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Taylor McKee Nov 2012
Paralysis
Crippled
By fear
Or anxiety
Depression
Like the gaze of a basilisk
Sinking
Unable to swim
All the lifeguards look like sharks
Manage to struggle in the currents
Further and further
Swimming
Away from the shore
On purpose
People can tell you you're Superman
But when you are your own kryptonite
Why even try to swim
Being crippled
By the basilisk
Its grasp never loosens
Joseph S C Pope Feb 2013
Ornamental graves set like feasts
                                                                             for unfaithful lovers,
                   the broke marrow of virtuous phantasms,
                                                                      now swaddled rapture
                                                                      chanted as basilisk verses.
                                           Scarred Alice wraps it around
                                                             torn limbs--
                                               festering gauze--the cynical made anew.

                         "Creation moves," the gluttonous moper speaks again,
                                                     "to erase itself."
                                            Alice's children blasts
                                            the afterlife caboose
                                            to the front of the freight
                                           --saeculum saeculorum--

               "Wake again and again
                          without ghosts and wrath,
                                 dear children." The wind whispers their souls
                      back to her--"the molding of men
                      and women attend to sponge the graves dry."

          They will raise themselves
                            --chanting the basilisk verses,
                mother Alice
                               departs her children twice
                      to the corridors of rose fields
                      in her naked cloud.

                                                    "Come back, dear mother...."
                                                    "Come back, dear mother..."
                                                                               they chant,
                                                     "Your salted epitaph
                                                        still lingers in our throats."

            Not fit there
                   or here.
           Nowhere, Miss, nowhere--

                                     Sin is the party
                                           that doesn't die
                                  and neither does the health
                                               of lyrical sand.

                              --Floaters like discontent
                                         Alice,
                                     recreate the world,
                                  --our world with
                                 pastels and finger-paints
                doodles on Arlington headstones
                                             --messages for our ear bones
                                             --disasters on eleven
                 turning stones roll over--tortoises play dead
                                                            but whisper,
                                               "Clergy cerebral
                                                 won't wisp away
                                                  beds of jewels.
                              I pity people who think
                                          themselves powerful.

                    "Frost-bit devices dilate
                   like the hands of a watch
                          tearing time apart with
                     rusty blades.  

                                                                                      "Counting fingers--useless freedom
                                                                                                                     --bothersome slavery."

         Alice knows what the basilisk knows,
                              we would sacrifice
                              the only righteous heart in *****
                                                                           & Gomorrah
                                                                           to save
                           &n
Paul F Clayton Jul 2012
In the centre of the ruins
A carved stone creature stands
His mighty beak is open
As are the talons on his hands

The muscles on his chest are taut
His wings spread on his back
His legs are so positioned
As if ready for attack

He stands upon a pedestal
Struggling with the clinging vine
A witness to civilisation gone
He has withstood the test of time

His stare is across the ruins
Toward an ancient obelisk
Which somehow might be linked
To the mighty basilisk

If the basilisk could talk
What tales he could tell
Of generations of mortals
And of how the city fell
wounded  Oct 2013
basilisk //
wounded Oct 2013
i felt a shock
when my gaze
shifted into
your electric
green eyes
and my gut
dropped
umpteen
stories
as a devilish grin
spread across
your oval face

your words
slithered up
and down my
spine like a
thousand serpents
prepared to strike
at the first
sight of weakness
but i couldn’t keep it—
from stumbling
out into the limelight
it must have been
the highlight—
of your day because
i stuttered and
your words sank in
and dispensed
your venom into
my stream of innocence
and i just haven’t
been the same since
Sylvia Plath  Jun 2009
Perseus
The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.  Hercules had a simple time,
Rinsing those stables:  a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers?  You.
                               You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony:  a look to numb
Limbs:  not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
          Imagine:  the world
****** to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand.  Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
           So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
                         You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout.  Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre?  The tear-dazzled
Sorrows of Malfi's gentle duchess?
                                   Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
                         To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
Joseph S C Pope Feb 2013
Iodine damnation cleanses Alice--rock-and-roll medusa
                                              alone in the field,
she waits for the flies to eat the spider
                 --the third testament of law
                                                   divinely christened as low as $19.95.
                  Hell is where
       Schrodinger throws the bodies. Revived Alice is in a burlap sack
            embedded in the cubbyhole
            of a mortal anthro-rubix,

    the small garnishes that spot livers during cancer.
                         "Hello and welcome
             to the resting place of all Blues songs."
     speaks the curbed lips of Gluttony. A name that vomits
            up rebellion, like cleansing the glucose off
   fish-cleaning tables.

