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Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
ogdiddynash Jul 2018
helping the kids with homework


no one told you,
was part of the job description
paycheck earner a-ok,
gruff but tender lover,
knowing her special places,
building a tree swing,
a tree house safe and satisfactory,
one the neighbors envy

taking them to the hospital for
broken arms and chemotherapy,
part two of the non-routine but a very possible foreseeable,
going to school to give that principal a look
that will make him think twice before suspending
one of his for defending himself

you remember your daddy doing the same for you,
forgetting to repeat the tar and hiding that came later

the tucking in, the pretense ouch
when your end of day
scratchy beard ruffling the skin of babies,
carrying tissues in a toolbox,
never heard of, nevertheless done,
tho not a memory defining the future inclusive,
definitely a learning ability, a likeability

doing homework, nuh uh,
no way jose, don’t dare let them
know how you never got a gold star,
always sat in the back row, outta sight,
all day dreaming, chemistry rhymes with mystery,
and poetry is rhymes needing a big vocabulary
which means lots of words for a man who don’t talk much

ain’t exactly his strong suit

sure, heard of Shakespeare but never met him,
know where the on/off computer button hides,
the rest is up to them;
got no email address, but taught them sir and ma’am,
how to address humans with respect,

i’ll promise them anything
but not doing any homework,
unless it the kind that that makes

a home work
#homework
RILEY Apr 2013
I whatsapped you through my nokia
And is it your existence I crave?
Or does my mind order
What is beyond the border
Unseen like the little light bulps in the sky
I whatsapped you through my nokia
And is it your fingertips I need?
Spending minutes on
Semantic and hours on our news feed
And high lights of our day
See my days are all the same
I ask myself questions and I find answers
In the shape of instant messages
Vibrating through my phone;
And as if it’s exhaling some deadly poison
It rings and rings and rings and rings and rings and rings and stops…
I whatsapped you through my nokia
Asking you
“you there?”
But you never answered
Because your iphone cannot show any whatsapp notifications
Coming from hopeless thinkers trying to figure out the typed mysteries of life….
Because your blackberry
Is too black to turn into a satisfactory vision
Of what your future should be;
Because your android
Is practically messy
And willingly complex
Like meteor showers hitting your phone
Every time the truth vibrates
In the shape of unanswered questions
For the answers are there…
But our phones are so smart they hide it;
I wahtsapped you through my nokia
Asking myself
Is my nokia a primitive technology?
A shameful scar on the scale of science
Like syringes ******* all the blood from the unstoppable sweet rush of statistical knowledge
I whatsapped you through my nokia…and all this comes out
Is it me being silly, or us being shallow?
Please do not whatsapp me the answer
For am tired of green screens
And boxed spaces
I need clean streams
Of fine faces
And eyes that glimmer
Rather than phones that shiver…
I shall remind my phone
To remind me
That I don’t need it anymore…
Najwa Kareem Aug 2017
Ramadan 2017 in Sarajevo, Bosnia                      

The first day and the second

What a blessing!!!

Brothers and Sisters in the Old Town speaking the words Salamu Alaikum

Sisters wearing veils with colors like in the bright rainbow appearing before me and my two new friends from Bosnia in a sky above a bussling bazaar, there a smaller group of humans watching and a larger group of tourists capturing a rare moment in Sarajevo on photo

Many brothers wearing kufis and many brothers with trendy hair styles paired with Western outfits gathering in the courtyard of Gazi Husrev-Bey Mosque, the largest in Bosnia and sixteen centuries old. Tourists from Africa, America, Europe, and other landscapes and many locals exchanging words and gestures in a month better than a thousand

Families spending time together at the Grand Mosque and at smaller mosques and in other places surrounded by picturesque hills and green plush trees

A father, a mother, their toddler son...he practicing walking on a masjid's cobblestone, and their young daughter...she smiling at her father as he walks by. Each family member physically at a distance from each other. Each family member at a cell's distance in communion with each other.

In the mid afternoon on a Ramadan's day, a sister from Munich and I having met for the first time at Bey Mosque ride together in a taxi up a steep hill to see a guest house she knows

A smell of lingering cigarette smoke permeating the air within the house so thick beckons me to leave politely and quickly. Unaware of the smell's degree, the owner learns of its' offensiveness as I disclose my sensitivity to & the dislike of the smell of cigarette smoke, both acutely heightened while fasting

Careful steps back down the steep hill to the city center, me avoiding stumbling on a large rock or being runover by a speeding automobile, interestingly instead I stumble upon a beautiful grave yard of uniquely shaped white gravestones and a charming mosque with a high minaret

At the bottom of the hill sits a crafts and artistry shop, one of many in Sarajevo's Old Town. Upon entering and a brief conversation with the owner, a piece of generosity is handed to me, a square shape piece of wood with Ayat tul Kursi in hand calligraphy

