THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

And it's difficult to remember something as the very name of Eisenhower
Or flowerbaskets
And tired movies made of silicone and
Aftersex
Or sixteen candles echoing out of an imaginary suite with cigarettes at every table
And green lawns
Barbershop conversation
The reflection of the sun in special trees
Or my best friend Jesus Christ
Or the smell of the theater that one day with the cynics who just got back from a tennis match and barbwire still laced delicately around their thoughts and
Nihilism
And automotives
And priestess Jane or Henry's gloomy doppelganger who reads alternative magazines and loves the aesthetics behind broken glass
And fine tuned musical instruments

It's difficult to remember
Lonesome Fridays smoking on a park bench trying to finish the puzzle
Or synagogues you've never been in
Or insurance
Or newspaper articles detailing the misadventures of Mr. City
(Of course of course! Take your shoes off at the door and make yourself at home)
We're tossing all our sewage into the ocean
that's far from clean as it
LOOKS anymore these days
That's anything
And everything except for the glowing mountains seen faded and wintry behind Apartments and the
"Glorious Mexican House of Spices"
Never been in there either

It's difficult to remember
Times of Mr Twin Sister
Or Joan Jett in the hallway
In a highschool who's psychology classrooms have become a time capsule in the ground/
Or the gentle skinny ******
Wearing Broadway makeup and
Kafka tattooed on his shoulder
I like his hat
He looks at me suspiciously
Or the guy who is yelling his order at the counter when it's quiet here anyways
Or the mariner who has a hobby of the saxophone
Or 1970s *******
Or the sheepskin bikeseat fad that's yet to come but I'm predicting it now!
Or two dollars and twentyseven cents at the beginning of Allen Ginsberg's America
"I've given you all and now I'm nothing"

It's difficult to remember
The Oriental
Sacramento flies
Midnight Moon
Quarter to four
"The Immortalization Commission"
Remodelled hotels downtown
Where mandalas on the floor became a
Tiger lily luminous
And the kimono is yesterday's painting/
Dearest Darling
When I was feeling down!
A staircase in reverse (??)
The sound a kiss makes
It's difficult to remember
Colleen's earrings
Or Washington State
Or air conditioners in Bali
The Indian ocean's daybreak hymn
To Seminyak
Or whatever happened to Steve from the Airplane out of Taiwan
On 3 days awake
Hello Kitty nursing stations
****** (Kubrick's version)
Cardboard taking up half my bedroom
It's difficult to remember until I jot it down and then its a sudden forever
Sunshine Superman in a cafe spontaneous
drawings with someone I just met who has some ******* attitude/
Who hops fences and has feral ideas
People! En Masse! Te Amo!
You're all in wolven liberty
And vague postulators
And holy prostitutes for the dollar
Sad eyed intellectuals
With undergarments made of breakfast cereal/
Seaferry poetry is different from
Trestle in August poetry
Or henna handshakes
Or the Napoleonic era
Sweet Cherry Pie
The tulip's tongue
Garabajal
Cloudy first day of July
Was hotter yesterday
But not too hot

