How do I learn to truly forgive myself?
How do I stop blaming myself
for the mistakes I have made?
How do I find peace within
myself to move forward,
instead of always looking backwards?  
How do I turn this around,
before I totally lose myself again?

These questions haunt me
each and every day.
Just when I think I am making
even the smallest of steps forward,
there is something, or someone,
who pulls me back –
back down into the abyss
of pure sorrow and shame.  
Sorrow of love gone wrong, or lost;
shame for allowing it to
consume such a beautiful heart, and mind.

I know that I must learn to forgive myself
for all of my errors of judgment,
which is one of the hardest things
I have ever had to face.
Being one’s own worst enemy,
while facing the deepest of all criticisms,
is very hard to overcome,
especially, when you lose sight of
the light at the end of the tunnel.  
My faith deserts me when
I need it the most.  
I am solely living on the outside,
while slowly dying in the inside.  

I see, nor feel, any real purpose.  
Am I always meant to loom
in another’s shadow?  
Never to reap the benefits
of all that I have invested?
Never to be acknowledged
for having a good heart?
Never feeling like I will
ever be truly loved,
or cherished, for the
person that I am?  
What does it truly take
for someone to see
the worth in me?  

All these questions,
while not having the answers
makes it hard to believe
that you matter that much
to all those around you.  
Am I just going to always be
an afterthought,
instead of, a forethought?

What more can I do to
prove my own worthiness?
Will I perpetually be stuck
in uncertainties of my own
self-doubt?  
Will I ever truly find my
place in this world?

All these questions constantly
swirl in my mind, as I try
to figure out the answers.
The pressure of finding
these answers lies
heavily on my shoulders.
I am a strong woman, indeed,
but when I face one
challenge after another,
without truly healing,
I tend to find myself
questioning my own existence.

I do not want to be remembered
as a woman who was always in pain.
I want my self-description to be of
a woman, who despite her
many adversities,  found her
sense of being, as an example to others.
Life is exactly what we make of it.
If I continue to allow myself to
wallow in these fears,
then I have truly succumbed to
own my demise.

Even with the most clouded
of mind, I know I can not
allow this anymore.  
I know that my heart
cannot endure the pain
and disappointment that it bears.  
So, I must learn to recognize
that I am human, and that
I will make mistakes.  
How I learn from these mistakes
is what separates me from another -
it is what defines my uniqueness.  
Regardless of the loneliness
that surrounds me constantly,
I must remember that I am
needed, and wanted, by others.

The only way to do this
is to try to forgive myself,
while realizing,
that those who also recognize
my true beauty are the ones
that deserve to be part of my life.  
As the haze lifts more and more each day,
I do believe I will find my way again.
Just some more bumps along this
road that they call life.  

Vicki A. Zinn
May 27, 2013

Brandon,

To see you grow up and turn into the man you are is a gift... A young man, smart, kind, thoughtful to others. I have no criticisms to offer you in regards to the path and choices you have taken and made. I feel swelling pride for you as I write this and cannot wait to see and hear the adventures you will embark on in your life.

Having you as my cousin touches me and reminds me that I have an impact on the world, and for as long as you have looked up to me as your older cousin, I will always feel a sense of responsibility and caring for you, invigorating in purpose, which helps craft the home in my heart. Seeing time pass as sand in an hour glass, I can only glance in retrospect and see the years and times as a family you have shared with us; if it were a scoreboard, a test, the sum of all of your actions: a resounding win or success story on all counts. You are a gift to those around you and your happiness and caring will change this world for the better as it already has changed mine. Thank you for being my cousin, but more so for being the person you always are. You are a blessing and a light. Don't ever let anybody tell you otherwise or believe differently...

To end my letter to you, I will leave you with this: I can't wait to grow old and share more time with you; to go fishing, to go camping, to carry on our family's traditions and dinners which are so special among families, to share this chance to be alive and breathing, and to share our hearts with others. Go forth Brandon. Go forth and share your love with the world. Light your torch and burn it. I love you Brandon.

