Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses

It was confused and dark, dark, so dark,
dark like when Charlie got drunk for the first time, came back, and stumbled-open the door long after Sam had screamed at everyone to leave her the f--- alone.  

And Jesse is standing there, swaying slightly with the beer and the pounding music, and Charlene feels her ribcage shiver with each bass beat.  The pale light oozing off the stage silvers Jesse’s angled face like water, soaks the black shapes around her, pools in each eye as the constant ripple and shudder of the crowd shifts her hips.  Somehow her thin, bare shoulders speak her excitement, and in the dim shuffle of the audience she’s half drunk and lovely.  “You know that calc test is tomorrow,” Charlene screams over the straight roar of chaos. “Don’t remind me! God!” Lovely Jesse laughs and her hand sketches a lazy gun that jerks at her head -- don’t remind me, God don’t don’t don’t --  and Charlene clenches her eyes shut and still that flashes, dark dark dark, her loose-jointed fingers flicking up, twitching in sickening unison with her mocking head, again again again-- don’t remind me, God,
don’t remindmegoddon’t remind megod god oh God,
Sam loved drinking herself sick, stumbling home with her arm ‘round Charlie’s neck, slurring alcohol love and despair to her ‘bes’ fren, besh’ roomate evr, Charlene a.k.a. Charlie.  And “a.k.a.” as Sam loved to call her, was always there to pick Sam up and clean Sam up and sober Sam the **** up.  And every stupid drunk party night that semester she told Charlie over and over again: ‘listen, a.k.a., here’s a funny story: a girl went to buy her mother aspirin cause her mother had a terrible ******* headache and she bought some from her dear second cousin Kurt the cashier who was a trublueblooded Eagle scout mama’s boy back from college, that sonofabitch and she came home, but her momma didn’t have that headache anymore and gave her a mostly delicious popsicle and it was red strawberry, the end.’  And every stupid drunk party night that semester Charlie watched and listened as Sam made up new stories about aspirin (always ending with popsicles).
See, Charlie was always there. Charlie never drank.  And Charlie, she always listened to the stupid f---ing drunk-strawberry-popsicle story.  And Charlie never gave a **** about Sam, did she? She sure didn’t, no, Charlie didn’t.  

“I’m gonna go find the bathroom” Charlie screams into Jesse’s ear and plunges out into the sea of dark shadows circling her.  The door struggles open, then she’s crushing it shut, crushing splinters into her palms, she’s bending over the counter, both hands white-pressed onto its imitation marble, choking down these sharp sparks of nausea bursting like fireworks inside, and the music’s faded out, its just the thud of that ******* drum that pulses over and over and over --god stop it-- fills the room, rattles the stalls, over and over and Charlie’s convinced its a heartbeat, its Sam’s heartbeat, thud thud thud, god its going on and on and pounding, OH GOD, charlie screams, IT STOPPED, no no no no SAM no SAM SAM SAM OH GOD it stopped no no GOD
next song. drum starts again. and the room is inside of the drum, it is the inside, the taut air’s quivering with each beat, taut ribcage quivering with each beat. Charlie is inside a drum. beat beat beat drumbeat heartbeat thud, thud, thud,
god I look awful, Charlie’s looking at her face in the dim vibrating mirror: blue shadows under her dull eyes, pale, dead-tired, dead-drunk, and so f---ing dead-alive,
she goes back to Jesse, wriggling through the black lumps: lovers making out, heavy spellbound listeners, uneasy loners, angry drunks, drunk as-- drunk as Charlie’s first drunk night.

Sam was so ****** that night and Charlie dragged her home to their dorm, sick of Sam’s tangy alcohol breath and her sagging, skinny weight on her shoulder. “I’m sick of your breath, Sam.” sick of it, god Sam, just stop it, wish that breath would go away, I mean,
it was blowing all over my cheek Sam, cause your **** beautiful face was lying on my neck-- that’s why I said that, I didn’t mean that, Sam.
And then you said ‘well, all right Charlie, I’ll tell you a funny story Charlie,’ and I said ‘oh god Sam, not again,’ and you said ‘no, its different this time’ and you said ‘one day there was a little girl who went to the store to buy aspirin for her mom and the cashier took her into the back of the store and hurt her and she came home and told her mom and her mom slapped her and told her to stop talking ***** and shut the **** up and then that little girl’s throat sure did ache, Charlie, even after a popsicle it did. And Charlie, Charlie, a.k.a. Charlene, sure did hate her breath. see, that’s my story and isn’t it a funny story...”
you drop your drunk roommate on the gritty hallway carpet, give her the key say
‘’bye Samantha", goodbye samgoodbye, bye bye Sam, "I’m going to go get drunk don’t be too much of a ***** while I’m gone.’

