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  Mar 2017 Nat Lipstadt
ogdiddynash
10:06pm and they're coming at me again
a chorus demanding a chanson,
holding my brain for ransom,
the twenty six against the world's every languages' dictionary,
cacophony of a single voice demanding
provide pleasure of the interior mind's designery
obey obey the elemental electric eleventh finery
commandment
and
write anything that honors the poet's day
write something about remanding
*the world back to where we all belong
bex challenging me one mo' time

World Poetry Day is a time to appreciate and support poets and poetry around the world. It is held on March 21 each year and is an initiative of the United Nations Educational, Scientific, and Cultural Organization (UNESCO).
Nat Lipstadt Mar 2017
oh, these messages, you send,
invitations to a gala, a black tie affair,
but only if willingly pay the exorbitant fare,
your money's no good, you must dare,
find and write the poem hid within

how cold are the carpenter's hands,
the weather, but an added obstacle,
this heat, makes dying different difficult,
the wood bearing cross requires additional nails
and flesh, for the extra load he's bearing,
when it snows blood in Jerusalem

the whole world can transition
when one man dies and another is risen,
where oh where lies then, the juxtaposition?

there is none, for man is man,
his divine spark, embedded,
to his maker's mark, wedded,
neither snow or sun,
can ever, either, extinguish*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
any message you send can and will be turned into a poem
"how cold are the carpenter's hands"... patty m

patty m  Divine intervention
extensions of grace
kiss the doubt from the
blind man's face.

Yet all are blind and deaf
so few left who truly believe
when tricksters smile and
cunningly deceive.
Where is the lamb
who died for man
how cold are the carpenter's hands.
Jerusalem where all roads lead
in winter white your sorrows bleed.
Lie still awhile and mull the words
all creatures big and small wo;; be spared
if on they believe, repent, circumvent the globe
frontal lobe what's in this treasure trove? myrrh and frankincense. stabled now in a manger
of hay, Earth Christmas Day.
Nat Lipstadt Mar 2017
rose at the wee three hour,
to verify the factual, "they" have cancelled
this particular Tuesday in NYC due to celestial inclemency
named
ma Bella Stella

the guv and the mayor,
a creator's doctored note received
from the supreme being of their choosing,
** ** **, whaddya know, we city folk and grownup kids get a day off,
cause we got a special kind of cold, called a nor'easter

sho'nuff, an atmosphere perusal
shows a whiteout sensual ensual,
through a sleepy bedroom window,
visible the commencement of 18,
maybe 24, inches, can't be too sure

but it's all about safe over sorry which is why,
really good poets rewrite a new poem countless times

rose at the wee three hour,
a snowy add-on found to our raging winter,
a poem~note^ from you, patty girl,
about transition and juxtaposition
which leads me here, here being on the
writing couch roundabout the now wee hour of four

for the juxtaposition of the blizzard external
and your early-morning poetic missive
has transitioned to blizzard inferno internal,
visible the commencement of 18,
maybe 24, lines, with poetry, one can't be too sure

you can lead a horse to water but not make him drink,
you cannot lead a poet to certain words without making him think,
you phrased me a phrase, so consequential, guilty you are of
robbery in the first degree, stealing my mind in furtherance
no mas sleep

the providence words you provided shot off
so many alt-poem routed roots that I must now provide
a trigger warning to you dear reader, that I am near to
dangerously drowning in an internal blizzard of very
l e n g t h y poem possibilities

transition and juxtaposition

dumbstruck

are not our entire lives consistent of transitions
by the elemental random juxtaposition of
consequential accidental, just happen to happen happenings

to all my friends here,
how did our juxta-wooded paths happen to cross
we are citizen~strangers of the planet
Never Met
who exchange secrets and confidences as if we,
transitional, friends but, of one family born

dumbstruck

now past the five,
my torrential impulse powered thoughts
have slowed to tortoise speed
and someone has mercy on my soul
calls me back to the
snowed-in blissful bed

but this my parting pattyshot

if i ever get the shoulder tap,
"kid,would you like to update the
Five Books?"^^

I know instinctually intuit,
the first book, no more
Genesis

the first chapter of the
nattyman version
**Transitions and Juxtapositions
^" I decline
to align
my spirit or word
preferring instead
to tread
upon rules
CREATED
by
FOOLS

But the alignment of body and soul
defies
transition and juxtaposition,
as prayers unfold.
How beautiful is poetry
a raging rant or fervent plea,
expressed exquisitely.

hugs
patty m

^^the Five Books of Moses a/k/a the Old Testament
5:45am
march 14 2017
-------------
Storm Stella whips the US Northeast. The monster snowstorm, expected to bring winds of up to 60 mph and reduce visibility to zero, put 31 million people under a blizzard warning and has already resulted in the cancellation of over 7,000 flights and the Falcon 9 rocket. CNN predicts the heaviest snow between 6am and 9am ET.
  Mar 2017 Nat Lipstadt
Left Foot Poet
her morning pleasure occasionally actually exercised,
a substituted delight for gym-going work with Lulu exercised,
no man can, will ever, understand

the nature/nurture debate over,
in my mind resolved, nature, hands up and hands down