During the late afternoon hours, a time for reading Quran by many at mosques in the city. Sisters and brothers sitting on carpeted floors, some with backs supported by mosque walls, some with bodies sitting in chairs, fasters occupied with the most perfected Divine Scripture

A brief leisurely stroll with my two new friends Dzenita and her sister Amina through part of the Bazaar, they sharing opinions of their favorite restaurants, best eating experiences, and other things

In the early evening, a time to buy food to prepare for the Iftar meal. Showing me how it's done in Sarajevo, Dzenita and Amina invite me to join them on an excursion up a hill to buy Somun, a Bosnian flatbread topped with black seeds from the city's famous bread maker. Standing in a line longer than Georgetown Cupcake, Dzenita surprises me with a gift of Somun for myself

Two dates, one cube of Bosnian delight, and one cup of water to break our fast with at the Bey Mosque. A canon bomb sounds off to announce the time for Magrib prayer and Iftar, customary in Sarajevo during Ramadan

Startled and alerted by the bomb's depth and volume, I stand up to join the congregation for communion with God, The God Most Gracious, Most High

Out of nowhere I'm invited to Iftar at a shop nearby the Grand Mosque, about 8 of us guests being served by the warm owner, she offering a meal for Iftar at her shop every night during Ramadan, a big-hearted tradition of hers

Cevapi, Cevapi, Cevapi...I'll say it once more, Cevapi -- sold in Bosnian restaurants, cafes, bazaars, and made in many homes, eaten happily by many fasters at Iftar. Served with freshly chopped onions, some served with a soft white cheese, some with a red peppery sauce, many served with Somun, all ways tried by me and tasting as scrumptious as my first experience with Cevapi in Germany, then falling in love with it

Cold winds at night from the surrounding mountains, a refreshing air yet taking my breath and power away from the chill of it, completely disappearing with my start of Isha prayer with other Muslims and the declaration "Allah hu Akbar"

9 Muftis with impeccable Tajweed each taking turns to recite the words of our Grand Lord before sunrise, me weeping from God's messages, the reality of His greatness, my servitude to Him, and a recognition of sounds similar to that of my Mumin Father's, those familiar to me since birth

Three dear sisters, university students from Turkey and I journey together on foot after Fajr from the Old Mosque to a street train, along the way stopping by a community center, our destination - their home an hour or so away to rest, the four of us coming to know each other and each others' thoughts with every step. Contempleting my desire to spend more time in the city over sleep, the three sisters showing great generosity and I embrace and exchange Salams at a stop near the main station, the three walking with me to an open place before continuing on

In the land of a marriage between the East and the West and where newspaper is used to clean a cafe window, on the list of to-dos -- shopping for gifts for family and for souvenirs, window shopping done along the way, asking myself Shall I buy a Dzezva, a hand-made Bosnian coffee set, or a vintage wood Sarajevo box, or a woven wallet, or Bosnian sweets.

In a bazaar walkway, Maher Zain's song "Ramadan" playing loudly. At another moment, lyrics about a month of devotion and sacrifice from Sami Yusuf echoeing. Shop owners in Old Town with dispositions of calm and quiet grace greeting me and others cordially and respectfully. Shopping a few hours more until near sunset for post cards with a real version of the Grand Mosque, finding only less than satisfactory versions. Time running out for shopping, another reason now to return to Bosnia, God-Willing

Magrib prayer a second night at the Gazi Husrev-Bey Mosque. Observing the crowd, a striking occurrence taking place, a teenage boy walking a small length behind a man on to the mosque carpet. There the boy approaches an older man giving him a respectful hand shake. After prayer, a native of Sarajevo shares with me in wholesome conversation, "You are known in the town not by what you have. You are known by how well you behave."

Another invitation, this time for a cup of a tea at a cafe. Overflowing with people mostly young adults, men and women sitting at tightly packed small tables inside and a few outside, conversations merging into each other with a loud volume flowing throughout, Shisha being smoked by some, cigarettes by some, smoke in the air and the temperature inside melting away heavy make-up on sisters' faces. "This is Ramadan in Sarajevo." Madia says. "One aspect of it." says I. Not having a good feeling right away when walking in and not wanting to stay, the two of us leave quickly.

My two new friends Dzenita and Amina aka angels of hospitality and kindness reciprocating my gift to them of Milka chocolate give me a gift before departing the next day. "Tespih!!" A burnt red and yellow colored set with sparkingly gold thinly cut wrapping paper looking stripes purchased at the Gazi Husrev-Bey Mosque gift shop. Not knowing then I collect Tesbih, their gift is now my most favorite of my Tesbih collection

Husbands and wives, men and women both young and old, well-groomed and well-dressed, some holding hands as they stroll through narrow pathways in the Old Town on a Ramadan's night. Families talking and eating at restaurants, friends in groups sharing laughs, so much to see, so much to experience. At a cafe where baked goods, ice cream, and other sweets are sold, a lady sitting with a group of others initiates speaking to me, stopping me in my tracks. Bidding me farewell, she extends me a gracious compliment

Ramadan 2017 in Sarajevo, Bosnia to Remember

The first day and the second

What a blessing!!!

by Najwa Kareem
Circa 1994 May 2014
Not many things are as satisfying
As peeing when you're drunk.
What a rush.

