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Noandy Feb 2015
I say;

The drifting rain dissolves sea salt
Turning tears into dangled monsoon
Under the bleak ballad of dying dawn
Where I long for heat unbroken

You say;

The drifting rain drenches my tiptoe
Witching smiles into deranged equinox
Upon the downpour of ancient daybreak
Where I pray for old snow long sunk

All was as if the days faded
And morphed into younger sunset
It was as if mercy was drained
And no one preach as desired

The downpour stench though remains constant
Of rotting perfume of the rouge graphite
You drowsily drip from dowsing fingers, they lit
Into pages of burning, dancing melodious lads

As will, you may keep those imageries for you
And give up old stories as my slumber lyre
Whether it is about the burnt down marching boy
Or the bloodstained pianist from our ancient joy

For the bleak heart aesthetic
has affected a new kind of love
And the bleak heart aesthetic
would never let you feel so certain

So please keep your drifting rain of strings
During the downpour of the deranged equinox
When the snow goes black and slowly sunk
Into pages of firespit melodious lads
Omnis Atrum Aug 2012
Many artists create for approval, to translate the beauty they find in the world so that others can feel what they feel (which is second hand at best), or to try to better understand the world that they are in and communicate their findings with the rest of the world. I would stand here today and say that is all meaningless to me. If one cannot find their own truths, then they do not deserve the truths that they find. Everyone can see 'the beauty of the world' that surrounds them, and far too many people try to turn their senses into tangible words on a page. What difference does it make, better yet, what difference should it make to a person if others view the world in the same light that they do? It is for this purpose that I do not view the world in any light. When I create I view the world without light. Feeling my way through the darkness trying to find something that I can hold on to. I am a horrible and pitiful creature when I search for ideas, but when I can wrap my hands around these ideas with no light shed from an outside source there is no greater sense of accomplishment. I write not about the beauty of the world, not about fantastic imageries that could be on an inspirational poster, nothing of the heavens and angels, because when I write my demons take over. Every doubt that sits in the back of my mind unanswered. Every amount of corruption that I have seen in the world. Every hope that has been shot down to crash as a fallen spaceship. Every desire that I will never see fulfilled. These are the things that give me the passion and inspiration to create. Perhaps it is for the balance of the world that I write with such things in mind. As I watch so many writers fail to create what it is that they pictured in their creative vision simply because their minds are cluttered with preconceived notions of love, of good, and of this great being that will provide them with their every desire (deliverable on death, as I have been told); I know that most will surely continue to fail. The world does not have a perfect clockwork structure that they would have everyone else see. I hope that in controlling my demons I will be able to create something that is more authentic. More pure.

Art is struggle.
Creations are covered with our sacrifices.
Without the grotesque, beauty cannot truly be seen.
Without darkness, we cannot understand light.
My cup runneth over.

Seven great inspirations
I remember being young and thinking that there was no greater goal to seek than the goal of love. I had told myself countless times that my greatest goal in life was to find someone and make them the happiest person in the world. I know now that the naivety of that statement is enough to make even the most romantic shake their heads. It was from this naivety and hope that a young man fell in love. As all things that are destined to horribly fail, it failed horribly. The joy in this young man's eyes dissipated and he was left horribly confused. How could my greatest inspiration and the goals that I had set for myself fall apart so swiftly? It was around this time that I slowly started seeing the world for what it truly was. There was great sorrow in this time, but it was a time of more beauty than I had ever known. Years that I thought were wasted were resurrected as emotions and perceptions that slowly found their way from my hand to paper. I learned from a very young age that it was proper to hide emotion, and so many of these creations were destroyed after I had pushed them from my mind. It was not until I let a few close friends read some of what I had written that I realized the value that words held. I used these words to bring happiness to others and evoke emotion where there was none before. All of the ideals and emotions that I held in high regard for so long slowly withered away. It was in this time that I slowly learned that because there was so much good that came from something so devastating, that those things I once thought were so evil may have something good to be found in them. There were great inspirations to be found in those things I had once discarded as sinful and without worth. I found beauty and inspiration in what most would call corruption and imperfect. These things, which were taught to me as sins, gave me more inspiration than any rules or restriction would ever be able to. For the first time in my life I actually felt free. It was with this newfound freedom that I was finally able to express what I truly felt without fear of guilt or punishment. My outward appearance stayed approximately the same (as I was taught that appearances were always important and some habits were hard to break), but I realized that I was a completely different person. It is these differentiations from what I considered to be the norm that allowed me to grow as a person instead of as a machine that was built by those around me. It is this facade of normality that I will forever wear as a defense mechanism to keep those as closed minded as I once was from prying. It is the sins that I once fought so hard against that would help me realize the person that I truly was. This is not merely a documentation of the things that inspire me, this is a tribute to the realizations that allowed me to grow as a person. A great deal of my writing tends to come out as metaphors, but in what will follow I will do my best to write clearly and without riddles. These are the thoughts that bring my creations to life. This is the fuel that drives a man down a road comfortably, no longer worried about speed limits or street signs. Now I will explain how these seven deadly sins breathed life into an otherwise lonely and discarded man.

