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Cedric McClester Apr 2015
By: Cedric McClester

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

A ***** lookin for respect
Could pull out a Nine or Tec
At a time you least expect
And you might have to hit the deck
Cuz when the bullets start to fly
Those who don’t just might die
And you don’t wanna go - okay
Like ****** do around the way – cuz

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

Keep one eye open when you sleep
Cuz in the hood life is cheap
So watch the company you keep
Your main man might be a creep
Don’t let ‘em get the drop on you
The way some ****** like to do
They’ll roll up on you with a crew
And run a clip off into you

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

****** don’t respect themselves
Never mind someone else
That’s why they keep their gats and shells
And you know what that often spells
Cuz ****** are up to no good
There’s gun smoke in the neighborhood
And it’s high time they realize
That it’s themselve who they despise – cuz

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

Did you ever stop to think
****** could become extinct
In the time it takes to blink
Like some kind of missin link
Unless we suddenly stop killin
The prophesy will keep fulfillin
Even though the thought is chillin
Long as the blood just keep on spillin – cuz

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

Although it’s often said in play
And despite what some folks say
The use of ***** ain’t okay
Though you might hear it everyday
My usage of it in this joint
Is for effect to prove a point
It’s not to glorify the term
But will you ****** ever learn – that

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

Although it’s often said in play
And despite what some folks say
The use of ***** ain’t okay
Though you might hear it everyday
My usage of it in this joint
Is for effect to prove a point
It’s not to glorify the term
But will you ****** ever learn



(c) Copyright 2015.  Cedric McClester.  All rights reserved.
Avixxi  Feb 2012
Push, Pull
Avixxi Feb 2012
Push, pull

False security...

Push, pull

Hidden identity...

Push, pull

Sweet words to sprinkle...

Push, pull

Bared, but in riddles...

Push, pull

Lashed on with high hopes...

Push, pull

Driven on low scopes...

Push, pull

Expectations, desires...

Push, pull

All but a lie?
Raj Arumugam Aug 2011
Let us pull, pull the boat,
young man…
away from the waters
safe on to land
just the while perhaps till the morning
and pull, young one…take a deep breath and pull…
generations have worked and gone past exertion
and into a discovery of inner strength
and a sudden illumination perhaps
of the resilience within…
feel and pull - see, there’s the boat and you
and the forces and the ground
and there’s much within you…
there’s the mark of the effort
in your mind as footprints in the sand
pull, young one…safe to land – a little more
and a little more…
and we are come to completion, and you will see
within yourself
where the struggle, where the living
and all these days of our lives between earth
and the oceans begin and end…
poem based on "Pulling boat" by Asai Chū (1856-1907), Japan
Brandon Feb 2014
You won't see me anymore
I've lost faith in what I was living for
Could tell you the moment it happened
But you wouldn't listen
And I hate wasting my breath

I count the scars you left on me
Not all of them I can see
But I know they're there
Because they ache so deeply

I dress to the nines
Like I'm going to a funeral
Gonna have fun with a gun
You'll see what I mean
When the whiskey's gone

All this silence is getting harder to kick
Lets play a game of Russian roulette
Ill load the barrel and take the first hit
There's one empty chamber
And I'm liking my odds

There's no room in my life
With all of this empty space
It's funny how late at night
I can remember your taste
But I won't recall the details
Or the smile on your face

All this silence is getting harder to kick
Lets play a game of Russian roulette
Ill load the barrel and take the first hit
There's one empty chamber
And I'm liking my odds

Pull the trigger (Don't worry about the mess)
Pull the trigger (If there's one left behind)
Pull the trigger (It's only a wedding dress)
Pull the trigger (You can have it dry cleaned)
Pull the trigger (After we make it a crime scene)

You won't see me anymore
I've lost faith in what I was living for
Could tell you the moment it happened
But you wouldn't listen
And I hate wasting my breath

I count the scars you left on me
Not all of them I can see
But I know they're there
Because they ache so deeply