I always realize how lightheaded I am
And that makes me laugh.

Then it's back to the kitchen to replenish
My body's alcohol supply.
Ah, Nikolaas, my love for him is not the same, as my love for thee;
My love for thee was once, and may still be, sweeter, purer, more elegant, and free;
But still, how unfortunate! imprisoned in mockery, and liberated not-by destiny;
It still hath to come and go; it cannot stay cheerfully-about thee forever, and within my company.

And but tonight-shall Amsterdam still be cold?
But to cold temper thou shalt remain unheeded; thou shalt be tough, and bold;
Sadly I am definite about having another nightmare, meanwhile, here;
For thy voice and longings shall be too far; with presumptions and poems, I cannot hear.

Sleep, my loveliest, sleep; for unlike thine, none other temper, or love-is in some ways too fragrant, and sweet;
All of which shall neither tempt me to flirt, nor hasten me to meet;
My love for thee is still undoubted, defined, and unhesitant;
Like all t'is summer weather around; 'tis both imminent, and pleasant.

My love for thee, back then, was but one youthful-and reeking of temporal vitality;
But now 'tis different-for fathom I now-the distinction between sincerity, and affectation.
Ah, Nikolaas, how once we strolled about roads, and nearby spheres-in living vivacity;
With sweets amongst our tongues-wouldst we attend every song, and laugh at an excessively pretentious lamentation.

Again-we wouldst stop in front of every farm of lavender;
As though they wanted to know, and couldst but contribute their breaths, and make our love better.
We were both in blooming youth, and still prevailed on-to keep our chastity;
And t'is we obeyed gladly, and by each ot'er, days passed and every second went even lovelier.

But in one minute thou wert but all gone away;
Leaving me astray; leaving me to utter dismay.
I had no more felicity in me-for all was but, in my mind, a dream of thee;
And every step was thus felt like an irretrievable path of agony.

Ah, yon agony I loathe! The very agony I wanted but to slaughter, to redeem-and to bury!
For at t'at time I had known not the beauty of souls, and poetry;
I thought but the world was wholly insipid and arrogant;
T'at was so far as I had seen, so far as I was concerned.

I hath now, seen thy image-from more a lawful angle-and lucidity;
And duly seen more of which-and all start to fall into place-and more indolent, clarity;
All is fair now, though nothing was once as fair;
And now with peace, I want to be friends; I want to be paired.

Perhaps thou couldst once more be part of my tale;
But beforehand, I entreat thee to see, and listen to it;
A tale t'at once sent into my heart great distrust and sadness, and made it pale;
But from which now my heart hath found a way out, and even satisfactorily flirted with it,

For every tale, the more I approach it, is as genuine as thee;
And in t'is way-and t'is way only, I want thee to witness me, I want thee to see me.
I still twitch with tender madness at every figure, and image-I hath privately, of thine;
They are still so captivatingly clear-and a most fabulous treasure to my mind.

My love for thee might hath now ended; and shall from now on-be dead forever;
It hath been buried as a piece of unimportance, and a dear old, obsolete wonder;
And thus worry not, for in my mind it hath become a shadow, and ceased to exist;
I hath made thee resign, I hath made thee drift rapidly away, and desist.

Ah, but again, I shall deny everything I hath said-'fore betraying myself once more;
Or leading myself into the winds of painful gravity, or dismissive cold tremor;
For nothing couldst stray me so well as having thee not by my side;
An image of having thee just faraway-amidst the fierceness of morns, and the very tightness of nights.

And for seconds-t'ese pains shall want to bury me away, want to make me shout;
And shout thy very name indeed; thy very own aggravated silence, and sins out loud;
Ah, for all t'ese shadows about are too vehement-but eagerly eerie;
Like bursts of outspread vigilance, misunderstood but lasting forever, like eternity.

'Twas thy own mistake-and thus thou ought'a blame anyone not;
Thou wert the one to storm away; thou wert the one who cut our story short.
Thou wert the one who took whole leave, of the kind entity-of my precious time and space;
And for nothingness thou obediently set out; leaving all we had built, to abundant waste.

Thou disappeared all too quickly-and wert never seen again;
Thou disappeared like a column of smoke, to whom t'is virtual world is partial;
And none of thy story, since when-hath stayed nor thoughtfully remained;
Nor any threads of thy voice were left behind, to stir and ring, about yon hall.