Pride
Are we all not more important than everyone else in our own universe? Is there some secret kept within the recesses of our mind that perverts this self preservation into something that is frowned upon? Are we not supposed to be proud of our accomplishments? Where are the lines between what is appropriate and a horrid vanity drawn? Would we not become Lucifer if the feeble minds trapped in these mortal shells were placed in a shell more beautiful and eternal than anything we have ever seen? Are we so quick to judge those guilty of our same crimes? Tell me that if you were given the chance you would not change places with a god, and I will never believe another word that pushes its way past your lips. We are wired to attempt to gain higher standing wherever we are. When I have created something that I believe holds truth I am proud, and I am proud that I am proud. If it were not for pride where would that sense of accomplishment come from? Should I allow my pride to turn to shame, and **** a driving force to create something even better next time? I think not. In the universe of our art, we are the gods. We manipulate every word, every pixel, every stroke of the brush. We have ultimate control of the characters, the situations, the emotions, the outcomes, and do not have to provide an explanation to anyone unless we decide to. When we are done with our creations we stand back and say that they are good. A faulty attempt to turn the artist into a god, but the intentions are thinly veiled. To create and to have others look upon your creation with wonder and awe, is that not the intentions of almost all artists? What purpose does this serve other than the creation of pride? I would say that there are none. My writing is the universe where I am god, and there are none other as powerful or that have as much say as I do.

Sloth
Call me cynical for not seeing the absolute beauty of the world around me. Sloth, the great sin of sadness and despair. I look at the world and am dissatisfied with what I see. I have always been fond of Poe, because he wrote about this more than anything else. Why should I be any different than this? The only love I have ever known was ripped from my hands, and I was left with nothing but a feeling of wanting. I watch people walk by with their masks of happiness and content, and when the day is done I see these same people left shaking and world weary. How much rain should fall from my eyes before they become as black as the clouds they do their best impressions of? With every attempt to better the world thwarted on each turn, it seems as if things are not going to change. The problem with writing on the subject of sorrow is that many view it as unhealthy or look down upon it. It is only after putting words to the things that bother me that I have control over them, and can manipulate them as I wish. Sorrow and pain are less of a threat when they can be controlled. Where is it that this sorrow and despair comes from? Perhaps I read too many fairy tales as a child. Perhaps I have yet to get to the end of the story of life where the moral will be revealed to me. Perhaps it is this surreal world that I could never persuade myself to live in. A world where I am to put on a mask of happiness and pretend that everything is going just the way that it should. A world full of everything that I could ever desire. It is because I cannot alter my senses that give my perception of the world that this demon resides within me. My writing is the realization that the world is not what I was led to believe it to be. My creations are the sorrow and despair of living in an imperfect world, and wishing that it was perfect.

