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Mike T Minehan Apr 2013
I like a whole lip-smacking smorgasbord of words,
such as preposterous and scrumptious,
sumptuous and curious,
roiling, rambunctious and trumpeting,
priapic, satyric and seraphic,
satyriasis and mimesis. Now this mimesis is the imitative
representation of nature and behavior in art and literature,
which is a pretentious way of trying to say what us writers do.
But hey, we don't just mimic things,
we can be sagacious and salacious, too.
Accordingly, I also like *******, which has a liquid sound,
and I'm not being facetious to suggest that
******* has a close connection to callipygous.
Then, for those who are suspicious of the libidinous,
I also like curmudgeonly and bodacious,
loquacious, precocious and pulchritudinous,
lubricious and fugacious,
scripturient, radiance, iridescence and magnificence,
lissome, lithe and languid (but not too limp),
shimmering and diaphanous, effulgent and evanescent,
flamboyant, fandango and flibbertigibbet,
(although this is difficult to say when you’re drunk),
voluptuous and vertiginous, slithery, **** and glistening.
And when I include crepuscular, strumpet and strawberry,
I may as well add whipped cream
as well, because this can be laid on in dollops,
and dollops is really an excellent word
along with slurping and *******, too.
Actually, I'm very flexible about words,
because in my lexicon, low moaning noises are OK, too.
These sounds come from the chord of creation
which is a sort of reverberation from the time of
primordial ooze, which I would like to squish between my toes.
Then there's protozoa, spermatozoa and also
wriggling flagella everywhere. So there.
But words don't even need to make sense,
because sweet nothings can say everything,
and heavy breathing can be ******,
even rhapsodic, ending in delirium.
Titillating should be in here too, because we all need
some tintinnabulation and tickling of the senses sometimes.
I've also decided that fecund is my second favorite word after love.
Fecund sounds abrupt, but it buds magnificently
in ******* and bellies to burgeon in absolute abundance,
everywhere. This brings me to *******, which I like, too.
I'm also partial to proud words, including bold, bulging and
brazen, along with a bit of swaggering braggadocio.
Then I like some big words, like brobdingnagian,
although I hope I'm not sesquipedalian.
Salivate is a word to celebrate as well,
along with onomatopoeia that helps choose some words here.
Drooling is highly evocative, too,
and it's not being provocative to observe that
even weapons drool when they're in the wrong hands.
And I shouldn't leave out *******, as you would expect,
because ****** is a sort of rippling word
that rhymes with spasm. Both sound deceptively simple,
but by golly, they can be intensely gripping.
And really, it's alright to writhe to this occasion
because all of us writers should endeavor
to have some good writhing in our oeuvre.
Even some bad writhing can be lots of fun, too.
But I almost forgot to mention yearning and burning (with desire)
and vulviform, velvet and venerous.
Yippee, yee har and hollerin' along with other exclamations
of exhortatory exuberance should be in this index, too.
Now. The words I don’t like include no, can’t, never,
stop and mustn’t. Also, irascible and intractable,
unmentionable, ineffable, inexpressible, incoherent,
immutable, impotent and impossible.
Then I don't like importune and misfortune,
and I don't know who thought up unthinkable,
because this is an oxymoron.
Inscrutable is also a complete cop out,
especially when there's no such word as scrutable.
Gawping, gaping, cavernous and cretinous, obsequious,
grovelling, pursed lips, circuitous,
obfuscation and isolation, unpalatable,
cruelty, tyranny and hypocrisy,
should also get the heave-**.
And I definitely don't like parsimonious and mendicant,
which are miserable words.
Quitting doesn't get there either,
and shut the **** up and ******* should also be taboo.
Also, hopeless is, really, well, it's hopeless
because it denies hope, and hope is buoyant and boundless.
I mean, sometimes hope is all we have.
But the word I dislike most is ****,
because this is an insulting word, and
to be taxonomical,
the negative score of this word is astronomical.
Hate is also right up there on this list. Hate is abominable
because it tries to destroy love, and love is indomitable.
Indomitable
is the
mightiest
word
of them all.
Yeah. So there.

Mike T Minehan
II felt good after writing this - it was a bit like purging the personal dictionary in my head. I think all of us could write our own list...
The one created for sabotage
Adored by few
Abhorred by numerous numbers
He treads an eternal sorrow
Which tortures his blighted soul
Scheming against ingenious blueprints
His destiny's been read
By gypsy cherubs
He's learned the path
Trodden by none
His predestination
Answering to this heavy burden
His Father has brought a rebellious notion
No other celestial entity has knowledge
Except for him and his apostles
Agreeing to God's earthly will
To be forever cast into a shadow
Agreeing through pure love
For his Father
And sent to tortuous furnace
Unbeknowst to mortals of seraphic Lucifer's
startling sacrifice
God's grievous banishment of his son
For he only aspired
To become like his Father
61

Papa above!
Regard a Mouse
O’erpowered by the Cat!
Reserve within thy kingdom
A “Mansion” for the Rat!

Snug in seraphic Cupboards
To nibble all the day
While unsuspecting Cycles
Wheel solemnly away!
brandon nagley Jul 2015
Seraphic art her ways
Displayed on heaven's fountain
Drinking wine from her lonesome cave
I shalt abide with her in her solace.

Sidereal she's in reverence toward's her white-out orb
A woman, not a girl, just passing through to explore the tour's.
Distress she weareth upon her chest, as her hope dost dwindle
I shalt shake her and taketh her, wherein mine arms a fire kindles...


©Brandon nagley
©Lonesome poet's poetry
©Elsa angelica dedicated
Earl Jane Dec 2015

*                          
     ♥ ♥ ♥                                                             
Saccharine                                                        
kiss, a taste of heav-                                                    
              en, it's a chef d'eouvre,an                  ♥ ♥ ♥ ♥                                   
                exploding fulgent tint•                  ••of love••                               
                 & commitment;, our to\         /ngue limning ela-\                     
                 tion with these lips as ˋ•´canvas, stars detonate\              
       lavishing blessing from above to our bona fide\\
                love ethereal emoti-             on scintillate from w/in \               
             creating a paradigm-           of immaculacy of \\/\      
       endearment with an-       ....enfolding c- \\\/\/ /
           ape of assurance it's an e(mpyrean aroma from\//\///\
                two seraphic being wit(h ablazing devotion towards//\\
                 each other it erected a b(eatific paradise that link two/\\/\
                   souls together in love &    harmony & while your lips/\\///
               pressed to mine, it  also      push away all of my/ /\\////
              trepidation & replace.it        with prodigious/__/////  
                   bliss, it colors my coun ,,,_
,,,tenance with perfect\//////
                       euphoria that spread out to my psyche.oh how heaven\/\/
                        descended on earth & spiced our lips with its ethereal sa-  
                     vor oh how it birthed wings in our back that allow us to s-
                       oar high while relishing this very moment oh  how  it crea-  
                        ted a divine crown to our heads & dressed us with ecclesi-
                          astical robe that scintillate w/our love as the source of lig-
                          ht oh how I want the time to cease to eternally feel this--
                           juncture oh this kiss.oh this kiss,oh how exhilaration do-
                         minate in me oh this phase with my king,oh how I pray
                           this to never end a phase that ignore the world & just fo-
             *** to each other we           |are united)with the )
                love of God that bin-          |d us toget(\her a love(
                     that come out from -           |our mouth )\and reveal )
                       it with this kiss, oh t-          |he sweetest )\just the sw)
                      eetest of all, oh i close         |these eyes )   \and appre)
                   ciate each movement          |our lips p)      \erform o)
                    h how i love this kiss          |oh how i)         \w i love)
                      you my king, you ha-         |ve suppl)          \emented)
                     me with all nutrients          |that I n)              \eeded f)
                   or survival, your kiss          |have s)                \ituate)
                    d me in a bed so dear          |surro)                  \undin)
                  ­ g yellow flowers that          |bloo(                      \ms i(
                         n its most ravishing            /state,, )                     /oh this)
                      kiss became gleami-          /ng sun\                  /light th\
                        that gives us warm-         /th, yes \ \              /this sac\ \
                       charine kiss, a taste of  (heaven/   _\        (en you/   _\
             've let/    \me taste heaven!                                        



