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Ryan Aug 2020
Amphetamines in the dark.
Sitting here, heart pounding.
All bite and no bark.
My shame compounding.

I’ve been up for days.
Heart beating, chest thumping.
I navigate the haze.
My internal engine pumping.

Amphetamines in the dark.
I haven’t had this energy in years.
All started by a spark.
It will only end in tears.
Mateuš Conrad  Mar 2019
7,254
Mateuš Conrad Mar 2019
.how did the political "debate" ever become surmount to include musicians? from what i've seen? of the KEXP radio session...  Ashish Vyas had the most fun from the session... i always admired the bass players more than those ****-offs running out of rhythm guitar sessions... bass, a tier above the drums... masturbator-grand-master-soloist... i guess this is one of those nights where i drink more than i write... elephant's ******* choking me to come... oh well... not even a Decalogue will save me... the political art is no art to begin with, curtains... all i'm seeing if curtains... and households filled with retired personel... and curtains... curtains but not blinds... it's abhorrent to have to listen to music with hushed bass guitar... notably metallica... apart from devil's dance and... where's the bass guitar? the rhythm guitar section overpowers the music... fine fine, have your solo *******, but don't silence the bass guitar with the rhythm guitar, i need to hear the drums translated via the bass guitar into the rhythm guitar... solo guitar and vocals all you want... it's like... the lessons to be learned from jazz, when all the fire prime instruments are allowed to solo... went, "missing"... i need the bass, man... frantic bass & drum genre type of music will not do lollipops for me... what was the alternative? dub-step? well... vex'd & distance... burial... who were the others? i don't remember... don't make me cite skrillex: white privelege man! yeah... at least with rabbit teeth missing, doing that well known party trick! i don't like bands that have a knack at an over-emphasis of the rhythm guitar, who neglect the bass guitar... it's so counter the jazz-inheritance... tool: grand bass, red hot chilli peppers, silverchair... i need that smoothing out layer of sound that manifests itself in a bass... a layer of sound just below the rhythm guitar and a tier above the base (not bass) of the african drum borrow... bāß... base (not bass)... yes, it's not supposed to look pretty: a phonetic antithesis... as most "things" in english...

             mind you... did i mention how heidegger
has a foot in the door?
       oh... i didn't? did i?
     the reflexive and the reflective quadratic...
the reflex of conscience "vs."
the reflectiveness of consciousness...
       heidegger:
                  language - only if speech has acquired
the highest univocity of the word does it become
strong for the hidden play of its essential
   multivocity (as withdrawn from all "logic"),
of which poets and thinkers alone are capable,
in their own respective modes and their own
directions of sovereignty.

  of the few lyrics i've entertained these passing
"days"?
             the black keys: lonely boy -
              i got a love that keeps me waiting...
borrowing from Kafka i guess:
      in that case, i’ll miss the thing by waiting for it.
   no?
   guess there's no "oops" where these words
come from...
              
    with the "passive" circumstance of the faculty
of memory...
                two tiers of memory:
the reflexive memory type,
the scholastic rubric type...
  1 x 4 = 4, a + b + a +c + u + s = instrument =
counting... etc.,
            that's the reflexive memory type...
a scholastic rubric...
      dyktando...
but memory also occupies
the reflective parameters...
          which involve personality...
a sort of memory dissociated from schooling,
and more, associated with:
disinhibiting any chances of succumbing
to dementia's grinding machine
of the mortal circus...

  the reflexive memory storage bank is
the buffer...
the "placebo": nay... the safety mechanism...
but... too much education,
too much pointless education,
and the erosion of the reflective memory
storage bank: this is not a buffer,
this is not a something equipped with
a "safety mechanism"...
        given that a self is perpetuated
within the confines of
a constant conflict with the "self"...
   a and italics / the and "ambiguity commas"...

well, there's always a place to start...
i find of like philosophy as being
a rigour associated with a satisfactory
form of vocab.,
       namely?
i can use the associated words bound
to a sentence with confidance...
unlike a ****** fiction writer,
sometimes dabbling into loan words
from a thesaurus, to, invoke:
an intelligence superiority...
  don't worry...
  when people lend themselves
to use a thesaurus, having exhausted
their adjective knowledge... it shows...

come on... a background in chemistry nouns?
3,5-methylhexane... you think?
that's the remains of a saxon past in english...
in chemistry...
germans spell like dr. faustus to begin with,
they, compound...
        the remains of a germanic past in
the current state of english shrapnel still
lives... in chemistry...
        hydrocarbons...
                  usually met with a hypen:
hydro-carbons...
       siebentausendzweihundertvierundfünfzig
(7,254)...
well, very german: what a waste of not employing
punctuation marks (', -) when it came
to the caterpillar 189, 819:
methionylthreonylthreonylglutaminylarginyl...isoleucine,

Me­thionylthreonylthreonylglutaminylarginyltyrosylglutamylserylleucy­lphenylalanylalanylglutaminylleucyllysylglutamylarginyllysylgluta­mylglycylalanylphenylalanylvalylprolylphenylalanylvalylthreonylle­ucylglycylaspartylprolylglycylisoleucylglutamylglutaminylserylleu­cyllysylisoleucylaspartylthreonylleucylisoleucylglutamylalanylgly­cylalanylaspartylalanylleucylglutamylleucylglycylisoleucylprolylp­henylalanylserylaspartylprolylleucylalanylaspartylglycylprolylthr­eonylisoleucylglutaminylasparaginylalanylthreonylleucyl arginylalanylphenylalanylalanylalanylglycylvalylthreonylprolylala­nylglutaminylcysteinylphenylalanylglutamylmethionylleucylalanylle­ucylisoleucylarginylglutaminyllysylhistidylprolylthreonylisoleucy­lprolylisoleucylglycylleucylleucylmethionyltyrosylalanylasparagin­ylleucylvalylphenylalanylasparaginyllysylglycylisoleucylaspartylg­lutamylphenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylv­alylglycylvalylaspartylserylvalylleucylvalylalanylaspartylvalylpr­olylvalylglutaminylglutamylserylalanylprolylphenylalanylarg inylglutaminylalanylalanylleucylarginylhistidylasparaginylvalylal­anylprolylisoleucylphenylalanylisoleuc…

or just read the end of james joyce's ulysses
or jean-paul sarte's iron in the soul...
you do have to insert shrapenl punctuation
into this word...

but these are the last remains of the english language
being associated with a germanic origin:
compounding words...
             esp. in chemistry...
                

as any drunk would state,
to suffice...

    what was it that the luftwaffe
prescribed for the night raids
on London?

   and what did isis fighters
be prescribed?

    amphetamines?
n'oh!
   (minus the extended omega:
oooooo enough time
for a katy perry song,
an afternoon shower,
a slap in the face,
and then a few punches,
hey, jerking off became
boring)...

   so the british,
and a few polacks doing their
r.a.f. bit beat the germans
because?
   oh... **** no...
they were ingesting
an impediment factor,
durg, ****,
drunk, numb-skulled...

    we're talking counter
measure to the "enchanced"
mensch...
    high on amphetamines...
insomniac, but still going...
i guess the loci of
the amphetamine adventure
had to relocate to the anti-ego
focus of the phallus
in the variation of viagara...

****...
i care more for my giggles
and a friar tuck physiognomy...
seriously...
   it's more important than mere
gymnastics of
a freudian "metaphor"...
  ha ha...
   i guess conversation is
also allowed...
   try keeping that up...
given that most men are
******* into a solipsism...

     date nights... m'ah ah ha ha ha...
i figured that i don't
need french intellectuals to
redefine absurdity,
or german philosophers
to "redefine" existentialism,
i just needed to leech
off an nativistic english
"public"...

                      what the ruling
class spews:
   i reinterpret...
                  simple, 1 + 1 = 2...
crux, numbers,
   bounce back...
echo...
     compliment to the language...
as i stood in the shower thinking...
well isn't modern gaming
slightly "ingenious"...
money piggy...

or... reversed...
    provided the unlimited time
of experience...
no constraints,
just a game within a game,
like sims 3: making a sim
play a video game...
wormhole paradox
      and a brain shattering moment,
a jolt,

         these modern "free" games?
well... at least if you
do not invest in them,
are... games mostly associated with
time...
time is the game...

   whoever gets ****** into
the money laundering schemes
of these games,
forgot to read the cheat walkthroughs
akin to final fantasy VII,
because of homework,
and... Saturday mornings.

   **** air guitar:
here's to air drumming to posit
a point...

          the allies drunk their pint
of whiskey, slightly debilitated,
without the circumstance of feeding
a feeling of superiority,
the germans over-inflated
their superiority complex with
amphetamines...

         ergo?
    i'm either proper drunk, or just plain dumb,
or... it's related to listen, repeat,
listen, repeat: katy perry
  (sucker for POP!)....

      never mind...

games used to be fun,
games used to lead to a completion,
tenchu, that was fun,
final fantasy VII...
but this current,
money-sucker of an experience?
well... sure...
now games have reached
an anti checkmate conundrum
which it is...
because, the games are "free"...

           apparently time,
is perceived as a non-commodity...
tell that to someone stuck
in traffic...
      time: the "elder" flimsy
              construct of relativism...

try not giggling
while exchanging whislting to
either the british grenadier march song,
and the french la marseillaise...

   it's like eating pork liver with onions
fry funny...
    or at least a stew of chicken
hearts... tight tender little *******...

but modern gaming is just that...
ingenious counter measure
to the old school variation
of gaming,
    games... without fiction,
games, without script...
    continued perpetuation
of engagement "syndrome"...

     thank god,
i'm pretty sure that if i went beyond
owning a PS1,
i wouldn't have spotted this,
and have a narrative subsequently,
for the worth any sort
of compromise...

ergo? i drink...
   eh... i need to dumb down...
it wouldn't be fair otherwise...
it's not so easy,
to acquire a culture,
a psychology,
a mentality,
   and then...
     to ****... (grimmace, burp,
         snigger) it all away...