   Alice touches her eyes                                       rolls them
                                                                        --fortunate galleries,
broods deeply on the jaws of her receptors.
                    "After the last drop, the hard boiled spoil
and the cats won't eat 'em. Neither will I," Gluttony spews, "You all show up
                    as do I, magnifying the cruelty of digging,
                                                                             digging,
                                                                             digging
                                                 that follows me and you to the bitter stem
                                                  and rough petal--throwing this rose,
                                                                                                that rose,
                                                                            here and there inside the carcass of lust.
                                    The scalding photograph of a guerrilla war playground
                                                                                   hangs over
                                                            the mantle of a prideful garden.

        "Pulp wisdom
         looking back at the names of thieves/murderers
                                                       of simple thought
                                over-turning scars of fallacy
                                         in that garden.

            "Picking,
             picking,
             picking out the best arrangement
                           so it doesn't look like I went
                                                                         through a drive-thru
                           for what to say.         'Hey.'
                                                               'Yes?'
                                                                'I love you.'
                                                                'You too.'
                                                   Something in between
                                             what you, I, and the others were looking for
                                            has uprooted bushes--the tilled chest of my sister
                                                                   and lover--disarrayed, dirt thrown
                                                                                                         to the side.
                                            Fibonacci colors patterned
                                                                        across the moist earth
                                                      to distract you and I, all from the dread, and all
                                                                                 the relief
                              of ripping apart the white, pink, black, and red."
Skaidrum Oct 2015
...
I've got a few visitors tonight;
they're all associated with the wolf under my eyes

I.
I've left loneliness to starve on a stone table,
while jealousy can bleed me a lake;
fear and I are equals,
on the battlefield of fate.

"Pay no mind to the rebel."
II.
Forked tongues recite wickedness; of all
the shadows gaining power as the sun was slain.
Black flames banish all that is golden,
as darkness bent my silent skeleton;
but it didn't break.

"I'm just some sin you committed...right?"
III.
A basilisk waited for me at my chambers,
it requested a lullaby, and a glass of iron wine.
Who knew poison would be my new best friend?
Who knew my company would be kept by
an oracle of silver'tongue?
Dead languages clutched my
lively secrets.

"Every wolf gets tired of the moon at some point."
IV.
And just like that;
We were splintering at your wolfsong
auburn poems at the feet of trees
waist deep in misery you sat,
head crowned in autumn's diseases.
Witnessing you tilt your head to plant a kiss
on the night's wings;

"Oh, it's ******* agony."
Watching your eyes harvest hurricanes
love sinking in tongues
of ebony sorrow.
they don't belong to me
you don't belong to me.

"I suppose I can't change the world
but I will leave it colder."

V.

And sometimes, love is just the aftermath
of a tragedy.

...
I deserve to suffer over you, Lycan.
I always have deserved it,
this is my curse.
© Copywrite Skaidrum
Martin Narrod  Mar 2015
Argument
Martin Narrod Mar 2015
basilisk ****
nonparticular inexecrable exit
art ****
the lips on for breakfast
twilight zip entanglement
meticulous bending and sensual telepathy

fever-sickness
rock 'n roll boo-boos
lilting black 'n blues on the caboose
puppeteering every tasty ***** loose

chews the collar
thighs and necking room
bustling bussers it gives ifs
gets down with