Pull the trigger (Don't worry about the mess)
Pull the trigger (If there's one left behind)
Pull the trigger (It's only a wedding dress)
Pull the trigger (You can have it dry cleaned)
Pull the trigger (After we make it a crime scene)

Lets play a game of Russian roulette
Ill load the barrel and take the first hit
There's one empty chamber
And I'm liking my odds
Robert Guerrero Feb 2013
You have the gun
To my temple
So pull the trigger
Im tired of living

You need help
Committing ******
Then why the hell
Did you contemplate it

You cant do it
Im part of you
Im the reason
You breathe and cry

Im your darkness
Im your happiness
Im everything to you
And you cant pull the trigger

Well Im tired of it
Im your disease
Ill help you pull it
So you can truly be happy

Pull the trigger
Please do it
For yourself
For me

I married the darkness
And now Im drowning you
With it everyday
Your suffocating under me

Like I said before
I love you
And your happiness means more
Then living in darkness

You cant pull me out
Im in too deep
So pull the trigger
And free us both

If you truly love me as well
Pull the trigger
Turn away and shut your eyes
I love...
Please master can I touch your cheeck
please master can I kneel at  your feet
please master can I loosen your blue pants
please master can I gaze at your golden haired belly
please master can I have your thighs bare to my eyes
please master can I take off my clothes below your chair
please master can I can I kiss your ankles and soul
please master can I touch lips to your hard muscle hairless thigh
please master can I lay my ear pressed to your stomach
please master can I wrap my arms around your white ***
please master can I lick your groin gurled with blond soft fur
please master can I touch my tongue to your rosy *******
please master may I pass my face to your *****,
please master order me down on the floor,
please master tell me to lick your thick shaft
please master put your rough hands on my bald hairy skull
please master press my mouth to your *****-heart
please master press my face into your belly, pull me slowly strong thumbed
till your dumb hardness fills my throat to the base
till I swallow and taste your delicate flesh-hot ***** barrel veined Please
Mater push my shoulders away and stare in my eyes, & make me bend over
        the table
please master grab my thighs and lift my *** to your waist
please master your hand's rough stroke on my neck your palm down to my
        backside
please master push me, my feet on chairs, till my hole feels the breath of
        your spit and your thumb stroke
please master make my say Please Master **** me now Please
Master grease my ***** and hairmouth with sweet vaselines
please master stroke your shaft with white creams
please master touch your **** head to my wrinkled self-hole
please master push it in gently, your elbows enwrapped round my breast
your arms passing down to my belly, my ***** you touch w/ your fingers
please master shove it in me a little, a little, a little,
please master sink your droor thing down my behind
& please master make me wiggle my rear to eat up the ***** trunk
till my asshalfs cuddle your thighs, my back bent over,
till I'm alone sticking out, your sword stuck throbbing in me
please master pull out and slowly roll onto the bottom
please master lunge it again, and withdraw the tip
please please master **** me again with your self, please **** me Please
Master drive down till it hurts me the softness the
Softness please master make love to my ***, give body to center, & **** me
        for good like a girl,
tenderly clasp me please master I take me to thee,
& drive in my belly your selfsame sweet heat-rood
you fingered in solitude Denver or Brooklyn or ****** in a maiden in Paris
        carlots
please master drive me thy vehicle, body of love drops, sweat ****
body of tenderness, Give me your dogh **** faster
please master make me go moan on the table
Go moan O please master do **** me like that
in your rhythm thrill-plunge & pull-back-bounce & push down
till I loosen my ******* a dog on the table yelping with terror delight to be
        loved
Please master call me a dog, an *** beast, a wet *******,
& **** me more violent, my eyes hid with your palms round my skull
& plunge down in a brutal hard lash thru soft drip-fish
& throb thru five seconds to spurt out your ***** heat
over & over, bamming it in while I cry out your name I do love you
please Master.