**** me, the flute always
gets me...
          i mean...
every time i hear that flute...
my feet at rambling,
itching to tap along...

   well of course it wasn't
the ******* jazzy clarinet,
was it?!
  tell that to the broad
who perfect a *******...
see if she comes back
as smart,
as smart to comply with
the intricacies
of playing, the ******* clarinet.

p.s.
aud lang syne: the only song,
of all time...
shakespeare seems
pale by comparison,
"side-note"...

          broad vs. brode,
******* giggles in the afternoon.
Mateuš Conrad Jan 2017
that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
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        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an
Mateuš Conrad Dec 2016
i write about these things,
because in all honesty?
they don't matter to me.

you can call it assimilation, then you'll call it
   i'm making a worded salad, so it doesn't really matter
whether i speak the language or not,
being native you'll tell me i have to be a diacritically
riddled over-laden version of you  nativeness...
you'll basically tell me i have to speak a worse-off
native than you didn't bother to grasp...
after that? i turn Sioux and scalp you.
  because that's what you deserve.
i could have come up against you
in the thick of night and turned you into a kebab,
and do you think anyone would have
cared? is it one thing to assimilate,
and another to assimilate into a skin-head culturalism
implosive that's brimming to the full with your patriotic
hopes as being acted upon? i can speak the perfect
English and still be more welcome in Scotland
than in Kent... but that will not not do,
not until i shave my hair off,
grow a beard, and runsack my skin
with quasi-Hindu ******* tilts...
           and when this foreign legion
of Swedish journalists bemoan why
their **** ain't where their heart is?
have you seen the *sienkiewicz"
trilogy of *potop
? you want history?
how about: in the beginning
there was an invading horde of Swedes
that tried to topple the proto-commonwealth
of Poland and Lithuania...
  even how much i cared to learn the tongue:
i'd be left belittled by ugly accenting
stereotypes...
                          i'd be Islam of drunk,
while the engineers would be left saying:
and unto us amphetamines,
and Mamelukes were never Egyptian...
because Egypt was what Egypt desired...
a quasi thingy... then i turned my ear
to Macbeth, and earned 70 years
and a Spartacus' worth of ears to my nearing 31...
                   i turned to Macbeth the theatricals
silences, and let, the music... play.
i can learn the language, but i am expected
to push the natives from a career of criminality,
i am expected to become the criminal,
i've learned the language beyond the natives,
what else?
   to learn the debasement of the natives akin to
every other culture? am i to become the
criminal statistic of the ruling political elite?
so they can "know" but that they merely quote?
   i owe my ode to Macbeth,
for Hamlet can become tiresome aligned with
Sisyphus in hell...
              we'll have builders by the end of
the debate...
     how much more do i have to learn?
is language not enough? then velkommen Syriac!
               is it not enough that i know the tongue?
must i be jeopardised by using it,
and say that universality is to be excluded,
simply because it does not abide by an utopian
ideal of pure English sprechen pure English?
         there are scapegoats to be festering upon
the spike that's readied to be fried...
but come on... is this deutschesprechen?
              it can't be! if i pretend to be Malcolm...
you pretend to be Duncan,
but nonetheless the speech makes us both truant
ghouls and guises receding
   into the demands of operatic - kindred to
Lady Macbeth (a protestant, or should she be
known catholic: McBeth) -
      as Glasgow religion of the coliseum of the times
testifies... celt and ranger... green & white vs. blue and
   black...
     lady mc.: what beast was 't thou,
        that make you break this enterprise with me?
(no matter if you killed a man, of whatever
stature he be worth, what beast are you to suddenly
cage my heart, when having agreed to make my heart
and feeling thus: storm the heights of Ben Nevis,
and descend as angrily as a woman might please,
  and with her whim, descend from the mountain
as if a mountain descends into desert?! what
courage, ye! to throw a woman into such woe
and leave a man's promise, the very least
a man can bestow upon this earth: but a woman
yet to come to correct!) so thus the elvish Anglican
was spoken, and thus continued:
- when you durst do it, then you were a man;
   and, to be more than what you were, you would
be so much more the man. nor time, nor place,
did then adhere, and yet you would make both...
  from his boneless gums...
nor have i understood Hamlet as the model student,
the puppet if not the mere mascot...
for the Freudian couch... then again i navigated
past Kant with Macbeth,
having yet to complete reading the critique...
       i took to maturity, and said
what others wished upon: there is true
adult agony in a well versed poetry...
       more so than adolescence in what's deemed
a maturation process...
             perhaps i should have served the concern
for Hamlet and laid bare upon the psychoanalytic
couch... but Macbeth: of said
sepia as copper, so said of woad as in aquamarine
surrender... led me to cite...
          for i was never bound to own the tongue
i would acquire... i was told:
   well, hello there, dishonourable squire...
ah... the queen's majestic airs...
    will make any Irishman desist from the republic's
gaze...
             and sloth in a respectably believed state
of consolidatory affairs under the kites of Yates...
   but never you mind the Silesian consumed
by former guardian of the coalmine...
or what L'vov wouldn't say in Ukrainian...
mind you Nevada and Lasso Vegan...
mind you that...  for that speaks biblical studies!
i will never assimilate, in that i will never be
allowed to own this tongue...
            and if i am allowed to own it...
i am but a furry-faced-bloat of faked pleasantries
   and closet nationalism...
        i wish i could own this language as if i
might own a typewriter... but i'm apparently
not welcome, by the pseudo-irish who
mediate the English assertion of the understanding
of the dover sieve...
                 ******* leprechaun mafia...
  paddy paddy oo too the butch-faced freckled girl...
   it's as if the Italians have Manhattan,
    and the Corke conglomerate prescribed
everyone a pint of Guinness rather than iron-pill
supplements...
                 well: and so the Titanic bellows
out an oceanic morse code of tantrums on
the accordions.
                      which sorta soothed the mermaids
digest contemplation for the vegan accomplishment
of shrimp... and over seafoods...
being digested.
         now i'm apparently not speaking English,
or i'm speaking English and i don't understand it,
or i'm understanding how i'm speaking English,
and how i'm supervising all things uranium
                               bound hallucinogenic...
or how, even though urbanity took off and
the countryside disappeared, you think you'll never
meet peasants in smirk attire to condescend you
gravity toward theatre or opera...
     but peasants are reall... you can recognise a peasant
the minute they don't recognise you insulting them;
it's a bit like telling a very witty joke...
         i don't get witty jokes because i tend to treat them
like a siegl heigl salutation...
   and i respect the memory of Octavian...
                                 it's the wittiness that comes into
contact with actually not telling a joke: and people
end up laughing... that's when you spot the peasants.
    so you see... i speak the ****** language,
but i'm sorta denied the access for drinking a cosmopolitan
at a Shoreditch pub...
                        which makes all arguments
for learning the language obsolete in terms of gaining
a "fair" advantage... and this is European to
European lingo...
        didn't i ask that Swedish journalist
ingrid carlqvist to watch the trilogy, including
potop about the war between Sweden and
the Polish-Lithuanian commonwealth, and ask her
about what's to be culturally inherited?
**** me... maybe i'm sleepwalking...
                     dodo zombified or something...
                                     oh wait...
                                         if ever there was a regressive
reparation policy in a country:
i'd hear: guilt from western countries taking the bribes
of the Marshall Plan...
      and overt pride from countries post-world-war ii
being prescribed communism, as a way to rebuild
their nations: for fear of having to commit to
hara kiri... or *******...
                                         as said: becoming
the easily bribed convenience...
                              the concept of assimilation
within the construct of selective migration has transcended
the mere acquisition of language...
  acquiring a language isn't enough...
         the reverse policy of colonialism is hushed-down
ethnic cleansing...
          which goes beyond language per se,
since it goes beyond dialect ex lingua...
              it is a necessitation of also acquiring
national stereotypes of unengaged in dialectics...
it is one thing to rhetorically assert a need to debate,
and another to understand that dialectics ≠ debate;
but rather a service to prompt and engage thinking,
rather than debating... dialectics is an art-form,
     it's intended to encourage thinking,
rather than the continuum of polarised / schizoid
debating: debates never accomplish a convergence...
whereas dialectics is intended to establish
a convergent pinpoint... as Socrates said unto the young,
so i find myself talking to old men and being
in accordance to have shared a park bench,
one sunny afternoon at the nadir of summer.
                why is it that acquiring language is not
enough these days?
       or why is it that a poor acquisition of a language,
or acquiring a language without correcting
accentuated stresses particular to a tongue
are given a freer access to labour, then
acquiring a language to a standardisation of
mimic localisation, and fence: a faking of
a faking (ad infinitum) or locality?
i.e. overly-successful assimilation?
             overly-successful assimilation is punished!
   it is punished by speaking as a fluent native
might... but having no discriminatory biases
that could enable one to be completely native...
and this is punishable!
             by a stance that it's a robotics project,
that one is nothing more than an a.i. enterprise...
even those dearest to me acknowledge me
as a robot... an a.i.,
           but they can't seem to understand that
artificial intelligence, and authentic intelligence
cannot be superficial intelligence of
natives... for the natives have a placebo
to what is otherwise a Pompeii resurrection
to the volcano-dynamic of analysing-ergo-synthesising
           ana ergo syn           which
constructs the opposite of thesis and antithesis,
given that the equation combines two adequate prefixes,
ana- and syn-...
                      "against" therefore "with".
isn't that how we cling to social pressures
or prejudices and still accumulate 8 billion examples
of a comparative e.g. that's a John Smith?
     i have yet to come across a contemporary that
might become as if fatherly...
   i just see opportunist buckling down the M25 of
encircling nothing more than a venture into
gaining a quick buck... and it could, it could
almost be sad... but it's not...
              it took me almost 13 years of synthesising
the English language: synthesising i.e.
mimicking - before i started analysing it...
      and when i say the groundwork for any
theory on the subconscious is to focus on grammar
and grammatical word interjections into
a Joycean stream-of-consciousness...
                              for that's worth the upper-tier
working from the sub-level...
                          of utilising language:
then the unconscious is far from dreaming...
it's equivalent in seeing how i acquired a language
at the age of 8 to synthesise / mimic what the children
around me were saying...
   but that it took me so long to analyse the language...
which the children around me acquired within
a reflexive bias to later strand such reflexiveness into
a divergence of calling their angular retraction
philosophy, linguistics, poetry, psychology...
whole all i had to do is to appropriate a reflective bias to
later strand such reflectiveness as to say:
of my mother i say polski, of my father i say:
             ojczym - and i can reflect upon him,
foremostly his diacritical lack of the wriggling-blagger's
economisation, when due coinage is needed.
Mateuš Conrad Jul 2016
from the simple email, to now a pitch-perfect complication
of the internet - no performance poetry found here -
performance meaning singing, meaning cascade of rhymes
to help you memorise sentences and shake your hands
about - ekphrasis (εκφρασις) - performance stand-up
but not stand-out - i'm not complaining, i'm just feeling
the fear and loathing too - or according to M. Schmidt (
no, not Martin Schmitt, the ski-jumper, but then again
the two seem almost indistinguishable when said -
counter e.g. gnome - 'nome and schmi'dt'dt'dt'tt stutter
at the end of words rather than at the beginning before
the dam gates open for the word to flow out from).
besides the point, can you imagine Kant using the phrase
a fortiori in his work that uses only a priori and
a posteriori? i only came across it today - but given
the big *** systematic approaches, you'd find it hard
to squeeze in a fortiori into the complex narrative -
an entire blackboard of mathematical proof concerning
disallowing the end product to be ∞: in philosophy that means
explaining something on a universal basis, the entire human
concern for things said, things done, things owned -
inserting the term a fortiori where once came a priori
would be a disaster for the Kantian narrative, he'd
have to write another critique all on its own to insert that phrase
among a complete systematisation of that phrase -
well the funny thing is, this expression goes in line with that
i observed about left and right, hands eyes whatever -
indefinite a- and the definite -the articles and then an ism -
i sometimes feel funny or at least embarrassed that i keep
repeating this notice from time to time -
but you would expect me to include gravity too,
or how i used to be a flower thief in spring bordering
on winter, plucking the eager flowers in the frost around
the countryside - well, i revived that practice today,
plucked two stalks of lavender (they were pinching my
nose when i walked past with a beer) and something
resembling lavender... google-moment... if only they
created apps that could tell you what flower it is you're
trying to identify, search engine impromptu -
well... it's either a coin-toss between
summersweet (clethra alnifolia) or butterfly bush
(buddleia davidii) - but it could be something else -
cigarette, beer and sniffing lavender, just my kind of night -
i swear to god i once drank a lavender-flavoured beer,
or cider... i can't remember -
but by definition, when i look at philosophy books i feel
they're much too bound to something said earlier
and followed by something to support it -
or in the case of a fortiori the expanded-upon basics,
i.e.: from a / the stronger (thing) - which means
it's a dual-carriage way of saying what you want to say:
from a stronger thing - from the stronger thing -
in real life that's like: what we get from a telescope,
or? what we get from a microscope -
stars aplenty - G-Rex 5571 in the Zodiac constellation,
U80802Z from the constellation of Poseidon -
i mean, flimsy answers - sky's the limit - then
the azure cage hovers over us during the day and
we turn to daydreams packing apples into crates -
telescope: oh airy-fairy, somewhere far far away -
microscope: got that needle and thread with you?
well, whatever we have, we know that our minds are
not build for the omni- affix when affixed to anything,
esp. god. Jews never bothered with it - there are just
as many necessary limitations of a deity as there are
as many unnecessary limitations of our freedoms -
that's how you move away from big ideas and narratives
of a Kant, with his chequers of analytic / synthetic
a priori / a posteriori and concern yourself with
knives (indefinite) and scissors (definite) articulation of
language - hell, we can go down the road much further
and say something about indirect and direct articles -
pronouns are the prime subscribers -
you wouldn't talk to a Jihadi directly as you'd talk about
him indirectly - i shared that curiosity with a local
stranger-mate in a park once walking his dog,
an ex-banker - those boom-bomb boys are being prescribed
the same thing that the Lufftwaffe pilots were prescribed
(pervitin) - but i doubt they got their hands on the pure
medical stuff, they're probably on amphetamines...
oh the R.A.F.? yeah, drunk like skunks.
but just imagine rewriting the Critique with a fortiori
and a infirmiori - disobeying "correct" definition,
as already mentioned the pronouns composed from
articles, as in condensed to indistinguishable parameters -
a fortiori - from something stronger            -
             a infirmiori - from something weaker -
(as already stated, the original definition of
  a fortiori was - from a / the stronger [thing]) -
so the articles disappear and couple themselves to the word
thing (word meaning, no grammatical classification is
really necessary, because if grammatically classified it would
be too obstructive) - but because of this lack of
grammatical classification of the word thing,
we are already associating the definitions via only the
indefinite pronoun - rather than a definite pronoun (i.e. nothing),
it would be pointless to write definitions using a definite
pronoun - well, up to a point, i suppose that
suggesting both a fortiori and a infirmiori to be defined
as: from nothing stronger and / or weaker we can create
a self-mechanistic-propeller, a way of self-overcoming that
in the end arrives as self-knowledge, obviously the
ultimate purpose - and this goes against all solipsistic despair,
as it also goes against making too many comparisons
with others, some who are weaker than us, and some who
are stronger than us - for the stronger will make light
of one set of propositions as the weaker will make light
of another set of propositions to suit their demands -
this can only be seen in light of Kantian-Darwinism,
survival of the fittest and what not -
Kant had in mind something simply said historically in
a condensed sphere of reality, Darwinism kinda did away
with historical realism, soon after the English Renaissance
after the second world war, Darwinism picked up again,
as a way to shut off the murk of the Holocaust -
Elvis did his bit, the Beatles too, but once the imagination
dried up, people decided they wanted to travel back
in time to 10,000 B.C. - and you think artistic expression
will end up a concept prog rock album, or a cute 3 minute
synthesizer song while M.T.V. turns into a 16 year old's
******* of a baby? i'm going keep the acronym, and instead
call it MORAL TELEVISION, or? how to buy a ******
or pull out early - but obviously i'd get a wisecrack comeback
from Juno - see a preacher man anywhere around here?
Kantian algebraic (big words, small people, Belgian waffles
too):                                                    ­              a. / s. after
                                           (event) x.
a. / s. prior
                                     what qualifies?
                                    - historical hindsight -
                                    - the current historical catalyst(s),
        THE BIG BANG... or as i like to call our current history,
an interchange on the words: BIG BANG BLACK HOLE...
BANG A ******* HOLE... get a BIG CLOCK...
******* HOLE... which is what it looks like at night...
two catalysts overall - and boy we're speeding
to Groundhog day - the biggest changes in history were
some celebrity's haircut - that's relative to
what happened when the Treaty of Versailles was signed;
BIG HOLE BLACK BANG (and that's thanks to dark matter) -
but to be honest, if i'm given only these two historical
vectors to work with... i'm not surprised so many
Islamic youths are disfranchised, choosing a third,
Jannah - it seems like a natural thinking process that
will never make it into popular media -
just thinking about it probably warms the heart,
obviously to an extremely violent end -
but this is gone way beyond the heliocentric and
geocentric arguments - because up there, where you
can see the earth where the hell is Copernican East
or Copernican West? it's nice to know that the earth
isn't flat... but that won't help you reaching the Panama
Canal from Portugal... will it?!
Sam Hammond Aug 2018
Whisky, I neglected you
For mushrooms and amphetamines.
For ket and **** and LSD,
And Mandy too, to name a few.

