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There is a man on a street corner
who is crying.
Stop.
Look back.
Repeat.

There is a man on a street corner
who is crying.
His fingers are craggy,
rough-knuckled,
bent and trembling.
They brush harshly at the tears.

Stop.
Look back.
Repeat.

A man passes.
The man on the street corner
who is crying.
Then a woman.
And then another man, a little boy in tow.
The boy plods along,
each step clumsily deliberate,
in his overalls.

Stop.
Look back.
Repeat.

"Daddy,"
the little boy says,
"why is that old man crying?"

"I don't know,"
the father says.
And they walk on.
You see people
in great works of literature
comparing love
to fire.

We are the smoke,
that rises above the flame
in a plume that ravages a perfect sky
with clouds of ash,
and the scent of burning.

We disintegrate,
spreading into the atmosphere.
So many particles of us scatter,
that no one knows
where we start and where we begin.
We are one,
and we span across the sky,
so fused in our many parts that
we can never be separate entities again.
Hey,
I don't know your address.
I hope you never read this.
My therapist says that this is the way to get it all out of my head.
I was under the impression
that writing to someone
ended in burning the evidence.
That it was a kind of healing ritual.
Cleansed by the flames.
But no,
electronic almost-correspondence
appears to be the answer.
Here goes:


I got drunk today.
It seemed like the thing to do.

There was a couch,
it was grey.
Yeah, that one. The red wine stain
is still on the underside
of the cushion cover.

I prefer white.

I sat on the couch.
That's what they're for, couches,
so not much of a surprise, I guess.
But I don't know what to say,
I'm filling the void with
obvious facts.

I didn't even use a wine glass.
I filled a pink mug
full to the top.
Had to sip off the rim of it
so it didn't overflow as I carried it into the sitting room.
With the bottle of wine,
of course.

And I drank.

So I'm drunk now.
I keep laughing.
Of course, I'm not a happy drunk,
but everything is
wrong
anyway.
There's no one around to
tell me to shut up,
for one thing.

Not that I would mind
if there was.
It would fill the silence.

A silence punctuated with
pathetic little
giggles,
as I mentioned before.

I'm not sure what I'm laughing at.
Could be the man outside yelling at his car,
the alarm has been on for an hour now.
Maybe it's the fact
that you took the kettle with you,
and I haven't bought a new one.

I make tea in the microwave now.
Ridiculous.

I don't like you.
Not at all. I don't like the way
that you can't seem to
say anything of importance
and I don't like the way
that your absence
is like

it's like

being stabbed, but that's not enough I feel like I don't have the right to claim that kind of physical pain, I don't feel like I have the right to cry or even walk out my own front door for some reason, and for some reason I was not good enough for you even though neither of us tried our best because we thought we were enough but we weren't and I don't have the words to describe what you are to me, or what you were to me, only that grocery-store sushi used to be that pathetic thing you bought at past-eleven-pm-sometime and now I hate it so much that it's the only thing I can eat and I

I don't need you.

I don't. It's impossible for me to need you,
in the scientific, explainable
rational sense.

But explain it for me,
please.
A school bag against a wall,
paint peeling at the edges, grass growing
upwards, clinging to life
between the cracks of the pavement.

A hand on the school bag
clenched around the handle,
fingers pressed together,
curled, and the nails press into the heel of the palm.
They leave dark little crescents.

A boy;
he curls tighter against the wall,
a shadow throws itself over the bruise on his chin.

The boy pulls his school bag towards him,
rests his bruise on it. His fingers grasp
at the worn weave of it.
Eyes close, wrinkle shut.
Obscure all other senses,
so hearing is the sharpest.

Not yet, not yet. No footsteps yet.

Breath shudders, suppressed
from flaring nostrils.
Barely escapes from his lungs,
that are squished against all his other organs,
in that winding space of a box
compressing all of his organs.

No footsteps, no footsteps yet.

Breathe, breathe.

Footsteps.

Laughter, slinking around the corner,
ahead of the approaching group.
It plunges into the taught space of his ears.
Echoes there.
Thumps against his skull.
Footsteps.

A school bag, pressed tight against a boy,
who wraps his person around it,
begs it to be a shield.

A hand, curling into a fist.
Footsteps.

A boy,
and three others.
Three grin,
one does not.
He can't see their teeth, his eyes are stuck tight.

"Look at this pathetic ****."
A slap of sole on pavement.
A boy stepping forward,
body harsh.

A flinch.

A laugh.

"******* hell, I can't even be bothered."

Footsteps.

A high, quiet sob.

Fingers on a schoolbag, loosen.

— The End —