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dedicated to E.B.
a man of faith
~

the-third-of-three-of-thee queries,
ask this poet anything variety pack,
3 permission-granted non-deniable answers,
though somewhat unsurprisingly,
the demands are the common deeper commonality,
yet finds the poet
flat footed, tongue raveled, searching
repeatedly for le mot juste, answers he doesn’t prefer to task,
by asking himself ever
directly

fingers and tips knotted,
their cooperative sensation severed,
unprepared to answer
deferring, with a weakish,
“it’s buried in plain sight in the
thousand + poem answers resting here
for a someday funeral oratory anticipatory”

all the tired, tried and refried and endless recycled responsa tossed into a barrel of formaldehyde;

in dissolution, perhaps the solution?

numerous are my recorded “dialogues,”
verbal battles with spirit authorities,
plenty of cursing and finger pointing
and not of the Sistine Chapel variety;
mutual forgiveness for human and supreme  errors,
not always, hardly ever,
on the tabula rasa menu

but you think
a principle, responsum est constituta
(from the principal, the answer can be derived)
therefore, yes, he must be...

but
the poet replies faith in what,
meaning he has the surety of none

then!
the phone rings and the poem begins:
in a voice of heretofore unknown register,

<•>


“I am the highest authority
none greater

I am but and only the first creator;
my touch operates at the spiderweb level,
the muse of muses,
present in the first grazing garden of lips,
the cacophony clarity of the avians swapping stories
in the early morn,
my worldwide alarm clock,
the wafted word,
breeze born when any poet stumbles on what comes next,
I am scented cherry blossoms, the breath in the iris newly come, and quickly gone,
the spiders web
where there yesterday there was none,
I am the first poem,
and will be the last

the new skin neath the scab,
the cooing of a grandchild that
sun melts hardy men grizzled who think
there is nothing new under the sun

the counter movement of every wave that shushes,
requesting global silence,
even when no human present to applaud

I am the smile upon the surgeon exiting
the operating room,
his right hand of confidence,
the arm draped upon a strangers shoulder
who weeps unabashedly for
undisclosed reasons that do not matter

you ask the poet
is he a man of faith
a bewildering query that obtains
diffident daily responsa, for the very question
is an ever changing variable

easy come and easy go
for what is faith but a traveling circus,
a summer day, forgot as it melds with next,
faith in?
me? hardly...

who could sustain a belief in the invisible hand that is the breeze between blades of grasses where the snowflakes will later accumulate as if nesting

even faith in himself
is a passing cloud,
a short term rental

but in that instance
he is faithful personified
for he “discovered”
the next word to close and complete,
the poem that did not exist prior

thus faith stored and restored
he believes once more if but for
a seconds-long knowing a defining of
faith

  thus he is neither solved or dissolved;
yet, is resolved to keep getting
closer to that completion
that affords him, or any poet,
to own the faith that affords belief
I come from sunlight,
      The sweeping of leaves,
      South London streets,
      Lurburnum seeds;
      Hot semolina,
      A spoonful of jam,
      Hands full of gooseberries,
      That's who I am.

      I come from rose petals,
      The sound of the fairs,
      The smell of candyfloss
      Mist in the air;
      I come from warmth,
      My parents hands,
      Outings to parks,
      Both small and grand.

     I come from knowledge,
     True and false,
     From nursery rhymes,
     And stories and pictures of God;
     I come from gentleness,
     A quiet afternoon,
     From visions of loveliness,
     Sewn on a spool.

    I come from two worlds,
    With different ways,
    A threaded pearl necklace,
    And sensible soles
    A mother and father,
    I think I knew,
    I came and I wandered,
    I looked at the view.

       By Mary **
Poem inspired by the Slam poets on BBC
The sea is still today
It's cerulean blue and gold
I think of the thoughts it carries
Within its hidden folds.
Its touch is soft and gentle
It soothes the ache of years
But I wonder how many waves
Are made from fallen tears.
Dear everyone,

This is such a surprise! Thank you all for your likes, loves and responses. I have not been very active on Hello Poetry, but will get back in action soon. So much appreciated. Thank you Hello Poetry for selecting this as a daily. Thank you so much my friends and fellow poets for taking the time to read this poem of mine. It means the world to me.  Love to everyone **
There are poor neighborhoods
that are tucked into towns,
where the less educated,
where the lesser of means,
find in the dregs, the ability
to coexist with higher society.

Society is grown to the point of disease,
killing the feeble, disabling the lost,
in the name of and for some ease.
So here comes the city, meaning so well.
They said, "Let's add a train line
to a town that has none!"

Well, there goes the block.
There go the people who
barely have homes.

The Council wants to drop a line
where they see shoes bounce power lines.
What's the harm in displacing
the part of the community already dead?
The town now seems to be just fine
now that the poor are paying fines.
Why not double down and just
gentrify when history tells the story best?

Expand Portland, rid Tigard of blemish,
trade your rug for cement and track.
Beautify Tigard, please your ill desire,
don't be surprised when your eyesore
comes back.

Go ahead, pave your poverty.
Go ahead, clean your streets.
You're thinking, "Lines for dimes."
What do you think a new line means?
What do you think the traffic brings?
The sweet guillotine repeats.
 Jun 2018 Mara W Kayh
r
We, lost Africans
left the savanna
to follow the stars
leaving the ground
to stride with arms
down by our sides
to inherit the earth
and dirt of other lands
following the caravan
of sacred elephants
taking off our black
helmets to discover
other atmospheres
learning to breathe
here as well as there
drinking and singing
like blood thirsty
tigers the dangerous
songs of maps drawn
and long forgotten.
 Jun 2018 Mara W Kayh
Reece
I'll ride the old phantom route 45
that runs right by this broken house
Her ghost roams still, and I get no sleep at night
So I'll pack my bag and grab the howling dog
and hit the old phantom 45

She plays the old 45s, on a record player with no platter
Oh phantom 45, she speaks to me at night
Stains remain on the bathroom floor
and so too, they exist on my heart

So to hit the old phantom 45, they call the 70 now
I'll hit 70 doing 70 and never look back
to the old phantom 45

The road sign still stands on the softly swollen ground
Outside the home we once shared
Now her restless spirit wanes in dusky drizzle
Since I hit the old phantom 45
you can see a yard full of weeds
or a garden full of wishes
never let your perception
of what is beautiful be cruel
we are all but specs
waiting to return to dust
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