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Maryann I May 24
the day I lose feeling
will not come softly.

it will arrive in a hush—
not a peaceful one,
but the kind that devours echoes
and drapes the bones in frost.

I will no longer know the sting
of sunburned sorrow,
nor the hush of a warm hand
brushing the tears off my cheek.

no more trembling
under a thunder-skied guilt,
no more gasping at poems
that bleed with someone else’s grief—
I will be blank.

a shell left in the wake of a tide,
where even the salt forgets
the memory of waves.

how cruel,
to be untouched by ache or awe.
to no longer cry
at the sight of spilled light
on cold pavement at dusk—
to not care
how a crow calls at dusk
with a voice like cracked obsidian.

when I can no longer feel,
do not call it numb.
call it death.
call it
gone.

and when you find my name
beneath dust
in a book no one reads anymore,
know that once,
I was fire.
and it took the whole night sky
to put me out.
The day I lose feeling will be the day I’m dead because I will no longer be able to feel anything.
Maryann I May 23
I cradle aches
like heirlooms—
not mine,
but remembered

deep in the joints of memory,
where silence once slept
in rooms with hollow lullabies.

I press cool cloths
to fevered skin
with hands that once reached
into shadow
and came back empty.

Now they are full—
of bandages,
of borrowed grace,
of tenderness sewn like stars
into every rough seam.

I stir soup
as if it were a spell,
watching steam rise
like ghosts of things
I used to need:

a steady voice,
a soft no,
arms that didn’t shake.

To care
is to time-travel—

to give the child inside me
what she never received
by giving it
to someone else.

Each thank you
is a stitch
in the tear I carry.


Each healed wound
in another
is a whisper to mine:
you’re not forgotten.
“You like taking care of people because it heals the part of you that needed someone to take care of you.”
Maryann I May 21
Love is not red,
but a bluish sheen
like frost clinging to the edges of a withered petal—
quiet, delicate, grieving.

It echoes in rooms I’ve never stood in
but dreamt of dying in softly—
your name still caught in the lace of my breath.
Like spiderwebs in moonlight:
beautiful, invisible, breaking.

My ribs are glass when you smile.
Does that make you cruel, or does it make me fragile?
Tears hang like pearls in my lungs,
and I drown with grace.
(Love shouldn’t feel this much like drowning.)

The stars blink down with pity—
each one a slow, silver eyelash
shedding light on how I’m
held together by hurt and hope, both trembling.

You pressed your warmth
into my winter skin
and now I shiver even in summer,
missing a fire I can’t carry.
You made my heart grow teeth,
then kissed it with silence.

And it weeps,
not because you left—
but because you stayed long enough
to teach it how to ache with elegance.
Maryann I May 16
The porch light clicks off behind me—
no ceremony,
no words wrapped in warmth,
just the hush of a door
never meant to stay open.

A moth dances in the dark.
I watch it,
wishing for wings
that don’t tear
in the cold.

My feet know this ache.
They’ve felt it before—
sidewalks splitting like dry lips,
a sky too wide
for someone so small.

I carry silence
in the crook of my arms,
like a child that won’t
stop crying.

The moon
presses its white face
against the windshield.
It doesn’t ask me to leave.

Every hour is a question
with no safe answer.
Where do I go
when even the night

runs out of room?

I’m tired
of learning the weight of keys
that don’t belong to me—
of knocking
on almosts.


If I disappear,
will the world blink?

Or will it just
keep driving?
Maryann I May 11
the wind no longer bites,
no voices call her name,

just the soft hush of rain
kissing the earth
where she once stood.

the ache,
the ever-splintering ache,
has grown quiet—
not from healing,
but from letting go.

she does not cry anymore.
not because she is numb—
but because she is free.
freer than the clouds
that used to pass her by.

bones unclench,
heart unhooks,
lungs forget the weight of air.


no more needles
in the chest of morning.
no more claws
in the gut of night.

her soul, a silver thread,
slips through the seams
of a worn-out sky,
and drifts.

it is peaceful here.
quiet, yes.

but not empty.

those who love her
will ache—
but only because she loved so deeply.
and now,
she rests.

hush—
let her rest.
  May 7 Maryann I
Carlo C Gomez
~
man on the moon,
woman in orbit,
unrequited science.
nowhere to land,
nothing to feel,
it might as well be Siberia.
luminaries change,
control lingers in the framework.

the heavens revolve
—deasil and artificial.
she has revolutions of her own,
legs that once swam
everyday in his backyard pool,
(that once draped around his coil)
now openly kick free
from his lunar confines.

he starts the countdown
—one one thousand,
two one thousand,
but she's not coming for him.
she's chasing other transmissions,
the bones of what she believes,
hoping something out there
can activate her heart.

~
Maryann I May 7
A silent maw,
carved into the velvet of spacetime,
drinks the universe
without sound, without shape—
just the slow, spiraled collapse
of everything once known.

Its edge—a burning halo
of fused copper, liquid bronze,
and ionized fire,
spins at the speed of forgetting,
blurring into a ring of sheer velocity—
a lens where reality folds in on itself.

Around it:
deep red streamlines,
maroon currents of orphaned light,
taper and twist like oil on black water—
gravity made visible.

In the distance, galaxies drift—
fractured spirals in periwinkle dust,
nebulae bruised in plum and violet,
their tendrils stretched thin
by the pull of this ancient siphon.

It does not speak.
But it rearranges everything—
light becomes arc,
time becomes thread,
motion becomes stillness.


The accretion disk—a
maelstrom of starbone and ash,
where photons skim the surface
but never escape,
trapped in orbit,
a crown of failure and flame.

Beyond the pull,
light teeters, bends, breaks—
an aurora of shattered timelines
wrapped in lapis smoke,
flickering in rhythm
to a silence we will never unhear.

Each orbit marks a memory—
not ours,
but the universe’s—
stitched into the architecture of collapse.

There is no edge,
no true surface,
only the illusion of descent
into perfect black—
not emptiness,
but the compression of everything.

We are bystanders.
Frozen,
watching entropy dress itself
in colors we’ve never seen before.
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