                                        May 1968
Shirley Antonio Sep 2018
Pull the trigger.

**** me.

So that I can no longer paint my emotions with lies.
Sometimes you just can't describe moments you only feel it


I was waiting for my prince but he never came.
So I went looking for him.

It's as strange as people go from lovers to strangers.
Do not bring love today,
I want your shame.


My hobby  now is to see depressed girls with pink wigs.

I need you to hurry up when you're going to make decisions.
Because I need you now.
Here on this terrace near the sea.
Looks like I'm lying on the seashore.



I wanted to be like God.
Have access to a door to the infinite of an unreal place.

To be honest, we all create an unreal world a surreal fantasy when we are rejected.

And so when the pain begins to flow, we look for ways to define love.


Do you think I'm a stupid girl?


Pull the trigger.

It ends my agony of not being able to love.

Pull out the rug.

Drop me into reality.

Sometimes people make us think we're on the test.

No one can see anyone's heart.
But we all have a concept of what the other feels.
No one can see the heart beating.
But everyone thinks we're alive.

Pull the trigger.

And I end up feeling like I'm repeating the same mistakes.
I do not want to have unreal feelings.
Get the feeling of being looking for nothing.

Pull the trigger

**** what's already dead
Seriously....  It's Explicit!*



You walk towards me
Slowly, seductively
A look in your eyes
I haven't seen in a while
Like you're already ******* me
Little do you know
I've already undressed you in mind
A thousand times today
You lock your lips with mine
Making my tongue and soul go numb
I close my eyes tight
Letting the feeling wash over me
I go weak, start to fall
You wrap your arms around me
Oh so right
You taste like beer
I've never liked beer
But on you, tastes like I could drink it forever
With our tongues still dancing together
I feel your hand slip under my shirt
To the small of my back
You trace little hearts
Giving me tingles
I moan into your mouth
You growl, squeezing me tighter, kissing me deeper
Oh! and I can't help myself
My hands crawl up the front of your shirt, scratching and pinching your pecks
You pull away, I almost cry
You smile and take your shirt off
"easier access" you say
I say "well, that's not fair" while I take my shirt off too
The way you look at me, I'm enthralled with you
It's like you're devouring me but I'm feasting on you too
Every inch of skin,
Even that **** tattoo
Wow, I get lost looking at you
You grab my hand guiding me to the bedroom
You try to gently lay me on the bed
But I have other plans
I push you against the nearest wall
Locking you there with my body
Kissing you even more passionately
And deeper than ever before
You've got me so in the mood
I can feel you now, through your jeans
Rock hard, this must be a dream
But I don't care, I have to taste you
I grab you there, look into your eyes, licking my lips and whisper "may I?"
You growl again and nod your head
I trail kisses down your chest with my tongue
While unbuttoning your pants,
Unzip you and ****, there it is
I'm salivating and it looks so devine
The first lick, you moan and growl
I know you're mine
I taste every inch, swirl my tongue around the tip
I feel you writhing and pulsing under my hands
Your moans grow louder, giving me so much pleasure
You wrap your hand in my hair, pulling, ****
I love when you do that
You pull me off of you, reluctantly I allow it
You drag me to your mouth for a wet, rough kiss
I melt
I wonder if you think you taste as good as I do
Magically, somehow, you undo my bra
You stare down, smile, then start to kiss and nibble on each peak
"*******" I say and actually giggle, but I go weak
You know it too, laying me down on the bed
"are you wet?"
I nod, thinking I have been since before we even started
You kiss me, so softly
While your hand finds its way inside my *******
You hit that spot, I grab your arm hard, moaning into your mouth
You pull back saying "you like that?"
"**** Yea"
I raise my hips so you can take my pants off "easier access" I smile