*
with love <3


© Earl Jane
♥ E.J.C.S.
For Brandon <3 <3


oh my goodness!!! this is the hardest poem that I have ever made in my whole life,, and the form so funny ******, LOOLLLL :V :V :V took me lots hours to finish this,,, my monthsary gift to my king,, our monthsary will be tomorrow but i gotta do this ahead coz it's our exam and it's my big time mathematics so i gotta study and i know my king understand it.. i love you so much my king, and i am really trying my hardest to do everything for you, to give you time and make you happy always,, i love you ssoo much and i am waiting for you alone,, i am trying all my best for you,,, i love you most!! i am ssooo afraid to lose you my king!!! i can't lose you ever!!! i love you ssoo much!! i love you most,,

i hope you love this Brandon, this is not really perfect looking piece,, hope you love this :'( :'( :'( i love you most!!!


---i really don't understand it, i wanna put with normal font but there are lines that go bold italic, so i just do bold and it's messed up some parts
How this **** fable instructs
And mocks! Here's the parody of that moral mousetrap
Set in the proverbs stitched on samplers
Approving chased girls who get them to a tree
And put on bark's nun-black

Habit which deflects
All amorous arrows. For to sheathe the ****** shape
In a scabbard of wood baffles pursuers,
Whether goat-thighed or god-haloed. Ever since that first Daphne
Switched her incomparable back

For a bay-tree hide, respect's
Twined to her hard limbs like ivy: the puritan lip
Cries: 'Celebrate Syrinx whose demurs
Won her the frog-colored skin, pale pith and watery
Bed of a reed. Look:

Pine-needle armor protects
Pitys from Pan's assault! And though age drop
Their leafy crowns, their fame soars,
Eclipsing Eva, Cleo and Helen of Troy:
For which of those would speak

For a fashion that constricts
White bodies in a wooden girdle, root to top
Unfaced, unformed, the ******-flowers
Shrouded to suckle darkness? Only they
Who keep cool and holy make

A sanctum to attract
Green virgins, consecrating limb and lip
To chastity's service: like prophets, like preachers,
They descant on the serene and seraphic beauty
Of virgins for virginity's sake.'

Be certain some such pact's
Been struck to keep all glory in the grip
Of ugly spinsters and barren sirs
As you etch on the inner window of your eye
This ****** on her rack:

She, ripe and unplucked, 's
Lain splayed too long in the tortuous boughs: overripe
Now, dour-faced, her fingers
Stiff as twigs, her body woodenly
Askew, she'll ache and wake

Though doomsday bud. Neglect's
Given her lips that lemon-tasting droop:
Untongued, all beauty's bright juice sours.
Tree-twist will ape this gross anatomy
Till irony's bough break.
O show the lab’ring *****’s deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond’rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter’s and the poet’s fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown’d with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.

    Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless’d,
May peace with balmy wings your soul invest!
But when these shades of time are chas’d away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav’nly murmurs flow,
And there my muse with heav’nly transport glow:
No more to tell of Damon’s tender sighs,
Or rising radiance of Aurora’s eyes,
For nobler themes demand a nobler strain,
And purer language on th’ ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.
Sofia Sep 2016
your stars hung in pairs against the
accustomed singularity of celestial bodies
your stars held the promise of enlightenment
and i sought you the way kings did
hunting you down in the endeavor of navigation
pinned down and ****** until
man left the stars for devices of their own
and when the stars followed humanity
stardust resurrecting in the arrangement of atoms
constellations manifesting in wombs
nebulae shattering for the genesis
the universe destroyed itself for you

oh gemini boy

the cosmos are not kind
to boys who are destined to be halves
on an eternal voyage for missing fragments
in a lover's touch and a child's laugh
the world is not kind
to boys who look into your eyes
and only see their reflection
but you were kind to me

oh gemini boy

this is an apology
to a mortal born from the immortality
of twins whose love bore the gods' mercy
to rest among the stars
not knowing that stars die just as
the children born from them do
just as you

oh gemini boy

maybe i should have known better than
to love a boy always searching for himself
i mistook you for a cosmic collision
meant for the dawn of a new heaven
and maybe i fell in love with your destruction
as i navigated you the way ancients looked
to your stars for salvation

oh gemini boy

my stars hang in the silhouette of the unknown
isolated from the promise of deliverance
man was once told
we are born from different stars
our fates moving in parallel precision
never meeting again after our stardust
once laid prints upon our astral anatomy
and because we are not stars
but the echoes of seraphic wars
meant to traverse desolate lands
in search for completion

oh gemini boy

i forgive you
you just wanted to be whole
wrote this a long time ago, geminis are oddly inspiring muses.
1518

Not seeing, still we know—
Not knowing, guess—
Not guessing, smile and hide
And half caress—

And quake—and turn away,
Seraphic fear—
Is Eden’s innuendo
“If you dare”?
John Hulse Dec 2011
The same song looping over and over…
The same suicidal thoughts torturing my sanity…
Repeats accruing on infinite piles of ruble,
Vigorously fighting these thoughts,
These demons of mentality,
A constant cartwheel of emotion…
Always racing…
Not ceasing for a mere second…
Forcing the pill in my mouth,
And then another,
And another…
The only mental painkiller is death…
I feel numb,
Darkness seeps into my vision…
Blurring reality…
The Pain is going away…
I feel alive as I feel myself die…
Emergency Medical Squads break the door down…
I sit there,
Watching them cycle electricity into my body as I blindly stare,
Eyes not moving,
Weak,
You never came.



