man cave versus she-sheds.

A man I know, finished his basement,
a skilled builder, he built it himself and
installed the masculine items prerequisite,
recliner and pool table, refridgerated mugs etcetera.

When asked how
he was enjoying
his privy isle
he replied, it’s ok,
but haven’t been down
there much lately,
seeing as the pool table
is used primarily
for folding laundry,
and the recliner
reserved for her
unmentionables.

he has
shed his man-cave secondarily to
she that rules,
Cardi-be-Cleopatra,
she rules, the empire,
now it’s her she-shed,
he openly cried
real manly tears
to me, fellow member
of hu-man-unkind.

one more,
just another
finished man,
a home & cave-less
bro…

"I see you there, I would know you anywhere.
(Both smile and laugh)
You have changed very little. Care to Dance?
(She takes his hand, and they go arm and arm.
On the dance floor they closely embrace and
it seems familiar.)

"Your perfume or maybe that is just your
scent, brings back pleasant fond memories
of you and me parked out on the bluff
in my '58 Chevy, just two kids in love
kissing 'till our lips hurt. Though a little
time worn around the edges, we still move
well together". (They laugh.)

(Close to her ear he whispers)
"I hope your life has been good, that you're happy.
That you lived some of the dreams you had back
then. My own memories are flowing, I suppose that's
what reunions are about, this is my first one, a bit
remiss, I guess, plus living 700 miles distant.

We were good together back then, wow, 60 years
ago, father time is an elusive fleeting old thief,
steals our youth and gives us grey hair and
wrinkles in return, not even a fair trade."

(Entwined they slow dance to the oldies for
an hour, neither wanting to let go caught up
in the mood. He looks into her eyes and says)

"I must admit my feet hurt; can I buy you a cold
drink while we sit, perhaps you will catch me up
on your Life's adventures since 1963?"
(She smiles and nods her approval, kissing him
lightly on his cheek.)

how do you paint water, or clouds?

I could read poetry for the brief,
of my of remaining life, however brief,
and never be satiated, of love, and streams of water,
never stilled, always running in patterns that exist,
but for milliseconds, admired by clouds born in, of,
a moment of re-formation that is perpetuity long:
unending shape shifting, like the freedom of flowing water
currents, forming, reforming and unthinkable, nay,
inconceivable that human eyes or their spoken words
could capture their shiny white foamy essence

But of love, that we can do, paint, design, recreate its
endless loops of undulations, like the radiating circularity
of a pebble dropped gently to its burial sight in a quiet pond.

Humans know, understand and excel at clasping and grasping
at the synapsing of human cells from differing bodies: the
exogenous erogenous of human touch that like the clouds
and the water, who could paint that, who capable of capturing
said sensations that wrack and enliven the body with invisible
interior chemical reactions. I cannot. Thankfully better men and women have treatised  their entreaties to the powers of the universe and been rewarded with the skilled delicacy of weaving human tapestries, the milliseconds of connectivity, eclectic and electrifying of different currents and differing amperage’s forming and reforming like water moving, just  like the clouds changing in response to the externalities of wind and gravity and all the forces of nature that encourage us to study and stare at these flows, hoping to entrance them into standing still for but a moment, and instead, mesmerizing us into standing motionless for hours in awe of their freedom.

Love’s undulations too mesmerizing, and freezing us into
place, or alternatively caucus to run endlessly arms extending,
flying though not airborne , rocketing us upwards while feet never budging, but finding good wards, masterful metaphors to recreate and thus to share the fabulous mystery of this thing we know as love.


2:58AM
Friday
jul 22 (jewel 22) of the 23rd year of the 21st Century.


O.L.P.

those of us in the middle muddle,

do not know from sides, boundary lines,
drawn by others, right-sided, left-leaning,
mean nothing to us, who seek something solid
upon to rest, when the clarity others profess,
more than evades us, even escapes us, and
the muddles of life seem to require simplest,
middling answers that are unacceptably refused
by grail seekers whose cause for cause, means
cause to cost others regardless, for regard for
the middle is disdained, by two-sided posts,
the know nothings, and the know betters

irony of irony, the rigidity of imposition makes
me more adrift, more aimless, and the task of
meandering through seems almost holy, for the
obstacles of society, requirements of modern life,
are so damning, wild expectations superimposed,
truths not just hard to find, almost indiscernible,
so I lay my pen down hard, awaiting for the
whatever-while, for to return, to go walking with
only the simplest grids to guide, meanderings in
general directions, ahead, always ahead, keep moving,
keep touching and when optimism returns,

I shall be relieved
once more,
I shall be released
once again,

good words will be caught,
released, returned back
into the atmosphere so
they will grow in size by
the very act of sharing



undated
————————————————-


Everyone must leave something behind
when he dies, my grandfather said.
A child or a book or a painting or a house or
a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.
It doesn't matter what you do, he said,  so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.  The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime. ~Ray Bradbury

(Book: Fahrenheit 451)

They write of rivers and streams

with effortless precision, crystalline clarity,
of hauntings by white frothy flows, and men
who plow and glide upon them, earning
their sustenance and sometimes their death,
verifying their lives with castings that sink
below them, proofs of their peril.

some months of the year, I too live by a bay,
on a isle surrounded by a long river that dissects a
larger long island, from end to end, that empties
into the Atlantic.

this bay, it is the first and last vision imprinted
when I bed, when I rise, picture windowed with
shades that are never lowered, for what would
be the existential purpose of living here, if you didn’t
check the water’s mood first and last, even before
looking skyward to complete an understanding
of the status of nature’s intentions toward you.

These other poets write better than I, artistically,
effortlessly, and one flows with ease within their
word-pictures, flowing upon their rivers, like a
twig carried out to sea, an unticketed passenger
stealing a ride who pays for the journey with life.

to read of their comprehension of water flowing,
is to read of how men breathe, how they wrangle
and wrestle with forces that diminish the human
scale to 5/8” model size, and no glue to keep them
upright.

I ask forgiveness from my bay, for my ineloquence,
my belabored scratchings, to do it justice, show
its honor and grandeur, but it doesn’t acknowledge
my words, for I am skill-lacking, verbiage-challenged,
and inadequate. This why I read the work of others,
poets who walk on, and within, their rivered boundaries
and who speak with skin and pore knowledge their waters.

July 4th 5:33 AM