Gluttony
Do not overindulge in anything, not even those things which bring pleasure and have no consequence. I think this is a flawed statement at best. In my writing I discuss extraordinary circumstances or situations that I have been involved in. Many of these situations happened only in my own mind, but a number of them occurred when I overindulged in certain things and saw the world in a completely different perspective. If we all lived in perfect moderation, would the world not be boring and uninspiring? I choose to do those things that bring pleasure, and if I do them too often then the result is simply more pleasure. Gluttony is the cause of many interesting nights that allowed me to step outside of my protective shell and experience things that I would have never experienced otherwise. How could I not pay homage to such a thing? How could I desire to cease doing something that only opened my eyes? Gluttons will be looked down upon and called drunkards and addicts, but I have never met a being that has not committed gluttony at one point or another. I was once told to overindulge in moderation. Where does the line between an altered state of mind that we can learn from and a sin stand? In my creations there is no line, because there is no sin. My writings are guilt-free and full of overindulgence of thought. My words are my minds altered vision grasping for truth.

Wrath
These **** words will not flow from my mind, through my hand, and onto this god forsaken medium. What is it that I need to do to express my emotions so that others can understand them? If my words are too abstract it is only because of the thoughts and emotions that they follow. If people cannot follow my metaphors and hidden meanings then it is of no concern to me. The fact that they will not try to stimulate their intellectual ***** in order to understand something more complex than they are used to drives me insane. My pulse quickens with each thought of the issue. It is impossible that I left my metaphors too veiled or did not give enough surrounding exposition. These creations make perfect sense. Then I step back and look at the gibberish that I have created and hurl it across the room as harshly as possible. The thoughts and ideas are all here, it all makes sense in my mind, so WHY WILL THE WORDS NOT COME OUT RIGHT? The inability to explain senses or perceptions in a concrete manner that the audience will understand creates more anger in me than I will ever understand. An anger that refuses to subside. With a clenched fist the pens and pencils are broken, the keyboard is shattered, and the words are broken down into the letters that sit in a pile on my floor. My creations inspire nothing more than they inspire my hatred for ignorance. My creations are an angry conglomeration of letters wishing that they could show the emotions that inspired them. My words are children beaten for insubordination.

Greed
Greed is the greatest inspiration that most will ever know. To bathe in golden bullion and never have another care in the world. Greed not for the sake of greed, but for the sake of freedom. I am inspired by greed of a different sort. The desire to gather every idea that I can find and horde it as my own. The greed of knowledge and experience. When I was younger it was interesting to be the most mature person my age, and now that I am older it is not knowledge that is sought, but wisdom. I horde this knowledge and wisdom in my own personal compressor and squeeze them until they are in the purest possible form. It is this ink that I dip my quill into hoping that my faulty hands can transfer such a perfect concoction onto the parchment without ruining it. Without poking a hole through the parchment. Without deciding after I am finished that the words do not hold the meaning that they carry, and having to destroy everything and start over. I would gladly give all the wealth that I have to be able to sate my greed for the expression of perceptions and knowledge. These are the pains that I have endured, and they are mine and mine alone to claim. There is no greater value on this Earth in my eyes. People can have their tubs of golden bullion, and I will help them with generous contributions when able, but if they ever decide they want my words there will be war. A war of greed. A war of necessity. My creations are my glorious mansion that holds the treasures of experience and knowledge. My words are the golden bullion that so many men have fought and died for, and I will horde them until some greater force can pry them from the hands that created them.

Lust
Love is an illusion that was created for your confusion. Those that speak of love are disillusioned into believing in some extrasensory emotion that they allow to consume them. Love is the most abstract emotion or idea that anyone could ever base a creation on. I tire of reading of love at first sight, love found upon a spring morning, or love that has been discarded. These things are boring, and as long as people persist in writing on these things I will always have kindling for my fires. Tell me about something that I know. Lust is the most pure form of the idea of love that is kept in circulation for no apparent purpose, besides creating sorrow for those that cannot find something so perfect as it has been described. Lust does not mislead and has no ulterior motives. The warmth of another being pressed tightly against you in a shared ecstasy. That is all. There are no complications, there is no confusion, there are no forced rituals that you have to fake your way through to get to another goal. Has the world become so confused that it forgets its instincts. They tell me that lust is a sin, but I know very well that it has created more pleasure than any restriction I will ever be given. I have heard many times to wait for love and it will come in time, but never have I heard anyone told to wait for lust. There is something unexplainable about finding oneself in a passionate situation that they had never even thought about before the moment that it happened. It is the same way with my writing. My writing is the beautiful girl whose name I do not know, as she is leading me across the house to a more secluded place.