Thou gaily sailed back into thy proud former motherland;
Ah, and the stirring noises of thy meticulous Amsterdam;
Invariably as a man of royalty, in thy old arduous way back again;
Amongst the holiness of thy mortality; 'twixt the demure hesitations, of thy royal charms.

And thou art strange! For once thou mocked and regarded royalty as *******;
But again, to which itself, as credulous, and soulless victim, thou couldst serenely fall;
Thus thou hath perpetually been loyal not, to thy own pride, and neatly sworn words;
Thou art forever divided in his dilemma; and the unforgiving sweat, of thy frightening two worlds.

Indeed thy godlike eyes once pierced me-and touched my very fleshly happiness;
But with a glory in which I couldst not rejoice; at which I couldst not blush with tenderness.
Thy charms, although didst once burn and throttle me with a ripe vitality;
Still wert not smooth-and ever offered to cuddle me more gallantly; nor kiss my boiling lips, more softly.

Every one of t'ese remembrances shall make me hate thee more;
But thou thyself hath made more forgiving, and excellent-like never before;
'Ah, sweet,' thou wouldst again protested-last night, 'Who in t'is very life wouldst make no sin?'
'Forgiveth every sinned soul thereof; for 'tis unfaithful, for 'tis all inherently mean.'

'Aye, aye,' and thou wouldst assent to my subsequent query,
'I hath changed forever-not for nothingness, but for eternitie.'
'To me love o' gold is now but nothing as succulent',
'I shall offer elegantly myself to not be of any more torment, but as a loyal friend.'

'I shall calleth my former self mad; and be endued with nothing but truths, of rifles and hate;'
'But now I shall attempt to be obedient; and naughty not-towards my fate.'
'Ah, let me amendst thereof-my initial nights, my impetuous mistakes,'
'Let me amendst what was once not dignified; what was once said as false, and fake.'

'So t'at whenst autumn once more findeth its lapse, and in its very grandness arrive,'
'I hopeth thy wealth of love shall hath been restored, and all shall be alive,'
'For nothing hath I attempted to achieve, and for nothing else I hath struggled to strive;'
'But only to propose for thy affection; and thy willingness to be my saluted wife.'

And t'is small confession didst, didst tear my dear heart into pieces!
But canst I say-it was ceremoniously established once more-into settlements of wishes;
I was soon enlivened, and no longer blurred by tumult, nor discourteous-hesitation;
Ah, thee, so sweetly thou hath consoled, and removed from me-the sanctity of any livid strands of my dejection.

For in vain I thought-had I struggled, to solicit merely affection-and genuinity from thee;
For in vain I deemed-thou couldst neither appreciate me-nor thy coral-like eyes, couldst see;
And t'is peril I perched myself in was indeed dangerous to my night and day;
For it robbed me of my mirth; and shrank insolently my pride and conscience, stuffing my wholeness into dismay.

But thou hath now released me from any further embarkation of mineth sorrow;
Thou who hath pleased me yesterday; and shall no more be distant-tomorrow;
Thou who couldst brighten my hours by jokes so fine-and at times, ridiculous;
Thou who canst but, from now on, as satisfactory, irredeemable, and virtuous.

Ah, Nikolaas, farther I shall be no more to calleth thee mad; or render thee insidious;
Thou shall urge me to forget everything, as hating souls is not right, and perilous;
Thou remindeth me of forgiving's glorious, and profound elegance;
And again 'tis the holiest deed we ought to do; the most blessed, and by God-most desired contrivance.

Oh, my sweet, perhaps thou hath sinned about; but amongst the blessed, thou might still be the most blessed;
For nothing else but gratitude and innocence are now seen-in thy chest;
Even when I chastised thee-and called thee but an impediment;
Thou still forgave me, and turned myself back again into elastic merriment.

Thou art now pure-and not by any means meek, but cruel-like thy old self is;
For unlike 'tis now, it couldst never be satisfied, nor satiated, nor pleased;
'Twas far too immersed in his pursuit of bloodied silver, and gold;
And to love it had grown blind, and its greedy woes, healthily too bold.

And just like its bloodied silver-it might be but the evil blood itself;
For it valued, and still doth-every piece with madness, and insatiable hunger;
Its works taint his senses, and hastened thee to want more-of what thou couldst procure-and have,
But it realised not that as time passed by, it made thee but grew worse-and in the most virtuous of truth, no better.

But thou bore it like a piece of godlike, stainless ivory;
Thou showered, and endured it with love; and blessed it with well-established vanity.
Now it hath been purified, and subdued-and any more teaches thee not-how to be impatient, nor imprudent;
As how it prattled only, over crude, limitless delights; and the want of reckless impediments.

Thou nurtured it, and exhorted it to discover love-all day and night;
And now love in whose soul hath been accordingly sought, and found;
And led thee to absorb life like a delicate butterfly-and raiseth thy light;
The light thou hath now secured and refined within me; and duly left me safe, and sound.

