Does your mouth
Lead you towards ease,
Like your mind blindly thinks.

Does your thought process
Consider or weigh options
Of passing weeks or months.

Do you feel remorse
Or sympathy as you cast
Spells of aspersions headed.

Do you even know
The reason why you chose
Me instead of the other options.

Do you even care
That you hurt me more,
Than you'll ever know.

But do I care enough
To explain how you
Wrongly accused me?

I guess we'll never know.

avenue sounds are never agreeable, ignore the drift,
ignore the hum,
ignore the suburban neophytes in the city lights (I never did care much for hipsters).
ignore rapid eye movements, the flush red face, ignore the snapshots of you that adorn my semi-sleep state

I stare at my ceiling and see the cobblestone summer streets you once graced, long ago in the eternal occident, I want to ignore but I’m so very boozed, in a blue lucid slumber:::

eyes closed::: my head spins and sleep begins with the tidal delirium of dopamine drips, your legs, your hips, I’m drowning a bit, doused in a sanguine sweat inside a fantasy (**** I’m dreaming of you)

Synaptic friction
she is a pleasant fiction  
flash/sparks segue a dormant memory ,
the two of us riding familiar highways::: she gazes at me with her usual emerald encased ocular torment, those limbal rings cast aspersions at the last vestiges of my will power, until, I’m done, done in by the divinity of her lips:::

There is no end to (your) energy
It even finds me here::: in my dystopian  dream (eternal)
now
an inescapable, myopic curse
(nocturnal):::
the nightmare of not having you near

Awake, I roll over to clutch for the pacifier of your comfort (violent midnight)
I find only a fragrance,
i flail, searching, when those flashbacks fall short
isolated into the banality of bedsheets and pillows pleats

(the retrograde nature of my reality, now readily apparent)



cdh

i'm sure
life was a peach
til he was born breach
but the inversion of his excursion
into the hands of the surgeon left him worse an'
the immersive submersion
in perversive subversion
was only urgin'
the incursion
of aspersions
for subversive diversion
as
an apparition with volition
wishin for position transition
fishin for recognition
of  ambitious cognition    
this in addition
to the malicious conditions
that stitched in repetitions
of neurochemical
         composition
       transmissions
    entailing
the intensity of his propensity
to find immense suspense in the
density of a tense city hence did he
commence in the dispensary
of sound condensed sensory
sensory sensory sensory.

said the intensity of his propensity
to find immense suspense in the
density of a tense city hence did he
commence in the dispensary
of sound condensed sensory
sensory sensory.

A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy. This is based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the apothegms of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context. This instantiates that the consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously.  Both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight. This is because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny. By that very definition this could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor

So The Time Had Come ...  
For Them To Be Judged For What They'd Done ...
    
Dobson And Norris ****** Most Horrid ... !!!!!  
A Knife To The Heart of Young Stephen Lawrence ... !!!!!  
    
Because of His ... " CASTE " ... !!!  
The Night Was DARK ... Just Like His Skin ... !!!  
And This Is Where This Story Begins ...  
    
At First It Was Five ...  
Who They Thought Used The Knife ...
That Took Stephens' Life ... !!!!!  
    
Back In 97 It Was Deemed That The Bedlam ....  
Was Racism Levelled By These Five White Devils ...  
    
Acourt And Two Knights Completed The Five ...  
But Back Then It Was Said ..." Not enough evidence" ...
Had Been Brought To Trial To Enforce Convictions ...  
    
But Then It Was Said ...  
The Police Were INEPT In How This Was Handled ...  
But This Was Dismantled By Those In ... " Their Set " ... !!!  
    
The Judgement Bred SCANDAL ...  
    
"Exonerate them, yes our policemen !" ...
    
The Lawrence's Said This Isn't The End ... !!!
98' Comes Around And An Inquiry Now ...  
    
Macpherson Assessed ...
That Racism Ran Like Blood From Steves' Chest ... !!!!!  
    