Needn’t I have looked so far
To be the greatest of cliches.
The drugs and raves led me astray.
For writers, scotch is more on par.

Half your bottle drank away,
Half full in my state of mind.
Every sip; sublime and kind,
Every **** a harshened spray.

Now I’m stuck, a drunken haze
Has washed and swept the ways of rhyme.
In its tide is also time,
As by the sun, the night decays.

Whisky, polished, final sip.
Like the bottle, I am dry.
So, I tried, to write not high.
This poem *****. I’m off to trip.
Natasha Jun 2014
I send my hopes
and universal powers above
hoping you feel
nothing but
the eternal forces of love.

That your tired soul
may rest,
for its eternal age
letting all past pain
of long gone days
fade away.

For every soul that met yours,
and looked eye to eye
opened their souls
and spilled their guts
when they found out you died.

And I,
distant as I seem
hope that somewhere,  somehow
you are following
your dreams.

May his young soul rest in peace
One of my childhood elementary friends (a boy who used to tease me over my curly hair actually) just died today of a drug overdose.
It just so happens, that I saw him by mere coincidence yesterday walking down the street. Mere hours later he would be dead.
Never to ever accidentally encounter that soul again
life is so very very fragile
Mateuš Conrad Feb 2017
when i was born within the Chernobyl aftermath, and the nurse tried to **** me, in that she almost choked me, enlarging my heart, and when that didn't **** me, and they attempted to befriend me, and gave me a brain haemorrhage... and that didn't **** me... i started to think: what will? i can't say i'm in hell, i can only assert limbo: i'm not a monster, just yet... it's only later that i became *******, when they wrapped me in a blanket of denials, to ensure their society was a beacon of false hope and even more false love... that last bit is the cherry on the top... i once hated ridicule: now i started to loath playground like games of lies... i just started thinking: these people are a bit worthless... how could people i once respected become so... so... pointless? it's not a case of: oh poor me... i'm laughing... asking for the next quickened allotment of epitaph in marble... i prefer the pain rather than this kiddy game of denying something being true... that sort of **** just makes up for being thought about too much... it exhaust my mental capacity... limbo is quiet fine, i'm apprehensive where these people think they live... utopia isn't exactly a best-described vicinity... but when did people start to become so ugly? it's slow down here, the big bang just happened, or as i say: with the kettle boiling water... biology's darwinism timescale for a reaction, and physics's timescale of the big bang theory are not exactly fascinating for me, boiling my water to make a cup of tea... i am literally split-mind concerning these two "barometres"... it's just hard juggling these two (0, 0) coordinates... to stress a beginning... evidently juggling these two narratives leaves us living our lives on amphetamines... insect like... it's hard to even make time or emotional investment in: a death in a village... it's doubly hard to make adjustments for a tomorrow, giving our input in beginning: no one knows, billions and billions... years... and then back toward the befitting cranium... it really is man with an omni-characteristic, well... at least one of them... which clarifies itself in a way: given that we're no longer exploring this orb, globalisation ensured the tribe died... we can go in circles: round and round... there's never a clear vector in sight... no real unknown land to challenge... it's all been tamed... once the savannah, now the zoo... as one german noted: the melancholy of the completed house... all the work gone into constructing it, the thrills, all gone... it just stands as perfect, as it is already derelict... hard to keep track of a two-beginnings system... it's hard to find awe these days, i mean awe that might allow an Aristotle, rather than just looking stupid... i think that England really does require an invasion to shake it up a little bit, it looks so docile in its arguments... so certain: "poised" to conquer... i can get (0, 0) of the big bang, a big blank... my brain just became scrambled eggs... i store that **** in my head: i'll see forever-never-tomorrow... i store the monkey-suit in my head (the other (0, 0) beginning) - i'll begin to wonder: but the monkeys have it so easy! me panda! me and bamboo! darwinism has either killed of history that we made in the centuries a.d. / a few centuries b.c., or what they're prescribing us really can't fit into one head, or into a few, to make it into a crowd... because when a few ditto-heads ingest one wise monkey talking over another monkey... the atheistic crowd is the quickest to disperse... as with the constant banging on about the number of stars in the universe... i like to look at the number of carbon dioxide bubbles in a glass of Perrier water.