Thou hath restored me fully, and made me feel but all charmed, awesome, and way more heavenly;
Thou hath toughened my pride and love; and whispered the loving words he hath never spoken to me.
Ah, I hope thou art now blessed and safely pampered in thy cold, mischievous Amsterdam;
Amsterdam which as thou hath professed-is as windy, and oft' makes thy fingers grow wildly numb.

Amsterdam which is sick with superior lamentations, and fame;
But never adorned with exact, or at least-honest means of scrutiny;
For in every home exists nothing but bursts of madness, and flames;
And in which thereof, lives 'twixt nothing-but meaningless grandeur, and a poorest harmony.

Amsterdam which once placed thee in pallid, dire, and terrible horror;
Amsterdam which gave thy spines thrills of disgust, and infamous tremor;
But from which thou wert once failed, fatefully, neither to flee, nor escape;
Nor out of whose stupor, been able to worm thy way out, or put which, into shape.

But I am sure out of which thou art now delightful-and irresistibly fine;
For t'ere is no more suspicion in thy chest-and all of which hath gone safely to rest;
All in thy very own peace-and the courteous abode of our finest poetry;
Which lulls thee always to sleep-and confer on thee forever, degrees of a warmest, pleasantry.

Ah, Nikolaas-as thou hath always been, a child of night, but born within daylight;
Poor-poor child as well, of the moon, whose life hath been betrayed but by dullness, and fright.
Ah, Nikolaas-but should hath it been otherwise-wouldst thou be able to see thine light?
And be my son of gladness, be my prince of all the more peaceful days; and ratified nights.

And should it be like which-couldst I be the one; the very one idyll-to restore thy grandeur?
As thou art now, everything might be too blasphemous, and in every way obscure;
But perhaps-I couldst turn every of thine nightmare away, and maketh thee secure;
Perhaps I couldst make thee safe and glad and sleep soundly; perfectly ensured.

Ah, Nikolaas! For thy delight is pure-and exceptionally pure, pure, and pure!
And thy innocence is why I shall craft thee again in my mind, and adore thee;
For thy absurdity is as shy, and the same as thy purity;
But in thy hands royalty is unstained, flawless, and just too sure.

For in tales of eternal kingdoms-thou shalt be the dignified king himself;
Thou shalt be blessed with all godly finery, and jewels-which thou thyself deserve;
And not any other tyrant in t'ese worlds-who mock ot'er souls and pretend to be brave;
But trapped within t'eir own discordant souls, and wonders of deceit and curses of reserve.

Oh, sweet-sweet Nikolaas! Please then, help my poetry-and define t'is heart of me!
Listen to its heartbeat-and tellest me, if it might still love thee;
Like how it wants to stretch about, and perhaps touch the moonlight;
The moonlight that does look and seem to far, but means still as much-to our very night.

Ah! Look, my darling-as the moonlight shall smile again, to our resumed story;
If our story is, in unseen future, ever truly resumed-and thus shall cure everything;
As well t'is unperturbed, and still adorably-longing feeling;
The feeling that once grew into remorse-as soon as thou stomped about, and faraway left me.

Again love shall be, in thy purest heart-reincarnated,
For 'tis the only single being t'at is wondrous-and inexhaustible,
To our souls, 'tis but the only salvation-and which is utterly edible,
To console and praise our desperate beings-t'at were once left adrift, and unheartily, infuriated.

Love shall be the cure to all due breathlessness, and trepidations;
Love shall be infallible, and on top of all, indefatigable;
And love shall be our new invite-to the recklessness of our exhausted temptations;
Once more, shall love be our merit, which is sacred and unalterable; and thus unresentful, and infallible.

Love shall fill us once more to the brim-and make our souls eloquent;
Love be the key to a life so full-and lakes of passion so ardent;
Enabling our souls to flit about and lay united hands on every possible distinction;
Which to society is perhaps not free; and barrier as they be, to the gaiety of our destination.

Thus on the rings of union again-shall our dainty hearts feast;
As though the entire world hath torn into a beast;
But above all, they shan't have any more regrets, nor hate;
Or even frets, for every fit of satisfaction hath been reached; and all thus, hath been repaid.

Thus t'is might be thee; t'at after all-shall be worthy of my every single respect;
As once thou once opened my eyes-and show me everything t'at t'is very world might lack.
Whilst thou wert striving to be admirable and strong; t'is world was but too prone and weak;
And whilst have thy words and poetry; everyone was just perhaps too innocent-and had no clue, about what to utter, what to speak.

Thou might just be the very merit I hath prayed for, and always loved;
Thou might hath lifted, and relieved me prettily; like the stars very well doth the moon above.
And among your lips, lie your sweet kisses t'at made me live;
A miracle he still possesses not; a specialty he might be predestined not-to give.