You touch me,  tease me while slowly pealing my pants off my body
I'm shy, I close my legs together,
You start kissing my thighs,
My Oh My!
I can't help but open and let you in
You taste me, the first touch of your mouth on me,
I practically scream in ecstasy
You slide up my body, with your tongue
I'm surprised I haven't come
I'm done, I'm officially yours
Never has it felt this good before
I'm in pure heavenly bliss
You tease me with the tip of your ****
While giving me a most dangerous kiss
I moan, scream, so loudly
When you finally enter me
****, you fit so perfectly
"oh ****"
I explode almost instantly
You smile at me
"I'm just getting started"
I whisper "****" I'm too weak to speak
Then you slowly move in and out of me
I wrap my legs around your hips,
Almost lethargically
You whisper in my ear "bliss"
Then give me the most gentle kiss
I can't take anymore, I've had enough
I may be a sweet girl, but in bed
I like it rough
I use my legs to push you in deeper, harder, faster
My hips grind into yours
We're sweaty, but I don't care
You move up a little higher
"Oh My God!" I scream "Right There!"
You stop, I moan
You pull out, I know what you want
To **** me from behind
That's fine
You flip me over, grab my *** real hard
You push into me, it's deeper this way
I start moaning and screaming
I can't help it, you're ******* amazing
You pull me back by my hair
I balance myself with my hands on the wall
I scream "harder, faster"
You happily oblige me
I hear you moaning, louder and louder, you're in ecstasy
It's a **** fantasy
"oh my god, I'm coming!" I scream
You instantly explode inside me
While I squirt all around you
You pull my hair so tight and kiss my back
Sending shivers down my spine
We fall to bed, tangled in each other
After a few moments you whisper
"Now, you're mine"
*coughs*
Well....  Ummmm...  Ya.... I had a dream
Here it is
Enjoy
Red Starr  Feb 2010
Riptide
Red Starr Feb 2010
You drift and pull me, drift and pull me back, like the tide
I drift, pull back, drift, pull, drift then pull
I try to stay steady, calm and impassive
But you pull, and your pull is stronger than I
And your pull is so strong, and so convincing, and it's so persuading
And you're so persuasive
I'm so convinced
I'm so
What is death, I ask.
What is life, you ask.
I give them both my buttocks,
my two wheels rolling off toward Nirvana.
They are neat as a wallet,
opening and closing on their coins,
the quarters, the nickels,
straight into the crapper.
Why shouldn't I pull down my pants
and moon the executioner
as well as paste raisins on my *******?
Why shouldn't I pull down my pants
and show my little ***** to Tom
and Albert? They wee-wee funny.
I wee-wee like a squaw.
I have ink but no pen, still
I dream that I can **** in God's eye.
I dream I'm a boy with a zipper.
It's so practical, la de dah.
The trouble with being a woman, Skeezix,
is being a little girl in the first place.
Not all the books of the world will change that.
I have swallowed an orange, being woman.
You have swallowed a ruler, being man.
Yet waiting to die we are the same thing.
Jehovah pleasures himself with his axe
before we are both overthrown.
Skeezix, you are me. La de dah.
You grow a beard but our drool is identical.

Forgive us, Father, for we know not.

Today is November 14th, 1972.
I live in Weston, Mass., Middlesex County,
U.S.A., and it rains steadily
in the pond like white puppy eyes.
The pond is waiting for its skin.
the pond is waiting for its leather.
The pond is waiting for December and its Novocain.

It begins:

Interrogator:
What can you say of your last seven days?

Anne:
They were tired.

Interrogator:
One day is enough to perfect a man.

Anne:
I watered and fed the plant.

*

My undertaker waits for me.
he is probably twenty-three now,
learning his trade.
He'll stitch up the gren,
he'll fasten the bones down
lest they fly away.
I am flying today.
I am not tired today.
I am a motor.
I am cramming in the sugar.
I am running up the hallways.
I am squeezing out the milk.
I am dissecting the dictionary.
I am God, la de dah.
Peanut butter is the American food.
We all eat it, being patriotic.