well, maybe because they aren't
my contemporaries... but i despise Chopin
like despise Liszt... the fact that the latter
smoked cigars is just asking
for me to abhor him... and that a poet
   succumbed to his virtuoso skills
with dire tears of
       a jealous thread (matt arnold)...
for me Liszt and Chopin battered the piano,
literally, battered the piano...
     could have slaughtered a cow also...
but then again there's a part of my that says:
well, if the god argument is infantile,
how about the nation argument, is that infantile also?
are we to be bleached entities,
or merely abstract pronoun users? you see,
   they stole Copernicus from the Poles,
and Mickiewicz, and evidently Chopin is no Pole...
but a prize nonetheless... so they keep him
as that rare thing: something born into an almost
inescapable state prone to disintegration...
   what with the monarchy being
     one of import, either a Swedish electer ruler,
or a Hungarian, or a Russian, or a German (e.g.
house of Sas) - a monarchical brothel,
   otherwise known as an aristocratic "democracy"...
    it's just a good thing i don't like him... i don't see how
a piano can be ***** as it has been by either Liszt or
Chopin, sure enough, nimple fingers,
joseph ii hapsburg, mozart, the film amadeus citation:
                                                               too many notes...
    a bit like me... for its worth, the piano is so delicate,
    so so delicate... how it becomes an instrument that
requires competitors, how you need more virtuosos
who can play the **** music than original from-scratch
composers... piano: it just asks for gliding hands,
it's not asking for these megalomanic
tunes that might leave you with a wish from an audience
memember: to break your fingers...
evidently nothing more than a death / ******* stare...
or why the true resting place
of Chopin is Japan... as odd as it might seem...
           plays the piano great... plays a woman
  like a bagpipe...
                  aren't the two related?
     and when i first heard *ola gjeilo
on the radio
i was a woman watching a romcom...
                              the whole northern lights album...
my: a feast!
         just one of the few contemporary composers
that i can invoke...
     so coming back to the piano:
   me more of a Debussy and Eric Satie palette...
they just glide... i can only imagine
       a flight of migrating swans,
   or ice-skating...
    Chopin and Liszt is a mathematical headache...
        solo piano and the gentleness of approach...
    and only today,
   a lesbian couple travelling to manchester...
one of them phoned the radio station
and asked for a request...
      i've been dying to note this song / composer
down for a year or so... always heard the song:
never the composer's name...
                   ludovico einaudi,
much to my taste: the piano still remains
   a wardrobe item of the orchestral architecture,
rather than a door of your fridge...
constantly yapping for: more, more, more.
you glide across it,
tease it, rather than taste it,
  or subject it to a rubric of quickened calculation,
it stuff the room,
the best you can do is make it sound airy,
    make diacritical echoes from it,
than actual letters...
           say: the acute above the o, rather than
the o and acute in ó....
such a delicate thing: the piano:
which is why i never understood Chopin,
or felt a need for a national argument
       needing him, propping him on a peddlestool...
having him as a national treasure...
                  i always remained true to
those who settled for gliding over the alphabet...
    rather than immersing themselves in it...
that kind of composition, that simply fakes lazy...
     they are the ones i admire...
     and yes, given that dialectics has been
completely forsaken,
   the best we can do is give an indulgence
in an opinion, and make comments of
diacritic...
   women, chocolates,
men: dialectics...
                    or at least that's how i find myself,
making diacritic comments...
   akin to piano (contra chess,
    white notes consonants,
black notes vowels,
or should i say: any letter with a diacritical
distinction is the black note,
vowels and consonants are uniform in white)...
Mateuš Conrad Oct 2016
civilisation abhors thought that it cannot vocalise,
and therefore monitise - it abhors it! it vilifies such
thinking as a form of mental  illness, or something akin
to such a statement; talk to any psychiatrist
and he'll tell you that psychiatry is, quiete frankly:
a variation of demonology - shadow people -
the "retards" everyone is quickly to defend
but easily strap into death-rollercoster rides
and the famous bon voyage adieu salute!
civilisation stamps it down, as i already said, abhors it,
whenever cancer is involved is a hellraising
fundraiser moment... come the sickness of the mind?
or the abstracted brain: we have parasite,
tapeworm people.
     and all because of our own cause in having created
the skivvy like residuals to brush under the
carpet of what's otherwise glitter:
   people who are without narrative:
                    without the marathon fundraiser public:
a macho personification of how to abuse
state authority but never wishing to do so:
but nonetheless being punished for it.

the central figure? fiction isn't written these days,
take a break, come back later.
        if you can't be honest now: you will never
be honest in a hundred years: forget it!
but you know what i find? sniffer dog that i am:
i find people like *Faustino Barrientos

a.k.a. not Pablo Neruda - and god i'm jealous,
there's this pristine exemplified variant of Adam
and i'm petrified with jealousy at
his 45 years of solitude in Chile -
               i'm mad by it,
why? because the so-called civilised world has
literally cut off all my limbs to embody such
a life: my grandfather and my father lived
under the laws of conscription auto-suggested
by the rubric of social preliminary bulletpoints:
i'm jealous of them too!
              i'm an Auschwitz shaven bearded
"thinker", no good to society that needs rigour
of appearing nice and selling bull's *******:
i wish i was (most of the time),
       i got a chemistry degree and was told to
work in a supermarket... there goes my love for
learning:
                i am, evidently, a pseudo-hermit,
self-imposed isolation but still seeing people:
or as i like to call them: ghosts - in close
proximity; now, if ever anti-social behaviour went
on unpunished, i'd be a gladdened example
of such feralness.
                    oddly enough, atheists are cultured
creatures,
                 but, not oddly enough: they have
nothing enabling them with self-preservation;
the argument goes along the lines of self- (hyphen
opening necessary)... as a prescribed form of
automation... in a variety of guises:
         this hermit from Chile has nothing of this
sort, he simply has a godly competence of
the environment, someone like Christopher Hitchens
can walk into a crowded space and give you
theological nausea -
              because could you find enough whiskey
metabolism while shearing sheep and
milking cows? no! atheism is a placebo of what
is otherwise an individualistic stance of
being an individual within a herd -
and what an almighty cold turkey experience we've
been given after Nietzsche killed god:
we're going cold turkey -
               we're theologically cold turkey -
we are still living in rehab, bad move to do it
so quickly: history on amphetamines sort of speak...
             a dichotomy of priestly attire
and politicians all suited tied and booted as
the grey matter: where are the ******* rainbows?
hence the persistence to relapse into hippy,
while adolescence succumbs to nothing more than
a medical circus frenzy: of nature's own:
                          getting rid of the weakest like
one might throw out an out-of-date yoghurt.
  all good and well with that montage of atheism
being the zeitgeist fashion statement -
    but there is no atheism outside of the civilised world:
there's the purity of the self-        automation:
or adaptability to the environment -
only once congregated there was the imposed:
the non-existence of.
                      because it was trendy to speak like that,
we established a cohabitating necessity as
a species and then tried to fake that necessity by
differentiating with enough intellectual sweat to
distance ourselves with a counter-argument:
i.e. not self-   as in automation because of the ever
changing weather and organic octopus auxiliary attachments
for the worth of grit:
                     but a self-    (unit of automation)
   to fill the world with an almost inaccessible
perpetuation of the narrative - but this civilised self-
                 as variant of automation
toward self-sufficiency and independence is completely
lacking in the civilised world!
     we treat people like ****! waiter! cashiers!
                     bus drivers!
         i endear you to think that in the collective of
what's known as the civilised world: the hermit does not,
exist! there is no self- to speak of,
               try milking a cow or lumbering along with Jack:
it ain't there! we're a bankruptcy in terms of limbs!
        well sure: i write, and immediately i'm
in a mess because i like to study -
     which means poetry or poetry aspiring to
philosophy is inherently useless... so is civilisation!
   tribalism has no need for money: because it
has community: cannibalistic or not... is still has
a collective need to survive - unless of course you
remember the civilised world and all those
experimental fetishes to get you starcast with a moovie.
so this Chilean guy, 40 years a hermit,
     and then this article in the Sunday Times
news review section: driven to distraction -
             and my notes as graffiti after reading it:
we are a second behind goldfish online (8 seconds
with cat videos) - goldfish are 9 seconds into
watching bubbles, and then creative dementia
     doing the plateau incremental snap: re re re.
the god does not exist argument is founded on
a banking system: it's the most viable way to make
an argument that provides wages -
          no other reason for it,
or: as according to the Chilean nomad Faustino
Barrientos
, begin with the self- unit
                of self-determination and sustenance:
otherwise don't bother arguing that sort of argument
without undermining the collective Disney index
of the people: who are incompetent at ruling themselves
then they congregate to give birth to a Picasso,
end of!
              so just because i studied the sciences i can't
be persuaded to an ulterior version of humanism:
i swear, Kant said that there was nothing nobler than
to concern yourself with god... or an argument for
such a being... maybe i'm misreading things:
after all... it's not all that fashionable to say such things:
because never was sane sensibility akin to Jane Austen
for ******* despicable as to read Jane Eyre.
              well sure, i have my "furthering" notes,
from the trenches of the devil's sulphuring *******...
         again: that statement "god is dead"?
is effectively going cold turkey... shutting off all
the superstitious metabolism of the past: oh, 20 centuries.
   sure, the Anglo Renaissance came, Elvis too,
       but the repercussions of what we "experienced"
at the height of the latter part of the 20th century?
unreplicable, gone, dust, sniff the actual grey dust
death of ash... it's not coming back: here my pessimism
and valour in the name of comedy - realism
and the very mortal hand of the extinguished flame:
it's gone! done!
                and it ain't, coming back with a backlash of
infuriated rigour to keep afloat: or return to / replenish.
  it's gone!  mind you, Heath could also be
included in this ode that celebrates necessary
obscurity of the Chilean to my jealous fancy as having
perfected survival skills.
             but this cold turkey debacle over the death
of god penetrates former colonial, hence post-colonial
societies: it affects the youth.
                  it suggests a quickened pretense of
diminished responsibility within a framework of
the lack of all things "karmic":
sure, so history is without a continuum to ensure
there's transgression for every transcendence
and we all live in an Utopian scenario of
immovable mountains: maybe that's why we're
no longer writing history but historiography:
and there is a distinction:
the former is actually angling and fishing -
the other is counting the number of skiving salmon
dreaming of wings rather than gills out
of the river.
                     among the other observations?
or apathy without origin in blissful thinking,
statement A.
     can you imagine anything more apprehensively
digested that reaching the conclusion:
a- + -pathos (without pathology)
                                 can be interpreted negatively?
negative thinking prior to reaching the consolidation
that apathy is, well: most people treat that as
an abnormality.
                     (if i ever wrote a self-help book,
i'd write one like this).
              you go past bulimia, past self-harm,
past all the negative bull and reach a state of apathy,
a non-disconcerted attunement toward feeling:
but you have been chiseling with your thought
at all the unpardonable negativism of your
identifiable physiognomy from genealogical nuance:
you seem to want to replicate an ancestry -
your heart will not tell you to **** yourself:
but find enough automaton curriculum in your
thinking: and your own mind will slothfully entice
you with a thinking sidewinder that aims at the
guillotine, or the gallows.
                   and after all that negative thinking,
you reach apathy, or being without a pathology?
and you feel an emptiness?
             don't expect to be Nepalese -
your ancestry forbids it...
                        you didn't reach a Buddhist apathy,
you didn't start from a zenith: but from a nadir,
tattooed with so many pathologies:
to reach apathy you had to transcend them:
       this is the bit were i say, concerning your heart:
it's a bit like a Cartesian cogito ergo sum moment.
talking about going beyond:
ever think that foundation of ontology is grammatically
based, if not biased?
        i limit this question toward grammatical
categorisation of words...
      primarily? the usual questions:
why are we here?
                       how? (well, that's outdated
'cos we have all the answers and that leverages our
greatest dissatisfaction, even in terms of writing
a new version of Don Quixote, which we can't).
                i devalue grammatical categorisation
altogether, i don't believe in it,
            for example why is categorised as
both adverb and conjunction... to me synonyms
don't exist in grammar, why is therefore only
an adverb...
              how? also an adverb... (ad- + -verb
         toward an action) - thus toward the municipality
of professions: but that's not a moral question.
       why is also an int. (interjection) and n. (noun) -
all it takes is a missing h to completely it as a noun
(unless of course the Oxford dictionary is wrong,
and i'm not Shylock Holmes)...
             what i am focusing on is the word
is, which is grammatically categorised as a conjunction,
and so it is, and so that is, and so this is:
       that's a canvas for me: mirror mirror, on the wall:
who will the the fairest of them all once i stop
asking the question with rose petals in mind being
plucked in that fateful lottery?
                         i don't care why, i already have
a good enough estimate as to how...
                          i base my ontology (nature of being)
upon the is...
                        where there was jungle, there too is
another jungle made of concrete -
and i don't trust the Quran: it makes grammar too
inaccessible, too holy even,
             you tell me the naked truth of the grammar,
i'll put on a ******* Hijab and prance to the tune
of le trio joubran's song masar down a street:
the weeping man of Amsterdam, two German chefs
tripping out on mushrooms while watching
American Dad in a darkened hostel room,
   and an Egyptian architectural student i spent
the afternoon with; otherwise? don't bother.
      and it really is great how is can't be an adverb
and merely a conjunction (well, "merely"),
      there is nothing that requires is to be a limitation,
or a necessary morphing into: toward doing / being
something... everything just, is;
and if it wasn't for Shia Islam you'd get **** all Sufi...
maybe a Falafel kebab, but **** all apart from that.
                    of course i'd side with the ****** Iranians
on this matter...
                                i can't live without music,
for fare game to Faustino Barrientos, but i can't live
without music, and Wahabbism doesn't recognise
music:      never was hearing a camel hart or a
merchant burp or a woman ****** seem so appealing,
and worthy to fight for!
(italics for the sarcasm).
do you think that if i clap my hands for a year
i'll hear a minute's worth of Wagner?
                                         (snigger): probably not.
Susan Hunt Jul 2012
CHAPTER ONE: THE DEMISE OF A YOUNG GIRL SEPTEMBER 1975


