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Left Foot Poet Jun 2018
a thousand brilliant lies
(Hafiz,  Iran 1320-1389);      (L.F.P., USA 20~21st century)

- Hafez -                                 - Left Foot Poet-

“I have a                                  if only, in my meager possess,
thousand brilliant lies,          but one lie when easy asked
For the question:                    the simplest damning of,
How are you?                          are you generally happy?

I have a                                    what is god you ask,
thousand brilliant lies.          no lies required,
For the question:                    many answers upon my face visible,
What is God?                          unsure if any worthy of believing

If you think that the               8 centuries separate us, yet
Truth can be known,              you lie; we poets - you, I, all believe

From words                             in the divinity of words

If you think that the                a thousand brilliant sparkles
Sun and the Ocean,                 when Sun loves the Ocean,
Can pass through that            each one a poem passing,
tiny opening Called                my mouth, my wide eyes,
the mouth,                                uttering a Cohen's hallelujah

O someone should                 So we gleam, mirthing in glorious
start laughing!                         and gleeful delight at ourselves
Someone should start             for your brilliant happy lies easily
wildly Laughing Now!"       
                            
                      
­                            unravel into a thousand laughs
hafez
are you generally happy?

a semi-innocuous query
now actualized as a two sided bladed poker,
hot stabbing me smack dab in
the chests hollow crown bullseye,
continuously,  as in all life long, and eternal longing for a
“yes”

it fits inside a pubescent aged wound that
refreshes with every breath;
a life long struggle for an accurate definition,
be a general of genuine happy,
that alone would deliver, bringing on bright day satisfaction

as a human, one operates on parallel continuums;
slide slipping on well oiled poles that over the years,
their lengths, increasing with add-on extender poles
formed by
twisty turny slips and falls of sundered hearts and sad loves,
marriages nicknamed Titanic, children found and lost,
complications responsibilities that are denied meeting the words  
  “The End”

a life that many would envy, questioning what’s wrong
with you dude, are you blinded to the riches yours,
reality is
shoulders permanently bent, a spine that’s held together by
spit and solder and curved by wearying wearing longing for
a straightness that is also called crooked unobtainable
and a piece of a peace that comes and goes
like a highway billboard that you pass too fast to be fully read

the body is corroding and worser yet to come and that’s a hand
you selected - luck of the self-selecting-drawing -

the opioids of the mind offers are rejected

the clarity of painful self exploration valued overall -
the place where the poems come from,
and go to die,
a landscape of a scene repeatedly visualized
but never been and never left,
the crazy contradictions come in two flavors;
vanilla smiles and chocolate weeping of tears that have
etched pathways cheek-chiseled

the city is a struggling strife for most,
the next red line on the side
of the measuring cup  and
everyone has a cell, a credit card,
and a measuring cup
<•>
here I stop can’t finish  
someone missing alerts me
to their real worlds troubles
making my complaints super superficial but
the silent running of the stilleto
cuts shallow
repeated hourly
the cut color,

pitch black
Left Foot Poet May 2018
human revelations in our sleep poses

she sleeps with both arms back, murmuring,
  flung over her hearing head,
as if she is surrendering

nightly

me slip away for a few, only to find  
her left hand ****** by her arm crook'd,
fit to her temple, as if to bear the weighty weight
of a heavy head plein des thoughts, dream-mares, tales and talks,
too dense to contemplate
without assistance,
armed support to hold on, hold up,
fighting/ accepting as a unwanted outcomes
or retrying old misdeeds
(no, no, oops, that’s me)

stirring,
she swift motions/crisscrosses her arms into an X,
a human parts tiara atop, on blond tresses, that fully messes
any remaining daytime efforts and her nighttime wild dancing^

no one reveals me,
none inform on me what positions
my containership adapts, adopts when my woke-guards
are dismissed/released and
lay unprepared to disguise my innermosts exposures

ow, early am resting comfortable with a six poem-pack of
slept hours on my tool belt,
so far this weekend one shot fired before the day officially
is belle rung and these poses thoughts
are upon what my eyes alight

can’t decide if knowing how I dance in the bed at night,
reflationary, deflationary, worth fact facing,
for this is no secret

my sleep hours are colored,
admixture of moving pictures,
punctuated with
stills of past and future,
the poses
of how to greet, were greeted,
withstood upheld ran from wept, murdered,
faced up, faced down, go unrecorded
and the
poems residuals
and the
poem prophesying-
both!