Ms. Dog is out fighting the dollars,
rolling in a field of bucks.
You've got it made if you take the wafer,
take some wine,
take some bucks,
the green papery song of the office.
What a jello she could make with it,
the fives, the tens, the twenties,
all in a goo to feed the baby.
Andrew Jackson as an hors d'oeuvre,
la de dah.
I wish I were the U.S. Mint,
turning it all out,
turtle green
and monk black.
Who's that at the podium
in black and white,
blurting into the mike?
Ms. Dog.
Is she spilling her guts?
You bet.
Otherwise they cough...
The day is slipping away, why am I
out here, what do they want?
I am sorrowful in November...
(no they don't want that,
they want bee stings).
Toot, toot, tootsy don't cry.
Toot, toot, tootsy good-bye.
If you don't get a letter then
you'll know I'm in jail...
Remember that, Skeezix,
our first song?

Who's thinking those things?
Ms. Dog! She's out fighting the dollars.
Milk is the American drink.
Oh queens of sorrows,
oh water lady,
place me in your cup
and pull over the clouds
so no one can see.
She don't want no dollars.
She done want a mama.
The white of the white.

Anne says:
This is the rainy season.
I am sorrowful in November.
The kettle is whistling.
I must butter the toast.
And give it jam too.
My kitchen is a heart.
I must feed it oxygen once in a while
and mother the mother.

*

Say the woman is forty-four.
Say she is five seven-and-a-half.
Say her hair is stick color.
Say her eyes are chameleon.
Would you put her in a sack and bury her,
**** her down into the dumb dirt?
Some would.
If not, time will.
Ms. Dog, how much time you got left?
Ms. Dog, when you gonna feel that cold nose?
You better get straight with the Maker
cuz it's coming, it's a coming!
The cup of coffee is growing and growing
and they're gonna stick your little doll's head
into it and your lungs a gonna get paid
and your clothes a gonna melt.
Hear that, Ms. Dog!
You of the songs,
you of the classroom,
you of the pocketa-pocketa,
you hungry mother,
you spleen baby!
Them angels gonna be cut down like wheat.
Them songs gonna be sliced with a razor.
Them kitchens gonna get a boulder in the belly.
Them phones gonna be torn out at the root.
There's power in the Lord, baby,
and he's gonna turn off the moon.
He's gonna nail you up in a closet
and there'll be no more Atlantic,
no more dreams, no more seeds.
One noon as you walk out to the mailbox
He'll ****** you up --
a wopman beside the road like a red mitten.

There's a sack over my head.
I can't see. I'm blind.
The sea collapses.
The sun is a bone.
Hi-** the derry-o,
we all fall down.
If I were a fisherman I could comprehend.
They fish right through the door
and pull eyes from the fire.
They rock upon the daybreak
and amputate the waters.
They are beating the sea,
they are hurting it,
delving down into the inscrutable salt.

*

When mother left the room
and left me in the *******
and sent away my kitty
to be fried in the camps
and took away my blanket
to wash the me out of it
I lay in the soiled cold and prayed.
It was a little jail in which
I was never slapped with kisses.
I was the engine that couldn't.
Cold wigs blew on the trees outside
and car lights flew like roosters
on the ceiling.
Cradle, you are a grave place.

Interrogator:
What color is the devil?

Anne:
Black and blue.

Interrogator:
What goes up the chimney?

Anne:
Fat Lazarus in his red suit.

Forgive us, Father, for we know not.

Ms. Dog prefers to sunbathe ****.
Let the indifferent sky look on.
So what!
Let Mrs. Sewal pull the curtain back,
from her second story.
So what!
Let United Parcel Service see my parcel.
La de dah.
Sun, you hammer of yellow,
you hat on fire,
you honeysuckle mama,
pour your blonde on me!
Let me laugh for an entire hour
at your supreme being, your Cadillac stuff,
because I've come a long way
from Brussels sprouts.
I've come a long way to peel off my clothes
and lay me down in the grass.
Once only my palms showed.
Once I hung around in my woolly tank suit,
drying my hair in those little meatball curls.
Now I am clothed in gold air with
one dozen halos glistening on my skin.
I am a fortunate lady.
I've gotten out of my pouch
and my teeth are glad
and my heart, that witness,
beats well at the thought.