floormates told Charlie later that Sam screamed at everyone “hey, all you motherf---ers, leave me the f--- alone,” then laughed, slammed the door. and they did leave her alone.
Charlie came back *****-drunk, touched the doorknob and heard the shot, the door opens,
Sam’s falling and Charlie watches her beautiful, bony wrist flick back as she gets blood all over and ruins her face and Charlie sobers up really f---ing fast.  She always was good at that.
There's a note on the desk in Crayola washable marker (purple): "well, a.k.a., I guess I am being way too much of a ***** while you’re gone. you’re welcome. sorry for ******* it all up again as usual"
*Thanks for that Sam, thanks a lot Sam thanks thanks f--- you

Into a place far away but too familiar,
I push open the rusty purple gates,
Inhale a lungful of the province air,
Kick away blue pebbles on the dusty ground,
And then
Mano my lolo, my tito
Beso my lola, my tita
And give my cousins a nudge on the arm,
A pinch on the cheeks.

I squeeze between four people
In a rickety wooden bench and
Pass around plate after heavy plate.
I fill my banana leaf
With spaghetti too soft too sweet,
Almost like pudding,
With crispy chicken dripping with oil.
I wash it off with a cool glass of gulaman,
Chewy beads and gems in sugary water.

Fathers talk about basketball, boxing, billiards;
Mothers browse through photo albums and magazines;
While we children argue about Superman or Batman.
Our laughter fills the humid air
And goes up, up, up to the ears of the neighbors.

In celebration of the time we have together
And a nice sunny day
We devour our meals
And go ahead and
Climb trees and
Get our faces sticky with sweet fruits,
Lick chocolate ice popsicles,
Chase each other in the weedy playground,
Bike around town,
Pick colorful flowers,
Wrestle with each other,
Play badminton on a windy day,
Scare around chickens and guinea pigs,
And play patintero under the dull orange street lamps.

We nervously creep inside the back door,
All sweaty, bearing bruises and scratches
But still with wide smiles on our faces.
All is futile though.
An angry grandmother awaits,
Scolding us for
Coming home past sunset.

More and more stars glitter the sky
As the night gets deeper and deeper.
The gentle evening breeze whistles a note
As it enters through the window.
The karaoke blasts grating voices
Interrupted by hearty laughter.
Playing cards and corn chips litter the table.
We children exchange jokes and ghost stories.

And then,
We bid our goodbyes,
Sharing hugs and kisses
Stained with discontent and sadness.
Our hearts about to burst
In excitement for the next
Reunion.

Criminal
O Criminal
This deceit you leak reeks
Of sour lemons and urination.

Criminal
O Criminal
This pride you flood smells
Of blueberries and broken dreams

Criminal
O Criminal
These miracles you bring leave a miasma
Of grape Faygo and suffering souls

Criminal
O Criminal
The peace I bring leaves an aroma
Of blue raspberry popsicles and lonely depression

Woman is a title that comes with too many consequences shoved into the spaces between each letter. I have worn it proudly, not fully understanding the heaviness it carries, or exactly what it means. I still don’t.

Summer camp teaches me how to shave my legs when my mother neglects to. I am eleven, with hair on my skin barely long enough to pull out when my bunkmates coach me on how to erase it. "Boys don't like girls with prickly bodies," my counselor tells me confidently. I soon understand that to be woman means to be bare, stripped, and clean, always. Being woman means catching the changes of your morphing body before anyone else can point them out.

I am raised to keep secrets. We call the parts of ourselves that we aren't supposed to talk about private. I learn to be silent in more ways than one.


Haley is my best friend. Together we uncover the mystery of womanhood untold. She loves a boy two years older than us and gives herself to him in his parked car outside her house during one of our many sleepovers. I listen as she confesses the details to my eager ears. We learn more about *** from each other than we do health class.  The information given out is too much and not enough at the same time. We are taught enough to do it, but not enough to ease our unknowingness.

Condoms are given out for free. Tampons are not.

Virginity was a concept we were told to maintain from early on. At 14 I want to get losing it over with so I do, with a boy two years older, in between his childhood sheets. I am high enough to blur the details, but not high enough to forget it happens.

I learn how to cauterize undesirable memory with substance, the way too many women do.

When a sophomore girl comes to school with a broken face, everyone is quiet. We all know about the fight, the pushing down the stairs, the bruising that swelled violently like her love for him. "I think he's even hotter now," I overhear someone say.