It's difficult to remember
Antiquity
The pale horse Studebaker outside the clinic
With a glossy red trim and **** I wish that was my ride
Andy Warhol's exploding plastic inevitable
Nearsightedness
Angels and their ability to shower with a a snap of their fingers
Distant harp music
Better him than me
Bananas almost ripe
Green aquatic
Reclusive junkies
Palomo's appliances
Questions for the next time
How much I like what you like and how I like that you like what I like
Ahh that's not my bus
I'm trying to get to the city!
That one quote Socrates is known for about knowing nothing as true wisdom
Supermarkets being built on top of liquor stores burned down a while back
Monopolies
Tragedies
"No Love Lost"
THE HOUSE ON HAUNTED HILL
Your guess is as good as mine
Never tried to eat Asian food in Asia
It was all pasta and good cider that tasted like pineapple
Rain hitting the window and I'm
Drowsy again
God Save The Trees!
Curly hair looks good on boys
Torn up blinds
Queer as a three dollar bill
If Bill costs 3 dollars I'm sure he's caught something better safe than sorry
Sage advice
I'm the very model of a modern major general
Golden yen and international currency
Incense in the bedroom and how good it smells
There's my bus! Applying for a better job than the one I got now
But that's how it always is right?
Chasing satisfaction
1007 apt
Porch ornaments
Unique names
Unique style le style
The extra charge on foreign ATMs
Cordoroy polo shirts
Flooding in New York!
When someone's face screams *******
"Slippery when wet"
Dine N Dash
Grass gone yellow
Confidence in dyed hair and capes as long as wedding gowns
But less expensive
Doors that always seem to be locked and I'm wondering 20 year later what's behind them?
Albino animals
White thoughts as clouds or
Abstractions
Weathers nicer in Florida but who cares
Festivities this early in the day
Automatopeia
Do sad orphanages still exist?
Just like the movies
Midnight in mirrors
That sick puppet at the shoe shop used
To know how to really hammer it down
And now he's weak and forgotten
Never heard the words of a true prophet only Oceania
Or the private temple near Apollo Bay
Like Japanese gardens behind that gate
Will I ever see it
Make a proud example outta ya misbehavior
Form without function
Exhausted spiritualism
*** Kettle Black
negative photographs of dark rooms
And there's laughing coming from SOMEWHERE
Essays on kleptomania
Had a bad dream I became a cliche
Surrounded by other freaks and there was a lovely ***** I fell in love with her
We married in Oregon by the sea her name was rosy
***** rosy
Check your mailbox for nails
And what you don't wanna hear/
If you were a vegetable you'd be organic!
Empire
Satirical bubble gum
Satori
Linda Lovelace and her special party trick
That's someone's fantasy
Diamond in the rough
Mister guy with two black eyes frequents the adult playhouse
Hes fully stocked on fishnet leggings
He's too proud to put them on himself but
Has nobody else around
Boo hoo
Swigs back the whiskey and trips down the stairs getting a third black eye in the process
Marion came by with her dog the other day
Wanted her box of clothes back but he loved to sniff them to remember her
But she wouldn't have it

"Honey I'm going to call the police!"

"Ah they don't give a **** they have bigger things to worry about"

"Yeah you got that right shrimp **** enjoy my unwashed *******"

And she never came back again
He started losing the vertebrae in his spine 1 by 1 and you know where this is going
I won't say he was a poor man because he had it all coming to him the *******
But he coulda had a better start if you ask me.