Your Cousin,
-Kevin

1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012

So, this was written to an unnamed ex a while ago. I ran across it the other day, and I might publish it in the collection I'm currently working on. To me, this is more than just a letter, it's a piece of prose. It's a pouring out of the soul in a way that few people take the time to do. Obviously written at a very rocky time in a previous relationship, I enjoy the clarity of thought that's displayed (not as an egotist, but as a stylist), and I enjoy the allusions and illustration. I'm proud of it, if not for the source or the outcome, then for the product of my turmoil. If I were to classify it? I'd label it, now, as a study of the mind. Enjoy it, and, as always, I welcome your comments and criticisms!

-###-

                Before I say anything else, I want you to know that I love you deeply, and truly. I would give anything to make you happy, and I'd do anything you ever asked me to. I don't ever want to hurt you, and I don't ever want you to be unhappy.
                But I am unhappy. I sleep next to a woman I can't touch until she won't notice, who won't - or can't, I still can't figure out which - show me the affection I crave; and when I try to explain to her the physical and mental stress this puts me through, she doesn't understand or doesn't care (still can't pin that one, either).
                I once took a "Psychology of Affection" class. Evidently, the emotion we call "love" is a conglomeration of a number of different, smaller emotions. Chiefly among them are attention and affection. Attention was always defined by my professor as "the willingness of one to give their focus in degrees, and the blatantness with which they are willing to display that focus." He went on to explain that when one is willing to give their focus but not to display it, or willing to make a display but not to give it, then an imbalance is affected, and either one or both members of a relationship become unhappy. And degrees of happiness become apparent when degrees of willingness are shown.
                In our case, I think, I am both willing to give you my attention, and unafraid to do it regardless of place or time; therefore, I think I give you a very high degree of attention. How do you think you score? How do you think I'd score you?
                Affection works on the same principle: willingness to give, and the ability to do so in a way that is apparent to the other party. Along with these two, though, Affection has a third variable: frequency. The combination of these three and the balance that must be kept determines the amount of affection given, and received at an intellectual level.
                I am entirely certain that I have been willing to show you ample affection in any venue, I am quite capable of showing you my affection in a plethora of ways, and I have done so (in innumerable combinations) with staggering frequency, despite the lack of reciprocation that should have left me hopeless.
                Well, right about now, I'm starting to feel hopeless. Any relationship requires two very basic things, hon: cerebral and physical interaction. An intimate relationship, therefore, requires an amount of intimacy in both cerebral and physical interactions. In addition, any relationship, intimate or otherwise, requires equal participation in all areas to continue over any extended period of time.
                I have been trying for God knows how long, to make this explicitly clear to you: I do not receive enough affection or attention from you for me to stay happy.
                I've laid a foundation in a universal truth for you; you have the science of our interaction at your fingertips, now. You understand what I understand, so I'm going to be as forward as I can in addressing this situation.
                In order for me to stay satisfied with our relationship, the amount of affection and attention I get HAS to change. I am, currently, both mentally and physically distressed, and I am at a breaking point. I have tried multiple times to get you to change: I've tried being subtle and hinting at things I like you to do - things I'd like to see more frequently from you; I've tried being abrasive, being a **** - telling you what I don't like, and why; I've tried being manipulative - guilt-tripping you into thinking or acting differently; I've tried (God, have I tried!) to be truthful and sweet and kind - to tell you, up front, what pleases me and what doesn't in the un-charged air of plain discussion. Any, and all (!), of these methods have been met with selfish stubbornness. I have tried, very hard, to convince myself that it's just been me. That it's something I have, or haven't, been doing. That me flipping out so often is just me freaking out. That none of my state of mind has anything to do with you. I dread putting any of the blame on you because...I worship you, I don't want your flawless image tainted by these things! But, at this point, I've done so much, and tried so hard to get you to change, to open up to me, to act (just act!) like you want me in your head and heart and *****. But you've been stubborn and you refuse to change...and it is driving me away.
                I don't want you to drive me away. I know you love me; I'm convinced you think I improve your life. And I'm convinced you improve mine in so many ways. But there is an imbalance.... I've done as much as any man can be asked: I have been kind, gentle, sweet, gracious, caring, selfless, and loving; but I cannot be these things when you will neither receive them nor give them back. My emotion, my spirit, and my love are being swallowed up in a void, and I can feel the light in this relationship fading. I can't stay in this if I'm the only one showing how I feel. If you don't love me, anymore, tell me. But I can't stay here and not know. I can't give you so much of my heart, and not get anything in return. It's my turn to be selfish.