I had not seen my father in over two years when he showed up at my mom and step dad's condo. He had a slick knack of disappearing when laws were broken and he was wanted for questioning. He had an even better ability to re-enter when the heat was off.

My father owned three nightclubs in Oklahoma City. His first was the Silver Sword, and then he opened The Red Slipper. After he met his second wife, they together, opened the Jade Club.

All were successful, but the Red Slipper had a reputation. On a rare occasion, my dad would take me with him to open up the place. At first, it scared me. It was so dark in there. But as the lights came on behind the bar, I fell in love with the atmosphere.

Bobby Orr’s hockey stick hung on the wall, along with an endearing note from F. Lee Bailey. At six years old, all I knew was that they were the objects that made my dad beam.

I learned to play pool by standing on a phone book. I watched the colorful smacking ***** bounce around the most beautiful color of green I had ever seen. Chalking the stick was a chore, but after nearly poking my eye out once, I soon caught on.

It was a struggle to climb up on a barstool, but it was worth the effort. I sat at the bar and had lunch: popcorn, pretzels, peanuts and Pepsi.

As I grew older, I saw less and less of him, until he became a stranger, drifting in every once in awhile.  Every few weeks or so, I would come home from school, and see his car in the driveway.

This always shot fear and excitement through me. The air of unpredictability always made me want to ***. Unfortunately, most of the time, we were locked out of the house for a few hours, so I would have to *** in the back yard or at the neighbors. We waited on the stairs for the front door to open. And it always did, by my mom. She usually looked satisfied and serene but other times, I saw dread and sadness on her face.

Ever since I could remember, my dad had been a string of disappointments for me with a few indescribable moments of pure enjoyment mixed in between He could be kind, funny and like a real dad sometimes, that was the dad I missed. I tried to hold onto those experiences, even though he was such a mean ******* most of the time. But mostly, I just didn't know him.

Their divorce became final around the summer of 1972, but that didn't stop my mom from loving him. I don't know why, but she chased him frequently, going out to bars with her friends, trying to get a glimpse of him, and maybe more.

The last time I’d seen my father had not been pleasant. When I was thirteen, he broke down the door to our apartment and went straight to my mother’s bedroom. The noises were terrifying. The screaming, and punching sounds were followed by my mother’s whimpering, begging, groveling.

"How dare you do this to me, Patsy!? And behind my back! You could have at least told me!"

My dad had bailed himself out of jail that night. She promised him she would never seek alimony or child support again. Her lawyer was wrong. It wasn’t worth getting killed over.  

Shortly after, he had to leave the state. It had something to do with a low-level mob deal involving an insurance fraud. Too bad, it involved burning a building with someone in it. My dad became nothing but a memory, which faded away over time.

**

Alcohol and tobacco were constants in my family, so when my older brother, Tim, started smoking at ten years old, I don't remember much protest from anyone. I was seven and when my sister Abby, turned ten the next year, she also started smoking.  All the older kids were smoking cigarettes. I wanted to be cool, so I puked and coughed as I practiced. By the time I was ten, I too, was inhaling properly.  Around that time, I was introduced to *** by my sister's boyfriend. It did help my mood, somewhat, but it wasn't enough.

By 1974, I was using drugs from my sister’s boyfriend. John was a true drugstore cowboy. At first, he committed burglaries, which were easy at the time. There were no sophisticated electronics to stop someone from cutting a hole in the roof of a pharmacy. It took only minutes to pry open the safe that contained the narcotics. Then it took maybe another minute to fill a pillowcase full of every variety of amphetamines, barbiturates, valiums, etc.

It wasn’t long before I graduated to using morphine, ******* and then overdosed on Demerol. My stepfather sent me to a treatment facility in Tulsa Oklahoma, about one hundred miles away from Oklahoma City. The Dillon treatment center didn’t accept clients under age of sixteen but made an exception with me. I was a walking-talking disastrous miracle...or a miraculously saved disaster.

They figured that since I was fourteen, the sooner the better to start my road to recovery. Apparently, they didn’t condone sneaking *** and valiums in to the facility. I was kicked out of Dillon after about a month.

I came back home and laid low. I went back to Hefner Jr. High and enrolled back into the ninth grade. I quietly picked up where I left off, going back into business with John. My job was to sell the safe stuff; valiums, seconols, white bennies, ***, etc.


Summer came; I turned fifteen and had developed a tendency to over test my wares. I overdosed and nearly died in the hospital several times, which had led to my current predicament. Nobody knew what to do with me.

In August, I entered the tenth grade...for two weeks. I was expelled, (you guessed it) for dealing drugs. I was on homebound teaching twice a week with little supervision. My mother worked, my step-dad, **** ,worked, and I was home all day. However, I was not just sitting idly around. I was into enterprise.

**

In September, I overdosed again. I was quickly killing myself and my mother didn’t know what to do to stop it. That is why what happened was not my mother’s fault. But it wasn’t my fault either.

I never figured out how he knew where we lived. My mother moved over at least fourteen times in between the time I was six and twelve years old. Yet, here he was, at our front door, with his undeniable ‘ah shucks’ charm. His modesty was convincing. His timing was incredible. My mother stood frozen, her mouth agape. **** took the lead. He placed himself between my mother and father.

“You must be Gary Don, my name is ****; I’m Patsy’s husband." **** had never met my dad, but he'd heard enough about him to surmise who was standing at the door.

"Um, yeah, I'm Gary Don, it's nice to meet you ****", he said; as he offered a friendly hand shake to ****.

"I hope I'm not interrupting you, I was just in Duncan with my parents and they suggested I stop by and talk with you before heading back west. It's about Susie....

"Yes, Patsy said you called yesterday. We weren't expecting you this soon, but it's no problem. Why don't you come in and tell us what your plans are? Patsy, honey, would you mind putting on a *** of coffee?”

This unfroze my mother and she scurried to the kitchen. I was still in shock at seeing my dad’s face. I retreated to the staircase, but poked my head around and caught him glance at me. I flew up to the landing. I could easily escape up the rest of the stairs to my bedroom.
I was small enough to remain hidden on the landing, and heard the conversation between my mother, my dad and ****. **** was the classiest, most even-tempered adult I had ever encountered. I wished I could stop hurting him and my mother.  

My mother sat down two cups of coffee on the dining room table where my dad and **** sat. As she retreated a few steps back into the kitchen, **** politely probed my dad. My dad had the right answer for every question.

He swore he was a completely different person. He had changed. He had no hard feelings, instead he was back to help. He was remorseful for being an absent father and he wanted to make things right. He was back for a reason. He had heard that I was in trouble with drugs and school and he felt guilty for that. He had the answer to my problems. He was so convincing, so….humble, almost shy.

As I listened, I began freaking out with fear and excitement. I always wanted my dad. The last time I tried to live with him, it didn’t work out; he sent me back to my mother’s after a month. Now my dad wanted me! He wanted to save me, take care of me!

He lived by himself now. He was the manager of The Palace Restaurant/Hotel in the little town of Raton, New Mexico. It was a refurbished hotel, built over a century ago The ground floor was an elegant bar and restaurant. He was making very good money, he paid no rent and he had an extra room for me.

With a population of 6000, it was not a place to continue a lucrative drug business. Also, he would enroll me into the little high school and I could get my diploma. I could work in the restaurant in the evenings where he would keep his eye on me. Then, there was the horse. He would buy me a horse. And on and on and on.

The logic and sincerity of his argument was convincing. So there it was. An hour later, my bags were packed. I was going to live with my father in New Mexico.

That’s how in September 1975, my father whisked me away from my home in Oklahoma City, under the guise of saving me from my own demise. I was stolen and held captive in Raton, New Mexico for what seemed like forever.