daisy, dior, dkny, grapefruit(purple) to narcisso and pink sugar too

Bliss tainted madness
playing tug-o-war with
January's vacuum
Years of passing down groupies
to the most recent djs playing bad dubstep tunes
and that sickness of seeing iloveyou's abused
argument groupies arcticmonkeys rap hiphop lyrics January in March dubstep tunes dj iloveyou you i love s apostrophes and apotropaics not amused thefeverbythecrammps use kicking being used abused musedandabused lust dkny dior daisy marcjacobs fashion neon blinking ******* black and blue blackandblue red fever booboos ouies ouch basilisk magic eit bending ****** telepathy sensual i'm cramped thecrammps
Kyle  Oct 2013
Haunting Dawn
Kyle Oct 2013
A new dawn has surfaced,
I woke up and realised I was wrapped tightly in your warm embrace,
I gently pushed your arms away,
Headed to our brightly lit kitchen,
Fixed you marshmallows, pancakes, muffins,
Marmalade,
Everything that could revitalise your day,
And then I remembered what you said,
'Babe, never leave me more than 5 inches away'.
I giggled and decided to return to your warm embrace,
But there you were standing,
Shambling like a Haiti Zombie,
Hair messy,
Breath as foul as Smaug and Shrek,
But there I was wanting to close our 2 metres gap,
Till' no spaces between us were left,
But I halted from my tracks, and said,
‘Baby, would you like some coffee to ease your groggy state?’
‘Who knows what tomorrow’s dawn may bring’
‘But my love for you will never dwindle from change’

I wept as the last pages of your diary was soaked in red,
From the sliced vein of my wrist when I was in a fit of rage,
With the broken glasses of our photo frame,
Taken whilst we were at the Carpathian cliffs,
Alas I could not capture your fall,
And I could not stop recalling how your hands gently slip away from my palm,
You ended up in a coma, failing to respond despite my desperate calls,
Nor from kisses that could awake you magically like Snow White with her company of dwarves,
Know that I am forever yours,
The same bespectacled spectre, Always haunting the campus halls,
Waiting to steal your attention and leave me petrified,
From your Basilisk and Medusa like gaze,
You were a personified patriot of beauty,
With hazel scarf, scarlet hair, pink lips,
Seraphim in disguise,
And what an angel you must be, to fall from the atmosphere,
And defy society’s tainted rules of attraction to fall for an underdog,
Though I find it ironic that your name was Dawn,
It seems like my sorrow was fated all along,
But I do not wish to survive another dawn without me in your arms,
How silly am I to forget about the running water in the tub,
The portal to bridge our gaps,
Not another step was taken,
When I felt a familiar warmth behind my back,
Followed by a disembodied voice which sounded like a ‘Hello’
Or was it,

‘*******’.
Vernarth in the evening of his life is called again to raise his sword, perhaps following the paths of Paul of Tarsus, precisely here his Word would begin in the figure of a Hoplite who will redeem the oppressed, who will reinforce the growth of the seeds, that will give hope to those deprived of Faith when they have to face their own Apokálypsis that would allow them to take with them when embarking on this adventurous daring in pages of life that follow that for many will be unknown. The seer's paranormal experience in Patmos will vivify his commendable virtue of confessing himself as a defender of Life and Death from the same intermediate final point, to then reach the nexus of gratitude that compensates that leads to make amends when leaving his abode naked and return every six months to Sudpichi in Solstice, and Equinox in Spring to Patmos explaining the premiere of this final event.

Vernarth's distinctive and codes will swell an intertestamental Biblical event, made up of crude abstract and demonstrative images that from so much decanting could be assimilated to what the Mashiach did in the Siloam Cistern, more than water being the same Hydor that is born from the origin and reaches the end of the erudition. The desperate desire to limit the spirit of a soldier is clouded within his own microclimate, wishing for a possibility that lies in the impossibility and fruits of the fan that separates the Universe from the Earth. From here the Faith is professed by the reflections of all those who have lived in a body of Flint, as were their parents freed by Vernarth, letting rest the readings of the sunset to those who from Flint have become meteorites that wander through the universe. As possible Christians to re-convert after a pre-tribulation or a new order, separated from what deprives us of new incursions. The Apokálypsis according to Vernarth does not diverge from Saint John; rather it tends to seclude itself from all the windstorms of divinities that are intermingled in its mysteries from all the exuberances of an endless gospel, which moves the hair of the Yahweh with the scent of lavender even within the pantheon itself after three days. The mystery of not understanding that a common man bears stamped on his body all the signs that give observance of a Passionate John that is in all of us having to share his silence within us, as suggested by the silence of which we are fertilized by clairvoyance’s of Patmos more than the consequences of some supra desire of Vernarth to cover some hint of autobiography, but more generously than the doors of his Megarón or Dypilon, be clairvoyance that shows us that the doors are the unknown within what is and we cannot Observe, V.G. as is illustrative in Spinalonga when Marie des Vallées settles at the point of the salvation of Theus and Vikentios all behind the transom as a consistent metaphysics of the unfulfilled desires due to burdens of other souls in salvation entrusted to resplendent beings. This is testimony to buried or invariable enemies such as Edomites with the affinities of the Seleucids or Pharisees with the Primitive Christians in the channel of each word that interprets the opposite diameter adaptable to a prayer that circulates the course of what an exegete does well If the original word of Vernarth's testimony of never perishes to aspire to do as the manah on the flowers that well deserve to perch on the Xiphos, where the central nerve of its shoe is the Baldric, many times it turned only in the battlefield when Vernarth used both hands, what a mystery! Here is the glossary of what is double-edged and double-handed metal when its length is pointed to the edge of the world where the Sun at its tip let the Light penetrates. Each unknown hemisphere will be possible to slice with both edges of each Xiphos as interpenetrated bronze and iron until it dissolves in the light of the Spring Sun.