I want to tell you I love you until it becomes white noise…
Always knowing I love you,
Never doubting yourself again…
I want to make love until we are one…
My body and yours…
Sharing the night, and day…
Filling senses with pleasure and love…
I want to hold you until you are weightless…
A feather in my arms…
Carry you up to a safe place on a dark night…
I want to love you forever…
I want to love you till stone itself evaporates into the air as it boils underneath the red giant sun…
I want to love you when the Universe rebirths or collapses…
I want to love you when the bell tolls,
The bell does not mark the end,
It will never end,
I will love you always,
Forever,
Not stopping even for a supernova…



No matter how lovely, how vivid, how colorful the painting…
Toxic fumes are given off,
The closer you look the more cracks and flaws you’ll find…
No matter how soft the wood, how elaborate the carving,
You can’t even begin to feel all the splinters…
All the cuts,
The closer you get the deeper the grooves…
This rusty drain has grown clogged of emotion and dust…
Wonderful you say…
But that is just for now,
Today.
My past is dark, dead, rotten,
Who knows if the future will be any different.
Today I have a moment of peace,
You,
A bright blue gem shining in the darkness,
So pure it becomes it’s own light-source,
Echoing beauty throughout the blackness,
Illuminating me,
True Commitment,
Warm and sweet Love,
Unquestionable Trust,
Seraphic Beauty,
Everything I need…
I sit here questioning these words…
Thinking of the purest way to put them,
But emotion is not pure,
It’s *****, rough, and raged,
But when I talk to you that emotion turns into something different,
It turns into satisfying warmth that runs through my body…
The past evaporates into the air,
Dispersing and losing its importance,
You are my future,
Not the past.
Third Eye Candy Sep 2012
the grass, leaning in the south wind , seeming
              as if emeralds,   had sent tendrils up
              to suckle at the yellow breast, now,   high above     inflamed....
              over soft new
              grass  
            
              like
              strands of green gemstone,
              as delicate as humming-bird tongues
              teasing nectar
              from a titan,
              in the sky
                        
              triumphant in the void,

              a golden bead in the baffling blue !

              cattails, curling in sway...and two brown eyes bob upon the surface
                          of a myriad fertilities.
              as if
                        nature itself had known, one day
                       a poet would come ~
              to roam the rambling renascence of these remote ramparts
                     in awesome humility ~ and so prepared
              a path afflux
                that ambled near

              and yes !

              an
                        anonymous nomad
              with nicotine skin and a scabbard of scandalous quills
              would indeed
              stumble in      as if returning home
              to a mansion restored to glory
              and seraphic randomness....
              a place
              that in youth, sustained a quiet, soulful troubadour
              by gospels of granite and grain,  grass finch
              and faun - ennobling an oracle ... but now
              enticed a scholar  from his cot
              to jot ephemera
              of outlasting spark
              before dark-fall

        
              and so... there

              amid all allurement   and soft machines

              a word-smith gathered
              poesy and prose.
            
              muse-driven
              this one served
              an invisible
              sovereign
            
              one  

              of unsurpassed virility
              who charms       kaleidoscopes
              with  offhand sketches    
              rescued
              from
              a landfill
            
              a basket weaver,  
              that unravels to
              achieve pure
              forms
            
              a wineskin was decanted in dianthus and hollies -
              as ampules of anagrams
              were sold unscrambled, to dyslexics
              without hope
            
              a falcon   frolicked above the lowborn lilies...  
            
              with eyes  
              too keen
              to see a
              blur
              as the hand
              of god
            
              or a vole
            
              as a lifeline
              on his
              palm.
some aesthetic modifications and heartfelt snipping. like a bonsai. i like it better.
I

What’s become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who’d have guessed it from his lip,
Or his brow’s accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what’s-his-name’s, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who’s to blame
If your silence kept unbroken?
“True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe’er believed
In more to come!” But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o’erweening
Pride alone, puts forth such claims
O’er the day’s distinguished names.

Meantime, how much I loved him,
I find out now I’ve lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks’ raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr’-inform’-ingens-horrend-ous
Demoniaco-seraphic
Penman­’s latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E’en so, swimmingly appears,
Through one’s after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were… Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor’s grace and sweetness!
No! she heard in its completeness
Truth, for truth’s a weighty matter,
And, truth at issue, we can’t flatter!
Well, ’tis done with: she’s exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I’d fool him to his bent!
Feed, should not he, to heart’s content?
I’d say, “to only have conceived
Your great works, though they ne’er make progress,
Surpasses all we’ve yet achieved!”
I’d lie so, I should be believed.
I’d make such havoc of the claims
Of the day’s distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin’s pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take *****,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness’ self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no ****?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian’s fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, ’tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there’s slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret’s ceiling, walls and floor,
Up and down and o’er and o’er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
“Give me my so long promised son,
Let Waring end what I begun!”
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent ’tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God’s creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what’s to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet’s mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who’s alive?
Our men scarce seem in earnest now:
Distinguished names!—but ’tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

“When I last saw Waring…”
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

“…We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel’s side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o’er its planks, a shrill voice cried
(A neck as bronzed as a Lascar’s)
‘Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne’er so big,
They’ll never let you up the bay!
We natives should know best.’
I turned, and ‘just those fellows’ way,’
Our captain said, ‘The long-shore thieves
Are laughing at us in their sleeves.’

“In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!”—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!
Dave Legalisa Aug 2018
i'm a fruit dressed
in a shell so callous and thick
so hard yet vulnerable
when i fall
i, too will easily break.

i'm a fruit so sweet
no one can taste
so fierce no one can touch
and so soft that everyone
dies to hug.

i'm a fruit ripened
through time of this orb
i go out in spring,
die in winter
i dance with trees,
until i turn splinter.

i'm a fruit sugary
in platonic disguise
so yellow and seraphic
smells like daisy
sticky as honey.

i'm a fruit unkind
no one knows what am i
how poisonous am i
until you taste the lie.
not even a friend knows me well.
WS Warner Sep 2011
Verdant eyes, translucent pearls
speak in silent witness,
wounds unfurl
meaning revealed,
interrupted girl.
Safe in solidarity
prolific eccentricity,
the scandal of particularity.
Pouting mouth
grief - filled lips
alluring, set sail a thousand ships;
tempt me to leave harbor.

Arousing euphoria as such,
resistance, amity and distance
amour sans touch
her sense of humor transcends,
appeasing the mind’s thirst
a vogue sultana,
seasoned swagger
hair resplendent flame,
alternating cool, black
asymmetrical coiffure;
nonconforming demure
the renegade metaphor -
singular for sure, no cure.

Muted vanity, bathos piercing
the jaded circumference of banality;
pale protagonist servitude
the sapient palaver of the urbane,
covered patina of pretense,
induced coercion,
the commodity self
appearing abased
wearing lesions of lassitude.
Artistic chattel - eminent domain
preempting genius,
subsidiary of consuming narcissism
external locus of control;
surrender to the tentative,
fettered pendant, Venus in chains
arrested visionary bane
sterile savant, edifice of pain.