Envy
I was taught never to keep up with the Joneses, and I will never attempt to. I had planned to accomplish such great deeds that the Joneses would be found as a wreck of green helplessness. In my great plan I had no intention of ever envying another person. It was not until I fell in love with words that my great plan fell apart. It was these words that would be my downfall. Writers, publishers, artists, and editors all held titles that I wanted for my own. Those that were far more lucky whose works were published. We use the same letters and words, but I could never convince people to see the appeal in truth. It was when I realized this fact that I became envious. I was not envious of the titles, or of the money
Lauren Marie Oct 2013
I have this amputated vision of beauty
I feel I am supposed to be
A specific set of criteria
I am expected to meet:
Shaped perfectly
Delicate and light
Designed and idealized
Like a crystal champagne glass.

Gripped with only *******
And a pinky erectly raised
To signify elegance
An object with little weight.

People would want me;
They would press their lips
Against my rim
Taking a sip
Taking me in.

They would tilt their head back
Scoff and laugh
Gabbing about the day they had
Conversations over choosing paint swatches
“Lemon or cornsilk, the choice is too difficult."
God forbid they pick plain yellow.

Flashing fake teeth
Giving compliments they don’t mean
Over 30 and still gossiping.

Is that who I am?
Is that who I really want to be?
This idea of a human
Consumed with aesthetic beauty
A mere champagne glass
But made out of plastic.

I am not a champagne glass
I am in a different class.

I am a hand painted mug
Born in a ceramic painting store
Surrounded by various pottery
Cups, plates, figurines, galore.
In walks a girl with the desire to create
Make something beautiful
To love and adore.

Everything she is
Was placed into that mug
Favorite designs
Her inability to stay within the lines.
But these
Little intricacies  
Is what gives her beauty.

Perfect isn’t relatable
In fact, it’s unattainable.

I am a mug
Cold and heat tolerant
I can be roughly handled
Won’t break from a drop
Off a counter top.
Ask that of a champagne glass
Watch a breeze,
Have it fall to it’s knees
And shatter into pieces.

Thin
Breakable
And only seen
Under the hand of another’s command.
Put back when finished
Into my showcase
Until the next holiday
With only one purpose:
To be used for looks.

I am a mug
Not societies type
But does that make me ugly?
Say that to the little girl
Look in her eye
Watch her cry
Tell it to her face
Bring her to shame.

Why do we talk to each other this way?
We need acceptance
Not lessons
On how to have the best this and that.

I am not a champagne glass
So am I automatically fat?

Tell that to the little girl
Strip her of innocent purity
Give her insecurities
Distorted imageries
Of who she should be.

My mother believes
Her perception is the exception
“Be a lady”
“Be dainty”
“That dress isn’t very flattering”
“Do you hear me, Lauren Marie?”

I hear you mother
And all your opinions
But I am not open
To accepting any of them.

You love me entirely
But your words bully me
Like bullet in my chest
It’s hard to walk away
Feeling anything but less.
You’re in denial
Because you treat me like a child
I will never be
“Little Miss Perfect Lauren Marie”

I don’t want to be a champagne glass
Because I don’t drink
I’m not one for wine
I'd rather have tea.

Grab a mug, please mommy
We can cuddle together
And I’ll read my poetry.
But I see
You’re still reaching
For that crystal glass in me.

We own a kettle
One day you’ll want tea.
Robyn Neymour Nov 2010
Calculate the amount of time I waited for you in seconds,
Then you will know the amount of miles the earth is from the sun.
Friendship is often the outcome, of remaining in earth’s boundaries.
I’d settle for Pluto or maybe Mars,
All on their axis, Nothing is more powerful than the stars.
For the stars create imageries, or shoot for millions of miles,
And seeing the big dipper, would often give us smiles.
I’d see the land in which I live,
As I bask on nothing else but faint less gravity.