INSTITUTIONAL RACISM ...
Was Something ****** DEEP DOWN In The Feds' ... !!!!!    
    
OH OH ... So Po' Po' ...  
May Have HELPED These Five Blokes ...  
Prove Themselves ... " INNOCENT " ... !!!?!!!  
    
Why Hadn't These Five Been Locked Up Inside ...  
Before They Contrived ... To Take Stephens' Life ...  
    
Video Footage ...  
PROVED That They Could Do It ... !!!!!!  
    
But All That Was Fluid Were All The EXCUSES ... !?!  
    
Both Parents Kept Fighting To Keep On Igniting ...  
The Fire ... PUT OUT By Judiciary Mouths ...  
    
18 years later ..... !!!!!!!!!!!!!!  
    
It's Back In The Papers ...  
Dobson And Norris ...  " ****** Most Horrid ! " ...    
    
AGAIN Will Stand Trial Like Two Old Paedophiles ... !!!!  
    
This Time Evidence Had MORE Precedence ... !!!  
Blood Stains On Clothing Police Had Been Holding ...  
Matched Stephens' Type Was Heard In The Trial ...  
    
Now Norris' Mother Decided To Cover ...  
Her Son's Whereabouts To Prove Without Doubt ....  
He Wasn't Around When Stephen Was Downed ... !!!!!!  
    
She Swore UNDER OATH That David Was Home ...  
Having Said Once Before ...
That David For Sure Was With His Ex ***** ... !?!  
    
A Story Well Twisted ...  
Because This Ex Girlfriend NEVER Existed ... !!!!!  
    
Statements Delivered ...  
That Were Now Considered ... Inside The Old Bailey ...  
Was This Woman CRAZY ...
Perjuring Daily To Save Her VILE Baby ... !?!  
    
As if Stephen's Death Was NOT Innocent ... ?!?  
Now Six Weeks Have Passed Aspersions Been Cast ...  
About Much Surrounding These Two Young Mens' Past ... !!!  
    
It's Time For The Judgement ...  
Will They Walk Free or Face Punishment ... ???
    
LIFE Is Decreed They WILL NOT Walk Free ... !!!!!!  
Convicted of ****** Back In ....... "93'" ........  
    
Now Media Fervor ... " Justice Finally " ... !!!
    
JUSTICE I Say ... For Whom EXACTLY ... !?!  
    
I've Written These Words Because It STILL HURTS ... !!!  
The Fact That Your Colour Can Cause Tragedies ....  
    
This Poem's For Neville And His Family ...  
Your Fight Is Not Over Cos' Three Are Still Free ... !!!  
    
For .... " ****** MOST VILE " ... !!!
    
Dobson And Norris Won't Be Seen For A While ...  
Because of Your Strength After Stephens' Death ...  
    
NO More Denial Cos' They FIT The Profile ...  
These Words I Now file Are Just My Account ...    
of The Day These Two ... KILLERS ...  
    
FINALLY Were Convicted ...
After They Went To ...  
    
.......... " Trial " ...........

Perdition falls from your lips in pretty posies
sanguinary lies woven within an embellished fairy tale
they drank the kool aid of your bastardized  aspersions
it's evil spell cast, hypnotizing the living dead
devil with archangel wings doth pose in velvet idioms
spewing respite in dark undertones of ego's rejection
perusing any that would annihilate acrid truths
peer in the mirror to see the lying heathen lecher
****** venom dripping from your deceptive sword
in bitterness of jagged tongue's kissass contempt

hell hath no fury as a soulless man scorned*

How did you get to be so unkind?

Perdition falls from your lips in pretty posies
sanguinary lies woven within embellished fairy tale
they drank the kool aid of your bastardized  aspersions
it's evil spell cast, hypnotizing the living dead
devil with archangel wings doth pose in velvet idioms
spewing respite in dark undertones of ego's rejection
perusing any that would annihilate acrid truths
peer in the mirror to see the lying heathen lecher
****** venom dripping from your deceptive sword
in bitterness of jagged tongue's kissass contempt
'don't talk about it, talk about the weather'~
hell hath no fury as the man unveiled to the masses
history repeats itself and no one seems the wiser....**



How did you get to be so unkind?