My dog, Baron was coming with me, I refused to go anywhere without him. He was a tiny black and tan Dachshund. I got him free when I was fourteen, when I got back from Tulsa. To me, he was priceless. He was my best friend. He couldn’t have weighed more than ten pounds, but his heart was huge.

I talked to him about everything and he consoled me by nodding, and licking me on the cheek non-stop…or he would admonish me through his expressions and demeanor. I had lived with Dachshunds since I was seven, so understood their language pretty well. Baron understood humans better. We developed a rare communication that worked well for both of us.
Herman, our older dachshund had greeted my dad cordially. Baron couldn’t figure this out, he expressed his apprehension. He looked at me and conveyed,

“Well, if Herman isn’t worried, I guess it’ll be Okay, right? Right, Susan?”

I was sorry I didn’t have an honest answer. I did my best to settle him.

“Sure, this’ll be fun, a whole new adventure!”

As we drove West, toward the Texas panhandle, Baron kept the conversation going by his curious interest expressed by wide eyes and attentive ears. My dad amazed him with his knowledge of history, geography, geology, astronomy, world geo-politics, weather, music on the radio, literature, mechanics, religion and countless other topics. I knew he was faking his fascination with my dad. He knew he was doing me a favor.

There was not a dead moment in the air. An occasional “really?” expressed by me was enough to keep my dad’s mouth running. I was thankful for that. It kept my attention away from my jangle of emotions. As we drove through the night, I was conflicted, scared, excited, happy and worried. I didn’t know where I was going, or who was driving me there.

My dad’s jovial demeanor comforted me. He made The Palace sound like the perfect place for his little princess.

When we arrived, it was late, after 10pm., Baron was exhausted. I stood on the corner and looked up. I gulped. The three-story building was like an old gothic castle. It was a huge rectangle with the front corner cut back with a fifth wall about ten feet wide. This provided the entrance with two giant oak doors. Baron was less than enthused by its foreboding appearance. I had to agree.

Dad ignored my hesitation. “Come on, you’re going to love this place!”

He pulled open one of the oak doors, which had to weigh at least five hundred pounds. I was hesitant, but thirsty. Baron’s squirming had started to annoy me. I went forward filled with adrenalin.

The initial entrance was a small round foyer with a domed ceiling of cut glass. It was about six feet round. As I stared up at the beautiful little pieces of color, I heard my dad chuckle.

“See? I told you, there’s no place like this!”

Then I saw the true entry to the bar, a set of small bat winged doors that swung back and forth. He pulled one of the doors back, beckoning me forward. He looked down at me with a tender expression.

“Welcome home, honey, this is home now.”

As we entered the bar, I was dumbstruck. Baron was not. I stepped back in time, to 1896, into The Palace Hotel.

The bar took up half of the first floor of the hotel. It was the most captivating centerpiece of the establishment. The mirror behind the bar was the longest continuous piece of reflection glass in all the states, the brochure proclaimed. A brass foot rail extended the length of the long cherry oak bar A few feet behind was a waist high railing just like the saloons in old John Wayne movies.

The carpet was a deep royal red interlaced with black swirly patterns. Bright golden paper covered the walls. It was smooth and shiny with raised curly designs made out of felt or maybe even velour. God, I just wanted to reach over and run my fingers across it!  

The wall opposite the bar had windows that were quizzically narrow and impossibly tall. Lush maroon velvet drapes adorned them, parted in the center to provide a view of the quaint town just beyond the sidewalk.

I looked up at the ornate ceiling, which seemed a mile above me. It was covered with tiles of little angels that all looked the same, yet different. The angels danced across the entire ceiling until it curved and met the wall. I got dizzy looking at them.

“You can’t find ceiling tiles like that anywhere! My dad grinned. “They’re covered in pure gold leaf!”

I didn’t know what pure gold leaf was, but the word ‘gold’ impressed me very much.

He introduced me to the staff. I l blushed when he said; “This is Susie, my favorite little girl!” I had never heard that before. The whole crew greeted me warmly, all smiles and friendliness.  

I always paid attention when Baron got nervous but I chose to ignore him. I jostled him in my arms. My stern look at him stopped his squiggling, but his look back conveyed that I was clueless.

I, however thought, Okay, I have died and gone to Heaven! I was enchanted. My fascination with this magical setting made me feel happy; I was in the neatest place I had ever seen. I’m going to love it here!

On the first night, my dad led me around the ground floor. The restaurant was as elegant as the bar. To the rear of the restaurant, there was a large commercial kitchen. Off the rear of the kitchen, he showed, me a short hallway to the back exit. To the right, a huge staircase led to the two upper floors of dilapidated hotel rooms. A manager’s apartment had been converted from several hotel rooms connected together on the second floor, just above the entrance to the hotel.

We ended up back in the bar and sat at a table for two. Crystal, the head bartender stayed on for a little while longer after the rest of the staff were allowed to go home.

Sitting at the table, he ordered Harvey’s Bristol Cream Sherry. I had never had Cream Sherry before, but it tasted like candy with nuts and I had no problem going through numerous rounds in a very short time. I was hungry but I was too nervous to eat.

Baron, however, was ravenous. My dad fed him little pieces filet mignon and French bread with real butter. He played cute for my dad, sitting up and begging. He jumped up, putting his paws on my dad’s leg, wagging his tail like crazy.

I was a little befuddled until I caught his sideways glance that said, “I do not like this guy, but I gotta eat, I’m starving. You’re the one falling into his into his trap, not me.”

Ouch. “Baron, sometimes I wish you would shut the hell up.”

After having his fill, he settled into a wary sleep on top of my feet. I never worried about losing Baron. Where I went, he went, period.

I wasn’t aware when the bartender left. The bottle was on the table before I knew it; he kept my glass full. I was five feet tall and weighed 106 pounds. I had a lethal level of alcohol pulsing threw my entire body…and I had my daddy.

I was in a haze. Actually, it was more of a daze than a haze. My vision was
“One of the effects of living with electronic information is that we live habitually in a state of information overload.”                                                      
                                                                                      Marshall McLuhan
So, let’s review:
Man is a thinking animal.
Stanley Kubrick took us to space to get us to think.
Marshall McLuhan:  “There are no passengers on spaceship earth. We are all crew.”
Hemetucky: what was I thinking?
The Rapture for the 1%:   The Language of the World and The Language of Enthusiasm explains why Sir Richard  Branson’s ****** Galactic will only be taking the richest among us to space.
Ian (Limey Futurologist) Pearson:  “Binary is already the dominant language on Planet Earth with today’s machines having more conversations in 24 hours than the whole of humankind since the birth of Eve.”
Larry Flynt:  “**** is the answer to everything.”
Goofy:  “Yeah, I ****** Minnie. I shagged her rotten, baby!”  
Winston Smith:  “Do it to Julia!”
McNugget Buddies:   “Parts is parts.”                                          
Stunod: “Donuts-a -spella backwards issa stunod.” Think about it.
Tony Soprano.  “You ****** stunod, it's a joke.” (Stunod:  in southern dialect Italian means stupid, or a stupid person) http://(www.urbandictionary.com) define.php?term = stunod  / buy stunod mugs & shirts
Marshall McLuhan:    “Jokes are grievances.”
Mike “The Situation” Sorrentino:  “Antonio Gramsci thought that Stalin and Bolshevism could save him and Italy from Fascism:  stunod.”
The Cloud:  My acceptance of the Cloud into my life and my changeling cyborg self is by no means a capitulation to the surfing life.
Paulo Coehlo:  “The God you seek; that someone who awaits you is you.”
Howard Beale:  “That’s the God *******.”
God:   “Because you’re on television, stunod!”
The Elders of Zion:  Nu?
Meir Kahane:  “Let us not suffer from a national amnesia that causes us to forget who and what we are. No trait is more justified than revenge in the right time and place. I know that American and Israeli elections must be limited only to those who understand that the Arabs are the deadly enemy of the Jewish state, who would bring on us a slow Auschwitz - not with gas, but with knives and hatchets. Vote for Newt!”

**** Jagger:    “Get Yer Ya-Ya's Out” (40th Anniversary Edition, Rolling Stones)
Keith Richards +Fijian palm tree = Stunod.  
Marshall McLuhan:   “The more the data banks record about each of us, the less we exist.”    
Howard Beale: “If there's anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is not only full of *******, that man is  stunod.”
The Nam, Part I:   a demented slaughterhouse within a microcosm and grains of beach sand inside micro-Cosmo Kramer’s shorts. When I was in the Kingdom of The Nam I was always under the influence of some drug, mostly my own pure adrenaline when scared shitless--a frequent condition for me—not only my own piquant adrenal juice but other stuff like ****, hash, Thai stick, *****, amphetamines, H-Horse ******, quaaludes, horse tranquilizers and Russian *****. The drugs were always a welcome and needed friend, a respite from the horrors of war in Southeast Asia. To meditate & levitate, to transmigrate & navigate, to negotiate & regurgitate myself, I needed a head start if I was going to SLIDE through what would be called a wormhole today, making a three-dimensional movement between different parallel universes, a conquest of time and space. Cue our favorite narrator:
Rod Serling:  “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.”
WWII, Part I:  A slider now, I SLIDE to my father’s war—the War in Europe in the years before V.E. Day, May 8, 1945. Suddenly I’m flipped right out of the jungle to Germania, to Deutschland in the winter of 1945. I am a P.O.W. of the Germans, sent out into the economy as slave labor. It’s February in Dresden, Germany, the Baroque capital of the German state of Saxony, the city called lovingly by her (****!) many lovers: “The Florence of the Elbe.” It was a long time ago, during the war and I Survived to Tell the Tale. I am a wet floppy Kilgore Trout; I’ve flopped right out of the Twilight Zone into what appears to be an underground meat locker in Dresden. There are animal carcasses hanging from the ceiling and the building is known as Slaughterhouse Number 5. I am a lucky ******* because even though I don’t know it yet, I’m in the safest place in the entire city. Cue the Bombing of Dresden, a strategic military bombing by the British Royal Air Force (RAF) and the United States Army Air Force (USAAF).  In four raids, 1,300 heavy bombers dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden. The resulting firestorm destroyed 15 square miles (39 square kilometers) of the city centre and killed many thousands, according to **** figures-- largely discredited by the victors who not only get the spoils but get to spin the history any which way but loose. Casualty figures were 200,000 and death toll estimates went as high as 500,000. Or maybe just 25,000 total, if you believe the ******* Anglo-American valkyries who unleashed the wrath of Khan’s Smoking Joe’s Barbecue Ribs and Hotlinks. Win a war, get a medal and a seat in Congress, maybe the White House; lose a war, get indicted. You’re going to Nuremberg, pilgrim, or the ******* Hague.
Kurt Vonnegut: “World War II was over and I was standing in the middle of Times Square with a Purple Heart on and a purple hard-on.”
Colonel Kurtz:  “We fight for the land that's under our feet, the gold that's in our hands, women that worship the power in our *****.  I summon fire from the sky. Do you know what it is to be a white man who can summon fire from the sky? ...What it means? You can live and die for these things, not silly ideals that are always betrayed  . . . I swallowed a bug. Who are you, captain?”
Willard:   “Please allow me to introduce myself, I'm a man of wealth and taste. I've been around for a long long year, stolen many man's soul and faith. Stuck around St. Petersburg when I saw it was a time for a change. Killed the Tsar and his ministers, Anastasia screamed in vain. I rode a tank, held a gen'rals rank when the blitzkrieg raged and the bodies stank. Pleased to meet you, hope you guess my name.”  
WWII, Part II:  The bombing of Dresden had to have been some kind of a violation of some International Code or Geneva Convention. But, of course, the bombers, the Victors, ran the Nuremberg show trials. The bombees didn’t get a chance to say much, didn’t want to make a fuss, seeing how generous the Army of Occupation was with their coal, gasoline, clothing and food handouts. But I was there when it was safe to climb out of the meat locker, and immediately got put to work on the après les bombes clean-up. I was there doing the ***** work, a corpse miner, tasked with collecting the fried grasshopper remains of so many unlucky Krauts who were simply burned alive, like heretics at the Inquisition. So it goes.
William Tecumseh Sherman: “War is Hell, Babaloo!”
Colonel Kilgore: “You can either surf, or you can fight!”
Sam Bottoms: “I dropped a tab of acid at the Do-Long Bridge, so I think I’ll surf for awhile: ‘I see a world in a grain of sand, and a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.’ Reading Blake: for years it was the only way I could block out the war, that and losing myself in a bunch of undercover assignments. Yeah, it was William Blake, I-Spy and lots more acid; that how I dealt with PTSD.”
The Nam, Part II, LT DAN:  “Good job, trooper; those ******* drugs got you coming and going, sliding so fast you’ve missed latrine duty 3 times this month. Now go get 5 gallons of diesel fuel and gasoline, mix it together and torch that ******* feces, soldier.”
** Chi Minh:  “This ain't no party, this ain't no disco, this ain't no fooling around.”
***** Friedman:   “The Democrats and Republicans are the same guy admiring himself in the mirror.”