Occupied by colors, I’d forget about it all,
The beauty of the universe, its atmosphere and all.
The beautiful star, the Sun, shines so bright,
My heart already melting from the painter’s canvas in the night.
It’s time to drive the spaceship, forgetting we were already there.
To many buttons to press, nothing says beware.
So we traveled to Jupiter, The Scorpio and I,
Fearfully in love I close my eyes,
As the spaceship rides, and finally friendship says goodbye.

©
© RGN - Nov./3/10
On
The counters of poetry
I dock and lock myself
Then
I scope on the bottles of liquors seductively
And spellblind by their syllables
I took the shakers and hybrid
The Similes
The Onomatopeia's
The Nemesis'
The Near-Rhymes
And The Triadic-Lines
Then I gulp fourteen shots of Sonnets
From my paper-glass
And glug a paradox
Or a foil-sigh
Trice,
The knots
Bundling my eloquence
Will exonerated itself
And torpidity will cuff my consciousness
And the droplets remains in my paper- glass
Will impel me
To quest for myriad of them

I'm not drunk!
I'm not drunk!
I'm not drunk!
I
Will slur
With half an eye open
As if the other is broken
Stock on a comedy chair

Then
When the
Limbs of time tread
Will I rush to the counter
Like the athletes at Olympia
And hybrid
The Blank-verses
The Alliterations
The Limericks
The Litotes
The Aporia's
And The Dysphemism's
And
Gulp countless
Yet measured shoots
Of Ballad,with my paper-glass
And unravel the oratories
Of sacred secrets,eclectic enchantment and regrettable reflexes
Aside,or injects the world
With my rugged pins of eruditions
Bestowed in me by the liquors of poetry

I'm not drunk!
I'm not drunk!
I'm not drunk!
I
Will slur
With half an eye open
As if the other is broken
Stocked on a comedy-chair

Again
I will rush
To the counter,and hybrid
The Exaggerations
The Personifications
The Imageries
And The Caesura's
And
Gulp uncounted shoots
Of Epic's from my paper-glass
And
Eulogise my steam and wit
Yet,I'm drunk
And deeply drunk wholly
By a might that mortify me so much
That I've become a slave
In the awe of my servitude

Now and then
Will I weep and wail terribly
Each morning,each noon,and each night
For the great demise of myself
And for an emancipation
From the perpetual counter-cells poetry
I'm drunk,and deeply drunk by poetry.

Deeply Drunk
©Historian E.Lexano
The liquors of poetry has stain my tissues
Ceida Uilyc Mar 2019
Corners of your room,
Knows me more than you.
Because that’s where I was lost
When you talked about leaving.

Bushes beyond the wall,
Knows the promise more than us.
Because that’s where we first lit passion
When we took a walk the first night.

Mushy park benches after rain,
Knows us more than the campus.
Because that’s where we kissed
When we first felt love beyond lust.

Veiny edges of my wrist,
Knows you more than me.
Because that’s where I tried writing
When your name started fading.
Oberon  Feb 2015
calliope
Oberon Feb 2015
we are not the
nicholas sparks novel
read wrapped in comfort
of store-bought quilts
on rainy days

or an ed sheeran song
in long-haul flights
flying us
into one another's
longing embrace
once in
a blue moon

how long will
the movie screens
and best-selling novels
continue to
romanticise a
love like
ours
all of its
torturous;
troubling;
tragic glory

even with dreams
of your laugh
and the most short-lived
imageries of your crescent eyes
the sheets on your side
of the bed remain
perfectly
uncreased
i cannot stop
my heavy lids
and tired bones
from gravitating into
both Arcadia
and Erebus:
another
sweet,
wicked
dream
of
**you.
i'm just.. a little bit broken,
a little bit tired,
a little bit..
missing you.
Seth Boss Kay Oct 2013
As fishes wriggling