All the causes were weighted to a grandeur where the messages of recomposing all the patrimonial legacies that would be the influence that everything could decline in the grandeur of bloodcurdling screams from the temples, which remained in the dark because they did not know who to unbind from the co-responsibility of seven churches of the Hellenic Elegies; from Ephesus to Laodicea trying to remove from the jaws atrocious empires that sentenced policies with more than a thousand years without having any more than a macular century. Vernarth in the depth in which nothing bothers him incites his sensitivity with what reduces the pain in his compassion of the 1st century, which will never stop passing through the well-deserved waking time in all the streets of Greece in which all his traces are they shuddered in challenges that deserved to be from a great classroom that is oversized more than any possible Odeon to fill with spectators from a well-to-do society and satisfied as it seems today with a high price paid for an unworthy degree.

Also, his apocalyptic metaphysics flees by whole perverted societies, and not half due to points of tension of his overwhelming immorality, and defense of all nature that does not corrupt itself, perhaps from an echo locked up when converting from Laodicea to Ephesus as if he were to remake Vernarth's Inverted "V" as the initial contact point of these seven derivations of his decline. The barbarians are at the foot of the very door that enters rather by inertia, and decline from the extinction of the Sun to later redefine it through cycles from spring to winter as we will see that it will emerge with the Duoverse manifested, after trampling on the beast that feeds on of pain and ingenuity from which all our destinies are focused to be swallowed by the snout of a battalion of enemies that migrate from the beast, but they do not realize that this is how calls should be made to all the empires that leave to his abandoned combatants, left on burning pyres immune, punished by flames that will never consume him, who were dazed and with their temper will come out alive with bodies that do not belong to us, annoyed at not prospering because of this anti-divine ****, understanding that the harshness of our tears will not make us neutral or worthy of the joys of suffering together what belongs to us in a body already sacrificed, this is the Apocalypse of flourishing images that are directed in processes of slaughtering the lamb that I cannot and will not be able to identify with the apparent strength of knowing how to be forgiven or undermine the riches of a leadership that for long millennia hoarded riches and never delegated its feigned goodness to us where the grass grows and twists from its root, rethinking days to count and increasing the agony of counting the simulated strengths that never let us enjoy.