                I am banking on the hope that you want this to work, honey. I am praying to God, Almighty that you would rather change how you act than give me up.
                I have never given anyone I've been in a relationship with an ultimatum before. Maybe that's why I've been hurt so badly before. But I'm not going to sink this ship myself. I'm giving you an honest chance. I want this, more than anything. I want you more than anything! I don't care that we don't earn enough for food, yet. I don't care that you spend oodles of time with your friends; I don't care about anything you do with your life except this. This one thing will solve so many of our problems, you don't even realize!
                My peace...my serenity with our relationship and with you as my partner in life, depends, solely, on how you behave towards me. There aren't enough Josephine Collective concerts or pills, or parties in all the world that will make me feel like you love me more than you showing me your **** self. I NEED this. It is essential to my functioning as your lover and your friend; I can't love a stone. And I can guarantee you, right now, that if you can put aside your insecurities, put aside your "awkwardness" argument, put aside your doubt that I would ever, EVER, turn you away or leave you alone, and just show me every minute of every day that you love me, I would never worry again. Reassure me with a kiss. Say "hello" with a kiss. Warm up by scooting closer. Cool down by throwing off a blanket - not pushing me away. Act like you can't keep your hands off me. There will be no nights where I ask you distressing questions; there won't be times when I'm offended by your going somewhere without me; I will not get upset when plans get upset. If I knew in my heart of hearts that you loved me and you'd make sure I knew it when you saw me, then there wouldn't be room for doubt.
                But right now...I don't know whether you love me or whether you're just going through the motions. My thinking is "if she loved me, she'd show me." But you don't show me. You know this as well as I do! One passionate kiss every couple of weeks is not showing me. A wag of the hips a couple times a month doesn't show me. Part of the psychological validation for committing to a relationship is the fact that your partner's body is yours to use. And it should be a willing use! I am a male. Three-fourths of my interaction with society is conducted physically, or visually. I need to see and feel that you love me. And that's not very much to ask from you, is it? And it's not awkwardness. You've shown me plenty of times that you're not abnormally awkward. And it's not shyness; you've been perfectly happy to make a scene in front of others before. It's not ***, either. *** isn't what trips me up. I'm fine without *** as long as I know you'd give it if you could. If I was confident that you'd jump my bones before I ever suggested it, then it wouldn't be an issue. But I'm not confident. Hell, I could go another three months if I got a BJ now and then.... I'm tempted to say it's pure selfish stubbornness, but I know that's not true. I think you're afraid of something. Maybe of opening up - spilling your guts - for me. Maybe you've been hurt a lot worse than I realize? There are so many possibilities. But you're the only one that can let me in, baby.
                I know it's not your way. That's evident enough from all my failures. But this is beyond "my way versus your way," now. This is essential to our being together. I love you, selflessly and shamelessly; but if I am going to be happy with you, I need to know you love me back. This isn't an option, anymore, dearest. You have to change. I need to know on a daily, hourly, moment-to-moment basis that you prefer me over anything else...period. My heart is breaking because I can't tell if you love me back. So, I'm going to make this easy on you. I've brought this up to you before - multiple times, actually. Each one just as memorable as the next. Each one serious enough to tell you that something has to change. But you don't seem to get it. You don't understand that this is paramount to my happiness...essential to my functioning; and you don't get that yet. You've asked me to do multiple things differently; I have changed how I act - who I am - to cater to your peace and happiness, and I am happy to do so. I have asked this one thing of you and you won't do it? I have asked this one thing because it is the one thing that I need to change. I've told you that. But the day after, and the week after, and the month after I bring this up, nothing changes. I can't handle that. I can't handle that I can be so willing to make you happy...to change my thoughts and actions through my own will to make your life simpler, less worrisome, happier and easier; yet you are so unwilling to grab your own mind and make it behave as you choose to ease my mind and my heart and give me that little validation I need from you so I can tell myself that I am your whole world the way you're mine!
                I will always love you. Always.
                But I can't be with someone who can't show me they love me.
                This is your ultimatum: Change. Put me in your mind. Think about the things you do that make me happy, and do them. Physically connect with me. Touch me on a regular basis. Visually connect with me. Get my attention, and hold it every day. Act like you are my woman the way I try to be your man. And do it now. You do not get a week or a month or a year. I am out of time. I can't wait on this any longer. If you want me here, hold me here with your own two arms.
                If you can't hold me, then I won't stay.