It's difficult to remember
And even more difficult to forget
After the fact

Seagull opera
Giganticism
Portrait of the artist as a young man
Losing one's pencil when the best idea of your life drops down from heaven and into your sorry head
Signs graffitied to have funnier meanings
Cruelty
Impassive
The Loyal Lioness
And Bangladesh has too many kitchens
And not enough dishes
When I was young I used to say Island as "is-land"  
Which is true it is land
But the Europeans probably stole it from somebody else anyways/
I left my future behind
And objects in the mirror are closer than they appear
Im no illusionist
I'm terrified of the cracken
Father feels the same way about
Hotels
Why bother/
This has been going on and on for a while are you tired yet
Is your patience being tested
Mine isn't because this wasn't an all-at-once kind of rambling
It's extremely important to laugh at least
Once a day
Otherwise you'll find yourself a politician
In no time at all
Rockefeller
(         ) Quaint home to die in
I think
Trains create great music
Float on
Sink into yourself
Roses in a crooked alley
That's people
Busy busy busy busy
Let's describe a situationist
I'm not a fan of bright colors on clothes
Your best shade is blue
Bricklayers transcription of Don Quixote to a skyscraper
Rocket thyme
& Garden
Erratic children's
Insomnia
The doorbell repeatedly
Vancouver riots/ I saw that live on the news!
Pictionary with the surrealists
N Dada TV set MC Escher
Antenna
You're in the Twilight Zone now
Dear Ramona
I'm trying to make it up to you
With a brightness only seen when you're ready to see it so please for the love of God don't blame me when it's not appearing
The tapestry hidden
Keep your blankets clean
And avoid hospitals unless you're fine with fishbowls & the halogen
The water gestapo
Storage lockers full of unacted plays and
Antique microwaves
Emitting the nostalgia of the cold war era
And what a waste of time that was /
Walter Wanderleys presence in Autumn universities
The opening of Vivre sa Vie
Salvador Dali's pluvial taxi
Lightbulb epiphanies
Aquariums and their protestors
Zebras in the shade
Two wrongs dont make a right
Elizabethan theater
Saloon shootouts in a fever dream
I lost and bled out all over the rustic wooden floor
A maiden reached out for me and El Paso did play I woke up and pretended nothing happened/
Funerals for bad People who did bad things
My first memory of a cat beneath the mattress
Hello Dolly!
Auditory learning
Psychotherapy
Lillian the landlady lost her ladle and labeled little Lyle as a lair
The Black panther movement
Reading symposium some years ago and
Making note that Phaedo was still my favorite dialogue/
Zen Buddhism
Xoxo xoxo
The day Gypsies were replaced with
Surface ****** appetite
And not the real thing
Newspaper clippings
Hypnotism when all other options are out
Mystical visions of sidewalks
And the love of your life stepping through a door you've never seen
Maybe Yes No I Don't Know
Creature comforts
Che Guevara's problem is that his beard made him too easy to recognize
(Also that little hat!)
Chinese cough medicine didn't work
For long I still wheeze sometimes
Domestic violence thru the wall
Ceiling fan probably doesn't even work!
Dimpled laughter
Yankee Hotel Foxtrot
In skytrains to Commercial
Bermuda in her mind
And courtesy in her voice
I'm no Arthur Rimbaud
But you already knew that
Alcazar of Seville
Filling up the shipbottle
Here's your paradise
Now relinquish it as it is
False!
Hare Krishna
Nowhere Fast
El Diablo and the
Portofino loaf left rotting on the countertop
Latin children speak of the sacred viper
You'll hear of it after this but we'll never see what the ******* meant
Heads alternating round the social current
Of my lively city
There's a dog soaking up the rain
And songs are made in honor of
Recent catastrophes
Trials are dealt
Cards cast to the gutter
New York quiets down for the news of another war
You scratch my back I'll scratch yours
Skeleton key
Ballad of the last wailing zoo
THE ATRIUM
Complexity in simplicity
That's how Brainard got me!
Elderly overcoats
Hiding purest LSD
Is a fan of Hawaiian T shirts
And a communist
What if I was a Freemason
Or owned a tanning salon
Faint crimson
What did Marv look like again?
"You're surrounded by people who love you"
Coffee when one needs it
GOODBYE BLUE MONDAY
Tattoos on the wandering man
Oriental chimes and the people who own them
Bus stop regulars
Vines overtaking power lines
The hypnogogic state
Strawberry light softening
The mind
Sister Ray LOUDLY PROCLAIMING
doitdoitdoitdoit
Passing the graffiti n Pluto neon
Halal wide awake another Saturday
Where's the Karaoke
Flashing by here
Those who find comfort in a bridal scavenger hunt
Or expensive beer
And here comes the hooded clown
Clamoring about his favorite
Loudspeaker
Telling me my time is soon and the noise
Drowns out the drowsy bliss
After hour spirits the perfect time for
Writing and trying to read distant Chinese
Indecision on the tip of the tongue
"NOW WHO IS THAT KNOCKING
ON THE CHAMBER DOOR?
COULD IT BE THE POLICE?"