The soubrette, dubious incarnation
gravid ingénue of prevarication
imperceptible venue -
theatre of the absurd;
withdrawn siren,
solitude of necessity -
skin - slender veil of shame,
nearness loitering redemption;
moments envisage
the appointment with the soul;
ambiguity eschews clarity
awareness; ineluctable anxiety,
imago - centric confession
sacred pardon, seraphic venation
intravenous textures presume,
the tactile margins of liberty.

Therapeutic retrieval,
Sanguine,
beneath the portico of
individuation;
Your smile I hear,
recovered autonomy
blessed emancipation,
The scandal of particularity;
peculiar treasure
ironically captured
film, canvas,
prose profundity.

Ciphering as an ambling book,
I peruse you,
rendered captive
hypnotic avant-garde fiction,
spectator of denuded opacity
analogous reflection, I Mirror you.
A modest proposal - pontificate the imperative,
forgo the disposal, adapt your narrative,
the scandal of particularity -
resonate the echo, cogitate our propinquity
Love, imagination and destiny.

©2008 & 2011 W.S Warner
Jupiter Mars P Moon
VENEZIA, "May" 19"th", 1910.


Jupiter's foursquare blaze of gold and blue
Rides on the moon, a lilac conch of pearl,
As if the dread god, charioted anew
Came conquering, his amazing disk awhirl
To war down all the stars. I see him through
The hair of this mine own Italian girl,
Adela
That bends her face on mine in the gondola!


There is scarce a breath of wind on the lagoon.
Life is absorbed in its beatitude,
A meditative mage beneath the moon
Ah! should we come, a delicate interlude,
To Campo Santo that, this night of June,
Heals for awhile the immitigable feud?
Adela!
Your breath ruffles my soul in the gondola!

Through maze on maze of silent waterways,
Guarded by lightless sentinel palaces,
We glide; the soft plash of the oar, that sways
Our life, like love does, laps --- no softer seas
Swoon in the ***** of Pacific bays!
We are in tune with the infinite ecstasies,
Adela!
Sway with me, sway with me in the gondola!

They hold us in, these tangled sepulchres
That guard such ghostly life. They tower above
Our passage like the cliffs of death. There stirs
No angel from the pinnacles thereof.
All broods, all breeds. But immanent as Hers
That reigns is this most silent crown of love
Adela
That broods on me, and is I, in the gondola.

They twist, they twine, these white and black canals,
Now stark with lamplight, now a reach of Styx.
Even as out love - raging wild animals
Suddenly hoisted on the crucifix
To radiate seraphic coronals,
Flowers, flowers - O let our light and darkness mix,
Adela,
Goddess and beast with me in the gondola!

Come! though your hair be a cascade of fire,
Your lips twin snakes, your tongue the lightning flash,
Your teeth God's grip on life, your face His lyre,
Your eyes His stars - come, let our Venus lash
Our bodies with the whips of Her desire.
Your bed's the world, your body the world-ash,
Adela!
Shall I give the word to the man of the gondola?
Primrose Clare Sep 2013
Greenish hills and alice blue skies
whimsical faeries wander along the timberlands
play hide and seek around pine groves
brimming the atmosphere with liquid of blithe.

a pair of cerulean eyes glitter under a lucid sun,
and reflected a thousand rainbows.
the feet you danced, headed forth to the ethereal grounds.
in those fleecy palms held a bouquet of fresh peonies.
as the wind huffs and grins, the fruit trees leafs begin to compose
as if in an orchestra house.
around my body flew a rabble of butterflies, your psyche is surreal.

"You came back"
I grasp to his muscular limbs, to fracture and to feel with seraphic love.

By the night the archaic moon hangs, all my dreamless night pulverized.
gory scenarios in my brain surrendered for an escape.

My heart pumps, my collarbones shrieks,
on our old bed, up-down, up-down, in-out, in-out....
"ah." the hue of a merry-go-round.


As the summer reborn, the reality seizes..
                    our love is immortal without a fullstop

-l.r
allan harold rex May 2012
scuttling across the valley,
the trench was deep and steep

scorching heat of the dry sun,
dried blemishes on the weathered skin.

Settling along the rocky facades,
hackneyed by the haunting past.

Sleepless nights of the perching predators,
Hibernating in aloof worlds .

Stymied by the wind in the barren land ,
Harnessed by the futile fears.

Simone Melchoir of the sinking ship ,
would not you go down with the fault.

Shunning away from natures affection ,
for every rose does share its thorn .

Sunny ends are reached ,
when the raging ravines fade away.

Slithering away the swirling serpent ,
The sun lurks in the brewing storm .

Sanctity of the witheld winds ,
sapping away the deathly darkness.

Serene air of the seraphic angel,
brought the plighting dreams to the refugees repose

Smelting ores and melting poles,
brimming with brightness the cradled cirque .

Summons of the exalted virtue ,
To burn the lizard and fly away like the phoenix

Succumbing to the wilderness,
to soaring heights and rising spirits .

Swanking in the soothing winds,
the phoenix looked down on the plundering valley.

Scorning at the downtrodden spirits,
The fraternity of the Desert lizard
aar505n Apr 2015
Only lonely love is holy.
Holes for souls to go out
And about as they sway.
Fewer newer ones that
Never stay. Gone they are
Shooting stars. Flying by
Quick tears of cosmic crying.
Or maybe angels at angles
Not thought possible.

I want lovely love.
Holy unlonely love.
Seen enough seraphic stars
To mimic my own. Fill my
Hole-y heart so I may start anew.
Receive the love due. I must believe
The wait is worth it. The earth keeps
turning and I weep as learning
Earns me the truth.

On a clear waking night I
Will take my aching heart
And hold it out hoping
A stray teardrop
Will fall from the sky
And stay in my heart.
Cosmic crying at such
Comic timing. It is enough
To make me wonder. Ponder
Why I do this-

It is all I can do.
I have no idea where this poem came from just kind off poured out. Just going with the flow
vamsi sai mohan May 2015
"I age an eternity a moment,an eternity that is fleeting in a moment and you imbue the impermanence with your seraphic presence."

I am sitting under this tree whose leaves sway in circles like my memories fading into myself;
yet alone a few memories resist this disintegration,resisting the frailty of the life.one of those memories whispers your voice and how you said "father,I have a wish",the tone sweeter than the voice of the ocean,when you are about to sleep and it's your bed-time story for me,you continue saying,"I want to live in the sky and be an angel who floats on the clouds,when I want to swing I would bend the rainbow into the oonjal and with every swing I hit the clouds so hard that it becomes so ecstatic and produces a roar.when I want to come to the earth,I come like a lightening which tickles the earth....."
I love how you sleep in the middle of the story and how your voice slowly disintegrates into the silence like how you didn't say "now I take this sound and whisper it in this ear and you are going to bury in your heart, this sound that emanated from me and buried in you could resonate with billion galaxies".