RR's^  query, is god dead,
no longer rumbles around in my head cause when he speaks,
I can't get a word in edgewise

what i did in the sixties, lost to time in memoriam,
especially some really bad poetry

but this gender differentiation
a matter that Aristotle dutifully, so wisely, philosophically avoided

there is no Socratic method rationality in what is just crazy insanely meiosis,
there is no comprehension of the essence of  elemental genetic division,
like the NY Mets,
ya just gotta believe, or just accept

but from the other side of the bed
comes a surly, dry rejoinder, a gelled spike

thanks to modern science,
why don't you come over to the
right side, maybe then,
you'll understand the true meaning
of pleasure

transgend your self,
show your willingness per the bible,
to be god's new and improved version of a human being


So,
a pretty little, light A-line,
with a summer floral pattern,
a size 12, (20? ***)
I,
will wear with great
human pride,
come June
see https://en.m.wikipedia.org/wiki/Richard_L._Rubenstein.

another Sixties thing.  but his daughter was my first summer love
Nat Lipstadt Mar 2017
Forest inquires:

How do you decide, choose your design, find its guise,
give it a face, surrender to the poem's own
vanity,
        and choose the poem's alignment?


                                                  an­ answer forms:

this alignment idea,
you think it simple,
everybody understands
what your inquiry means

alignment -  the appropriate relative position

we live in relative position to each other, our poems too, for they are but written synapses of our close captioned interactions, seemingly random, but assuredly not, as we invest in ourselves, seeking the mysterious appropriate answer
                                                                ­                        from the Theory of Poetic Relativity

                                                   ­             i love your question;                              hold it to my nostrils,          
                                             ­             smell the coffee aroma wake up blast inherent;
                                                                ­      
 kiss its robust childlike cheeks for the simple   soulfulness essential arousal;
for you see sir you have found
the appropriate position that relates us, our mindful words;

                                 answer no good, wholly insufficient?
                                        perfect.
                          as i close this quick cooked to perfection laboratory solution, take note

                              
                            ­                        the earth has moved
                                our hearts have beaten a measly thousand times
                                    time and space have appropriated our prior
                                          
relativity

when you return years hence this poem's shape will perforce have moved. for words are weathered flux constant and yet inherently unchanged except for the part of us that changes with every re-reading  

and what was


**right before has left and the center has moved again
Nat,

This is probably just an insane thing of mine, but I cannot stand the center aligned formatted poetry. I want to read the poetry, but why center? I want to know why it is center aligned? If it is a metaphor for how poetry could/should serve as a balancing point, a countervailing force for a point, perhaps I could understand...but so many poems center aligned, I don't know, I am probably missing something.

A right aligned poem? Perhaps I could understand, if the content was asking me to revolt, to revolutionize, to counter the status quo. But a centered poem? What does the alignment mean?

anyway, it has been a long time since I've been around, keep writing, hope you are well.

-forest
Nat Lipstadt Mar 2017
~for Joel M Frye~*

give me your blunt, stunted words,
rooted in the genome human

give me rough, toughened words,
wizened savvy by caress and punch

what use angels ethereal pinheaded,
inexperienced in the vocabulary of the maddening crowd

give me anger, rage, envy-jealousy,
the burnt ashes of the remainder of real

give me perspective of eyes facedown on concrete,
feel of flesh hands pounding the soft spots of the skull

In return for? What bargain struck?  What consideration exchanged?

for your blunt, stunted words,
I give you this:

the homage of inspiration
the honor of no questions asked

one day of my life
poured into your vase
  Mar 2017 Nat Lipstadt
Left Foot Poet
"my soul to keep"

this prayer
elegant, simple complexity,
comes me haunting,
every evening,
this notion,
a faint ghosting,
repeatedly reappearing
and nightly leaving,
disappointed,
from between my crumpled, sweaty bedsheets,
departing with a demanding unsatisfied, incessant,
coated with a diabolical, unfeigned challenge  -

write of me,
relentlessly commanding,
right me

only,
no notions,
come realized,
no poem body, resolved solutions,
are easy offered up

your inner voices,
fettered and deterred,
begging you,
screaming,
this one,
defer, defer,
for better days,
for better poets,
who require
no assembly instructions
cannot improve upon it

my distress, sensed;
the lady of  the house,
over the shoulder peering,
sees the moody poem title that
has self-selected to core this poet's core,
for endless torture,
raining down ruinous lamentation

she, ever softly spoken

"good man,
your soul,
your poems -
both mine to take
and
mine to keep

this title,
this poetic obligation
fulfillingly, fittingly,
my responsibility

mine to write
mine to keep
mine to right
mine to mine
for its
bejeweled contemplations

render easily unto me
what I have Caesarean seized,
pried lovingly and forcibly
from thee within

though seemingly rightfully thine,
title has passed,
legally, tenderly,
into your lover's arms

banish poet thine troubled assembled,
ensemble senses,
this particular poem's journey
and the soul that bears it,
released and relieved,
for now,
mine to take,
mine to keep,
and
thy soul,
in mine to dwell,
and
mine to complete"

~
Nowe I lay me down to sleep,
I pray the Lord my soul to keep,
If I should die before I wake,
I pray the Lord my soul to take
~
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