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  Jul 2018 Nat Lipstadt
Sharon Talbot
I recalled the smell of junipers warming in the sun,
Or maybe mice nesting under the cupboard.
Or bleached linen hung out by Mum,
Reminds me of something about Dad from long ago,
You ask me…to say if it was gin;
There are things I can’t tell you, Son.
Some people think that it’s a sin;
So just use your imagination.

Another time I smelled crushed daisies of
The housemaids, I remember from Kleßheim.
Thunderstorms rolled down from the Alps at night,
Then turned at morning into clarified, buttered sun.
They remind me of someone’s blonde hair,
I just can’t tell you when or where,
So use your imagination.

Scent is the most potent mnemonic,
Triggering mystical cells inside,
Creating a stream of biophotonics,
Rapture returns in histrionics,
Tracking things from skin and hair,
To lips and eyes, to a groan, an intrigued stare.
Things we can never tell another, even if
He or she or they were there
What happened in those brilliant days?
Only imagination can say.

Crystal hanging in the window at nine o’clock,
Rays strike the glass, opening up the past.
Before me spreads a wide, green lawn,
Ladies and lords stroll with their finery on.
I sit and watch, while the procession advances,
Tricornes doffed and stays undone in dances.
Until the satin, silk and brocades lie on the ground,
Gavotte kisses become tender, sensual rounds
And naked, youth flees into woods.
And everything is happening;
Everything is good.
This is about memory, predominantly smell, how much we remember and what is only guessed at. The last part is about memories of a past life triggered by light in a prism.
Nat Lipstadt Jul 2018
and

you think you are done with it.
but the notion potion returns
with your stolen free will
taunting and tearing, sealing
and then dissolving
the seals

no retirement in this world
from where human means pliable
and pliable means capable of being
twisted; nay, retwisted...

last we left you,
we were weeping on the
concrete sidewalk of
Third Avenue, the police,
giving you a move on command,
as Jean Valjean earworms one into
the incapacity of movement  
because of the audacity to request
to bring him home

such is the sorrow of the lost child;
it comes with irregularity
yet, never failing to return,
the child lost, the residual, resides
within like a violin adagio reaching
the punishing silence
after a crescendo that  pretense
promised momentary relief

we struggle to keep any and all keepsakes,
polished and fed; rust and time,
no polish in the five & time dime
that does a good enough job,
but you buy it anyway

well aware that fate will inevitably
rob you, it’s so purposed

twist you, retest you and re-will you, to never forget until
you have no need for forgetting but the peace of
constant remembering when all on that day
molecules and nucleotides
collide in the atmosphere,
dog licking, cat weeping purrs, meaning hallelujah home

the endless sadness of the lost lad-ness,
dimly grow the recollections of the first word,
the first delight, the confidence complete
that your babe is non pareil;
the violin sweeps you along and the
genteel tide still too string strong to resist

the woman comes into the room;
the reddened eyes no hide
the weeping outside and in the centerpiece of a soul;
why she asks, not surprised for she’s seen it
too many **** poem-times:

my Adam, I answer;
suffices and wisely
leaves me to
compose and decompose simultaneously
weeping weeping forever weeping
even when not

furious eddies rock smashing,
curious they splash me with taunts
"you want for naught!"

but naught is the only possess
that owing it makes one impoverished

perhaps he will email me, ewail me,
does he know I am at the
Wailing Wall, Jerusalem,
insert parchment prayers for his safety

oh my Absalom, oh my Adam, my favorite first born,
come sit next to me on the sidewalk
so close to where you live,
comfort me as in the days of your youth,
now that we are both
so very much older

sleep well all you lads and children,
never mind these unstoppable tearings,
never mind the heaviness,
for it has passed
as the tears ~shed,
enlighten and lessen
my embodiment

7/16/18 prone and alone
for my kinship
  Jul 2018 Nat Lipstadt
Sjr1000
The orchid is flowering
Opening,
a living mandala
Next to my bed
I hear it in my dreams
It's telling me very strange things
About the chemistry between us
And what being a flower really is
And what it really means.

There's a lot to learn.

The orchid whispers in chemical symbols

I danced through the night one night
I drank water in the desert
The sweetest taste, I've ever known
I heard a sound I've never heard before
The buzzing of Chi
Blowing in
while the curtains fluttered
In the night time wind.