It must be understood that all the opposing forces merged with the numbered days of a new rebirth, with the cries of Vernarth from Hyperborea, the pre-tribulation from Erebus or Sheol, from the anguish of the pectoral or Lynothorax from which the days counted in the same distance of traveling in the Purgation or Katartirio of the total confinement of which could be mentioned shouting in the acoustics of the Valley where the last word will remain. We place ourselves in the extravagance of which the rays of luminance deliver us the entire body of credibility to reach the step of happiness that will flow from the first and inaugural vision that confirms the first of the first of the alchemy that has been positivist, even of what paradoxically resurrects not expecting to be who we expected it to be, but despair is cast down in an act in which Vernarth dares to let go of the Mashiach's hand, to go help his parents from being petrified by the Flint that It would be provided for the end of the world with the prompt assistance of St. Jerome of Estridon as it was for an act where the Dragon calmed down, and stopped moving its tail, perhaps from the Green Dragon of Slovenia or its offspring for spreading within the world expelling fire with scales, horns that could be trusted from the Ibex of Valdaine, the Dragon of the Stained Glass of the Cathedral of Avignon hitting with its tail the Portals of Saint George, stating that such time the Nibelung Ring Cycle with Siegfried or secular specimen of the Draconian descent of the Merovingians, of the very Greek Drakon that began to subjugate Patmos in the year 76 AD. C. in between and badly wounded between the rocks of the Wind Tunnel of Profitis Ilias or as the dragon could be welcome, and if it were Lohikäärme Finnish descent stopping Soviets on their borders of blood that roars fire from the deepest corner of their land. The Greek serpents were born in the seas for several miles around where there were no other species but them, because if they had they would have been devoured by the great Ha-Shatan with ten horns and seven heads, much of the literary inspiration of San John is in Greek, but it is more likely that he originally came through the Near East. In the embryonic Roman Empire, each military cohort had a particular identification Signum (military standard), after Trajan's Dacian wars in the east, the military standard of the Dacian dragon entered the legion with the Sarmatian and Dacian cohorts: a large fixed dragon at the end of a spear with large open jaws of silver and with the rest of the body formed of colored silk. With its jaws facing the wind, the silky body was inflated and undulating, resembling a windsock, the Dragon continues to travel along roads that are the marks of the chariots without any mercy to those who awaited them at their destination with legions throwing hot breath that only Saint Jerome of Stridon knew how to mitigate. This huge lizard will continue to lay siege to the evil that cannot contain it, just like the basilisk in the Raedus Codex to imbue the never-burning blades of fire from the Apocalypse of Saint John, by chance with the fiery semblance of a Wyvern in the dome of the cathedral of Saint Nicholas in Slovenia, swallowing his own fire. With a fateful language of birds that would codify Siegfried that the end of everything comes from the seas of Patmos with heated water.

That winged creatures will come copiously to quiet the world to the world of Miðgarðsormurinn perhaps in Jämtland, besieging the Soviets like a serpent more than winged in vigor that shakes the Celtic tree with its Birch and Beech in Solstice or a dragon that was not with wings glued with wax that crashed when falling before reaching Sicily as is the case of Daedalus and Icarus, or the Lindworm dragons that expelled fire from the Mörser 16 howitzers of the Second World War. All these wealthy treasures are fundamental pieces of all the paradigms that form the prelude to a History that has blinded us without giving rest to everything that surrounds us, not even lavishing Christian burial with evil eyes that are characteristic of the dragons that they spit fire from your back, stalking a Britannia Pendragon.

Much of the banners, heraldry, and heraldry bear this emblem of beings made up of male and female offspring to form as a family the antigen of Slavic Bulgarian humanity, as a dissident figure that was torn from the edges of the Apocalypse to protect the crops where probably Rains of gold would come for his crops if he were male, and female if it were a prophecy of bad deeds to denigrate the farmer's seeds. Strong-blooded dragon would be Zmiy, Ukrainian carrying a four-legged beast, and on each leg a Cornucopia for golden petals that are collected from other maidens who will never stop being lush, protecting the arteries that rain healthy blood from Ukrainian maidens like the Zmei. From Zsablas that carry the Polish Smok on their backs that will be reborn from this apology of the Dragon of the Apocalypse that freed them from the Katyn Forest, on the banks of the Vistula where Bogdan drank water with his Zsablas to go free the Heroes of Smolensk and each Polish officer who had a Dragon stamped on his forehead, and also on the Coat of Arms of the Cracovians in Piasts of Czersk, fleeing from the cellars of some Warsaw revolt.

The climbing of the Basilisks of the Profitis Ilías Wind Tunnel will reign throughout Hispania as a prophetic emanation from the mouth of San Juan in Asturias and Cantabria with the magnificent silhouettes of the mountains in the Dragon Saw, followed by gargoyles that come to life in the peaks as a young Hoplite who wears his Áspis Koilé polished to annoy the dragon, which is nothing more than the basilisk when he was tricked by the Raedus Codex by mistaking them for his own offspring, thus allowing those who went to the Investiture of the Himation. It will be the eponym of Sugar, a Basque masculine god, who is often associated with a serpent or a dragon, but can also take other forms. His name can be read as "male snake".

