you write of dismembered leaves,
pains too sweet,
using incontrovertible idiocies like
quiet rain, droplets shining like sunlight,
edible goodbye cheerios,
tastes that burn eyelids colored in
blood stained mustard yellow,
the gladness of sadness,
reversible rivers flowing heavenwards,

really?

dechambered hearts, ventricular mysteries,
brains wearing wooly sport jacket helmets
and others, more weirder too,
wonderfully inexplicable,
other jimmy olsonian beauties,
non-lexical non-commonsensical
ecumenical hysterical
chemical verbal reactionaries,
and then you wonder why,

PEOPLE ******* HATE POETRY?

once again the fog draws me in,
speaking fog soft,
“of me, of me, you must,”
so write-birthing,
I am mustered out,
permissioned,
commissioned,
so ordered.

This fog is personal, in your face, changing by
masking/unmasking street and bay, slow burning,
this one, revealing a tableau, like a theater curtain
rising to audience applause for the set before them,
so unexpected, eye-delighting, pleasuring perspective.

why should you care? what matters this to you?

your fog likely little different, in the Cascades,
Everest, the California coastline morning burning off,
not costing anyone’s life, the Blue Ridges smoking meats,
the Quatse River saying, follow me to the Alaska glaciers,
(in the Midwest, some states, use rivers as boundaries,
so they like the fog to keep the ‘neighbors’ on the other side),
the twin Ghats, or mourning steam rising from the Ganges,
or the Zambales Mountains, guarding Manila Bay entrance,

all mine, here too, so slow retreating, gifting a quiet, wider
bay vista tween two islands, one Long, one sheltered.

so wrong, it matters so, none beyond compare!

these mountain or river comparison, white or gray,
listen friend, look closer, see my face, my words
fogging your soul’s view, full of carryover affection,
so deep, they borrow West Virginia coal miner~heroes
to dig it out, a different kind of mining,
but,
nonetheless,
mine.

so it is here, I see your multi-colored faces like
light flickers shedding clarity to these troubled times,
troubled waters, saying here we are, we are!

we here, outside your window, on waters calming,
see us dancing, but it’s so hard for me spot you in
the mists, for mine eyes are clouded, misted over too,
glasses fogged now, **** these **** tears.

this silence of love is flawless
no interfering words necessary deemed,
sound without sound, no entry crack visible,
a great plain, a continental ocean, no horizon given,
this then the perfect diamond of humankind,
the glance cross a room, the grazing ******* upon a cheek,
the succinct serenity of perfect, this I grant you

the best thing you could teach two another

is how to love themselves,
so they can return the favor;
now that would be a refund!

degree of overcast

so the day begins
and so will reman,
the week predicted
the same, only one
variant, degree of cloudy,
mostly, partly or just...

it saddens me deeply for
I contemplate all the lives
with this whether forecast,
or rather,
the absence of
whether,
the only variant,
the degree of overcast

9:34 AM
Fri Jul 17
Year of the Covid

poetry with two spoons and a salt shaker

~for poet, writer, Lora Lee, unexpectedly~

my symphonic orchestral accompaniment today, musically
unlimited, except by lack of disowning skill, a voice unkempt,
spoons and salt shaker, there in-nate rhythmic opinions off key,
worse, my manly word-smithy, out o’town in June, July, August too?

He, having an affair with my she-muses, left me bereft & berated,
helplessly hoping, the timpani of my words clashing, overrated,
woeful under-something, betraying my need for spicy sriracha,
poetry, sans hamburger helper, no-tasty, even less-than-average

everyone comes rushing in to the kitchen, hearing my to-sky-voices
howling, thinking something wrong, the four instruments rack up a cacophony of rhythmic-less noises, words emerging, to-a-person, they announce, “you’re no Allen Ginsburg, ppp-please not so early next time”

alas, they don’t know the poems are coming hot and heavy, guess I’ll
go outside, serenade them birdies in the trees, the striped bass in the bay, the rabbits procreating/sleeping/eating under their (our) dock

the squirrels know better, have skedaddled to the next-door-neighbor who feeds them classical stuff with a dollop of jazz creme mixed in, but I don’t care, cause I got all day, the rest of my life, to amuse me & you too

to refine the qualitative, to improve my creative, I’ve gone “native” and the rush is the best, the wind beneath my spectacles (haha) drives my rhyming to lowlight heights of prosody, besides seems

everybody has gone to a different beach, so it’s just me and the giant blackbirds cawing holy hell noises, and I’m thinking seriously about baking pie, but they just don’t get the hint, how annoying is that!

harrumph!

BESIDES GOTTA WRITE SOME SERIOUS STUFF...

exactly,

for if not to mystify and to demystify,
why do we write, opine large, secretly confessing,
what is know to all soto voce in the chamber of secrets,
that lies between the brains four chambered ventricles,
that leads to a Grand Canal through which flow riddles,
all these thoughts, yours, mine, and overlapping crazy

solitary, they merge within the river of combination,
then known to all, colloquially named Ours, then too,
answers arrive in the scrivening, when each plain to see,
once the riddle posed, the answer is freed to exposure,
like veins blue to red, when oxygenated,all our mysteries,
becoming all colors, untied, there is but one color, reddened blood