Muhammad Hosni El Sayed Mubarak:   “Vote for Pedro.”
Drew Gilpin Faust, Harvard:    “Fight Fiercely!”
Marshall McLuhan:    “I wouldn’t have seen it if I hadn’t believed it.”
The Author:   I am a disaffected angry old man, formerly a disaffected angry young man; a Hopi-Italian Jew with Chinese offspring, namely my left-brained son, a mathematical genius but having a tough time dealing with idiots, the many truly stunod people in the world.  Then there’s my Rose, my sweet King Lear-jet daughter, like her half-brother, not yet finished paying for my sins. My offspring are haunted, visited upon daily by their father’s  ghosts, ghosts created, ghosts hovering over me, from wars hot and cold and peace lukewarm and cloudy, like the uranium ground contamination on the mesa, visited upon mothers and infants  and children who seek only a glass of cool water from the spring not to be glow worms in the dark, leukocytes made insane by something in the water. My sins, a father’s sins; things I did to curry favor, to ingratiate and advance myself with the 1%, things I did to get ahead in life, to get what I thought my father and others in the ancestral slipstream had failed to get, twice to the Rabbi for a get (Hebrew: גט‎, plural gittin גיטין), to get the edge my kids need now, the edge I never had, and life reduced to an exercise in ultimate combat, little more than a cage fight, man against man and God against all. The things I did for money and position shame me now. And shame is a large  source of my anger.  I will remain angry. I will hang on to my anger at God and myself and all who have been disappointed in me, by me, especially the cavalcade of short-term caretakers, women used, abused, left behind and forgotten. Why am I me? Sometimes I think that’s the way I’m programmed. But it’s okay, like Gaga: “I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way' Cause God makes no mistakes, I'm on the right track, baby, I was born this way and will I continue to surf the Cloud: even though God is dead and I don’t believe you, or me, or them.
Basic: remember Basic?

10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30   GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30  GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30 A IS FOR ANGER NEXT 30
30  GOTO 10 Ad infinitum
Susan Hunt Jul 2012
CHAPTER ONE: THE DEMISE OF A YOUNG GIRL SEPTEMBER 1975


I had not seen my father in over two years when he showed up at my mom and step dad's condo. He had a slick knack of disappearing when laws were broken and he was wanted for questioning. He had an even better ability to re-enter when the heat was off.

My father owned three nightclubs in Oklahoma City. His first was the Silver Sword, and then he opened The Red Slipper. After he met his second wife, they together, opened the Jade Club.

All were successful, but the Red Slipper had a reputation. On a rare occasion, my dad would take me with him to open up the place. At first, it scared me. It was so dark in there. But as the lights came on behind the bar, I fell in love with the atmosphere.

Bobby Orr’s hockey stick hung on the wall, along with an endearing note from F. Lee Bailey. At six years old, all I knew was that they were the objects that made my dad beam.

I learned to play pool by standing on a phone book. I watched the colorful smacking ***** bounce around the most beautiful color of green I had ever seen. Chalking the stick was a chore, but after nearly poking my eye out once, I soon caught on.

It was a struggle to climb up on a barstool, but it was worth the effort. I sat at the bar and had lunch: popcorn, pretzels, peanuts and Pepsi.

As I grew older, I saw less and less of him, until he became a stranger, drifting in every once in awhile.  Every few weeks or so, I would come home from school, and see his car in the driveway.

This always shot fear and excitement through me. The air of unpredictability always made me want to ***. Unfortunately, most of the time, we were locked out of the house for a few hours, so I would have to *** in the back yard or at the neighbors. We waited on the stairs for the front door to open. And it always did, by my mom. She usually looked satisfied and serene but other times, I saw dread and sadness on her face.

Ever since I could remember, my dad had been a string of disappointments for me with a few indescribable moments of pure enjoyment mixed in between He could be kind, funny and like a real dad sometimes, that was the dad I missed. I tried to hold onto those experiences, even though he was such a mean ******* most of the time. But mostly, I just didn't know him.

Their divorce became final around the summer of 1972, but that didn't stop my mom from loving him. I don't know why, but she chased him frequently, going out to bars with her friends, trying to get a glimpse of him, and maybe more.

The last time I’d seen my father had not been pleasant. When I was thirteen, he broke down the door to our apartment and went straight to my mother’s bedroom. The noises were terrifying. The screaming, and punching sounds were followed by my mother’s whimpering, begging, groveling.

"How dare you do this to me, Patsy!? And behind my back! You could have at least told me!"

My dad had bailed himself out of jail that night. She promised him she would never seek alimony or child support again. Her lawyer was wrong. It wasn’t worth getting killed over.  

Shortly after, he had to leave the state. It had something to do with a low-level mob deal involving an insurance fraud. Too bad, it involved burning a building with someone in it. My dad became nothing but a memory, which faded away over time.

**

Alcohol and tobacco were constants in my family, so when my older brother, Tim, started smoking at ten years old, I don't remember much protest from anyone. I was seven and when my sister Abby, turned ten the next year, she also started smoking.  All the older kids were smoking cigarettes. I wanted to be cool, so I puked and coughed as I practiced. By the time I was ten, I too, was inhaling properly.  Around that time, I was introduced to *** by my sister's boyfriend. It did help my mood, somewhat, but it wasn't enough.

By 1974, I was using drugs from my sister’s boyfriend. John was a true drugstore cowboy. At first, he committed burglaries, which were easy at the time. There were no sophisticated electronics to stop someone from cutting a hole in the roof of a pharmacy. It took only minutes to pry open the safe that contained the narcotics. Then it took maybe another minute to fill a pillowcase full of every variety of amphetamines, barbiturates, valiums, etc.

It wasn’t long before I graduated to using morphine, ******* and then overdosed on Demerol. My stepfather sent me to a treatment facility in Tulsa Oklahoma, about one hundred miles away from Oklahoma City. The Dillon treatment center didn’t accept clients under age of sixteen but made an exception with me. I was a walking-talking disastrous miracle...or a miraculously saved disaster.

They figured that since I was fourteen, the sooner the better to start my road to recovery. Apparently, they didn’t condone sneaking *** and valiums in to the facility. I was kicked out of Dillon after about a month.

I came back home and laid low. I went back to Hefner Jr. High and enrolled back into the ninth grade. I quietly picked up where I left off, going back into business with John. My job was to sell the safe stuff; valiums, seconols, white bennies, ***, etc.


Summer came; I turned fifteen and had developed a tendency to over test my wares. I overdosed and nearly died in the hospital several times, which had led to my current predicament. Nobody knew what to do with me.

In August, I entered the tenth grade...for two weeks. I was expelled, (you guessed it) for dealing drugs. I was on homebound teaching twice a week with little supervision. My mother worked, my step-dad, **** ,worked, and I was home all day. However, I was not just sitting idly around. I was into enterprise.

**

In September, I overdosed again. I was quickly killing myself and my mother didn’t know what to do to stop it. That is why what happened was not my mother’s fault. But it wasn’t my fault either.

I never figured out how he knew where we lived. My mother moved over at least fourteen times in between the time I was six and twelve years old. Yet, here he was, at our front door, with his undeniable ‘ah shucks’ charm. His modesty was convincing. His timing was incredible. My mother stood frozen, her mouth agape. **** took the lead. He placed himself between my mother and father.

“You must be Gary Don, my name is ****; I’m Patsy’s husband." **** had never met my dad, but he'd heard enough about him to surmise who was standing at the door.

"Um, yeah, I'm Gary Don, it's nice to meet you ****", he said; as he offered a friendly hand shake to ****.

"I hope I'm not interrupting you, I was just in Duncan with my parents and they suggested I stop by and talk with you before heading back west. It's about Susie....

"Yes, Patsy said you called yesterday. We weren't expecting you this soon, but it's no problem. Why don't you come in and tell us what your plans are? Patsy, honey, would you mind putting on a *** of coffee?”

This unfroze my mother and she scurried to the kitchen. I was still in shock at seeing my dad’s face. I retreated to the staircase, but poked my head around and caught him glance at me. I flew up to the landing. I could easily escape up the rest of the stairs to my bedroom.
I was small enough to remain hidden on the landing, and heard the conversation between my mother, my dad and ****. **** was the classiest, most even-tempered adult I had ever encountered. I wished I could stop hurting him and my mother.  

My mother sat down two cups of coffee on the dining room table where my dad and **** sat. As she retreated a few steps back into the kitchen, **** politely probed my dad. My dad had the right answer for every question.