Do you remember this is the tree under which we used to play with the mud,you used to pour the water in the sand and cover the leg with the mud till the ankle and staunch it immobile for a certain period and when you suddenly remove the foot,it assumes the shape of your foot which looks like igloo.I love how you break the igloos that is when you try to fit your head in to its mouth in the obliviousness that it would break because your head is too big to fit in,I love how the specks of silt get struck in the strands of your hair.

Every subtle detail here becomes enormously exquisite and with every utterance I am drowned with the memories to a point of singular abstract thought.perhaps in the next life,I wish to born as your child because I want to spend my childhood in your lap,I have to live those moments when you lift me up and put me on your shoulders and pat my head till I sleep,that is the part of my life in which I have missed you and I will claim and live it....

I still remember reading your short story and the male character in the story says something like "there is no brightness without darkness and you are the darkness,perhaps when you die,the sun,the moon and the stars would miss their light shedding upon you,but I am the one who will be devoid of the darkness that which creates the very ambience for this life,that which creates this inimitable life..."I wonder what it means sometimes and what made you to think to write something like that,that which produces an inseperable thought..and I think I am too old now to contemplate on what it means......


The tree and I sit on this light-shed early morning ,I think every particle of light which is reflecting from me now shares my memory,so I suppose I spread this reminiscence all over this place,all that is seen and unseen shares our memories....it baffles me at the very thought that every experience we indulge in reflects on the very existence itself.... I take your voice wherever I go and live,it's like a plugin to my heart and you always whisper from within me,even now,It's 6:30 now and I hear you saying "close your eyes",I close my eyes and fade into the echoes of your voice.transcedence.

"She is like a lightening passing now through me like a tickle and so do I perceive every form of limitation as a transcendence..."
Arise, my soul, on wings enraptur’d, rise
To praise the monarch of the earth and skies,
Whose goodness and benificence appear
As round its centre moves the rolling year,
Or when the morning glows with rosy charms,
Or the sun slumbers in the ocean’s arms:
Of light divine be a rich portion lent
To guide my soul, and favour my intend.
Celestial muse, my arduous flight sustain
And raise my mind to a seraphic strain!
  Ador’d for ever be the God unseen,
Which round the sun revolves this vast machine,
Though to his eye its mass a point appears:
Ador’d the God that whirls surrounding spheres,
Which first ordain’d that mighty Sol should reign
The peerless monarch of th’ ethereal train:
Of miles twice forty millions is his height,
And yet his radiance dazzles mortal sight
So far beneath—from him th’ extended earth
Vigour derives, and ev’ry flow’ry birth:
Vast through her orb she moves with easy grace
Around her Phoebus in unbounded space;
True to her course th’ impetuous storm derides,
Triumphant o’er the winds, and surging tides.
  Almighty, in these wond’rous works of thine,
What Pow’r, what Wisdom, and what Goodness shine!
And are thy wonders, Lord, by men explor’d,
And yet creating glory unador’d!
  Creation smiles in various beauty gay,
While day to night, and night succeeds to day:
That Wisdom, which attends Jehovah’s ways,
Shines most conspicuous in the solar rays:
Without them, destitute of heat and light,
This world would be the reign of endless night:
In their excess how would our race complain,
Abhorring life! how hate its length’ned chain!
From air adust what num’rous ills would rise?
What dire contagion taint the burning skies?
What pestilential vapours, fraught with death,
Would rise, and overspread the lands beneath?
  Hail, smiling morn, that from the orient main
Ascending dost adorn the heav’nly plain!
So rich, so various are thy beauteous dies,
That spread through all the circuit of the skies,
That, full of thee, my soul in rapture soars,
And thy great God, the cause of all adores.
  O’er beings infinite his love extends,
His Wisdom rules them, and his Pow’r defends.
When tasks diurnal tire the human frame,
The spirits faint, and dim the vital flame,
Then too that ever active bounty shines,
Which not infinity of space confines.
The sable veil, that Night in silence draws,
Conceals effects, but shows th’ Almighty Cause,
Night seals in sleep the wide creation fair,
And all is peaceful but the brow of care.
Again, gay Phoebus, as the day before,
Wakes ev’ry eye, but what shall wake no more;
Again the face of nature is renew’d,
Which still appears harmonious, fair, and good.
May grateful strains salute the smiling morn,
Before its beams the eastern hills adorn!
  Shall day to day, and night to night conspire
To show the goodness of the Almighty Sire?
This mental voice shall man regardless hear,
And never, never raise the filial pray’r?
To-day, O hearken, nor your folly mourn
For time mispent, that never will return.
     But see the sons of vegetation rise,
And spread their leafy banners to the skies.
All-wise Almighty Providence we trace
In trees, and plants, and all the flow’ry race;
As clear as in the nobler frame of man,
All lovely copies of the Maker’s plan.
The pow’r the same that forms a ray of light,
That call d creation from eternal night.
“Let there be light,” he said: from his profound
Old Chaos heard, and trembled at the sound:
Swift as the word, inspir’d by pow’r divine,
Behold the light around its Maker shine,
The first fair product of th’ omnific God,
And now through all his works diffus’d abroad.
     As reason’s pow’rs by day our God disclose,
So we may trace him in the night’s repose:
Say what is sleep? and dreams how passing strange!
When action ceases, and ideas range
Licentious and unbounded o’er the plains,
Where Fancy’s queen in giddy triumph reigns.
Hear in soft strains the dreaming lover sigh
To a kind fair, or rave in jealousy;
On pleasure now, and now on vengeance bent,
The lab’ring passions struggle for a vent.
What pow’r, O man! thy reason then restores,
So long suspended in nocturnal hours?
What secret hand returns the mental train,
And gives improv’d thine active pow’rs again?
From thee, O man, what gratitude should rise!
And, when from balmy sleep thou op’st thine eyes,
Let thy first thoughts be praises to the skies.
How merciful our God who thus imparts
O’erflowing tides of joy to human hearts,
When wants and woes might be our righteous lot,
Our God forgetting, by our God forgot!
  Among the mental pow’rs a question rose,
“What most the image of th’ Eternal shows?”
When thus to Reason (so let Fancy rove)
Her great companion spoke immortal Love.
  “Say, mighty pow’r, how long shall strife prevail,
“And with its murmurs load the whisp’ring gale?
“Refer the cause to Recollection’s shrine,
“Who loud proclaims my origin divine,
“The cause whence heav’n and earth began to be,
“And is not man immortaliz’d by me?
“Reason let this most causeless strife subside.”
Thus Love pronounc’d, and Reason thus reply’d.
  “Thy birth, coelestial queen! ’tis mine to own,
“In thee resplendent is the Godhead shown;
“Thy words persuade, my soul enraptur’d feels
“Resistless beauty which thy smile reveals.”
Ardent she spoke, and, kindling at her charms,
She clasp’d the blooming goddess in her arms.
  Infinite Love where’er we turn our eyes
Appears: this ev’ry creature’s wants supplies;
This most is heard in Nature’s constant voice,
This makes the morn, and this the eve rejoice;
This bids the fost’ring rains and dews descend
To nourish all, to serve one gen’ral end,
The good of man: yet man ungrateful pays
But little homage, and but little praise.
To him, whose works arry’d with mercy shine,
What songs should rise, how constant, how divine!
Third Eye Candy Sep 2011
the grass, leaning in the south wind , seeming
              as if emeralds,   had sent tendrils up
              to suckle at the yellow breast, now,   high above     inflamed....
              over soft new
              grass  
            
              like
              strands of green gemstone,
              as delicate as humming-bird tongues
              teasing nectar
              from a titan,
              in the sky
                        
              triumphant in the void,

              a golden bead in the baffling blue !