I'm completely off the topic
And into Apartment lobby photosets
Low battery phone calls
Confessions
Nauseated reverb
Trying to see the attachment people got with bingo halls
And moving companies
Ah no luck again
Eve is at it with her showtunes
Halfway methodology
Triage
Paisley headbands left
Distraught on the quivering
Heater
Dwindling sunsets
We're truly disciples of the moon spirit which grants us more energy
(This is according to a drunk I met one night)
Or ***** old men
When the horizon is engulfed with
A winking cinder
Suitcase at the door
Last time
First time
Magician never reveals his fetishes
(They all have to do with bags under your eyes)
Employment office dramas of my friend the one who blinded a social worker
And the one who blamed Islam
And the one whos philosophy entirely consisted of Spooky Action at a
                                            DISTANCE
Parisian riots
Queer youth
Didn't make the team! Jester
'cross the hall who's beard suggests
Ishmeal n car battery n expired vegetables n rain which crosses the line n
***** cranberry n
Poorly fitted suits n
Harsh pigment n incense shops n
Bocca     secret towns
With churches more beautiful than any you'd find in your own city
n the cultural market
Xylophone ear to ear
Soul cleansing starting at only
$89 (with a 6 month guarantee)
Sophie's birthday and her picnic at Victory Park
The nearby bums trying to sell tea mugs and
Loose wires beside gated convenience stores
I'm an Island away attempting a poem
And never bought a scratch n win
Or heard the same song more than seven times in a row or been in a column
Or escaped the washhouse
Invested in a birdcage for next year
Been to a palm reading
Visited Oasis
Smoked salmon
Told anyone else about Montana
Screamed the things I'd like to scream
** Word of the day
Or kissed a lunatic or swallowed the corpse of yesterday
I keep her on my neck until
I'm too anxious to let go
Counting streetlights
Jeans worn in and faded to be sent off to
A lonely caffeine addict
Christmas Eve I'll be reading a postcard from San Francisco
Asking the same questions
My imagination is made of a different material than last week
Now it's the same color as your hair
HEY that's a good pickup line to use in the heart of the Canadian Embassy
Drinking discarded music resembling a sweater you may have said YES to if it wasn't so unsure of itself
And now Mr. Acker Bilk ascends thru the window of an August home
Like a lazy hornet
I'm still lost without identification
Or a nice belt
As happens when one uses a quality item too casually
How did uphill suddenly seem so downhill?
I'll claim a waterfall
For SALE that inevitable Indonesia
Greyhound O another greyhound O another greyhound
I'm fretting too much about not enough
Delayed the Airport and the yellow question

????

II

What if I knew how to read the curb?
Or translate drunken droll
What if I was never tired again and could
REALLY do anything I set my mind to?
What if I was the first cigarette that cured cancer instead of caused it?
What if I could end superstition
And walk underneath any ladder I wanted?
What if I could make it with a young Audrey Hepburn!?
What if I stopped pretending to be a microphone and got on with "it"
What if the grocery store closed later
And I opened earlier?
What if parking lots werent so sad
All the time?
What if gravity simply had enough of exotic birds and specifics?
What if we stopped trying to recreate what is truly lost?
What if foreign children embraced
Wasting time instead of
Midnight starry bicycles
And the antics of a monk
Disguised as a romantic?

There are those that worship God
And those who worship the Sun
And those who worship nothing at all
But I suppose on the last bus
We're all the same exhausted
Voice who can't wait for next pay day
What is an empty bank?
Or authenticity
What is there to prove anymore?
I hope I don't die tonight and regret
Being impulsive for once
You're a smart shadow
And a dull character
Pushing the last of the daisies
Get the lamp to turn on again
Give the pavement something to look forward to with your walk
Be consistent in being inconsistent
If there's a word there's a ***** and a poem for it!
We all oughta worship
Nothing at all except
Clarity
Compassion with ones neighbor who either forgot the pay the electricity bill or couldn't afford to
We're a swimmin

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

Don't bring me
any flower
too soon
it will wither-

only this
you need remember
bring me your heart
this love shall last forever -

I'm poor
but a scholar
for you I'll write
the sweetest love-letter-

your charm
glows brighter
as I lie down
in my gentle slumber

First Living Organism

Anyway, there is love and death and governance. With the birth of my sons, love was fulfilled. There is no romance left in love for me, women are another form of men. Perhaps their toes are painted rather than blood-encrusted, but blood runs from their bones, their eyes are friendly as camera lenses, muscles hungry. Death continues to be my every third thought, fittingly. Occasionally I feel strong, but when I don’t it’s death waiting. I think I know it’s a waste of time to imagine being dead, as if being dead were a form of living. It’s not, but last night I was reading about the efforts of astrobiologists to identify LUCA meaning Last Universal Common Ancestor and FLO, first living organism, and that gave me a calmer feeling. Bringing me to governance, how we manage together between birth and death. What can I say that hasn’t already been said by Aristotle and Plato, the Republicans and Democrats, Hamilton and Jefferson. To start, your daily discipline is a personal governance. There are many ways to know a person: by their god, by their fears and appetites, by how they spend their money or organize their time. Who is in authority, who is in command here? The one in authority is not necessarily our leader.


