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Fed
She broke the bottle over our heads
and the milk mingled with the blood.
That's how one feeds monsters.
The fingernails dig in deep and pull out threads of fabric.
It might have held the world instead of bled, she said
But I can't toe the line of a killer.
"It's not me!" she broke in, hands still shaking,
heart still trying to headbutt through her rib-cage.
"SHUT UP! I don't know you!", she screamed at the wall of her bedroom,
panting.
Making memories right then and there.
Born like stars in the darkness.
Dreams that let loose into the silence of the real world like breaking through glass.
Dreams to make the grown men weep in panic.
Dreams to drink an extra cup of coffee for,
on your way to work.
I wrote this during a week where I was having intense nightmares but working a full schedule plus overtime.
Oh how I stand for what I believe,
Oh how I falter to my knees.
Only these still timeless trees
Understand what it means to see.
Oh how we amble through the forests
With our high hopes and our torches.
These whispers and these forces
Through this grapevine could outsource us.
I have seen the magnified soul
and I no longer need to be whole.
But will I love forever more?
Or will the torch burn out before
My simple supposed perfections
Recollect their misconception.
They'll take back what was theirs,
and trade their souls for prayers.
How minds shift past what shows innate fear
And strive to be safe from retrospective tears.
 Aug 2014 Salomé Albrecht
a gale
I’ve torn the pages
And crossed out words
If it’s worth a try
I’m willing to rewrite
All that has been

I’ll change your goodbye
To goodnight
Turn the ending
Into the ******
I’ll go back
And start it over

*a. gale
 Aug 2014 Salomé Albrecht
a gale
“Am I worth wasting
Your Friday nights with?”
I asked so nervously
As a smile crept up
Your thin lips
“Darling,”
You said
“I’ve already wasted
So many nights
With just thoughts of you.”


*a. gale
 Aug 2014 Salomé Albrecht
washy
for every gloomy night and bright morning,
for every deep breath and slight smile,
for every clock tick and eyes flicker,





                                                   ­                                                                 ­                         I love you.
 Aug 2014 Salomé Albrecht
washy
she was charming like a couple of adorable synonyms in a sentence,
yet so obscure like a quiet full-stop at the end of paragraph.
I keep wondering, about how long will I love you.
Said the little boy, "Sometimes I drop my spoon."
Said the old man, "I do that too."
The little boy whispered, "I wet my pants."
"I do that too," laughed the little old man.
Said the little boy, "I often cry."
The old man nodded, "So do I."
"But worst of all," said the boy, "it seems
Grown-ups don't pay attention to me."
And he felt the warmth of a wrinkled old hand.
"I know what you mean," said the little old man.
Well, my daddy left home when I was three,
and he didn't leave much to Ma and me,
just this old guitar and a bottle of *****.
Now I don't blame him because he run and hid,
but the meanest thing that he ever did was
before he left he went and named me Sue.

Well, he must have thought it was quite a joke,
and it got lots of laughs from a lot of folks,
it seems I had to fight my whole life through.
Some gal would giggle and I'd get red
and some guy would laugh and I'd bust his head,
I tell you, life ain't easy for a boy named Sue.

Well, I grew up quick and I grew up mean.
My fist got hard and my wits got keen.
Roamed from town to town to hide my shame,
but I made me a vow to the moon and the stars,
I'd search the ***** tonks and bars and ****
that man that gave me that awful name.

But it was Gatlinburg in mid July and I had
just hit town and my throat was dry.
I'd thought i'd stop and have myself a brew.
At an old saloon in a street of mud
and at a table dealing stud sat the *****,
mangy dog that named me Sue.

Well, I knew that snake was my own sweet dad
from a worn-out picture that my mother had
and I knew the scar on his cheek and his evil eye.
He was big and bent and gray and old
and I looked at him and my blood ran cold,
and I said, "My name is Sue. How do you do?
Now you're gonna die." Yeah, that's what I told him.

Well, I hit him right between the eyes and he went down
but to my surprise he came up with a knife
and cut off a piece of my ear. But I busted a chair
right across his teeth. And we crashed through
the wall and into the street kicking and a-gouging
in the mud and the blood and the beer.

I tell you I've fought tougher men but I really can't remember when.
He kicked like a mule and bit like a crocodile.
I heard him laughin' and then I heard him cussin',
he went for his gun and I pulled mine first.
He stood there looking at me and I saw him smile.

And he said, "Son, this world is rough and if
a man's gonna make it, he's gotta be tough
and I knew I wouldn't be there to help you along.
So I gave you that name and I said 'Goodbye'.
I knew you'd have to get tough or die. And it's
that name that helped to make you strong."

Yeah, he said, "Now you have just fought one
helluva fight, and I know you hate me and you've
got the right to **** me now and I wouldn't blame you
if you do. But you ought to thank me
before I die for the gravel in your guts and the spit
in your eye because I'm the nut that named you Sue."
Yeah, what could I do? What could I do?

I got all choked up and I threw down my gun,
called him pa and he called me a son,
and I came away with a different point of view
and I think about him now and then.
Every time I tried, every time I win and if I
ever have a son I think I am gonna name him
Bill or George - anything but Sue.
She chases the darkness,
Nothing, but darkness and her,
She sits there,
Darkness a blanket she can wear,
And she listens to the nothingness
that only the darkness allows;

And if she was still aware,
I'm sure she would get down on her knees
and Thank the darkness for the
Silence,
The Blessed Silence
that cocoons her now;

and when daylight comes,
she runs and hides,
hiding from the light that burns,
hiding from the pain and hiding
from the voices, the voices to loud,
and she waits for the sunset,
Eager to be spared.
then she's running again,
into the darkness,
back to the Nothingness
that the darkness allows.*

And if she was still aware,
I'm sure she would get down on her knees,
and Thank the darkness
for the Silence,
The Blessed silence
that cocoons her now.
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