-###-

On World Hijab Day, which was on February 1, you didn’t have to be a Muslim to wear one. The designated day was first announced in 2013. Founded by activist Nazma Khan, the story behind World Hijab Day is an emotional one which speaks of the bullying, prejudice, physical and racial abuse Khan endured as a young child who migrated to the US from Bangladesh. These unkind imputations were all because she wore a hijab.

Since launching an online store in 2010 to sell hijabs, Khan has received an outpouring of support from hijab-wearing women across the globe who have shared with her their own terrifying stories because of their headscarves.

Today, World Hijab Day is celebrated in 116 countries around the world. Although the declaration received negative criticisms from some who saw it as a “well-financed effort by conservative Muslims to dominate modern Muslim societies,” others respect the day. One such person was New York Assemblyman David Weprin, who in his feature address on World Hijab Day, said: “As the prime Assembly sponsor of the Religious Garb bill in New York State, A2049, I stand with all Americans of faith, regardless of their choice, to wear a hijab, kippah, turban, or cross. All Americans of all faiths should be allowed to freely exercise and display their religious choice without the fear of violence and bigotry.”

Here at home, women’s rights activist and model Naballah Chi has not been quiet about her love and honour for the true meaning of the hijab. In an interview with the T&T; Guardian, Chi explained the meaning of the hijab and why it’s worn.

“The literal meaning of hijab is to veil, to cover, or to screen. Islam is known as a religion concerned with community cohesion and moral boundaries, and therefore the hijab is a way of ensuring that the moral boundaries between unrelated men and women are respected,” said Chi.

She added, “In this sense, the term hijab encompasses more than a scarf and more than a dress code. It is a term that denotes modest dressing and modest behaviour. Wearing the hijab is a commandment from Allah. The majority of Muslim women wear hijab to obey God, and to be known as respectable women.

“The basic requirement of the hijab is that a Muslim woman should cover her head and ***** (chest) and her body. So in the last 30 years, hijab has emerged as a sign of Islamic consciousness and women’s assertion to obey their lord. A woman wearing hijab becomes a very visible sign of Islam.

“The aura of privacy created by hijab is indicative of the great value Islam places upon women. Therefore, hijab is not a symbol of oppression. The hijab does not prevent a woman from acquiring knowledge or from contributing to the betterment of human society. While those who seek to ban hijab refer to it as a symbol of gender-based repression, the women who choose to don a scarf, or to wear hijab, in the broadest sense of the word, view it as a right and not a burden,” she explained.

She said wearing the hijab has given her the freedom from constant attention to her physical self.

“My appearance is not subjected to scrutiny, my beauty, or perhaps lack of. Instead it has been removed from the realm of what can legitimately be discussed,” she said.

Chi comes from a world of beauty pageants where she once felt pressured to put down her hijab in exchange for a crown.

After understanding the true meaning behind the hijab, and why she wore a hijab as a Muslim woman, she decided to design a fashionable collection called Classic Woman—not the conventional headscarf, but rather, beautifully coloured pieces which bear intricate artwork. They can range from embroidery to sequins or even tie-dye. The sky is the limit when she puts her fashionable sense into motion.