Patience

I live in a mountainous community about 140,000 strong. My irascible, aggressive temperament toward my fellow citizens has exiled or sidelined me to a peripheral almost insignificant role although when I arrived I was considered a problem solver, even a savior of the poor and the wealthy classes who feared for the future. Why mention this. He who knows patience knows peace. I have surely lost face often in my life. As a kid, lost most fights, as a man, chosen last to lead the squad or platoon. Only when every known leader had died did those in authority decide to use me. Someone must begin to write the federalist papers for the world. And, of course, it’s being done and heard. Books in print, blogs, debates. My vision is a world where you can fly from Madagascar to Mississippi and be greeted by a sign that says Welcome to our land. Go about your business, setting off no bombs, and fly home. Perhaps take a lover for one afternoon.


The Machine and the Season

The machine and the season are so far incompatible. The machine claims electrical problem. The house leaks from rain. The men who left the machine have started their own business. A new endeavor by which they will keep warm and purposeful. The junior partner, heavier, says the Grand Canyon’s not so grand. Jaded individual or one to set himself against the depths, abyss? Man’s systems. Man made the machine (and the town) from rocks mined next door. Some few men understand these invisible electrons moving the machine to perform. I still cannot imagine, i.e. my mind cannot move fast enough to know how so many particles can be sorted and split so quick to make words on a screen. My simplicity is terminal.


Saving Grace

Today it is fall, first day for long-sleeved shirts. The boys at school. I admonish Zach not to whine and complain about the work. Lately reading or practicing piano, prone to fits of frustration. To the point of claiming belly pain. Last night I dreamed I had pushed him to suicide. It is so important for a man to do no harm. This is what makes us crazy against Wolfowitz, willingness to **** to do good. Someone very sure of himself and shining, much wiser and more compassionate than me, has calculated for the world that more lives now for fewer later shall be sacrificed. The people he serves are cantankerous, disorderly, selfish and complaining. The same diverse, spoiled, unpatriotic revolutionaries as at the nation’s beginning. Their refusal to be more than the sum of themselves is their saving grace.


Politics

Politics can be an escape from the personal, the debates are of little interest to a man in hospice. Will the machines do their work? How will we make decisions together? Roger Johnson’s gravel pit must be killing his neighbors with the noise of boulders being pulverized to rock but Roger is certain his business is necessary for the public good. He knows he has a right to use his property as he sees fit. There is a noise ordinance, a state employee will travel out to measure the decibel level in your front yard as compared to the ambient noise level. There is a measurable amplitude beyond which the legislature has determined no citizen may be exposed or corporation go. It can be measured.


Measure for Measure

Measure for measure, all’s well that ends well during a midsummer night’s dream for the merry wives of Windsor. A million or more poets but only one Top Bard. How did he know so much about kings and fools and murderers? An Elizabethan and no Freedom of Information Act. Today it is fall. The legislature and president are at work and so are our machines. One by one and then in armies the leaves come down. It is not that someone must decide, we must decide how we will make decisions and where authority resides. What am I learning, sitting, watching the season turning? Content this morning to admire my sons’ photos, reread my own poems searching for the prize answer, and answer the phone. I seem to be alienating potential business partners with a take it or leave it comme-ci comme-ca attitude. All you can do, the best that can be done is to go to your daily discipline. Driving home or waking up at night I think I’m dying. Do the much-admired writers of our time die more content than that?


War All the Time

War all the time. I’ve been fond of saying what distinguishes America is its daily low intensity warfare. Endless but not fatal conflict. Chambers of commerce, municipal government, big corporations wrestle nearly naked and will lie as needed for what? I tire like an 80 year old man of the storm and worry. I remember my early years when I had no known skill to offer and elections occurred without my vote being solicited. I noticed no harm or good I did was noticed. Autumn was all mine, mine alone, I was alone in the world with autumn. My mind could not stand it. I cried out for comfort, someone to obey. I needed to grow up and know money.