Marielle de Quentinnais shows us in Saint George and the Dragon in the era of the Antipopes in Avignon, of which Saints and Blesseds would fight with the powers of the Dragon as in this sub-sequence that was released from Forli, with great similarity to the Mercurial Ambrosia due to Saint Mercurial as the laurel of Christianity over the idolatry in which terrified people did not sleep because of the frightful tremors of Forli and Forlimpopoli. Possibly, Saint John, the Apostle helps them put the stoles around the cornered Dragon's neck. Every evil force that is not defeated is a postponement of that moment in which it will fall surrendered, as it was from the original of the Dragon Hunters like Saint John of Patmos styling in the acroteras, and ledges of the Megarón that points to the Aegean seas to see if some of them are coming regurgitating the intact body of Margarita de Antioquia, that burst from the black belly of the Dragon saying "Draco vivit in Homine, non in Legendis" "The dragon lives in Man, not in Legends"

Having established Draco Vernarth Apocalypsis liturgy "Apocalypse of the Liturgy of the Dragon of Vernarth" the message continued along the path of Hydor where precisely the defenseless doors will be protected towards the enthronement of Silence with the ardent hope of Salvation as evidenced by the Pauline message "Marana Tha” building the coming of the Eternal that with all its dimensions will transform the collapsed world, tearing the senses that can reach the trade that transforms the ritual that is entrenched in the genetics of eternity in the tail of the Dragons that have formed classes and subclasses of heraldry of the Black Templar Knights, who roam on the run, creating the confusion that the medieval feudal mysteries were the continuation of an antiquity even if hostilities did not exist unless the tails of the basilisk of Patmos are crossed with some science from Ephesus to Pergamon , with the providence of a god in extinction that s ea disobeyed by his troops, and is bloodily decimated by the suffered trances of evil from which the ill-fated Knight is transformed into his own Dragon bled and immolated.

The end is not made with a mere vision of a Draconian Liturgy, from the year 72 AD. the Roman legions of Palestine were uncrossing where voices were heard like an occupied face of land but free of religious authority, which in one way or another saw the contemplative passage of half kindness or benevolence of a Caesar that would later be followed by the chins of fire of the Dragon, always escorted by Vernarth who lived and heard everything succumbing to imperial systems that were attached to filings of Hebrews that burned on their backs, to corners not sharpened by Greek spears to corner the frequency of a detractor of symbols of the Apocalypse, that was embodied in Vernarth with sumptuous flint that adhered to the Áspis Koilé or smaller Peltas that became prosaic to arrows that adhered to the tin shaft to vindicate itself in the foliage, as a recurring expression of the apocalyptic mentality assumed by recognizing that the Apocalypse is lived inside, and nothing on the outside that corrodes more than its own entrails. Indeed, everything private and non-transferable exhorts us to the end of the melodrama from where we must share hearts for those who keep their manners, and make the opening of the Kassotides a tiny possibility of change after Vernarth realizes that he has the furthest possible the dung of the Human Dragon, creating a dominant culture that recovers what enables us to preserve in its own Identity, illuminated and reinforced by conviction.

Vernarth, a few steps from falling from the abyss, makes his prophecy to ask the sky, the Mashiach, and Spílaiaus to release the chains of Kairós, so that the genre of granting life revives the system of the flame of the omega point, which then is reversed in celestial spasm, strongly grasping the tail of the dragon that will transport him with three lightning bolts and trumpets with the seven trumpets that will leave them in Delphi according to the nature of the Cassiotis or Kassotides moat, as a praiseworthy insurrection of being reached by a metaphorical being in Daniel as an apocalypse that will indicate that rain of light and fire will flow from on high, but they will all be directed from Patmos to Delphi.

Vernarth joins the Maccabees to obstruct the Seleucids, as the two books of the Maccabees tell, who start a ****** guerrilla war against the oppressor, and the prophet Daniel chooses a totally alternative and non-violent path. This shows that the worst militia of an armed man is to break with the sovereignty of his oppressed soul, and then be batoned in literary artifice like books from the present to a past with leaders buried in the ruins of lost civilizations, as in the case of the Seleucids and Edomites in open bread on themselves by Mikaiyáh, Archangel Saint Michael. Behold Vernarth where each gloss of contracted episodes never disengaged from the muscular tail of the Dragon that evidenced his vision of St. John, in such expectation that it resolutely rose from the heights of the Iridescent Nimbus, subduing all empires in the tail of the Dragon. The dragon that shakes the resistance of the ungovernable walls, but not the law of the powerful who makes himself believe, but the muscle piece that is rooted in Tel Gomel, is nothing more than the Holy Scripture of the duality of Saint John the Apostle / Vernarth; both as a monosemic (uni-meaning) and univocal lexicon that penetrated with all the desire of the heart moving them together, to decipher after the year 96 AD, towards the unveiling of Sardis to Laodicea with the Iscaton that is subtracted from the Dragon's Tail.
Cauda Draconis
Sometimes Starr Aug 2016
my heart has hallways