Thou might be the song I hath always wanted to written;
But sadly torn in one day of storm; and thus be secretly left forgotten;
Ah, Nikolaas, but who is to say t'at love is not at all virile, easily deceived, and languid?
For any soul saying t'at might be too delirious, or perhaps very much customary, and insipid.

And in such darkness of death; thou shalt always be the tongue to whom I promise;
One with whom I shall entrust the very care of my poetry; and ot'er words of mouth;
One I shall remember, one I once so frightfully adored, and desired to kiss;
One whose name I wouldst celebrate; as I still shall-and pronounce every day, triumphantly and aggressively, out loud.

For thy name still rings within me with craze, but patterned accusation, of enjoyment;
For thy art still fits me into bliss, and hopeful expectations of one bewitching kiss;
Ah, having thee in my imagination canst turn me idle, and my cordial soul-indolent;
A picture so naughty it snares my whole mind-more than everything, even more than his.

Oh, Nikolaas, and perhaps so thereafter, I shall love, and praise thee once more-like I doth my poetry;
For as how my poetry is, thou art rooted in me already; and thus breathe within me.
Thou art somehow a vein in my blood, and although fictitious still-in my everyday bliss;
Thou art worth more than any other lov
I used to hate the cold,
What a strange thing.

But then I got use to this feeling,
The cold in my veins,
The air, and my heart.

I realized that the cold is
The only satisfactory
Feeling I could possible experience
At anytime.

A cold drink of water,
Trickling down my throat,
Finding its course through
My weary body.

A cold shower,
Finding its way down my spine,
To the drain that lays upon the
Shower I stand in.

A cold shoulder,
Being left behind
Has now become something
I am very used to.

A cold heart,
Something my body got use to
Years before,
My mind even knew what
The cold really felt like.

A satisfactory feeling coursing all
Throughout my body.

Never felt so good to feel
Absolutely nothing but what
I deserve,
The cold,
sian  Feb 2019
social media
sian Feb 2019
Engrossed in technology
We forget how to communicate
Not with our fingers on a screen
But with our mouths, with our minds
All the obsession with perfection

It makes reality seem satisfactory
(for Christopher Isherwood)

Seated after breakfast
In this white-tiled cabin
Arabs call the House where
Everybody goes,
Even melancholics
Raise a cheer to Mrs.
Nature for the primal
Pleasure She bestows.

*** is but a dream to
Seventy-and-over,
But a joy proposed un-
-til we start to shave:
Mouth-delight depends on
Virtue in the cook, but
This She guarantees from
Cradle unto grave.

Lifted off the *****,
Infants from their mothers
Hear their first impartial
Words of worldly praise:
Hence, to start the morning
With a satisfactory
Dump is a good omen
All our adult days.

Revelation came to
Luther in a privy
(Crosswords have been solved there)
Rodin was no fool
When he cast his Thinker,
Cogitating deeply,
Crouched in the position
Of a man at stool.

All the arts derive from
This ur-act of making,
Private to the artist:
Makers' lives are spent
Striving in their chosen
Medium to produce a
De-narcissus-ized en-
During excrement.

Freud did not invent the
Constipated miser:
Banks have letter boxes
Built in their façade
Marked For Night Deposits,
Stocks are firm or liquid,
Currencies of nations
Either soft or hard.

Global Mother, keep our
Bowels of compassion
Open through our lifetime,
Purge our minds as well:
Grant us a king ending,
Not a second childhood,
Petulant, weak-sphinctered,
In a cheap hotel.

Keep us in our station:
When we get pound-notish,
When we seem about to
Take up Higher Thought,
Send us some deflating
Image like the pained ex-
-pression on a Major
Prophet taken short.

(Orthodoxy ought to
Bless our modern plumbing:
Swift and St. Augustine
Lived in centuries
When a stench of sewage
Made a strong debating
Point for Manichees.)

