'Tis fierce mild out, said he to himself
one mild February night, breeze so bare
and an atmosphere to match that cool air.

At a later date he went east, out on the town for a night
in the Big Smoke, the next day thought to himself:
What pleasant languishing the coke had left

in thee, though tenderized the 'auld cardiac muscle some.
Awoke another day, some time after noon, and thought of how
he'd dreamed again during those couple months with her. Now those

nightly travels were less remarkable, an immemorable mush
full of fading oneiric sensations, a hazy sleep, it'd returned to
that somnolent jumble; the vitality, gone. This clue, to notice it

has been missing from thine mental life. It is a strange tiding
when one realizes how awry things've become; oh yes, dear
retrospect will you ever succumb to a more prudent future?

I know too well the drugs which captivate
my soul
and have held me spellbound since youth.

Aye, there are ways to regain what's lost, to
recover what's missing, but interactions in the world
should be the cause of dreams, their form and content.

It worries me some to suppose other than that. If it was
some other world or part of the soul that imbued our dreams
with meaning, that would imply something has cut me off, or out.

Even were this not the case I think the implication still stands.
I mean to say that the presence of those who are known to us
in waking life may carry over in dreaming, forms transmuted

and content apparent only as metaphor. I should think there are
too many coincidental symbols, ah belay that,
I shan't dismiss post-hoc interpretation. All I wish to say is that

the presence of persons weighs heavy
on the scales of horn and ivory.
As we get older it's too easy to become

I’ve been struck down again,
fully aware it’s my own doing.
Do you have a heart you can lend?
Mine’s drying from the taping and the glueing.
Oh my darling, oh my darling,
oh my sweet Clementine,
are you smiling or are you snarling,
more importantly are you mine?

Outside the window seasons blend,
the temperature holds no meaning.
I notice the change and the trend,
to ignore the withdrawals from weaning.
Oh my darling, oh my darling,
oh my sweet Clementine,
you’ve been avoiding and been barring,
but you can’t severe this line.

The stronger the initial fear
usually means the most is at stake,
and trying to prevent a single tear
can lead to the worst heartbreak.
Those who leave the best memories
usually leave us with the most hurt,
you know we can’t just live life with ease,
there needs to be some blood on a white shirt.

You can try to completely forget someone,
but putting that effort in means you’re actually fixated more,
and after all is said and done,
honestly who do you wish to be behind that door?

Oh my darling, oh my darling,
oh my sweet Clementine,
is it cleansing or more harming,
to live in denial all the time?

Oh my darling, oh my darling,
oh my sweet Clementine,
when it’s finished it’ll be starting,
and I’ll stand under the Montauk sign.

Lilith craved Ficus carica,
Mr. Robot brandished
a branch of Olea europaea.
Would either care to comment
on the state of the world? Their intentions
clear. Is it that "all the world's a stage"
or that all we are is a mirror?
Should it matter that I feel the motions of my mind, and
long to escape without the aid of their counterparts.
Subtle contrarian. Every reaction has its equal
in emotion; each moment has its fulcrum.

For he with the blonde curls,
Who set you from stone to glass,
For he with greyness and age,
Who set you from virtue to lust,
And for the fathers who warned,
Who set you in a statue of shame,
With his constant looks of disbelieving.

For she with the stars of freckles,
Who set you from glass to shards,
For she with the condensation of coldness,
Who set you on route to loneliness,
And for the mothers who neglected,
Who set you with no comfort,
With no help after the males visited.

For the creaks of floorboards,
Threatening unholy arrival,
For the thousands of bed squeaks,
Helping by gifting distraction,
For the hotel clerks gentle knowing smiles,
For the cheeks I can force upwards,
For the sacred of tears that disappeared with new numbness,
For the child within me who had such urgency to grow up,
And for me...for me.