The History That Surrounds Us

I’m not going anywhere, I chose to stay and hold my clod of soil in the landscape of community oh blah dah. I want like Shakespeare and other writers to discern the motivations of women, men, see through their lies to a humorous truth careless about success and able to explain why what happens today or on September 11th obtains. I was impressed by the critic who found that Shakespeare in Hamlet had tried to write about the thoughts of a man suspended between having decided to act and the act itself. Why bother he soliloquated why commit or submit to the great moment when mere men of bones and dust, disgusted with themselves and others are the actors of the moment, beheaders, rhymers, debtors. And, of course, the answer comes to one in the night like Chuang-tzu, or Lao, why not? The great moment is no greater than the small and the small no smaller than the great. You perform the history that surrounds you and go to your daily practice.


A Systems Guy

I’m something of a systems guy. I want the truth and death and worth to be independent of individual motives, paranoias, prejudice, peccadilloes, virginities, crucifixes, paradoxes, protons, protozoa or curses. I want pure human machinery, stainless steel, clear thinking, even handed, not a doubt that every doubt is wanted, needed, good to the last drop toward the ultimate ignition into outer space, colonization of diverse planets and immortality of the genome. Here’s what’s odd. While enduring ever more frequent panic attacks (and nudging toward survival and self-sufficiency my offspring) pounding and pinching my skin to stay sensate, maintain consciousness, I parabolate (always orbiting myself, eye on the tip of my *****) to another extreme, i.e. my belief mankind can escape the earth unlike Hamlet’s dad’s ghost. A system is a set of inputs–values, policies, objectives, procedures, data–organized and repeated to generate significant quantities of desired outcomes without redesigning the system for each individual outcome. I told John Russell from Amnesty International at Jack Shwartz’s daughter’s coming of age party about my plan to reorganize the U.N. so only the democracies can vote and no nation has a veto. He said the world’s not ready, with absolute certainty, knowledge and authority. I looked out the hotel window, this was shortly after 9/11, at dozens of American flags and a lone security guard. I’m always right I said to myself.

Marielle indicates: “Your luminosity, Copernicus vibrating in Giordano Bruno, expresses hypotheses that they revive to Quentinnais from the third hour, from here now I am hospitalized and without light to line the end where I will put my feet evasive. Raymond Bragasse is here where I met him, and I saw him with his holy rosary on his necklace, and on Andrés Panguiette's claw. That you grumble, they excommunicate my sentences, which are that of the rooster that becomes gentle in a Corso, Sardinian or Roman Praetorian, in the leap I relegate to San Gabriel, with its magical art that excites the retentiveness of Saint George. Under what science do they moderate me by joining you, or what century will intuit us with its own splendor, whose obscurantism under his revolution mutes anyone in the darkness of the cave of Dionysius. The divinity postpones itself, to leave its daily chores where souls fly daily ..., they do not stop leaving with their spoils after the fairies that fly to purgatory. But many have passed over me, and I was wondering where to find you, I never thought that I should fly over a swarm of wasps to reach your divine lair, full of regulatory darkness for those who live against the light, and of an Elizabethan garment that dismisses my ring, where Its natural original magic is isolated from our semi-alive body, with brittle Egyptian suns that redoubled where I had to wait for you at the Pentecost bench. What retarding essence dries up who does not show any vital or symbolic avital sign, where the rough cyclicality does not allow me to chastise my hair in any vanity for you. Oh that Moral spellings referring to my commendation, if it is not apostasy! What else would I dare to speak, through the sky flying away from the lunar books of Vivencia, where it is sent from its orbit towards the cosmos free of all and of all with Wonthelimar free of me, confined of Marielle. I know that I am analogous **** of the Libri Dei Viventi, perhaps sackcloths or coats have to be spun in Parnassus, to gird myself to myself, and not Marielle cloistered in her solitude, who does not receive the Vivendi torpor of her paradisiac sacrilege when seducing a supposed daughter of Hecate, fortunately, I have to guess with a swarm, and stay in the nets of your cave. With the stanza that is invested in rhetorical values, I go crazy for love to which I am conjured, but from Marielle now or in hundreds of years that pester on my sackcloth, which will never be used for the liturgy with you, if I revive in the crisis of resurrection in the arms of Saint George in the stained glass window in Avignon, and in his forearm that passes through the worst emotional crypts of my author.