it's a lot like valhalla
only a little smaller, squishy and pinkish-red
a lot lamer. in rooms i'm playing guitar
or maybe i am playing with the dogs
or fixing myself something different to eat
hey, it was actually good

these walls caught the sound of your voice
and held onto it
when you walked with me here
i was excited but not ready
you were older
i bought you all these things
but you just got me Emily

and it's coursing through his mind
and he only wants you and he means that
and he doesn't have the patience to write a great poem right now
barely the patience to accept you won't ever date again
he can imagine other things but he rejects them in real life
he just wants you, her voice, her body
he knows it's in there if he could just dig it out but no

i've decided it's much better to leave you alone
considering me and considering you
only i ******* can't
i really, really want you back
and it kills me
every ******* day.
Sean Flaherty Jul 2015
"We'll see."
(Thirty-two team,
two kyoo-bee,

a full-starting
O-, and only
two-guys on D.)

Mixed-media,
played-with, in poetry.
War, on, inside-me.

Implying-unstable, infer-me,
infirm the insane,
afraid,
and a stain,
and-to-blame.
And,

for shame,
part of race, don't,
myself, run-in.
Tryna buy-my-lunch. (&)
*******'s brought a gun-in.
Element'ry school, and all you wonder's where the fun's went. (&)
"Probably in another-empty-bag of
eaten-Funyuns." (&)
Probably, blue-blew fireworks, with fingers-off...
stumped-him. (&)

"Stomped'em."

Wonder, beauty, why you cryin'?
"Wonder,
if you'd drive?"
Bought-in, you did! To
all-I've-said, ugly and
alive-eyed.

"Wouldn't cough too much,
with tube-in!
You're mouth-dry."
Hampton-Beach-power-plant-hug,
July Five. CJD makes-me.
A bad brine, mine.
Another-youngest,
"Brother has died,
blind."

North Hampton,
on the way to
Hamherst-dam.
"Tryin'-man!
Love, the fam.
Will it be too late t'jam?

If I leave, you, now, from where I am?"
I leave now, from where I am. So,
[Leave now!
From: where I am!]

Leave now, "from where?"
(I'm already there.
Or did we come
the other way?)
"I'm getting there,
****."

I.

Am.

Despite the **** blizzard.
Why am I afraid to say
"it?"
Like:
"it" isn't.
I'm a Wizard.
Are we set,
now?
On-a-plan?
I'm a lizard,
tail-dropped.

Basilisk-Kenevel,
walking water-cans.
Bet you coulda. Know I woulda.
Puddle-crossed,
"Bye," I ran.
Ogled-over noodles,
with the
"wrong-sauce-
Dan-Dan."
I'm always glad to read you.
Wrote to your-self, I am

THE man, I am
THAT guy! I'm not?
"You are."
Just-High.
I fry.
These-frilly vegetarian-victims.
I ripped flesh from bone, before my dogs,
had to sic 'em.

Oh--
if you don't like the channels you can clickclick-click 'em.
If I'm showing off my *****! "Better go-head."
Lick'em.
See? Hawk-my-****, and
Stickemmmmmmmmmm.

Didn't happen to 'bic' him."
D'you know
how to pick 'em?
Cuz I take hit, like you
take-a-****:
Ummmmmmmm
...
well.

And, I turn-it.
All-around.
And I make you
****-yourself.
*******-on my
"all-that,"
it comes, with.
Now, Fall! Back!

Cell-tough, in round-III, so
convert, or burn-winnin'. "Comfy-
When-sinnin'." In-system,
Preferably would, and should-be:
Bobs. Newhart and Lee and "the
Third. " "Cornball." Griffin.
Racist, your second-choice, whiffin'.
K-battin', ten,

outta-tin.
Hear it in the heat, soul-hissin',
lion-sun, bathing,
and she-glisten.
Cast me, to an
island away,
swears-by-we,
"Listen."

"More pills, son?"
Try'na name
your brand,
Of volley-*****.
Wilson,

Rus-sell

"I call them the
'defensive-stars,'"
And this-league: ***.
***. Arr.
Ain't-no-side-

hus-tle.
Fantasy. Cyclycality. Football. And, all Bob's, thought-of, that rhymed.

— The End —