“Cold…dark, January no doubt. Crystallized gasps hold in the air, indiscriminately juggling between transparency, and opacity. Inhale and cringe as the stifling breeze moves deep, penetrating bone. Shell shocked in a state of disarray, wheezing, and coughing, as the cruel chill proves too much. Hold fast, buckling against bus stops, feeding off the warmth from sewers as they cough up hot, rancid steam. Bathing in the fumes, collecting sweat. Step out from sanctuary to discover that bitter wind that eastern wind, which carries with it a victimizing frost, designed to paralyze movements, to stagnate the course towards salvation. Stumble…fall to the blank canvas bellow, imprint on it the vague outline of the carcass, then move on, holding high, beyond that cold, dark, January.”

Blankness, complete and utter blankness, no smile, no course stare, just blankness, complete and utter blankness.

“Does anyone have any questions or comments? No? All right, you may take a seat Mr. Ryier.”

Is it mockery? Am I the victim of some vast highbrow jest? Is this a period of intentional silence, one designed to brew up this self-doubt roaming about my mind on a destructive and wholly unnecessary cycle?”

“Next up…we have, Mrs. Kennison, reading another poem, I believe. Is that correct?”

“Yes Mrs. Fiordine, It’s called Grasshoppers.”

“Wonderful title, but would you please head to the front of the class to start. Mr. Ryier, did your…piece, have a title?”

“Yes ma’am, ‘Incendiary Delusions On The Effect Of A Cold Temperament’.”

“A bit wordy. We’ll go with cold, dark January. Pay attention now though, Mrs. Kennison is about to begin.”

This woman, this mentor, whose name I can, but won’t recall, I loathe her, and the ability she fosters not just in herself, but others. That thing that has her speak falsehoods with a smile, and to act pleased when riddled with agonizing pain. A monstrous creation she is, and just as Dr. Frankenstein, she yearns for the day when she can cast down her aspersions onto a vacant shell before here, breeding her cruelty into the hollow mind, knowing one day it will come forth, a wholly more monstrous creation, destined to march along a dotted path, until coming across their own pupil, or kin.

“Grasshoppers…they hop…hop right along, in and out of my life, just like David. David, that man I loved, that fleeting hopeless soul, that 28 to my 16, that hold me down, take my pristine, that tie me up, finger licked clean. Where, why, how could you be born with wings, why could I not tether you, or lock you in a cage? David, oh David, my fleeting grasshopper.”

Them, they show excitement, applause, ragging applause. Me, I’m stuck debating the poetic merits of statutory ****, and the indignant need for teenage girls and boys to listlessly portray their life and love as some haphazard, poorly assembled recreation of a renaissance era romance. True love is dead; it died when you let a 28-year-old finger your *******.

“What a stupendous piece Mrs. Kennison! Evokes such images in the mind. Provoking me towards an entangled and banned place of thought. Truly stupendous.”

I want to hit a woman for the first time in my life. Should I? No doubt I shouldn’t. Still, temptation has a way of overwhelming logic. Clenched fist…white knuckles, second thought, dropped hand.

“Best of the day, no doubt Mrs. Kennison. Clear you knew what you were doing. Are there any questions, comments? Yes, Mr. Unner?”

“I believe the piece had a lot of merit. It was clear that this poem, in particular, had a sense of clarity…I guess I’m trying to say I liked it. I liked it because it seemed you knew at least where it was going, and what it was going to be.”

Try harder perhaps, she’s be bound to fall right into your lap, light up with a playful squeeze, bow down, and suckle from her knees. Delusions of enlightenment at the realization of a hardened ****, stuttered compliments of a flirtatious nature, elevating a worthless stock. Holding a vigil to a fictional ****** locked in-between the realms of fantasy and ****, negligent minded to the forthcoming, inevitable scorn.