As I have to contest hostile votes that are netted in the puritanism of those who only wear sackcloth in the unstitched Mausoleums of Quentinnais, and in the strident leaves that move elected in his advent, where the subclavian of Luzbel stands. Unanimous I have to dare by asininity ...! Moderating threads of horror and silver light, which revives us in the beasts and in their perches, ad libitum in the lattices where it emerges from the conspiracy of our tragedy. Oh, what an impetuous incarnation of the anti-Christian verb has to express itself in your incarnations of light and restless shadow, in the apse of the discanted in Avignon, and in the acroteria shadow, suffering from cowardice by not wanting to see me angelic, universal predisposition, just to know fit and what to say with your soul lineage and twin life, who only knows how to love you. Our reincarnations are rescued, now that we go to Patmos intimidated, in the sound of shining the veiled Vernarth, reprimanded in his acquiescent morality under his own law and his glasses, born from his rib that ends in the exception of a foul dialogue. It is premature for me to say what I do not have to write, but the particles slowly fall through the beam of their adjective essences, reshaping exterminated historiographies that want to make green, in colloquia that draw the eyes of whoever wants to blind the profane cult, absorbed in sallow particles in four sciences and elements… What unresolved probe and mass can strike your heart poured into you Wonthelimar? You know when we get to Profitis I will go holding your hand in the morning, to adore you and kneel down, we will deal with why we lost ourselves, and why the sun has not stained me with so much fury, carrying me burned in tongues of its consumptive and guttural infinity. After taking the hand of dawn, I will sue the impossible quagmire and its Áullos Kósmos, weakened by theoretical openness, lacking unity, but not far from my vanistory, nor from the sessile fluff of my hair, waiting for you with your stormy return to hold me. Ayia Lavra will declare war on the eighth cemetery of Messolonghi, with solidity and sanctity that frees my chains in a single trident, paling in the rust of it, methodological treatise, and where the determination of veracity is annihilated.

Because I have to go to heaven when I want to offer myself to you, without any century that has received me with fewer wounds than those I had yesterday in its indolent septicemia, with miracles and incense burners that burn in imprecate, and provide a pagan theology of human filth. , not portraying biblical when your plurality dressed as a secular thirteenth, by referrals or Greco-Gallic that arise from the love that has no end or beginning in the autonomy of an incorruptible being, and even less when you wear sweets in its lavender lex. Genius Loci, or amplified reality, rather your idea of sticking with me when I have not been, and of attracting me when the future in the portal is made in the perfect symmetry of him, or whoever looms excited in his cabal. The body is no longer inscrutable, overworking with poetry to constrict my torn voice, running at great speed to seize the cosmetic that paints our faces, Selene and her luster aggravate punctuality and the status of science in creation. I have read volume VIII, and I saw that tears flowed by where I never thought ... !, for exchanges that marginalize an established authority, nor with more childish will I undone the garments of his self-description. Mime or jester in front of me in my catalog of the tragic actress with the anemic volume of her, pointing out uprisings in new waves, on seas that did not have them ..., loaded in new skeptical allegorical clouds, on truths that were already understood in the jealous name. It is incumbent on us to navigate with lamps that have to guide us through dark Ptolemaic hexahedra or henbane crusts, which do not manage to go over the sentry boxes of a divine gesture. How to dare to a final gesture of inflaming with you in factions and premises beyond an apocalypse, or of a Penelope that is gestated in a god, or becomes unknowable of a prevailing divine plan.

Charged with our dissidence, we will go far from the unknown burdens, that scripts are annexed in the new birth of our fiefdom and in their great expectation. Now four elytra have been born on my back, who hope to reveal to you the categories of the deleterious vanquished, reduced to only two Ptolemic emetics ..., you and I in a final judgment, which we already know well about, about the seventh eras that await us in the Southern Sporades, and in his final judgment in the eighth. O Jerusalem, I deprive my oldest sin by conceiving, but rather by confessing it with you. What insurgent dualism will make me get rid of myself and be reborn indestructible in its dizzying relish where the multi-chained temptation of redemption runs towards you? Wonthelimar…, I'm here, in this thunder slip writing for you. I have distanced my head united to yours so that it is not destroyed, for all thoughts, where although you are my diluted kingdom, I will beg You to leave me in the growing vertical anticipated flight from my body, but later in my consciousness which is what which will pre-exist with his Roman staff intertwining with his lusters, and in the syntagmas of Vernarth, which come from the Sporades of Patmos. As I honor and glorify Him in the southern part of him, my dear sackcloth has warmed away from my myopic eyes, already feeling your face breath on me, I will be able to vindicate narrated stories after we part before God!