              cattails, curling in sway...and two brown eyes bob upon the surface
                          of a myriad fertilities.
              as if
                        nature itself had known, one day
                       a poet would come ~
              to roam the rambling renascence of these remote ramparts
                     in awesome humility ~ and so prepared
              a path afflux
                that ambled near

              and yes !

              an
                        anonymous nomad
              with nicotine skin and a scabbard of scandalous quills
              would indeed
              stumble in      as if returning home
              to a mansion restored to glory
              and seraphic randomness....
              a place
              that in youth, sustained a quiet, soulful troubadour
              by gospels of granite and grain,  grass finch
              and faun - ennobling an oracle ... but now
              enticed a scholar  from his cot
              to jot ephemera
              of outlasting spark
              before darkfall

        
              and so... there

              amid all allurement   and soft machines

              a word-smith gathered
              poesy and prose.
            
              muse-driven
              this one served
              an invisible
              sovereign
            
              one  

              of unsurpassed virility
              who charms       kaleidoscopes
              with  offhand sketches    
              rescued
              from
              a landfill
            
              a basket weaver,  
              that unravels to
              achieve pure
              forms
            
              a wineskin was decanted in dianthus and hollies -
              as ampules of anagrams
              were sold unscrambled, to dyslexics
              without hope
            
              a falcon   frolicked above the lowborn lilies...  
            
              with eyes  
              too keen
              to see a
              blur
              as the hand
              of god
            
              or a vole
            
              as a lifeline
              on his
              palm.
naxiai Nov 2015
A perfect Mommy, a perfect Daddy
A perfect daughter, a perfect life,
A perfect world to exist in, eclipsed by consummate sight.

She was my sun, a seraphic voice  
bathing me in warm light,
And he was my moon, watchful eyes
protecting me from the darkness of night.

Two halves of my whole heart, their blood flowing through
my spirited veins.
Two halves of my whole mind, their thoughts crashing through  
my synthetic brain.  

Perfection is their sweetest lie, proclaimed by selfish mouths uttering
vain whispers after bedtime.  
"I can't live without you. You can't leave me. I know we can survive this."
But survival is intangible against an affliction of the soul.  
  
Imperfection is my harshest truth, comprehended by grieving eyes seeing raw memories before sleep.  
"I can't live without you. You can't leave me. I know you can survive this."
But even a human's profound devotion can be turned away by their Creator,  
just as a pleading child can be deserted by their mother and father.  

And that is the largest betrayal of them all.  

But to remain, to endure against hate's control, against fate, would be an immediate death.  
To try and withstand their sickness and deterioration would be suicide.  

And I have realized that I do not want to die.  

Loss is my most unbearable pain, undeniably clouded by her beautiful smile and his comforting resemblance.

She used to sing her child to sleep, and now, she is singing to her one last time. At the door, he is watching and keeping them both safe.  

They will both leave and never come back, but the memories will remain. The happiness will always be there for recollection.

But for now, it is time to sleep and forget.

She caresses her child's hair and kisses her forehead lovingly, getting up and walking to join him at the doorway.  

The silhouettes of their mournful faces seem like a cryptic dream.  

"Goodnight, Gigi. We love you very much."
"Mom? Dad?"
"Yes, sweetheart?"
"I can live without you. You can leave me. I know I can survive this."
*"We know."
Come, my darling, let us dance
To the moon that beckons us
To dissolve our love in trance
Heedless of the hideous
Heat & hate of Sirius-
Shun his baneful brilliance!

Let us dance beneath the palm
Moving in the moonlight, frond
Wooing frond above the calm
Of the ocean diamond
Sparkling to the sky beyond
The enchantment of our psalm.

Let us dance, my mirror of
Perfect passion won to peace,
Let us dance, my treasure trove,
On the marble terraces
Carved in pallid embroeideries
For the vestal veil of Love.

Heaven awakes to encompass us,
Hell awakes its jubilance
In our hearts mysterious
Marriage of the azure expanse,
With the scarlet brilliance
Of the Moon with Sirius.

Velvet swatches our lissome limbs
Languid lapped by sky & sea
Soul through sense & spirit swims
Through the pregnant porphyry
Dome of lapiz-lazuli:-
Heart of silence, hush our hymns.

Come my darling; let us dance
Through the golden galaxies
Rhythmic swell of circumstance
Beaming passion’s argosies:
Ecstacy entwined with ease,
Terrene joy transcending trance!

Thou my scarlet concubine
Draining heart’s blood to the lees
To empurple those divine
Lips with living luxuries
Life importunate to appease
Drought insatiable of wine!

Tunis in the tremendous trance
Rests from day’s incestuous
Traffic with the radiance
Of her sire-& over us
Gleams the intoxicating glance
Of the Moon & Sirius.

Take the ardour of my impearled
Essence that my shoulders seek
To intensify the curled
Candour of the eyes oblique,
Eyes that see the seraphic sleek
Lust bewitch the wanton world.

Come, my love, my dove, & pour
From thy cup the serpent wine
Brimmed & breathless -secret store
Of my crimson concubine
Surfeit spirit in the shrine-
Devil -Goddess -****** -*****.

Afric sands ensorcel us,
Afric seas & skies entrance
Velvet, lewd & luminous
Night surveys our soul askance!
Come my love, & let us dance
To the Moon and Sirius!
Steve D'Beard Jul 2014
There's this guy who constantly gives me grief online
as if I need a reminder that I am not funny or smart
that I am incapable of posting any story without his remark
as if he should impart and bestow all of social media
with his divine and seraphic academia:
what is with that?

He posts comments about how illiterate my poetry is
how it doesn't follow the rules; the do-nots and the do's
pontificates how its not properly punctuated
as if I should give up altogether and just shine shoes
and forget trying to construct sentences
just wander in the carousel of nebula's
eternally seeking the tentacle of enemas:
what is with that?

This guy enjoys winding me up like a persistent hobby
the reverent devilment of sadistic entitlement
pushing my head under water for a digital baptism
that I should thank him for his rhetoric enlightenment
as if he was blessed with a correspondence talisman:
what is with that?

This isn't even a poem.
I am letting off steam like an overused kettle
fed up of his mortar forever rammed in my pestle
the temples are raging and my brain is just draining
to explode on cue on the next digital heckle
the cracked and broken vessel
into a vengeful steam-driven projectile:
what is with that?