Chi said the collection was inspired by both The Great Gatsby and the Renaissance eras of power dressing.

“My collection features designs showcasing the powerful but elegant and well-tailored woman.

Chi Collection’s trademark fabrics are soft, beautiful silks, chiffon, sequins, embroidery and bridal laces. Distinctive attributes are the colours scarlet red, white and black, in keeping with the classic fashion palette and to pay homage to my country as a Trinbagonian designer,” said Chi.

Her collection was launched in November 2015 at the Red Runway Fashion Gala held in Port-of-Spain. The collection will be available for purchase via Chi’s upcoming website.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015

cellphone to heart, mobile to immobile, electric dead to living

you know that sleep and I are but passing acquaintances,
when it drops in, to heavy my lids, it is through a cracked window slivered, just enough for a Pan boy to grab me and away me to Almost Neverland

when the alarms sound that it’s sleepy time,
(quite like that quiet verse)
no time to delist the “those pre-shluffy to do things,”
cell drop upon my chest, like an open mic,
then the raging observatory tapestry begins!

the cell lies directly above my ventricular chamber,
and communication is live, the brain cutoff switch, well, cutoff

all manner of imps, devils, rejected poems, angels and
Greek gods and some Indian as well, stand in line for to make
free calls via a beating human message call center, utilizing my friends and family verizon plan to register complaints,
close out unfinished biz, or just contact, friends, family or other
mischievous imps or even you, in other time zone worlds

though my brain may not interfere, like the CIA, it records all
conversations and give me a list of new poem titles, notions, stories glories and wrenching heartbreaking heartbreak,
requiring “fleshing out” when I awake from my three fingers
of scotch, glass eye tears drops made me drunk,

damning this transmigration chorus of voices that offer up a treasure of divine humankind’s hopes and travails,
and the occasional call on the divine’s 1-800 confession line,
hear it all, my chewing out by one particular god of mine who does not suffer my criticisms well of his ungodly actions, nope not sweetly and

when else would he dare contact me, except when no edgewise
words of mine can appear to contradict his mealy mouth excuses

did you musty misty mistake  my poems  as the product of
the miracle water wages of my imaginary inspiration,
no, not, from the replaying of your desperate exclamations,
the cancerous shrieks of loss and prickly investiture of the aesthetics of soft whispers and solitary foot treads,
that is where my insanity is bred, and tumbling s-words, sworn

don’t consider it eavesdropping as there is no signed rental agreement, consider this unfair warning, if you should secret use my cellular line, your everything is now ******,
your genetic material is materialistic mine and my poems yours,
this bittersweet sentiment is a measure of our bloods commingling,
your tears and impish silliness, are shiny hidden within mine

somehow I feel compelled to state this unique statistic:

I love you

4:47pm on 3/11

who writes poems like this?
silly old boys with gray hair, standing on one left leg.  but you knew that, right?

I can't wait till I'm awake..
Plugged into the wall.
Nothing noted until the shell of the capsule
collapses under the weight of your trembling hands.

No there is no notation for what was said between us, just figure-less voices and a strenuous pain that strained our throats for the fear of nothing being communicated between the exasperated gasps of what was less than incommunicable silence.

Ugly is not a word but a feeling applied with meaning, applied to a certain truth about that metallic taste in my mouth, that tearful pain jostled in my chest and that consuming fear.

  I know little of what this ugliness could mean other than it harbors shame in my corners. This shame is not inborn in anyone, but it builds it's presence as a drunken braggart who shouts obscenities and believes he is a prince of highest regard.

His ugliness is in what he slings from his tongue and his criticisms of all who in his mind toil about. But he is simply a angry troll with no heart and delusions of grandeur, frittering away time.. for time stands as an eternal judge and measure.