Oh, amazing language
I thank thee
for my ability to be the thesaurus
my understanding of my native tongue
the masterful way in which we all express ourselves
through the bastardization of 100 cultures
stealing the noises we enjoy and casting the remnants
to the void
set up shop next to Sanskrit or Latin
death to Elizabethan *******
only Ebonics and Mid-Alabama mush mouth
sprinkled with a little Boston soft “R”
paak da caaa in da yaaaad
like a mad ****
disjointed Caucasians
desperate to steal the next black vernacular
nothing beats a middle-class suburbanite
expressing their feelings about broke *** hoes

Thou ill-formed offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, exposed to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
The visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could.
I washed thy face, but more defects I saw,
And rubbing off a spot still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run’st more hobbling than is meet;
In better dress to trim thee was my mind,
But nought save homespun cloth i’ th’ house I find.
In this array ‘mongst vulgars may’st thou roam.
In critic’s hands beware thou dost not come,
And take thy way where yet thou art not known;
If for thy father asked, say thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.

ደራሲዋ ለመጽሐፋ

ስትፀነስ ጀምሮ የቅርፅ ህፀፅ
የሚስተዋልብህ አንተ የአይምሮዪ ክፋይ፣
"ሀ" ብለህ ይህን ዓለም ስታይ፣
ታማኝነት በጎደላቸው ጓደኞቼ
እስክትውል አደባባይ ፣
ያልሻትከው እንዳንለያይ፣
ቡትቶ ደርበህ ፣
የህትመት ብርሀን አየህ
ስህተት ተብጠርጥሮ፣  
ለጀማ ሂስ የሚጋለጥበት አድሮ!

አንተ መልቲ (በህትመት)
ተመልሰህ መጥተህ
እናቴ  ስትለኝ
ቀላል ሀፍረት አላገኘኝ!
አይን ስለምትጎረብጥ  በእይታ ማእዘን፣
ገሸሽ  ማረግ  መርጬ ነበር አንተን፣
ግና የእኔ ስለሆንክ ስሱነት፣
ከቻልኩ እንዳርቅህ ገፋፋኝ፣ በሂደት፣  
ፊትህን ሳጥበው ወጡ  ህፀጾች ጎልተው ፣
ዝም ብያ  ሳፀዳ  ብቅ አለ ሌላ ህፀጽ እንግዳ
መገጣጠሚያህን ጎትቼ
እግር ልሰራልህ ስጥር፣
አካሄድህ ፋይዳ ቢስ የሚያሽቀነጥር!

እኔማ  በልክህ  ጨርቅ ቆርጬ
ልቀይርልህ ነበር ያን ቡትቶ፣
ግና ቤት የተፈተለ ሸማ
ላገኝ አልቻልኩም ከቶ፣
እናም ለብሰህ ይህን ድሪቶ፣
ከወፍ ዘራሾች ጋር ዙር ተደብልቀህ፣
ሃያሲዎች እንዳያገኙህ ሸሽተህ !

ስለአባትህ ከተጠየክ
ንገራቸው እንደሌለህ
ካስጨነቁህ ስለእናትህ ማንነት
"ልጅዋን የሽኘች በምስኪንነት !”
ተናገር   በድፍረት

አኒ ብራንድስተር


ትርጉም ዓለም ሃይሉ
ደራሲዎች አንዳንዴ ህቡ በሆነው የሰው ልጅ አይምሮ የሚንቀሳቀስን እንደነውር የሚታይ ሃሳብን በፈጠራ ስራ ይገልጻሉ። ስራው ቢታይብን ብለው ይፈራሉ ! /

Anne Bradstreet

Anne Bradstreet wrote in the Elizabethan literary tradition and became one of the first poets to write English verse in the American colonies