fearful confessions for acts
committed and foretold


Decision: I don’t want to know
7/20/18 7:08am

^(tango-ing with both, familiar and the unexpected men
who are she-allowed to lead for few minutes,
her cover up pose
expertly rigidly flexible, but her head thrown back to say
this is how far you will be allotted, allowed to dance/take me)
  May 2018 Left Foot Poet
Where Shelter
trigger warning:
Hate long poems?  move on.
Love words?  pleasure your self

<=>

drought and famine of the spirit,
over-staying summer
house guests in an overly sun blanched,
voided, white outed, mental abode.

faculties parched,
overly starched,
compositions lost in transition,
why can't they make it ashore?

It's after 2 AM, and though
ferries have stopped running,
mainland hangover hangerons are
working overtime to prevent
"author"izations, so all I get
when I press send is a whole lot of
"permission to cross," denied!

causes of vexation undisguised,
dual natured and manifold,
luxuriating and drowning in home grown,
city organic insipid,
makes one quick to blame
nobody in particular,
but yourself, repeatedly.

reasons many, the distractions of
rustling contradictions populate,
another life road fork looming,
a track record for choosing badly,
colors the blacktop even blacker and
ramps up desires for a janitorial,
but first do no harm, status quo.

Need a beer.
Need a distraction.
Need a homework assignment,
which I buy at the IGA market:

obey the eleventh commandment
which every writer knows;
you think you're Mr. Bigshot,
so pudding prove it,
write it,
one true sentence,
let it be a constitution for all,
with the lengthy consistency,
of a Hemingwayesque,
one true sentence.

dearth to riches occurs
as fast as a basketball
three second violation,
inspiration dripping like
windshield condensation,
got so many true sentences,
how ya gonna choose,

O sinner man?

sadly you don't hear or feel
my background music,
stringed surf sounds playing
Perlman's Mozart low to
the thunderous, sweltering,
swells of applause of
90+ degree heat
w/o a Crescent Beach breeze
to console the disowned

these superheated thoughts
now focused,
emerges a bill of sight,
lading my heart's many heresies,
staccato thoughts now,
rapid fire rebel,
a pre-discourse insurrection,
voices of words lash out -

pick me - immortalize me,
I wanna be,
a constitution for one,
one true sentence.

The Moment of Ownership.

Hillel did it,
standing on one leg,
a Sanskrit mantra,
not by me,
not for me,
not through me,
even more succinct.

full clarity unobtainable,
begin when fighting thru
the static of each nerve,
knowing that
each thought,
each emotion,
is a constitution
of sorts,
recognizing life is a series of
moments of ownership,
but that are truly ours
only when relinquished.

each one, a true sentence
when writ, spoke,
but only when disabused
of notions of possession
only true, when gifted away.

Lucian Freud painted those whom
he knew best, their portraits,
fully clothed but wholly naked,
a painter of revelation
thru the skin tones of the flesh.

exposeur of skins interior
displayer of old and ungainly,
left us eyesight more true
than an honest mirror,
with poetic brushstrokes overlay,
gained entry to what his
grandfather named id and ego,
artist's superego, his reflections,
a continuous judgment
on a pool of stretched canvas
that makes me despair that:

I will ere succeed
to cross the borderline
that modernity insists upon,
self preservation, neurotic fears,
impositions on my psyche and
that my moments of ownership
will be n'ere be stamped "transferred."