My mirror is covered in cracks and flaws, and some parts that make you look fatter, like a funhouse mirror, and it clings to dust and dirt and fingerprint smudges of oil.
But I don't replace it.
Because sometimes it's easier to spot the flaws in the mirror than to fixate on my flaw riddled body,
Flaws that aren't just skin deep,
The night is beautiful but deadly.
When you can't see, you have to find new flaws to detest,
It's addictive to beat yourself,
I'm in an abusive relationship where I don't mean to hurt me and I can't leave myself-
And there's some macabre satisfaction in the dependable breaking,
Like I know every night I will go to sleep hating the fact that I am still breathing,
There are memories haunting me from as young as ten,
Things that shouldn't still be repeating,
I can't work out how it just keeps accumulating,
Words spoken
And thoughts
And I don't know if anyone else feels sentences as deeply as I do,
And I'm running out of personality to stick pins into,
Trying to fix myself with voodoo
They say negative reinforcement is the quickest way to correct behaviour but I make the same mistakes
it's not okay that I constantly feel like I'm failing,
But life is more than a high-stakes game
And everyone's saying that all teenagers feel this way
But it's not reassuring to know that my generation is one of lost souls and hate.
And we're all really angry,
Whether it's because we'll be working till we're 90 or conflict left undated
Racism still exists and the Chancellor of Germany is getting called a ****
While anyone Asian is labelled Indian or ****
And eating disorders run rampant through the territory where anorexic girls get priority while the boy who binge eats is just called fatty.
And this is where I insert a statistic to convince you that we're unhappy but I refuse to be quantified just so I can mean something.
And it doesn't let up,
Compliments are uncomfortable and seeing good in yourself is arrogance, criticisms self pity
And you never know if they want to help you or just ensure that you understand the importance of conformity
It doesn't take much to convince someone you're okay.
There's not much you need to say
And if you can laugh then you're fine and we know no one checks the closets for skeletons because they're filled with people too afraid to come out of them
People accept 'fine' because they just need to know that they asked the question,
And besides, deeper questions get stuck beneath my skin.
And even when someone else compliments me I don't believe them,
Pushing away others cause I need distance,
Sometimes I feel sick from the level of enforced interaction but people only see the side they want to see.
When I told my friends about the time I struggled with suicidal thoughts they expressed their sympathies and it hasn't come up since.
Romanticising illnesses leaves me unsure if I am suffering or if I just want to be,
And part of me has to agree that diagnosis and its certainty would be better than the admission that life is just like this
You can't get better if it's something you can't fix
I don't think I'm broken but maybe I was made to the wrong specifications cause it feels like I am missing something but at the same time there is too much of me and not just physically
I am choking on the sheer volume of my past, present and impeding future
Trying to get it together
Told that it's okay if I don't know where I want to go
But in year 9 we picked our gcses which determined our a levels which determined our university courses which determine our career, if we even get there.
I keep finding new problems
I am still haunted by the old ones.
But I'll be okay,
Cause today
Someone told me to love myself.

Once I met a lady in a store who looked at my daughter and asked me
what was wrong with her why was she behaving this way
I saw my daughter and told her nothing, she is just dancing to her favourite song
and this is also one of the ways she plays

She looked confused so I explained and told her she is autistic
For which the lady congratulated me as she thought I said artistic

She may have not heard it properly but she was right wasn’t she?
Both the words had so much in common if only world could see


Autistic is artistic cos they look at the world very differently from us
They paint or write or sing what they feel and create a beautiful buzz
An autistic’s perception of world is so different so unique
And like any other artist they  prefer to let their work speak
Most autistics/artists are still looking for the medium
they want to express their feelings in, what makes them comfortable
Or maybe what they are doing right now is their art,
their stroke, their poetry,
whether or not we find that agreeable

Are we mature enough to understand their art?
Are we talented enough to polish their skills?