The first boy I ever love treats me like ****. I let him because that's how it works in the movies.

I love a straight girl with curly brown hair and a smile too much like summer. She kisses me and then tells me about whatever boy she is pursuing that week. It confuses me to no end.

Mia meets her first love when we are 17 and gives him all of her too soon. When he dumps her, I come over ready with a box of popsicles in hand.

We play with Polly Pockets well into our teenage years. The dolls live out dreams impossible for us to reach.

I realize vulnerability is not an option, but something we are born wearing.

A friend shows me how to keep my keys peeking through my knuckles at night. I hold them through scared fingers as I navigate the side streets necessary to get home.

Mom buys me glitter covered pepper spray, "because it's cute." I know her unsaid words and what she really means. "There are too many bad people in the world to not be cautious, you can never be too careful."

When a girl I don't know well is attacked in a back alley by strangers, we sit nervously the couch and talk about the terrifying reality, how bad we feel for her, and how awful it must be to go through something like that.

I call my best guy friend immediately after someone I know takes my body without permission. I explain the details to him of what happened, still shaking from the shock of it. I wait for his response, hoping for open arms ready to hold while I shatter. He sighs and says, "you should have been more careful." I don't counter. I shower three times in a row, tuck myself into the same bed where it happened, and pick up the cracked pieces of myself in the morning. I tell no one else after that.

**** is the punch line to too many jokes.
I don’t laugh.

In an anonymous thread, I read as people discuss the topic of ****** assault. My eyes lose count of how many times strangers say, "just because you regret it, doesn't mean it is ****." I have seen doubt ******* too many faces hearing the stories of survivors with dull eyes from telling theirs over and over again to people who will never believe them. Their truth is taken with a shot of uncertainty.
They ask, "Why survivor? Why not victim?"
They say, “It doesn’t **** you, you’re not a survivor.”
I want to answer that survival is a choice made in the aftermath of destruction, that we either chew our way through the broken glass or swallow it whole, letting it break us from the inside out. I want to say survival is not as simple as we didn’t die. Survival is consciously refusing not to.
Instead I say nothing.

I know girls with too many piercings and tattoos because they had run out of room on their small bodies to let out any more anger. I watch darkness fill their skin with its reminder, young girls who know pain all too well.

A man on the street calls out to me. I shake my head quietly because I'm afraid of the bomb my response could set off. I have seen too many ticking men explode for me to want to fight back.

I learn about abortion when I am too young to understand it, too self-centered at the time to try to imagine the fear of unwanted growing inside of her. I have grown to understand the importance of choice.

A guy tells me that if a woman has *** with more than five guys in her lifetime, she's a *****.

Someone I hook up with shares with me about how his friends audio record their girlfriends during ***. He laughs, I shudder.

"Guys don’t like it when.."  is a tip I hear almost daily.  

School dress codes mark my shoulders unholy, my shorts too miniscule. I am sent to the principal's office in 10th grade when I refuse to change into a top that doesn't show my lower back. I ask what my body did to have to learn this kind of shame. I am suspended for the rest of the day.

Beauty pageants teach me that perfect woman is exactly what I am not.

My ex boyfriend calls me a ****.

My other ex boyfriend calls me crazy. I’ve learned that crazy is synonymous with “she had an opinion that did not align with mine.”

In my college lecture we talk about the origins of hysteria, remembering how women in history had their voices twisted into insanity. I think about how often “calm down” is used as a modern-day-tranquilizer.

Us weekly tells me every week, in one too many advertisements, how to lose weight.

My campus paper posts an ad for breast augmentation deals. "Get spring break ready."

The size of my chest is too much a reflection of my brain’s capacity.

Being woman means too much in a language I do not fully understand. It is skin and bones, it is raw and blood, it is a mouth filled with words unsaid, it is fear and worry, it is an unspoken connection between us all, it is 75 cents to a dollar, less for those of color, it is censored body, it is *******, it is being too much to handle, it is being equated with less, it is we are the same but we are not treated so, it is we are human in a world we call man’s, it is we have been struggling under the waves for centuries, it is not drowning, it is still swimming, always

Forgotten Popsicle stick
Dominates in ashtray.
He broke it in half once
But it's been there a while.

He remembered.
Spending summer night.
Outside-
While his dad
Smoked in chains;
Wisps dusting
Humid air.

They just talked.
Cigarettes devoured,
Popsicles slurped
And bitten,
Even as sensitive
Teeth screamed,
Each left
Distinct tastes on the lips.

The ashtray began to crowd,
Butts piled high.
But he'd found a perch
For Popsicle stick
Stained blue.