Our time I know is limited
Forever wilts away

But while the orchid is flowering
That's for another day

I find myself longing for the scent of the night and at least
One more dream to go.
This came as a total surprise, 100%! Never expected. We all channel our internal poet, a conduit from within, dictated somehow. My experience at Hellopoetry has been life changing  and the community we are all apart of is truly a sacred circle, for that and this moment in time, I am grateful.
The poet, well, he's sleeping now, but I will pass it on when he awakens. Many thanks, to one and all, you continue to teach me what it means to be human and an artist in this world.
  Jul 2018 Nat Lipstadt
Path Humble
Poems on a Mirror

~for Glenn Currier~

you don’t know me
I don’t know you;
poems on a mirror I ken
truly well

poems on the mirror saved, and then,
comme the seasoning of leave-falling,
poems dropping and drained...the post-it glue loosened by
the daily heat of watery tears,
making a space for
this one, for you...

there are poems and they arrive with fresh arrogance,
each an arrow demanding your all as a target regardless  
of what the shooter really thinks or wants, other than
obedient acknowledgment and their self-loving flattery

but some render where no rendering should be allowed

those are the ones affixed - ones you chose to join the chosen,
slapped onto mirrors - so many that they almost
cover complete your image from presentation

almost only because these poems are yours, you,
they’re the truly accurate reflection even if not your words,
indeed especially because they’re not yours

but they start your day as a poem should
and in doing so,
become you

What a Hall of Fame, to be a poem on Glenn’s Hall of Mirrors

go pick the plums...
“Glenn Currier  to Valerie Burroughs

“So true. So beautifully put. This is one I will add to Poems on my Mirror. Literally. I am going to copy and paste it or just write it on a post-it note and put on my mirror as a reminder of what poetry should be. Thank you.”
Nat Lipstadt Jul 2018
~for granddaughter Wendy on her first birthday~

mailman delivers a
a small bubble wrapped envelope,
an internet purchase made a long sometime ago  
accompanied by an enjoyable, self-served and self-serving,
"you're a good fella"
          pat on the back        

a spurting act of the what-the-heck,
trigger pulling, self-pleasuring,
donating a few bucks to saving poetry,
****** in by a suckers click bait

sent money to the
   keepers of poems;   
they even give something
in return.

sensible pencils.  

a non-rational purchase;
@ $6 dollars per leaded squib,
a wooden helping kiss rife with possibilities

all for a goodly cause
preservation band society poetic

this one-and-done impulse many weeks ago, 
followed by an immediacy forgeting,
then, an eye stabbing,
a widening wow weeks later
upon receipt
of an unexpected 5 pencil's all poems poetry reciting!

5 pencils. No. 2’s,
on each a phrase,
a poet's name and their singular words parsed
(see the notes).

paired passages from five poets,
deemed and distinguished to be
commemorated-worthy
and
what's more apropos than a dangerous  instrument of a
loaded leaded pencil,
that can be used to add to the  
Ever Expanding Universe of Verbal Liturgy
("and I helped")
.
once briefly dusted off the top of closeted dreamy days,
my notions of acclaim gone, silly gone,
my only marks now are erasures,
tiny rubber sheddings on paper
that's my marker,
a minus mark of deletion.

may yet come the day,
one will one gather up the
many survivors,
poem fauns, all my orphans,
give them to the
Wendy baby,

first,
she to metamorphose those
baby squeaks and  giggles,
weighty weightless poem noises,
clapping, waving, delighted and delighting, kiss-throwing videos and that milk covered face,
into her own living words

all these noises that makes even non-poets
smile ear to ear unabashedly,
nodding in delight agreement
to her own non verbal
original poems
:
perhaps
one day a little girl
will stumble on five pencils,
mixed in within fifteen hundred poems not particularly well hid,
between worthless insurance policies and other artifacts,
memoirs and pointless depositions,
hid between her older sister and brother's
crayoned keepsakes


  with pointed newly sharpened pencils
the very same,
this,
his Wendy,
might add
to the grandpere's poem collection with
pencils begging to be used,
for they are generationally and genetically,
pre-poetically enabled,
weighting the old memories
with new ballast and new balance,
from new verbal babies
all of her own.
What happens to a dream deferred?  Langston Hughes
Won't you celebrate with me? Lucille Clifton
Do I dare disturb the universe?  T.S. Eliot
I'm Nobody! Who are you? Emily Dickinson
Where can the crying heart graze? Naomi Shibab Nye

poets.org
  Jul 2018 Nat Lipstadt
lmnsinner
“Sometimes I feel
Like I've been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I'm dyin””
Allman Brothers
<•>

two words arrive unscheduled no comprehension no intention;
a great taunting for the guy who claims he plucks ‘em
from passing breezes and hazelnut trees

creation capture

meaning just a biting *******’ feeling,
Allman brothers Pandora in on it too,
playing to make sure
I’m in touch with my roustabout feelings

“Sometimes I feel
Like I've been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I'm dyin'”


got it - the poems revolting
and they are...making it hard

the lesson i’m learning
the poems are the boss
you ain’t nothing but a whipping post boy
wright right what you’re given, no misgivings -
a treat you don’t deserve
you ain’t nothing but our
creature captured

forty years in the desert and maybe then
the promised land
let you know when you suffered enuf

meantime meet us and Leon in Atlantic City;
poetry ain’t nothing but rolling dice, playing craps

mostly you lose


Bastille Day 15:00
a country tune for a county boy
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