Oh body, be glad.
You are good goods.

*

Middle-class lady,
you make me smile.
You dig a hole
and come out with a sunburn.
If someone hands you a glass of water
you start constructing a sailboat.
If someone hands you a candy wrapper,
you take it to the book binder.
Pocketa-pocketa.

Once upon a time Ms. Dog was sixty-six.
She had white hair and wrinkles deep as splinters.
her portrait was nailed up like Christ
and she said of it:
That's when I was forty-two,
down in Rockport with a hat on for the sun,
and Barbara drew a line drawing.
We were, at that moment, drinking *****
and ginger beer and there was a chill in the air,
although it was July, and she gave me her sweater
to bundle up in. The next summer Skeezix tied
strings in that hat when we were fishing in Maine.
(It had gone into the lake twice.)
Of such moments is happiness made.

Forgive us, Father, for we know not.

Once upon a time we were all born,
popped out like jelly rolls
forgetting our fishdom,
the pleasuring seas,
the country of comfort,
spanked into the oxygens of death,
Good morning life, we say when we wake,
hail mary coffee toast
and we Americans take juice,
a liquid sun going down.
Good morning life.
To wake up is to be born.
To brush your teeth is to be alive.
To make a bowel movement is also desireable.
La de dah,
it's all routine.
Often there are wars
yet the shops keep open
and sausages are still fried.
People rub someone.
People copulate
entering each other's blood,
tying each other's tendons in knots,
transplanting their lives into the bed.
It doesn't matter if there are wars,
the business of life continues
unless you're the one that gets it.
Mama, they say, as their intestines
leak out. Even without wars
life is dangerous.
Boats spring leaks.
Cigarettes explode.
The snow could be radioactive.
Cancer could ooze out of the radio.
Who knows?
Ms. Dog stands on the shore
and the sea keeps rocking in
and she wants to talk to God.

Interrogator:
Why talk to God?

Anne:
It's better than playing bridge.

*

Learning to talk is a complex business.
My daughter's first word was utta,
meaning button.
Before there are words
do you dream?
In utero
do you dream?
Who taught you to ****?
And how come?
You don't need to be taught to cry.
The soul presses a button.
Is the cry saying something?
Does it mean help?
Or hello?
The cry of a gull is beautiful
and the cry of a crow is ugly
but what I want to know
is whether they mean the same thing.
Somewhere a man sits with indigestion
and he doesn't care.
A woman is buying bracelets
and earrings and she doesn't care.
La de dah.

Forgive us, Father, for we know not.

There are stars and faces.
There is ketchup and guitars.
There is the hand of a small child
when you're crossing the street.
There is the old man's last words:
More light! More light!
Ms. Dog wouldn't give them her buttocks.
She wouldn't moon at them.
Just at the killers of the dream.
The bus boys of the soul.
Or at death
who wants to make her a mummy.
And you too!
Wants to stuf her in a cold shoe
and then amputate the foot.
And you too!
La de dah.
What's the point of fighting the dollars
when all you need is a warm bed?
When the dog barks you let him in.
All we need is someone to let us in.
And one other thing:
to consider the lilies in the field.
Of course earth is a stranger, we pull at its
arms and still it won't speak.
The sea is worse.
It comes in, falling to its knees
but we can't translate the language.
It is only known that they are here to worship,
to worship the terror of the rain,
the mud and all its people,
the body itself,
working like a city,
the night and its slow blood
the autumn sky, mary blue.
but more than that,
to worship the question itself,
though the buildings burn
and the big people topple over in a faint.
Bring a flashlight, Ms. Dog,
and look in every corner of the brain
and ask and ask and ask
until the kingdom,
however queer,
will come.

— The End —