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Nat Lipstadt Dec 2013
Photographs by Avedon

This was written in a friend's home in the Berkshire Mountains, on a Saturday morning, a few years ago.  Up early, I went exploring their bookshelves and found a book of Richard Avedon's photographs of average Americans out west.  Google "richard avedon photos of the american west" - then read the poem.  Please, for without seeing the faces, for this will make all the difference.  In the Berkshires, it is always chilly there, even in the summer sun.  This and other obscure references are better detailed in the notes.


Join my warmth and
my chill,
as the nine o'clock sun,
a 45 degree steeplechase
warms,
but still not
strong enough
to dispense
the lingering,
residual, remaindered,
breezy chill
of the prior eve,
that hides in,
emanates from,
the shadows
of the
deep wooded hillocks
of the
Berkshire Mountains.

Join my warmth
and my chill!

Upright jolted,
head kicked awake,
entranced and revolted,
excited and repelled,
emotive, yet, stilled.

For oh so casually,
this heroic city dweller,
brave and fearless
bookshelf explorer,
retrieves a book,
to find a new route
thru time and space
to the center of his brain.

Photographs by Avedon,
of my fellow Americans,
the Have Nots,
his "Havedons"
of the
American West.

These uncommon people
with whom I share
uncommonly little,
these drifters, the carneys,
the would-have-been cowboys,
busted blackjack dealers,
rattlesnake gut n' skinners,
coal and copper miners,
the hay truck drivers,
dirt so deep in
their pores ingrained,
colors and bloodies their souls,
browns their veins,
are the ones that
too oft,
go off first to
fight wars
in my name.

Photos untitled,
words unneeded.

In this far corner of our
shared contiguous space
called the
United States of America,
top of the line here
would be
insurance agents,
secretaries and maybe even,
the waitresses.

But their eyes,
oh their eyes!

Words I do not own
to fair share with you,
the clarifying gaze
of measured dignity and
immeasurable ache,
heritage pride,
heretical heartbreak,
that marks and unites
these disparate and dispirited
vessels of humankind.

Disjointed,
the noon suns finally,
raises my body temperature
browns my surface...

Yet, nothing eradicates
this ******* chill
in my soul
or calms my consternation,
as black and white
eyes discolor
my comfortable existence,
as I ponder
Avedon's words:

All photographs are accurate but none tell the truth

Pass over,
pass by,
The Evil Son at Passover
asks ever so sly,
what have they to do with me?

It is the Sabbath.
We luxuriate in our rest.
Rest is the greatest luxury

What is this Sabbath?
Heschel's cathedral -
existant both
in space and time,
and one enters
when and where
one can.

Do my distant,
(both in space and time)
American cousins
share my Sabbath?

Are they allowed
this luxury,
or is it endless exertion,
severity and deprivation,
all and every day
of their lives?

Constant risk every day.

Who cannot fail to see the
precipitousness of life
edged in the lines of their
hearts and minds?

Day to day hardens them
and teaches the
discipline of
severity unended.

Is the prudence of
self-forgetfulness,
their morning bitter pill
they must swallow
to carry on?

Among the resolutions
I need
to claim a
life fulfilled is this:

How to end this poem,
close this can of worms,
accidentally kicked open.

Will sunset end these
troubling questions
of which you have
your own,
more personal variations?
(what about the ...)

Perennials flower everywhere,
in Auschwitz,
along the Tigris,
even in Kabul and Somalia,
along the highways
that lead
to the mecca of
Las Vegas.

Perennials flower everywhere.

In warmth and cool,
in time and space,
they flower in my heart and
my brain and in
my prayerful tears.
flowing down my cheeks,
as I lay me down to sleep,
to dream these of
impoverished words

Havdalah^^ thoughts,
separations celebrated.

Distinctions noted,
even celebrated tween
holy and common,
light and dark,
Sabbath and
the six weekdays
of labor,
between sacred and secular
and
between me and
my American Brothers
of the American West.


I know
just one thing
to be true:

The Sabbath Cathedral is
open to all,
whatever day
you choose to
abide there

I await you,
my American cousins,
with wine and bread
and the
holy of holiest words
of comfort and sooth.

I will wash your feet and
lay you down to
restful sleep
in the
Sabbath Cathedral
in my heart.

Together,
at last,
we will be joined,
in warmth and chill.