Mind and Body run on
Different timetables:
Not until our morning
Visit here can we
Leave the dead concerns of
Yesterday behind us,
Face with all our courage
What is now to be.
Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.
Ezra Pound  Aug 2009
The Bath Tub
As a bathtub lined with white porcelain,
When the hot water gives out or goes tepid,
So is the slow cooling of our chivalrous passion,
O my much praised but-not-altogether-satisfactory lady.
Mateuš Conrad  Mar 2019
7,254
Mateuš Conrad Mar 2019
.how did the political "debate" ever become surmount to include musicians? from what i've seen? of the KEXP radio session...  Ashish Vyas had the most fun from the session... i always admired the bass players more than those ****-offs running out of rhythm guitar sessions... bass, a tier above the drums... masturbator-grand-master-soloist... i guess this is one of those nights where i drink more than i write... elephant's ******* choking me to come... oh well... not even a Decalogue will save me... the political art is no art to begin with, curtains... all i'm seeing if curtains... and households filled with retired personel... and curtains... curtains but not blinds... it's abhorrent to have to listen to music with hushed bass guitar... notably metallica... apart from devil's dance and... where's the bass guitar? the rhythm guitar section overpowers the music... fine fine, have your solo *******, but don't silence the bass guitar with the rhythm guitar, i need to hear the drums translated via the bass guitar into the rhythm guitar... solo guitar and vocals all you want... it's like... the lessons to be learned from jazz, when all the fire prime instruments are allowed to solo... went, "missing"... i need the bass, man... frantic bass & drum genre type of music will not do lollipops for me... what was the alternative? dub-step? well... vex'd & distance... burial... who were the others? i don't remember... don't make me cite skrillex: white privelege man! yeah... at least with rabbit teeth missing, doing that well known party trick! i don't like bands that have a knack at an over-emphasis of the rhythm guitar, who neglect the bass guitar... it's so counter the jazz-inheritance... tool: grand bass, red hot chilli peppers, silverchair... i need that smoothing out layer of sound that manifests itself in a bass... a layer of sound just below the rhythm guitar and a tier above the base (not bass) of the african drum borrow... bāß... base (not bass)... yes, it's not supposed to look pretty: a phonetic antithesis... as most "things" in english...

             mind you... did i mention how heidegger
has a foot in the door?
       oh... i didn't? did i?
     the reflexive and the reflective quadratic...
the reflex of conscience "vs."
the reflectiveness of consciousness...
       heidegger:
                  language - only if speech has acquired
the highest univocity of the word does it become
strong for the hidden play of its essential
   multivocity (as withdrawn from all "logic"),
of which poets and thinkers alone are capable,
in their own respective modes and their own
directions of sovereignty.

  of the few lyrics i've entertained these passing
"days"?
             the black keys: lonely boy -
              i got a love that keeps me waiting...
borrowing from Kafka i guess:
      in that case, i’ll miss the thing by waiting for it.
   no?
   guess there's no "oops" where these words
come from...
              
    with the "passive" circumstance of the faculty
of memory...
                two tiers of memory:
the reflexive memory type,
the scholastic rubric type...
  1 x 4 = 4, a + b + a +c + u + s = instrument =
counting... etc.,
            that's the reflexive memory type...
a scholastic rubric...
      dyktando...
but memory also occupies
the reflective parameters...
          which involve personality...
a sort of memory dissociated from schooling,
and more, associated with:
disinhibiting any chances of succumbing
to dementia's grinding machine
of the mortal circus...

  the reflexive memory storage bank is
the buffer...
the "placebo": nay... the safety mechanism...
but... too much education,
too much pointless education,
and the erosion of the reflective memory
storage bank: this is not a buffer,
this is not a something equipped with
a "safety mechanism"...
        given that a self is perpetuated
within the confines of
a constant conflict with the "self"...
   a and italics / the and "ambiguity commas"...

well, there's always a place to start...
i find of like philosophy as being
a rigour associated with a satisfactory
form of vocab.,
       namely?
i can use the associated words bound
to a sentence with confidance...
unlike a ****** fiction writer,
sometimes dabbling into loan words
from a thesaurus, to, invoke:
an intelligence superiority...
  don't worry...
  when people lend themselves
to use a thesaurus, having exhausted
their adjective knowledge... it shows...

come on... a background in chemistry nouns?
3,5-methylhexane... you think?
that's the remains of a saxon past in english...
in chemistry...
germans spell like dr. faustus to begin with,
they, compound...
        the remains of a germanic past in
the current state of english shrapnel still
lives... in chemistry...
        hydrocarbons...
                  usually met with a hypen:
hydro-carbons...
       siebentausendzweihundertvierundfünfzig
(7,254)...
well, very german: what a waste of not employing
punctuation marks (', -) when it came
to the caterpillar 189, 819:
methionylthreonylthreonylglutaminylarginyl...isoleucine,

Me­thionylthreonylthreonylglutaminylarginyltyrosylglutamylserylleucy­lphenylalanylalanylglutaminylleucyllysylglutamylarginyllysylgluta­mylglycylalanylphenylalanylvalylprolylphenylalanylvalylthreonylle­ucylglycylaspartylprolylglycylisoleucylglutamylglutaminylserylleu­cyllysylisoleucylaspartylthreonylleucylisoleucylglutamylalanylgly­cylalanylaspartylalanylleucylglutamylleucylglycylisoleucylprolylp­henylalanylserylaspartylprolylleucylalanylaspartylglycylprolylthr­eonylisoleucylglutaminylasparaginylalanylthreonylleucyl arginylalanylphenylalanylalanylalanylglycylvalylthreonylprolylala­nylglutaminylcysteinylphenylalanylglutamylmethionylleucylalanylle­ucylisoleucylarginylglutaminyllysylhistidylprolylthreonylisoleucy­lprolylisoleucylglycylleucylleucylmethionyltyrosylalanylasparagin­ylleucylvalylphenylalanylasparaginyllysylglycylisoleucylaspartylg­lutamylphenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylv­alylglycylvalylaspartylserylvalylleucylvalylalanylaspartylvalylpr­olylvalylglutaminylglutamylserylalanylprolylphenylalanylarg inylglutaminylalanylalanylleucylarginylhistidylasparaginylvalylal­anylprolylisoleucylphenylalanylisoleuc…

or just read the end of james joyce's ulysses
or jean-paul sarte's iron in the soul...
you do have to insert shrapenl punctuation
into this word...