He swore he was a completely different person. He had changed. He had no hard feelings, instead he was back to help. He was remorseful for being an absent father and he wanted to make things right. He was back for a reason. He had heard that I was in trouble with drugs and school and he felt guilty for that. He had the answer to my problems. He was so convincing, so….humble, almost shy.

As I listened, I began freaking out with fear and excitement. I always wanted my dad. The last time I tried to live with him, it didn’t work out; he sent me back to my mother’s after a month. Now my dad wanted me! He wanted to save me, take care of me!

He lived by himself now. He was the manager of The Palace Restaurant/Hotel in the little town of Raton, New Mexico. It was a refurbished hotel, built over a century ago The ground floor was an elegant bar and restaurant. He was making very good money, he paid no rent and he had an extra room for me.

With a population of 6000, it was not a place to continue a lucrative drug business. Also, he would enroll me into the little high school and I could get my diploma. I could work in the restaurant in the evenings where he would keep his eye on me. Then, there was the horse. He would buy me a horse. And on and on and on.

The logic and sincerity of his argument was convincing. So there it was. An hour later, my bags were packed. I was going to live with my father in New Mexico.

That’s how in September 1975, my father whisked me away from my home in Oklahoma City, under the guise of saving me from my own demise. I was stolen and held captive in Raton, New Mexico for what seemed like forever.

My dog, Baron was coming with me, I refused to go anywhere without him. He was a tiny black and tan Dachshund. I got him free when I was fourteen, when I got back from Tulsa. To me, he was priceless. He was my best friend. He couldn’t have weighed more than ten pounds, but his heart was huge.

I talked to him about everything and he consoled me by nodding, and licking me on the cheek non-stop…or he would admonish me through his expressions and demeanor. I had lived with Dachshunds since I was seven, so understood their language pretty well. Baron understood humans better. We developed a rare communication that worked well for both of us.
Herman, our older dachshund had greeted my dad cordially. Baron couldn’t figure this out, he expressed his apprehension. He looked at me and conveyed,

“Well, if Herman isn’t worried, I guess it’ll be Okay, right? Right, Susan?”

I was sorry I didn’t have an honest answer. I did my best to settle him.

“Sure, this’ll be fun, a whole new adventure!”

As we drove West, toward the Texas panhandle, Baron kept the conversation going by his curious interest expressed by wide eyes and attentive ears. My dad amazed him with his knowledge of history, geography, geology, astronomy, world geo-politics, weather, music on the radio, literature, mechanics, religion and countless other topics. I knew he was faking his fascination with my dad. He knew he was doing me a favor.

There was not a dead moment in the air. An occasional “really?” expressed by me was enough to keep my dad’s mouth running. I was thankful for that. It kept my attention away from my jangle of emotions. As we drove through the night, I was conflicted, scared, excited, happy and worried. I didn’t know where I was going, or who was driving me there.

My dad’s jovial demeanor comforted me. He made The Palace sound like the perfect place for his little princess.

When we arrived, it was late, after 10pm., Baron was exhausted. I stood on the corner and looked up. I gulped. The three-story building was like an old gothic castle. It was a huge rectangle with the front corner cut back with a fifth wall about ten feet wide. This provided the entrance with two giant oak doors. Baron was less than enthused by its foreboding appearance. I had to agree.

Dad ignored my hesitation. “Come on, you’re going to love this place!”

He pulled open one of the oak doors, which had to weigh at least five hundred pounds. I was hesitant, but thirsty. Baron’s squirming had started to annoy me. I went forward filled with adrenalin.

The initial entrance was a small round foyer with a domed ceiling of cut glass. It was about six feet round. As I stared up at the beautiful little pieces of color, I heard my dad chuckle.

“See? I told you, there’s no place like this!”

Then I saw the true entry to the bar, a set of small bat winged doors that swung back and forth. He pulled one of the doors back, beckoning me forward. He looked down at me with a tender expression.

“Welcome home, honey, this is home now.”

As we entered the bar, I was dumbstruck. Baron was not. I stepped back in time, to 1896, into The Palace Hotel.

The bar took up half of the first floor of the hotel. It was the most captivating centerpiece of the establishment. The mirror behind the bar was the longest continuous piece of reflection glass in all the states, the brochure proclaimed. A brass foot rail extended the length of the long cherry oak bar A few feet behind was a waist high railing just like the saloons in old John Wayne movies.

The carpet was a deep royal red interlaced with black swirly patterns. Bright golden paper covered the walls. It was smooth and shiny with raised curly designs made out of felt or maybe even velour. God, I just wanted to reach over and run my fingers across it!  

The wall opposite the bar had windows that were quizzically narrow and impossibly tall. Lush maroon velvet drapes adorned them, parted in the center to provide a view of the quaint town just beyond the sidewalk.

I looked up at the ornate ceiling, which seemed a mile above me. It was covered with tiles of little angels that all looked the same, yet different. The angels danced across the entire ceiling until it curved and met the wall. I got dizzy looking at them.

“You can’t find ceiling tiles like that anywhere! My dad grinned. “They’re covered in pure gold leaf!”

I didn’t know what pure gold leaf was, but the word ‘gold’ impressed me very much.

He introduced me to the staff. I l blushed when he said; “This is Susie, my favorite little girl!” I had never heard that before. The whole crew greeted me warmly, all smiles and friendliness.  

I always paid attention when Baron got nervous but I chose to ignore him. I jostled him in my arms. My stern look at him stopped his squiggling, but his look back conveyed that I was clueless.

I, however thought, Okay, I have died and gone to Heaven! I was enchanted. My fascination with this magical setting made me feel happy; I was in the neatest place I had ever seen. I’m going to love it here!

On the first night, my dad led me around the ground floor. The restaurant was as elegant as the bar. To the rear of the restaurant, there was a large commercial kitchen. Off the rear of the kitchen, he showed, me a short hallway to the back exit. To the right, a huge staircase led to the two upper floors of dilapidated hotel rooms. A manager’s apartment had been converted from several hotel rooms connected together on the second floor, just above the entrance to the hotel.

We ended up back in the bar and sat at a table for two. Crystal, the head bartender stayed on for a little while longer after the rest of the staff were allowed to go home.

Sitting at the table, he ordered Harvey’s Bristol Cream Sherry. I had never had Cream Sherry before, but it tasted like candy with nuts and I had no problem going through numerous rounds in a very short time. I was hungry but I was too nervous to eat.

Baron, however, was ravenous. My dad fed him little pieces filet mignon and French bread with real butter. He played cute for my dad, sitting up and begging. He jumped up, putting his paws on my dad’s leg, wagging his tail like crazy.

I was a little befuddled until I caught his sideways glance that said, “I do not like this guy, but I gotta eat, I’m starving. You’re the one falling into his into his trap, not me.”

Ouch. “Baron, sometimes I wish you would shut the hell up.”

After having his fill, he settled into a wary sleep on top of my feet. I never worried about losing Baron. Where I went, he went, period.

I wasn’t aware when the bartender left. The bottle was on the table before I knew it; he kept my glass full. I was five feet tall and weighed 106 pounds. I had a lethal level of alcohol pulsing threw my entire body…and I had my daddy.

I was in a haze. Actually, it was more of a daze than a haze. My vision was
Mateuš Conrad May 2016
once you've read enough, or what's
called a respectable "bank account"
in literary terms, you fall back
on poetry, journalism and book reviews...
which springs to mind
a comparison between being a violinist
in an opera, playing a concerto or
being a street vendor, busking out
alternatives to the satanic cartwheels
of rubber tires slicing up a defiant cement road
in a busy hub on the Embankment -
i still want to cry every time i
hear bob marley's redemption song
or the other bob's north country blues,
i don't know, it just happens like period
pains, it's a grudge brimming near
the boiling point of water or the melting point
of iron that's lucky for chefs and for blacksmiths...
i am picking up the pieces of an empire,
the british rubble and a world in chaotic chuckles...
as they said of the roman degeneracy...
that ****** fascination with cuisine...
too any fast-food outlets...
no, but indeed, when you've become satiated with
a personal taste for reading, you
end up reading book reviews...
but i don't understand why a dominic would
read a book by a luke concerning drugs and warfare,
as picked up: 'odin's men rushed forward without
armour, were as mad as dogs or wolves,
bit their shields, and were as strong as bears or
wild oxen...' citing Snorri Sturluson...
the missing clue? magic mushrooms.
also worth mentioning: the 1814 Swedish-Norwegian
war... magic mushrooms aplenty...
in 1945 Soviets in Hungary dubbed the 'rabid dogs'
(indeed no " " enclosure, i trust the man's
descriptive certainty, indeed they were rabid
and dogs and there's no ambiguity to be invoked)
swallowing fly agaric...
american pilots in Afghanistan caffeine+
i.e. amphetamines...
Homer's heroes drunk (why is it that when a poet
is company during a war it becomes iconic
and almost glorious to keep the blood-thirst up?
like that idiocy of warring in the Napoleonic times,
a line of men, walk among canon fire and
stand 20 metres apart and just shoot...
like the post-Napoleonic war strategy of killing
civilians, huh?)... as too the heavy drinking
with king Harold prior to 1066 Hastings...
through to Vietnam, 1971 -
51% of GIs smoked marijuana, 28% took hard
drugs (******) and 31% used psychedelics...
****** was high as ****... a Michael Jackson of his day...
the ****** Eudodal... the luftwaffe on Pervitin
(earliest patent for crystal ****) and too
the Panzer men, e.g. a Gerd Schmücle.
sober citation at the end of the review
quoting a soviet surgeon:
                        'women and wine
                         are all very fine,
                         but a real man needs more:
                         the sweet taste of war.'
sometimes i'm in that aspect of things, almost gladly
i'd take up a trunk of wood and bash about
the field - but i realised poetry is a great war
you fight solo, and there's no brotherhood idealism,
solo, solo, all the way through...
but this still doesn't explain why a boy would
read blue material, as above mentioned,
and a girl would read pink material...
a jessica reading sounds and sweet airs:
                                        the forgotten women of
              classical music
...
gentrification in the making... why wouldn't a boy
read pink material? too much of a crane driver or
a lorry nomad in him, to simply sit down
and hear a diva with 'oh, what ****!'
citing the Duke of Mantua's envoy that was Barbara
Strozzi play the clarinet?
you know why i'm cynical about feminism?
it's too distracted, it wants to spread its influence into
every human endeavour, positively speaking
it's what woman always boast about:
feminism is multitasking... it has to be relevant in
every realm of thinking... first of all it should focus
on one, and stop this quasi-plagiarism it's doing
at the moment in every aspect of cognition -
i say, the founding mother, the matriarch of
******* is feminism - honey... can't **** all the time,
gotta forage and hunt and build houses too!

— The End —