August 29, 2010
Lanesboro, Mass.
----------------------
* "In The American West" by
Richard Avedon

** many of the phrases in this stanza were taken from an article "The Few, The Proud, The Chosen" in Commentary, September 2010

^ Abraham Joshua Heschel, a modern Jewish Philosopher.  Elegant, passionate, and filled with the love of God's creation, Abraham Joshua Heschel's The Sabbath has been hailed as a classic of Jewish spirituality ever since its original publication-and has been read by thousands of people seeking meaning in modern life. In this brief yet profound meditation on the meaning of the Seventh Day, Heschel introduced the idea of an "architecture of holiness" that appears not in space but in time Judaism, he argues, is a religion of time: it finds meaning not in space and the material things that fill it but in time and the eternity that imbues it, so that "the Sabbaths are our great cathedrals."

^^ Havdalah is the ceremony to celebrate the end of the Sabbath, and realize the distinctions between the holy day and the workweek, the day and the night, light and day...
Serge Belinsky Aug 2015
When the rainy gloomy day
From the gray clouds weaves the arch,
When the heaven of lead acid in the silence
Floating to us vast object,

When the foliage discolor,
And the cries of birds can be heard barely,
And thousands of hums seas
Denunciations from the heavens stronger,

When the winds are changing rules,
And hit the backhand in the discord,
And the air, woven from the the needles,
Sparks all over the blackness,

Suddenly a flash split the day in two,
And the lightning sparkle the bridge,
Connecting the heavenly home and the ground,
Showing the miracle of burning fire.
olympia  Dec 2012
eve
olympia Dec 2012
eve
the apple tree sits
staring at me
watching my every move

her branches reach out to touch my flaxen hair
combing out the tangles with her withering limbs
her leaves form a braided wreath
with fragile pink blossoms embodying my innocence

her knots form a kind and gentle face
the corners of her mouth turning up to assure me of hope
her crevices are filled with love and life
my only friends. my only family.

"patience" she says
and so i wait. and so i watch
waiting the blessed day of forthcoming

"patience" she says
but I can't wait any longer
my crystal blue eyes are beginning to discolor and my hair is beginning to fall
time is running out

I break from her withered limbs
I break from her benevolent smile
I break from her hospitality and materialness that nursed me back to health
only to fall into a deep abyss of incompetence and insubordination

childish and juvenile acts that were not nursed by the fruit of eden.

I run back to her warm bark
begging for forgiveness
only to taste the now bitter apple.
DET Jun 2016
Final love letter
Before
Death
Retains the last breathe

Silver moon shines
Twinkling brilliant glitter

Discolor blossom
Adorning till the last sunset
Till the skylight cracks
Copyright © 2016 D.E.T  All Rights Reserved
sara  Jul 2013
mind yard
sara Jul 2013
my brain is a garden in the fall
cold and dry and lifeless
bright prospects, once blossoming are long wilted over now,
throughly stomped by thick-soled boots

and discolor sets in.

filled with the fallen, it has been throughly raked apart, spread across the front lawn and scratched into lumps. they’re run over and jumped on and i just feel twinges in them now
ehhhhhhhhhhh
sparklysnowflake Apr 2021
I keep close watch of the scars on my body,
making sure that their stories don't liquidate and seep out
like blood when I'm not looking,
that they don't fade and discolor before I remember
who I am without them.
I'm afraid of letting them vanish before
you let yours vanish too.

So I stare pigment into the blisters on my right palm and I
still remember
the first time you held it,
at Six Flags when we were both high on funnelcake and the fumes of late summer mixed with bus fuel and sweat.

I do the same to my shoulder,
where yours would always be after I missed the midnight shuttle
and trudged home with a scarf up to my eyelashes
in the nearly horizontal snow.

And to my ears, because
I'd always have more work to do,
and you'd carry your stereo to my room and play
that song you stained so thoroughly with your voice that
I can't bear to listen to it
anymore.

I spend the most time re-burning the skin around my eyes
to precisely the degree that you did when you brushed the tears
from under them,
and that I did later when
I scratched away at the same flesh because you weren't there
to do it anymore.

I keep close watch of what I never thought would
turn into memories,
making sure that our story doesn't liquidate and trickle away
when I'm not looking,
that it doesn't fade and discolor before I forget
who I was when I knew you.
I'm afraid, too, that you've already long
forgotten.
goatgirl  Aug 2013
pavement
goatgirl Aug 2013
he is walking on you like wet cement and every step,
no matter how light,
leaves a print
and it hurts,
but it's drying and maybe
many people will walk on the finished pavement
and their mark won't be as brilliant,
but they will wear you down
they will discolor you,
until someone decides you need some paving over,
and that someone will not dare step on you,
they will want to make you new
and won't want to ruin your baptized surface

— The End —