This, < here > , is my only escape
and creative cathartic vent
I'll post this lament
with the stench of discontent
and tag his name and then just wait
for his feverish malcontent
that I should dare to
prevent his God-like dissent:

memo to self
to a digital antagonist
and his verbose verbal cyst
and the keyboard of twists
when you push
sometimes you get
a big shove back
so don't be surprised
by my riposte
and this poetic attack.
I don't hate people, but there's this one fellow who takes great pleasure on putting me down, on everything, all the time. I found it a cathartic release to vent my frustration on here.
And then I returned to clean it up, and make it flow better.
I hope you like it.
Primrose Clare Dec 2013
In the midst of old ravines and paintings, a succulent soldier dreams.
As dawn starts to paint, as the secondhand piano plays,
his azure iris will gaze
to the sun- the faraway maiden.
In hope that one day, he'd sunbathe and chase dreams
with spring nymphs in holy fields of bonnets and poppies.

Into the poetic imaginations he submerged,
eating dainty buns,saccharine berries and milk by a spiral pond;
and pirouette like butterflies on feathery grass with florets and mist.

Far across the sullen lakes, He'd run with the spring squirrels and foxes;
through the honeyed prairie, the crooned secrets echo faintly like a damsel's song.
In between His spellbinding tales, plants they giggle in harmonious blithe—
that even the gale who gush by in haste, would stop and peer with serene awe.

Abundance of miraculous faith He ignited to his vein,
for the black dots of his crest and spine to someday evanesce.
And in ease, realms of woodlands and lone moors abound upon his eyelids,
that mother nature awaits him.

tick tock, two steps away from the holy born of Christ,
He died of collapsed dream, like muddy landslide of wet monsoon.
His soul— a soul of a fey,beatific and mesmeric dreamer, perish away in stardust.
a shriveled lilac body, graven into a treasure box, a seraphic smile carved.

With waterfalls and chrysanthemums,
moonbeam and fog, an elegy,
and a handful of brimmed ash—the box sealed like a secret letter.

that dusted night
ashes charily scattered to the wide empyrean
along with a brush of vain agony.

Rest in peace, Floyd the cactus.
may our camaraderie be immortal.

This is a poem I wrote for my succulent cactus Floyd who died on Christmas Eve.
I like being the dominant.
I like to tie my submissive up.
I like to play with her.
Tease her. Please her. Destroy her.
Until she breaks.
I like to tie her up and run my fingers at the bend of her curves, explore her body & bite those seraphic lips as I taste their cherubic juices.
I prefer being intimidating and rough.
I will place a blade at your throat, to remind you how we are all mortal beings indulging ourselves in the most oldest of rituals in the history of mankind.
Kamasutra.
Yet, I'll treat you like you're the only one.
The one I cherish, love, hold close.
The one that I've got shackled in my embraces.
No one else will come close to the attention that I will give to you.
No one.
I'll be your slave even though you're my submissive.
I'll make you breathe hard.
I'll make you moan.
I'll make you mine.
I'll worship you, oh goddess.
I'll worship you.
**- Aks, // Sins of the blood.
Portentous enunciation, syllable
To blessed syllable affined, and sound
Bubbling felicity in cantilene,
Prolific and tormenting tenderness
Of music, as it comes to unison,
Forgather and bell boldly Crispin's last
Deduction. Thrum, with a proud douceur
His grand pronunciamento and devise.

The chits came for his jigging, bluet-eyed,
Hands without touch yet touching poignantly,
Leaving no room upon his cloudy knee,
Prophetic joint, for its diviner young.
The return to social nature, once begun,
Anabasis or slump, ascent or chute,
Involved him in midwifery so dense
His cabin counted as phylactery,
Then place of vexing palankeens, then haunt
Of children nibbling at the sugared void,
Infants yet eminently old, then dome
And halidom for the unbraided femes,
Green crammers of the green fruits of the world,
Bidders and biders for its ecstasies,
True daughters both of Crispin and his clay.
All this with many mulctings of the man,
Effective colonizer sharply stopped
In the door-yard by his own capacious bloom.
But that this bloom grown riper, showing nibs
Of its eventual roundness, puerile tints
Of spiced and weathery rouges, should complex
The stopper to indulgent fatalist
Was unforeseen. First Crispin smiled upon
His goldenest demoiselle, inhabitant,
She seemed, of a country of the capuchins,
So delicately blushed, so humbly eyed,
Attentive to a coronal of things
Secret and singular. Second, upon
A second similar counterpart, a maid
Most sisterly to the first, not yet awake
Excepting to the motherly footstep, but
Marvelling sometimes at the shaken sleep.
Then third, a thing still flaxen in the light,
A creeper under jaunty leaves. And fourth,
Mere blusteriness that gewgaws jollified,
All din and gobble, blasphemously pink.
A few years more and the vermeil capuchin
Gave to the cabin, lordlier than it was,
The dulcet omen fit for such a house.
The second sister dallying was shy
To fetch the one full-pinioned one himself
Out of her botches, hot embosomer.
The third one gaping at the orioles
Lettered herself demurely as became
A pearly poetess, peaked for rhapsody.
The fourth, pent now, a digit curious.
Four daughters in a world too intricate
In the beginning, four blithe instruments
Of differing struts, four voices several
In couch, four more personae, intimate
As buffo, yet divers, four mirrors blue
That should be silver, four accustomed seeds
Hinting incredible hues, four self-same lights
That spread chromatics in hilarious dark,
Four questioners and four sure answerers.

Crispin concocted doctrine from the rout.
The world, a turnip once so readily plucked,
Sacked up and carried overseas, daubed out
Of its ancient purple, pruned to the fertile main,
And sown again by the stiffest realist,
Came reproduced in purple, family font,
The same insoluble lump. The fatalist
Stepped in and dropped the chuckling down his craw,
Without grace or grumble. Score this anecdote
Invented for its pith, not doctrinal
In form though in design, as Crispin willed,
Disguised pronunciamento, summary,
Autumn's compendium, strident in itself
But muted, mused, and perfectly revolved
In those portentous accents, syllables,
And sounds of music coming to accord
Upon his law, like their inherent sphere,
Seraphic proclamations of the pure
Delivered with a deluging onwardness.
Or if the music sticks, if the anecdote
Is false, if Crispin is a profitless
Philosopher, beginning with green brag,
Concluding fadedly, if as a man
Prone to distemper he abates in taste,
Fickle and fumbling, variable, obscure,
Glozing his life with after-shining flicks,
Illuminating, from a fancy gorged
By apparition, plain and common things,
Sequestering the fluster from the year,
Making gulped potions from obstreperous drops,
And so distorting, proving what he proves
Is nothing, what can all this matter since
The relation comes, benignly, to its end?

So may the relation of each man be clipped.
mythie Dec 2017
I've seen the gates of Heaven.
Pure.
White.
Gates.