But then his dad moved out.
And Popsicles
Soon turned to cigarettes,
That lone stick
Being one of the last.
Eventually he dumped the tray,
To get rid of his dad and
Make room for his own addiction.

Sofia had popsicles in her hair
They were sticky but she did not care

She was not worried they turned her hair red
But looked happily in the mirror instead

Sofia liked her new coloured hair
She had many popsicles, some here and some there

But as the sun was growing taller and stronger
The popsicles were frozen no longer

So Sofia had to say goodbye to her sticky friends
As a long summer day came to an end

I love petrichor ;
The way that seconds after the first few
drops start falling ;
The scent of Ozone fills the air .

I love the smell of fall,
The beauty of trees showing us that you can still shed bits of you that have died... Yet still be beautiful.

I love the sound of my nieces laugh;
The way it steadily always brings me back
to earth durning chaos ,
Reminding me to be joyful.

I love the ocean.
How beautiful is it from the surface ;
Knowing no one will ever see all the beauty
That lurks beneath the depths.

I love seeing peoples faces describing
The person they love.
Their features change , they
Become alive .

I love coffee, and my dog, and my tiny feet, and whiskey, and sportscenter, and lime popsicles. I love sleeping in ,and watching Braveheart .  I love love, and i love living .

What do you love.

where i come from, people speak of peace as if it was, is and always will be an inanimate object of sorts. something far too great for mankind to reach out and grab, to hold, to touch. we speak of peace as if we do not live each day finding new ways to love ourselves and each other, as if we do not find solace in his arms or serenity along the creases of her palms. we have spent far too long searching for someone instead of somewhere to call home, too many yesterdays ago we spoke of prosperity in a sense that made us question our beliefs, something rooted so deep inside of us we lost sight of the peace we created with our lips, kisses that claimed every part of a heart that was stitched together with broken pieces of itself. hear me when I say that peace was never intangible, we hold it in our hands every day. the love letter you've read halfway through but stop before you get to the final "I love you" because laced within the lies is a good bye that you never agreed to, peace is freeing yourself from the anchors printed on card stock paper sealed by the lips of a girl whose name you may never forget. peace is 5 o'clock shadow sprinkled across his chin like cinnamon bun crumbs after six days of no sleep, spending each night celebrating the sunset and injecting the rainbow into his blood flow. it's the kind of high you'll never find laying along the bottom of the bottle at midnight when the world is challenging you to a mental fist fight, drinking yourself into amnesia or blowing out a cloud full of regret after taking a drag on your first cigarette. we were just freaks searching for peace in all the wrong places, we forgot how to live like each day was our last and started passing the time by wishing that it was. perhaps peace was most prominent in our childhood, like when you were a kid on the fourth of July and held a sparkler for the first time and your parents watched the fire reflecting in your eyes. when we were five peace was popsicles and nap time, we took the world by surprise and explored until our eyes were too heavy to continue. and since then peace has felt less like Popsicles and more like hour glass sand, slipping through our hands as if we never even held it at all. but hear me when I say that peace is a process of breaking down walls, it is composed of small symphonies in our heartbeats and the stories etched onto our feet from places we've been and sights that we've seen. peace is his hands and her hips, together again, love letters and Popsicles and skin upon skin.

Fish heads for dessert
Confetti-saltwater taffy for lunch
Canned laughter for snack
And peptide bonds for a well balanced breakfast
"But whats for dinner?" says The Windbag
"But whats for dinner?!" screeches The Mimick
Hmm, well we have a choice between the sociocultural criteria and a toxic relationship
"Can't we have popsicles with answer-less riddles on the sticks?" asked the Windbag
"Can't we have popsicles with answer-less riddles on the sticks?!" copied The Mimick
"Leeme alone!" cried the Windbag
"Leeme alone!!" yelled The Mimick
In the end the decided to eat the pockmarks of bird feeding cohorts
They picked their teeth with proven points
Then watched The Windbag play the glockenspiel
Followed by The Mimick on the xylophone
As I put the leftover scraps in Tupperware, making sure to burp it before I put it away
       -Tommy Johnson

You told him how hands on your body make you feel like you're 18 again
The word no coating you like tissue paper armor in a thunderstorm

You told him how you stayed
Because you can't accuse someone of breaking and entering if you forgot to lock all the windows

You told him how one of the last firsts you had was torn away like old wallpaper in a house you weren't ready to remodel

He let himself in one day when your guard was down
And trust grew like dandelions
Wild and uninhibited  

And it's hard to tell which hurt worse
Being broken into
Or letting him in
Allowing him to tour your wounds like a museum
And adding his work to the exhibit before leaving