The entirety of their slippery bodies

In vast oceans, lost in the glory of waters


Instincts meander

Their way through to the mind

In a pool of imagined

Sensuality with wanton desires


A longing for the temporal

Poignantly stands *****

In the throne-room of man's emotions

Motioning with a seemingly motionless demeanor


Unfulfilled cravings

Cradles persistence

In his goal oriented pursuits


Thoughts are repressed

Mental imageries suppressed

To pave way for *******

Of pleasantly positive feelings


Yet the uncouth lingers

Occasionally engages the enthroned

In scrimmages in their bid to dethrone them

Man holds the prerogative

To serve either of them willingly


Equally, man possess all it takes to be

Heinously hedonistic

And heartily attractive in personality

To please society  

None can reach complete perfection

At both extremities



© Seth Boss Kay @ 19/10/2013
Nico Julleza Nov 2017
In all ado
ten months in misery
It wasn't me
nor was even you
shrills at the back
of my aging doors
I mind my business
As you—
you only mind yours

Red laces tied to leave
forget twas before
Nothing—
nothing was concealed,
we leered in uncertainty
As we're losing—
losing our vast imageries
our bond was never—
just never denote to be

Cease by now
of these tortured schemes
lashing out and say
"wish it was all a dream"
departing to nowhere
as each wing soars
and all of we— all of we
used to be lovers before
and all of we— all of we
used to be lovers before
#Love #End #Cease #The #Misery #Bond

Poems for a Cold November

(NCJ)POETRYProductions. ©2017
K Balachandran Sep 2012
Forgive my wallowing in words
my lapse is not light, words are fire,
creative use of them with more care
with out raising a curtain of smoke
and uncontrolled flames, if expected
it's only fair, not to scare you, gentle readers
unreasonably with all the  heat
it could generate.

A gentle fire, at night, a golden glow
where you would sit around
and partake my fare is what I dream.
Every word has deep roots, and laughing  flowers,
cryptic connecting codes, tunnels
that augment the flows channeled to hearts,
music that connects words, unexpected
fire works of meanings that explode,
metaphors that amble and gallop forward
with spectacular beauty, you watch
without batting an eyelid, that's what brings
clarity, and a gentle ecstasy mind licks up,
and goes to sleep purring in delight.
Signs pointing to the unknown, even unsaid
become evident, like in magic, how it unfolds
how can I say, what's the  well spring
of an oracle's revelations, amazing!

Imageries arise along the flow of creation,
evoking, love, pain, hope or remorse-
whatever feeling that invades human psyche,
that demands an immediate emotional response,
and from there leads to catharsis, mind's elation.

Taking you to the forest route of words,
- that blankets and blocks the view
of elegant trees, you love to look at
and to forget everything
for some moments, at least -
was my fault, I was carried away,
**yes, I should learn to control my excesses.
No rules of course, but verbosity sometimes becomes too much..sound and fury signifying a wee bit.
Vansika  Jun 2018
Let the ink dry
Vansika Jun 2018
maybe, a few branches were let off the trunk,
nevertheless, it was meant to be burned,

each day someone would die,
but the dying puppets on stage
must let the ink dry,

weave words, scribble stories,
times are tough, sweet and deep,

but I promise you,
there lies hope in between imageries,
there lies strength in between metaphors,

after millions of crumpled dreams,
trust the paper one more time,

let the ink dry.
K Balachandran Jul 2013
An artful liar, his words beautifully cheat all,
speaks nonsense any one can believe
with  consummate flair, sees the essence without effort,
it fits well in metaphors and imageries galore,
he has wings to fly anywhere with ease, see things up close.
The  wind of imagination he blows makes waves,
he is taken to  ecstatic heights riding on  its crest,
yet he doesn't accept, when they call him a poet,
"Just at those moments I am inspired" he says"call me a poet,
not all the time I am one, being a poet is not a profession
but an attribute others bestow on one, out of appreciation"
i created another Jaja yesterday!
a braver Jaja unlike that timid feeble boy
Chimamanda gave life in Purple hibiscus.
i gave him a gun and a mightier heart.
i carved a pumpkin route for him to follow
i made him to have the mind of his own
then, I sent him to his father just like every
mother sends their sons to their father.
he gunned him down in his assaulted plights
he returned angrily to hunt me for this freedom
my experiments to pull him down failed
and I remembered mother also created boys
she abandoned to find freedom who later
came back to ****** her in their plights
Boys come in this formless shape creating imageries larger than them which returns to
Squeeze more juice out from their dark sides.


©John Chizoba Vincent
FromAPenRefusingFrustration.

— The End —