“I don’t agree, to me, the piece seemed as though Beatrice was trying to perpetuate the delusion men have of being able to break a naïve, young girl’s heart.”

“Superb point Mr. Arden, though it isn’t up to the artist to define the message, that responsibility lays with the reader.”

The girl, Kennison, this newly appointed poetic iconoclast, she breaks her proud stare with the teacher, and glances over at Mr. Arden, Ralph, with a doting look. Mr. Unner, Charlie, not happy with this, not one bit. His heart was broken; he had fallen in and out of love in less than 30 seconds.

“Another comment from Mr. Unner, what is it you have to say?”

“I retract my earlier statement, it was foolish. I hadn’t gone deeper than surface level. The poem is nothing, it’s a forgery mimicking the talents of someone gifted, someone capable of writing something of worth. What we have here is a case of blonde hair, crooked teeth.”

“Charlie!”

“Mrs. Kennison, please, you must stay calm during a critique, Mr. Unner has his right to an opinion. Mr. Arden, something to add?”

“Yes Mrs. Fiordine, I believe what we actually have here, is a brilliant piece, something so wise, so grand, that it goes beyond second, third, forth glance, it transgresses the boundaries of scholastic worth. It is an insurmountable achievement.”

“I’m sorry Mr. Unner, I know you’d like to make another comment, but we simply have too many pieces left to go. Time just won’t allow for it. Please, take your seat Mrs. Kennison.”

Marching casually, soaking up complimentary looks like *** and candy, the anointed artist holds high, perched on her plateaued vanity. Contemplate laying down a foot in the isle. Disrupt the whole parade. Good will holds me back; move on as the teacher gets things on track.

“Mrs. Enid, please, go forth and delight us with your work.”

The girl walks up, hunched, biting her lip raw. Tremors, pulse through her like shivers, sporadically giving her movement odd twinges. She stands, before her peers, terrified by their eyes, holding on the cusp of cruelty. She feels ugly. She looks ugly.

“I’m here, though vision may not allow for it. Take me in, wholehearted, in a look, in glance, just don’t glare. Don’t beat me down with your beady eyes, holding me accountable for your own lack of vision, believing my person, my appearance, to be some misfortune cast onto you. It’s my damnation. It’s my curse. I struggle with it; you just need to avert your eyes. Is that what I’ve become though, someone to look away from. If so, hold me accountable, **** me for my looks, scorn and belittle me, just glance my way, and don’t treat me like I’m not in the room.”

“Amanda, that was really great. A great poem. Now…questions comments. Yes, Mr. Arden?”

“Boo…go weep yourself to sleep, dreaming about what it’d be like to not look like a monster.”

“Charlie!”

“I’m sorry Mr. Fiordine, but her face, and the ugliness carried on it, that was all in her poem. I think that makes it fair game.”

“Any other comments…”

“Boo…”

“Please, stop, whoever did it. This is not the place for such cruelty.”

There it was, the teacher’s out. The avoidance of on property bullying, through the acknowledgment of not an end to the torment, but rather a delay, it was brilliant…in a cowardly sort of way.

“Amanda, you may take a seat…would anyone else like to share?”

Clumsy, her feet seem to stick together as she makes her way towards the desk in the back corner of the room, away from people, away from the windows, away from the light. The hierarchy notice, they’re weary of her positioning, fearful of the dreadful, inevitable fall from grace, a fall which would bring them to that place, the spot at the back of the room, where no one goes, and no one looks.
It sits there, at the back. No one knows whose there, whose listening. They just know the occupants aren’t wanted.
A young man stands before the class; he speaks from a page in a monotone voice, barely accentuating his alternating rhyming scheme.  There’s a stop, people screaming. A trail of blood pooled up in a low in the floor, it’s origins lie with Amanda, in that space at the back of the room, that place no one looked, no one wanted to go, that cold, dark, January.