
but you were kind to me

oh gemini boy

this is an apology
to a mortal born from the immortality
of twins whose love bore the gods' mercy
to rest among the stars
not knowing that stars die just as
the children born from them do
just as you

oh gemini boy

maybe i should have known better than
to love a boy always searching for himself
i mistook you for a cosmic collision
meant for the dawn of a new heaven
and maybe i fell in love with your destruction
as i navigated you the way ancients looked
to your stars for salvation

oh gemini boy

my stars hang in the silhouette of the unknown
isolated from the promise of deliverance
man was once told
we are born from different stars
our fates moving in parallel precision
never meeting again after our stardust
once laid prints upon our astral anatomy
and because we are not stars
but the echoes of seraphic wars
meant to traverse desolate lands
in search for completion

oh gemini boy

i forgive you
you just wanted to be whole
wrote this a long time ago, geminis are oddly inspiring muses.
1518

Not seeing, still we know—
Not knowing, guess—
Not guessing, smile and hide
And half caress—

And quake—and turn away,
Seraphic fear—
Is Eden’s innuendo
“If you dare”?
John Hulse Dec 2011
The same song looping over and over…
The same suicidal thoughts torturing my sanity…
Repeats accruing on infinite piles of ruble,
Vigorously fighting these thoughts,
These demons of mentality,
A constant cartwheel of emotion…
Always racing…
Not ceasing for a mere second…
Forcing the pill in my mouth,
And then another,
And another…
The only mental painkiller is death…
I feel numb,
Darkness seeps into my vision…
Blurring reality…
The Pain is going away…
I feel alive as I feel myself die…
Emergency Medical Squads break the door down…
I sit there,
Watching them cycle electricity into my body as I blindly stare,
Eyes not moving,
Weak,
You never came.



I want to tell you I love you until it becomes white noise…
Always knowing I love you,
Never doubting yourself again…
I want to make love until we are one…
My body and yours…
Sharing the night, and day…
Filling senses with pleasure and love…
I want to hold you until you are weightless…
A feather in my arms…
Carry you up to a safe place on a dark night…
I want to love you forever…
I want to love you till stone itself evaporates into the air as it boils underneath the red giant sun…
I want to love you when the Universe rebirths or collapses…
I want to love you when the bell tolls,
The bell does not mark the end,
It will never end,
I will love you always,
Forever,
Not stopping even for a supernova…



No matter how lovely, how vivid, how colorful the painting…
Toxic fumes are given off,
The closer you look the more cracks and flaws you’ll find…
No matter how soft the wood, how elaborate the carving,
You can’t even begin to feel all the splinters…
All the cuts,
The closer you get the deeper the grooves…
This rusty drain has grown clogged of emotion and dust…
Wonderful you say…
But that is just for now,
Today.
My past is dark, dead, rotten,
Who knows if the future will be any different.
Today I have a moment of peace,
You,
A bright blue gem shining in the darkness,
So pure it becomes it’s own light-source,
Echoing beauty throughout the blackness,
Illuminating me,
True Commitment,
Warm and sweet Love,
Unquestionable Trust,
Seraphic Beauty,
Everything I need…
I sit here questioning these words…
Thinking of the purest way to put them,
But emotion is not pure,
It’s *****, rough, and raged,
But when I talk to you that emotion turns into something different,
It turns into satisfying warmth that runs through my body…
The past evaporates into the air,
Dispersing and losing its importance,
You are my future,
Not the past.
Third Eye Candy Sep 2012
the grass, leaning in the south wind , seeming
              as if emeralds,   had sent tendrils up
              to suckle at the yellow breast, now,   high above     inflamed....
              over soft new
              grass  
            
              like
              strands of green gemstone,
              as delicate as humming-bird tongues
              teasing nectar
              from a titan,
              in the sky
                        
              triumphant in the void,

              a golden bead in the baffling blue !

              cattails, curling in sway...and two brown eyes bob upon the surface
                          of a myriad fertilities.
              as if
                        nature itself had known, one day
                       a poet would come ~
              to roam the rambling renascence of these remote ramparts
                     in awesome humility ~ and so prepared
              a path afflux
                that ambled near

              and yes !

              an
                        anonymous nomad
              with nicotine skin and a scabbard of scandalous quills
              would indeed
              stumble in      as if returning home
              to a mansion restored to glory
              and seraphic randomness....
              a place
              that in youth, sustained a quiet, soulful troubadour
              by gospels of granite and grain,  grass finch
              and faun - ennobling an oracle ... but now
              enticed a scholar  from his cot
              to jot ephemera
              of outlasting spark
              before dark-fall

        
              and so... there

              amid all allurement   and soft machines

              a word-smith gathered
              poesy and prose.
            
              muse-driven
              this one served
              an invisible
              sovereign
            
              one  

              of unsurpassed virility
              who charms       kaleidoscopes
              with  offhand sketches    
              rescued
              from
              a landfill
            
              a basket weaver,  
              that unravels to
              achieve pure
              forms
            
              a wineskin was decanted in dianthus and hollies -
              as ampules of anagrams
              were sold unscrambled, to dyslexics
              without hope
            
              a falcon   frolicked above the lowborn lilies...  
            
              with eyes  
              too keen
              to see a
              blur
              as the hand
              of god
            
              or a vole
            
              as a lifeline
              on his
              palm.
some aesthetic modifications and heartfelt snipping. like a bonsai. i like it better.
Robert Browning  Jul 2009
Waring
I

What’s become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who’d have guessed it from his lip,
Or his brow’s accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what’s-his-name’s, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who’s to blame
If your silence kept unbroken?
“True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe’er believed
In more to come!” But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o’erweening
Pride alone, puts forth such claims
O’er the day’s distinguished names.

Meantime, how much I loved him,
I find out now I’ve lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks’ raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr’-inform’-ingens-horrend-ous
Demoniaco-seraphic
Penman­’s latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E’en so, swimmingly appears,
Through one’s after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were… Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor’s grace and sweetness!
No! she heard in its completeness
Truth, for truth’s a weighty matter,
And, truth at issue, we can’t flatter!
Well, ’tis done with: she’s exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I’d fool him to his bent!
Feed, should not he, to heart’s content?
I’d say, “to only have conceived
Your great works, though they ne’er make progress,
Surpasses all we’ve yet achieved!”
I’d lie so, I should be believed.
I’d make such havoc of the claims
Of the day’s distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin’s pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take *****,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness’ self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no ****?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian’s fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, ’tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there’s slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret’s ceiling, walls and floor,
Up and down and o’er and o’er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
“Give me my so long promised son,
Let Waring end what I begun!”
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent ’tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God’s creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what’s to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet’s mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who’s alive?
Our men scarce seem in earnest now:
Distinguished names!—but ’tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

“When I last saw Waring…”
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

“…We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel’s side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o’er its planks, a shrill voice cried
(A neck as bronzed as a Lascar’s)
‘Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne’er so big,
They’ll never let you up the bay!
We natives should know best.’
I turned, and ‘just those fellows’ way,’
Our captain said, ‘The long-shore thieves
Are laughing at us in their sleeves.’

“In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!”—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?

— The End —