Don’t ruin it for them by moulding them into something they are not.
You will lose them for ever, for they won’t be the same without their art
Guide them through this life, make them as independent
as you would any other child but give them space and time
Don’t rush them into this life, for every child autistic or not,
is a caterpillar in cocoon, and will only emerge when nature chimes
You won’t get a butterfly by breaking the cocoon,
or else they will neither be a caterpillar nor a butterfly
Give them time, nourish them make them feel loved
and see how your beautiful butterfly flies

Do we have patience to give them that time?
Do we not know what broken dreams feel like? *


Guide them give them the proper tools to move and grow
How to overcome obstacles that you have to show
Don’t overload them with your expectations or pampering’s,
For every child autistic or not is like a seed,
and overloading will be very hampering
Always remember too much spoils and too little leaves impoverished
They need just the right amount of everything you can offer
and oh the places these kids go when they feel loved and cherished
Care for them, they are part of you, involve them in your life
and participate in theirs with all your Arden
And see how they bloom into the most beautiful flower in your garden

Have you learnt and polished your skills to be good gardener?
Have you taken training to be a good coach?

I have a child with autism and I have had my share of
taunts, staring, worthless advices and criticisms,
But I never let those rule my life; for it would have been insult
to all those angels I met in this journey of autism
This is a long journey and we will fall and fail, a lot, I know that
But I will learn, get up and make corrections
and move ahead and not worry about the stat
I will get up every time and help my daughter get up too,
I promise to my child and myself
We will keep moving whether life offers us
an empty or a well-stocked shelf

When I see my child I see
-A budding artist,
- A butterfly emerging from a cocoon,
-A beautiful sprouting seed.*

Yes I will give her all that she needs and enjoy the process.

Who Am I!
Who am I to be!
Where Do I belong..
Where will I end up..

Why was I designed and what Do I live for.
Wonder why I am who I am..
  Wonder why I do the things I do.
    
People....
  I wonder why people judge the way they do..
    I ask how people hold on to the judgements and criticisms.
      I often see how people keep others in tight cages.
        I see the hatred and it often amazes.

Even with all the answers......
I'd love some favors, I'd Love some forgiveness..I'd love Grace.
It'd be so wonderful to love others as we love ourselves.
It'd be so Blessed should we let go and let God..
It would be so humbling should we forgive as we need forgiving.

See how we don't all have the same views....
See how we all don't believe the same things...
   See how we each reason and have our own logics.
    But can we all at least see we are all still human beings.
Who all needs those basic Things...
         Love! Redemption. Safety..Trust..Peace,,Understanding..
Food..clothes.. shelter.. and family and friends...
  Can..
Can we place ourselves in someone elses shoes..
Show some empathy..show some coompassion..
   consider what if you were me.
Live the best we can with the life we are given..
  Open the cage and let the hated free..
Give them To God let him Be..
What ever it is to them He wants to be.

S.a.m 2018 Protected!

april 11 1952 Mom gives birth to beautiful blue-eyed girl Mom takes name Penelope from Great-Grandma Penny who died week after Odysseus was born Mom and Dad are not educated to know greek mythology and homer it is odd coincidence they picked Odysseus’s name out of book of names thought it sounded strong  anglo old money Odysseus is thrilled to have sister to share childhood with when Odysseus is 6 and Penelope is 4 Grandma Betty invites them to visit her house block away she serves them oatmeal cookies orange juice shows them her latest small painting of field brightly colored flowers birds in sky lower left corner is horse or dog painting is still wet she shows them magazine picture she copied from Odysseus realizes it is pony in lower left corner when they return home Mom yells at Odysseus “where were you? why didn’t you think to call or leave message with Teresa? do you have any idea what a nervous wreck you’ve made me!” she slaps hard Odysseus’s face reprimands “don’t i have enough to worry about without you pulling something like this? you only think about yourself it’s so typical of your selfishness wait until your father gets home he’ll deal with you now go to your room!" every time he gets caught in mistake he is punished the drill is Mom gets upset with Odysseus flies into rage yells slaps him around threatens him with Dad gets home has a few drinks Mom tells Dad explodes beats Odysseus Mom is judge jury Dad is executioner afterward Dad goes back into living room pours another drink sits in celadon green lounge chair Odysseus is trained to wipe tears put on pajamas go to Dad apologize admit fault promise to be good kisses Dad and Mom goodnight goes to bed that is the drill