Angels are beautiful creatures, aren't they?
They fill some with lust, desire...
They fill me with something nobody else could give.
Love.

I knew when our eyes connected.
You were something special.
You have my glass heart in your hands.
Please don't let it go.

I've been hurt by angels before.
They've taken my heart, handled it with care.
Then smashed it using all their force.
It's taken forever to pick up the pieces.

But by the way you touch me.
Kiss me and tell me I'm pretty.
I can tell you're different.
I can tell you're heavenly.

Black circles under crimson eyes.
Pale, porcelain skin.
Large white wings.
The heart of a saint.

You sink your fingers into my heart.
Squishing and spreading it around.
You dig your own heart from your flesh.
Bloodied fingertips connecting love.

With two hearts together.
You smile at me.
I am certain now.
You can teach me to love again.
1465

Before you thought of Spring
Except as a Surmise
You see—God bless his suddenness—
A Fellow in the Skies
Of independent Hues
A little weather worn
Inspiriting habiliments
Of Indigo and Brown—
With specimens of Song
As if for you to choose—
Discretion in the interval
With gay delays he goes
To some superior Tree
Without a single Leaf
And shouts for joy to Nobody
But his seraphic self—
brooke Nov 2012
have i tried for too long
to be a kind of graceful
i am not? delicacy with-
out the shoes, the eyes
Daaé, without the voice
so what kind of pretty
is a girl without

grace?
(c) Brooke Otto
brandon nagley Nov 2015
i.

Elated, I'm afar from the aqua sphere beneath mine toe's,
I've been taken up by flight, an angel in the night;
A woman, a queen, a mystical paranormal beam,
God heard mine weeping, and with her he sent,
She dried mine Tear's clean.

ii.

I sniveled for eon's, with none hopeful lover's future
Mine joint's were weak, from the lack of nutritional feature's;
At mine lowest point, after imploring mine lord for help,
He sent me mine other half, Earl Jane Nagley, an Asiatic path,
Mine beloved, mine darling, mine seraphic helper.

iii.

I found wholeness, the other purpose to mine sustenance,
She's not for sale, she's not a slave, she's a cherub; not some anecdotal tale. She's not one to taketh man's bribery, she's not a peasant sold and payed for rent: tis she's heavensent- the answer to mine prayer's, she's delicate, she's an empress doth thou seeith, I was birthed for her, as she for me, both made for another, to cherish each other, on cloud nine we shalt be seen.



©Brandon nagley
©Lonesome poets poetry
©Earl Jane Nagley dedication-Filipino rose
Utterly enchanted 'neath
  mesmerizing constellations,
as an entranced blue moon
    swoons over sparkling
           celestial diamonds,
cello's were eloquently playing
  serenading starry stratospheres  
     within an endearing melody
           and milky ways of poetry,
simultaneously syncopating
   strumming pizzicato heartstrings,
tuning our harmonious passages
      of rhythm and rhyme 'pon
apricot mist sunset horizons &
   seraphic skies rendered of
          lapis lazuli sunrise grandeur
Beau Scorgie Apr 2016
I've seen you there
amongst the lavender fields
when you thought no one was watching.
Memories that dance
a longing daydream,
weaving strings of lilac through my veins.
I knew you would plague me,
but my eyes supped upon you.
Supped and supped again
until lavished by an allure
a thousand French patisseries
could never usurp.
Your taste inspired madness -
a craze you too endured.
We turned over pages
and bewildered them with Eden's of ivy
that flourished within our skulls.
If Van Gogh were a writer
he'd write like us.
A fable of seraphic beauty
and lucid insanity,
knotted together
with existential philosophy.
"Being and Nothingness"
(Sartre understood)
but we were 50 years too late
to the Café de Flore.
Those were memories of yesteryear,
sealed with the rosy hue of antiquity
I was always fond of.
I can almost lick that scent of lavender
that clings to the photographs,
but I fear my tongue may bleed.
So I admire them on a mantelpiece
in a dust-soaked room
where all that I love
(and have loved)
may live.
I know that room not by daylight,
for I dare not be seen to enter.
Only the high rise moon knows
that those footprints
belong to me.
I, too, saw God through mud, -
       The mud that cracked on cheeks when wretches smiled.
       War brought more glory to their eyes than blood,
       And gave their laughs more glee than shakes a child.


Merry it was to laugh there -
       Where death becomes absurd and life absurder.
       For power was on us as we slashed bones bare
       Not to feel sickness or remorse of ******.


I, too, have dropped off Fear -
       Behind the barrage, dead as my platoon,
       And sailed my spirit surging light and clear
       Past the entanglement where hopes lay strewn;


And witnessed exultation -
       Faces that used to curse me, scowl for scowl,
       Shine and lift up with passion of oblation,
       Seraphic for an hour; though they were foul.


I have made fellowships -
       Untold of happy lovers in old song.
       For love is not the binding of fair lips
       With the soft silk of eyes that look and long,


By Joy, whose ribbon slips, -
       But wound with war's hard wire whose stakes are strong;
       Bound with the bandage of the arm that drips;
       Knit in the webbing of the rifle-thong.


I have perceived much beauty
       In the hoarse oaths that kept our courage straight;
       Heard music in the silentness of duty;
       Found peace where shell-storms spouted reddest spate.


Nevertheless, except you share
       With them in hell the sorrowful dark of hell,
       Whose world is but the trembling of a flare
       And heaven but as the highway for a shell,


You shall not hear their mirth:
       You shall not come to think them well content
       By any jest of mine. These men are worth
       Your tears. You are not worth their merriment.
(C) Wilfred Owen
Night 1:
I spend my last, and hurting days
Attempting to erase your face,
And the memory of your last hug:
Fingers tugging on the lace
of my dress,
and the purple velvet of the blanket,
Covering both our skins,
Our vulnerability,
And passion.

Night 2:
I am trying to forget,
But you stained me like ashes from a cigarette
On the white fabric you used to wear.
Or still do... who knows?
You haunt me, but I come to trace your silhouette,
And ****, you’re gone again—
Maybe protected in the shadows.

Night 3:
Where are you today, my joy?
Where am I?
I hopelessly wander the empty, sandy dunes,
Watching the full infinite moons
Pass by.

Night 4:
I never thought I would be the one to leave you—
I always thought it would be the other way around.
I am truly lost...
The sandy dunes are, in fact, hills of beige frost,
And I am scared;
I am scarred.
You’re an irreplaceable piece of art,
And I’m too far from where you are.

Night 5:
My hands are shaken, and are bruised.
I am ashamed; I am confused.
Clearly, the only way to **** off a memory is through abuse.
I learned to take a pill—
It does claim to have my pain reduced!
And the velvet,
And the lace,
Are appearing to erase.
Then goes a smudge of colour;
Next, leaves a seraphic face...
What was the purpose of a greyish-blueish gaze?
Who knows?
Who am I?
Who are you?
Who is who?
  I am no one anymore;
  For there is no one to adore.
Ultrabored & ultrarandom.

— The End —