Submit your work, meet writers and drop the ads. Become a member
  Apr 2018 Sam
Kartikeya Jain
Imagine.
You.
Young in love.
Nothing to lose
but your heart.
That's how tragedies start.
Sam Apr 2018
If there's any kind of normal anymore,
then it's you -- just you,
standing with a dish rag long after everyone else (your father)
has gone to bed, some point between 7:30 and 9:00 at night.

Things are better now,
(things are worse now)
your mother has been out of country for a week
(or 6 months and 5 days, excluding the handful of week long visits)
and you and your father are ready to leave, now,
crossed the last few items off your bucket list
(everything is the same as it was 6 months ago:
your mother is not sleeping,
your father is not sleeping,
you are both your parent's favorite confidant
for complaints against the other,
sole companion when drunk,
your mother hates her job (still),
your father is drowning in the wake
of your mother's misery (still),
and you are still (trying) failing
to hold the pieces together -
yours and theirs.)

It's March/April, so there are cherry blossoms (Sakura),
and your father says, they're beautiful
and your mother (from the video screen of your father's phone) says,
that's a lot of white (they're pink)
and you think, I guess this is the last time I will ever see this.

Your mother's been miserable for the past two and a half years, so you and your father were only half right when you figured giving her your blessing to get out of this
(god forsaken -- to your father)
(sexist, and karoshi-inducing -- to your mother)
(home, yet unaccepting and soul-crushing -- to you) country would help.
(And it did, but not enough and not for long.)

Your mother's world is work, new country, new culture, new language, new apartment, and talking to the two of you. (It's also sans furniture for the first three months, newly insulated heating, and living off takeout and on a futon.)

Your father's world is work, the English side of packing up and moving, you, figuring out his replacement, meeting friends for bike rides or dinner and drinks to say goodbye, and talking to your mother. (It's also figuring out how you'll all survive if this doesn't work out, making arrangements for everything his wife forgot in her hurry to leave, ensuring he and you make it until June.)

Your world is school, your father, the Japanese side of packing up and moving, your friends, stepping down and teaching others to replace you, and doing your part to keep your mother sane. (It's also hiding your own decent into misery, making friends just in time to lose them, and looking up the extra Japanese jargon that your father forgets he'll need.)

Your father has been wary of this country since the day he moved here - 14 years, 2 months, and 17 days ago; has hated it since the day after the final date of your expected stay, 12 years, 11 months, and 2 days past. The summer you are twelve it comes to a culmination, and your parents inhibit separate apartments for the next half-decade.

The conversation you overhear four years after the fact (a summer night when your bedroom window has been left open, near midnight, your parents talking on the balcony  it connects to) goes like this:
  You said you hated me. (Your mother.) You told me it was my fault we were stuck here.
  I have never hated you. (Your father.)
  You said I ruined your life. (Your mother, again. Voice raw, broken.)
  You didn't ruin my life, (Your father. Voice tired, like this is a recurring discussion.) you... (You can imagine your mother crying, your father wrapping his arms around her shoulders. The candle on the patio table flickering with surrounding city light, reflecting your mother's tears, the hint of silver in your father's ring.) I'm sorry. I'm sorry. I never should have said it, but you already know that. You didn't ruin my life.
  (Silence. Then your mother, again.) You said you hated me.
The conversation lasts well past 2:00 in the morning,
your parents none the wiser to your reluctant presence.
(It's not a conversation you ever wanted to hear.)

After the go-ahead for the move comes in very late August, everything ignites, speeds up to a ridiculous pace. You and your father box up the majority of your mother's apartment, and then it falls to the two of you to get rid of everything left when she leaves after another month. (It's that same month that she traverses three countries in two weeks, gets stuck in the midst of a hurricane warning- drives 10 hours across state borders to escape it, and spends her first week living in Germany forgetting most everything.)

Deciding to move and finding a school comes in October and November. You and your father miss a day of school to fly to Amsterdam and back, realize certain things are unfeasible, look at more schools, and begin to send letters. You miss a whole week by yourself in Germany, causing your mother to sleep, for once, and then catching only 2 hours yourself for a week straight (added onto panic attacks and dizzy spells) once you get back to Japan. (It’s mid-October when a school in Frankfurt indirectly says they’ll accept you, your father hands in his resignation the following week, then turns to you and asks are you sure you want to move your senior year? - and you think bit late to be asking now.)