Odysseus is barefaced curious exploring discovering tries to connect with Mom and Dad but they are unavailable they are his parents not his friends as far back as he can remember he lives in world of “it’s safe free here Mom and Dad can’t see us” children are smarter than parents think figure ways to self-protect something stirs inside Odysseus creature separate from Dad and Mom whatever psychological or emotional patterns are developing he does not understand obediently goes along

Mom and Granny Mattie take Odysseus and Penelope to browse shops on oak street at one store little statuette like kind Granny Mattie collects catches Odtsseus’s eye he slips it in pocket on drive home he takes statuette out to show Penelope she asks where he got it Mom Granny Mattie overhear ask Odysseus where he got statuette he confesses took it from store Mom gets livid steers car back to oak street Granny Mattie insists “it’s just a figurine let him keep it Odysseus meant no harm i don’t see why you want to make such a big fuss Jenny!” Mom replies “he’s got to learn right from wrong!” they all return to store mom explains to sales clerk what son has done Odysseus hands back figurine apologizes when Dad gets home he dishes out punishment years later Penelope remarks “that was the first time i realized Odys you needed to reach out for something beyond the family”

Odysseus wants to die he is 7 years old and wants to die he knows his life is critically messed up wants new different existence person he is becoming is too error prone ruined already he is way too ******* himself Dad’s temper Mom’s criticisms subsequent self-absorbed social demands drive him to ideas of suicide Dad and Mom are too busy to notice Mom always uses sleeping pills placidal nebutal seconal miltown whatever is the latest Mom says she does not dream Odysseus guesses she does not remember her dreams on account of those pills everyone dreams years later Mom remarks i need sleeping pills to forget about you Odys as Mom describes “i run a formal beautiful household” she delegates chores to weekly staff of brown skin ladies it is house of feminine décor matching pillows sheets pulled tight under elegant bedspreads everything put away in proper place furniture in precise order little dinner bell servant’s foot buzzer beneath Mom’s chair at dining room table maids in servitude once a week white woman with big shoulders foreign accent shows up to give Mom massage Mom is not to be disturbed during that hour Odysseus knows first names of each laundress cleaning lady doormen deskmen garage men janitors caterers at holidays tall black effeminate John comes twice a month on sunday to cook serve traditional american breakfast along with fried bananas apples afterward he cleans up shines silver first 13 years of Odysseus’s life are lived in buildings with elevators staff of residence employees

Mom’s closet is vast with colors textures ground level hundred or more neatly arranged clear plastic boxes containing pairs of expensive shoes walls of imported French and Italian designer label dresses skirts suits blouses top shelf fashionable purses hats other feminine accoutrements also two large dresser chests filled with drawers of sweaters scarves girdles lingerie hosiery more accessories Mom often wears joy by jean patou arpege by lanvin chanel # 5 Mom shops at saks bonwit teller occasionally marshall fields within several years most of her buying will be done at fantastico, exclusive import boutique on oak street clothes jewelry cosmetics are important to her but most important is hair she prefers bottle blonde color wears hair trimmed medium length fluffed up sprayed fixed as do many women of her generation social stature she visits beauty salon twice a week must enjoy letting her guard down with other women while being served by homosexual men her hair prevents her from driving in car with top down all other outdoor activities that might threaten hairdo Penelope mimics Mom though she keeps her things in less tidy fashion she is being groomed to be queen like mom maybe Mom is more sympathetic to Penelope because both innately share female experience Mom portrays herself as lady of elegance Penelope is different from Mom more earthy bumbling routinely scratches Odysseus’s records leaves her drawers messy Mom takes baths so her hair will not be disturbed Dad takes showers Odysseus and Penelope take baths together then apart as they grow bigger ****** is normal in Schwartzpilgrim household Dad hints reserve Odysseus follows takes showers Mom leaves bathroom door open while bathing she is constantly changing clothes traipsing around in robes slippers elegant silk lingerie