but these are the last remains of the english language
being associated with a germanic origin:
compounding words...
             esp. in chemistry...
                

as any drunk would state,
to suffice...

    what was it that the luftwaffe
prescribed for the night raids
on London?

   and what did isis fighters
be prescribed?

    amphetamines?
n'oh!
   (minus the extended omega:
oooooo enough time
for a katy perry song,
an afternoon shower,
a slap in the face,
and then a few punches,
hey, jerking off became
boring)...

   so the british,
and a few polacks doing their
r.a.f. bit beat the germans
because?
   oh... **** no...
they were ingesting
an impediment factor,
durg, ****,
drunk, numb-skulled...

    we're talking counter
measure to the "enchanced"
mensch...
    high on amphetamines...
insomniac, but still going...
i guess the loci of
the amphetamine adventure
had to relocate to the anti-ego
focus of the phallus
in the variation of viagara...

****...
i care more for my giggles
and a friar tuck physiognomy...
seriously...
   it's more important than mere
gymnastics of
a freudian "metaphor"...
  ha ha...
   i guess conversation is
also allowed...
   try keeping that up...
given that most men are
******* into a solipsism...

     date nights... m'ah ah ha ha ha...
i figured that i don't
need french intellectuals to
redefine absurdity,
or german philosophers
to "redefine" existentialism,
i just needed to leech
off an nativistic english
"public"...

                      what the ruling
class spews:
   i reinterpret...
                  simple, 1 + 1 = 2...
crux, numbers,
   bounce back...
echo...
     compliment to the language...
as i stood in the shower thinking...
well isn't modern gaming
slightly "ingenious"...
money piggy...

or... reversed...
    provided the unlimited time
of experience...
no constraints,
just a game within a game,
like sims 3: making a sim
play a video game...
wormhole paradox
      and a brain shattering moment,
a jolt,

         these modern "free" games?
well... at least if you
do not invest in them,
are... games mostly associated with
time...
time is the game...

   whoever gets ****** into
the money laundering schemes
of these games,
forgot to read the cheat walkthroughs
akin to final fantasy VII,
because of homework,
and... Saturday mornings.

   **** air guitar:
here's to air drumming to posit
a point...

          the allies drunk their pint
of whiskey, slightly debilitated,
without the circumstance of feeding
a feeling of superiority,
the germans over-inflated
their superiority complex with
amphetamines...

         ergo?
    i'm either proper drunk, or just plain dumb,
or... it's related to listen, repeat,
listen, repeat: katy perry
  (sucker for POP!)....

      never mind...

games used to be fun,
games used to lead to a completion,
tenchu, that was fun,
final fantasy VII...
but this current,
money-sucker of an experience?
well... sure...
now games have reached
an anti checkmate conundrum
which it is...
because, the games are "free"...

           apparently time,
is perceived as a non-commodity...
tell that to someone stuck
in traffic...
      time: the "elder" flimsy
              construct of relativism...

try not giggling
while exchanging whislting to
either the british grenadier march song,
and the french la marseillaise...

   it's like eating pork liver with onions
fry funny...
    or at least a stew of chicken
hearts... tight tender little *******...

but modern gaming is just that...
ingenious counter measure
to the old school variation
of gaming,
    games... without fiction,
games, without script...
    continued perpetuation
of engagement "syndrome"...

     thank god,
i'm pretty sure that if i went beyond
owning a PS1,
i wouldn't have spotted this,
and have a narrative subsequently,
for the worth any sort
of compromise...

ergo? i drink...
   eh... i need to dumb down...
it wouldn't be fair otherwise...
it's not so easy,
to acquire a culture,
a psychology,
a mentality,
   and then...
     to ****... (grimmace, burp,
         snigger) it all away...

**** me, the flute always
gets me...
          i mean...
every time i hear that flute...
my feet at rambling,
itching to tap along...

   well of course it wasn't
the ******* jazzy clarinet,
was it?!
  tell that to the broad
who perfect a *******...
see if she comes back
as smart,
as smart to comply with
the intricacies
of playing, the ******* clarinet.

p.s.
aud lang syne: the only song,
of all time...
shakespeare seems
pale by comparison,
"side-note"...

          broad vs. brode,
******* giggles in the afternoon.

— The End —