Your mother calls everyday, and you make yourself present for it once or twice every week. (It’s mid-November before you realize that your father may miss her desperately, but you don’t. At all.) Sunday becomes packing day, and you and your father slowly pile up boxes while avoiding paperwork, accumulating trash runs to the apartment complex across the street. By March, there is a plan for getting rid of furniture in place, and most save bare essentials are packed.

I counted. Your mother starts, first to speak once the connection goes through. 80 days. So you have 80 days to go around the world and come see me.
Well, nowadays, it only takes 2 days to travel across,
you quip, as your father pulls out his calendar.
Looks like you won’t have to wait that long he says, pointing at your mother’s proposed date of contact - 6/13 - in contrast to his last day of work, a week behind your final day of school, your daughter might even make it at 70, he adds (and you silently say goodbye to spending any of the summer with your friends.)
Well, your deadline is 80. (She’s not sure she’ll make it if it’s any longer.) I miss you.
Miss you too.
Love you.
Love you.
Love you too.


Come evening, you will still be the last one standing, alone except for the cold water running across your fingers and the plates that will be labeled ******* within 2 months, the wind if it decides to howl, the motor of a car if one chooses to pass your deserted street, your father if (when) he begins to shift and turn and give up on sleep. And this you can still say, is normalcy.
Sam Apr 2018
If you try to breathe, normal,
in through the nose
out through the mouth,
you know your breath will stutter,
come out in a gulping, unsteady way

Because your heart is too fast
(as always)
Your mind is too unclear,
stuck in a haze of fog.

So you will breathe
through only your nose,
keep the panic curled and tight
until you are all alone,
and it can lash out fast and furious,
and harm no one but you.
  Mar 2018 Sam
Corvus
Some things don't end smoothly.
It's not the slow braking of a car,
A seamless transition from driving to a standstill.
Sometimes you need to slam on.
And it never happens silently,
There's always a screech or a thud or a gasp,
It takes you by surprise and it lurches you forward.
You have to hold on for dear life.
The unexpected nature of it wreaks havoc on your insides;
Butterflies are woken up from your stomach and become nausea.
You check to see if all your limbs are intact, or in fragments.
Then you do the same for your heart,
Searching to see if it went through the windshield
Or if it managed to stay held inside by your unyielding ribs,
Only ever collapsing under the strain of breaths,
Hyperventilating into an airbag.
Some things don't end smoothly.
It's not the steady sigh of relief,
It's the jagged, shaky breaths that never fully extend
In or out, and there's no calming halt afterwards,
Just a process of continuously hitting the brakes.
  Mar 2018 Sam
Kendall Seers
My compassion is a steel blade,
so thin and sharp,
I could cut you
and you would not know.
You would bleed
and be unaware.

Blades are tools
as well as weapons.
They are the tool of healers,
and I operate with consent.

Fear of the unknown is not compassion,
so every slice is done with consciousness.

No matter how much
I wish to spare you pain,
it must be done with consciousness.
The title is a quote taken from a letter from a sensei of mine. He was attempting to describe my philosophy, and the poem flowed from there.
  Mar 2018 Sam
haley
love is not a safe word
it’s one haiku revised 400 times
on cracked leather chairs in the corner of cafés

some of us love badly
she says as she kisses the rim of her glass.
some of us love stretched out
like pizza dough that rips when our rolling pin rolls it too thin.

some of us love in secrecy
we do not trust your hands.
you try to pull our scalp off and draw your portrait on our mind

some of us love clean
like bubble bath that smells like lavender from some fancy store in the mall
some of us love *****
we cant clean you off our skin

some of us kiss with our teeth
some of us braid our lovers into our hair
and when we remove the hair tie
it is crimped and messy and tangled

some of us love love
but only far from home
when we slip into bed we start thinking
and we can’t stay still

some of us wash our clothes even when they don’t smell
or aren’t stained
just because it feels like you are inside of our shirts and pants and sneakers

some of us walk alone past your house
on the way to ours
and stop at the front step
waiting for you to come out
and smile at us
the only thing we wait for today
are the smudged signatures of snails
scrawled across your pavement

some of us love to the bone
until there are no more “ifs”
just “is” and “are”
the collected poems of our fingers
swollen, bruised, red like a bouquet of roses

some of us love
and we regret it
we never get home in time for dinner because of it, we leak like a faulty faucet, we sleep with our pillows over our heads to keep everything in
but some of us love
some of us own a watch and know the time with a glance at our wrist, some of us own a sponge to soak up the water, some of us own satin pillows that feel like whispers on our cheekbones
Next page