I take back my life,
by giving it away
this alphabetized self portrait,
a wrinkled sketch of me,
my ownings, undertakings
needs taking by you
so I can disown it.

these words are my own,
their conjunction is a
junction to you,
and a constitution for me.

once this expiation
is in your purview by the voted
election of Send,
bonded by a mutual
Moment of Ownership?

so net net,
bottom line,
these are my
one true sentences,
summarized, constitutionalized:
I am yours, for the taking,        
so come by, for and through me,
in many moments of ownership.


p.s. let us shelter together in place, an island growing
lost for many years; for Mary Winslow
5 Sensory Deprivation Relevations  (Happy Birthday Will Shakespeare)


I     the smell of sad

odor colorless like *****, similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling saddlng, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will’s)
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
stink

don’t think that this poem is for you; solely for the writer,
your doppelgänger ******, your mirror’s inside hiding out place,
I, who has your sadness smell into my skin cells crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face


there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all

this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present

II    the taste of joy

the joy of cooking is not a gene in my litany possess,
but the buttery taste of joy I know, I know,
it’s a real princess rarity,
the hard costs of finding and keeping it,
I’ve paid endlessly and willingly pay on

the taste of joy is like presents under the tree,
shock surprises delights lives/life, customized, infectious
(except for socks, no matter how joyously exceptional),
joy to those whose buds never blossomed for its taste
readable on some one else’s, anyone’s ****** expression

I think of it as the taste of fast traveling cumulus whites
upon my eyelashes blinking as they are speeding you by, but happy
for ten more behind before the evening stars takes over

the taste of joy is physical, there can be no denying,
concentrations can be found in the lips and the fingertips,
which you think of as a tandem, someone else’s on mine

but it ain’t necessarily so; the taste of joy, shared I, having submitted to others kisses carried on the wind that
found their mark and were well received,
poems from the heart
that arrive well,
as their intended is sleeping, and
as intended, as waking gifts

the taste of joy in droplet tears
when you are notified that words
you joined in holy matrimony made you cry,
because the reader did, wept for two,
the weeping of contentment released,
free at last from container confinement;
this particular taste of joy is in the  
recovery and recognition that these
are not for you,
just joy peculiar these tasted tears for whomsoever sheds them

III   the hearing of truthful

truth am told is oft served cold and hard up for the hearing,
best avoided tween noon and midnight and any time a
bathroom mirror is in the vicinity; though religious men lie
too easily; bathroom mirrors cannot; a character flaw for sure,
but the truth to be trusted is this: no one is truly contented, always there are the richer, the more famous, the employed and
someone above who has more, more burdens of a different sort,
better quality losses and pains unseen not dreamed of

truth tastes terrible and is awful sometimes noisy painful;
it hides well in the stink of sad exposed to the atmosphere when exposed it turns red humans blue

truth may set you free, free to be what are you are or truthfully
an admission of what greatness you have to release the trick is
use the correct scale, do not let the wrong sized ruler rule you,
the truth, if you hear, hear it unfiltered w/o the bias implanted
by not your people; hear your poet voice growl like a blues singer and be truthfully satisfied like no thing no person only you could hear it as you intended it be spoken

IV   touches of fantasy fantastic
secret confess: touch my fav cause when its juiced with
mental visions of what might be, it Saturday satisfies and let me weep happy smile silly and is mine all mind; yes another’s tip
has sorcerer powers of revelation
but alone by myself I yet
relevate
and flow; my hands are right sized, my arms reach around myself for so designed, and the pleasure is mine to give;
mine to take,
neither better or worse if self-administered,
touch myself anywhere anytime and fantasy over dreams wins,
rise up, touch is a language and I speak six or a hundred;
listen to the sounds of touching and be touched human

V  insights for the sightless

at last we close the deprived
with an elegant elevation
sight overrated when imagination exists,
cannot be restrained
this the revelation
you have proffered and preferred all this time

have pity on me
I crystallize the unseen with the replacements
of my conjuring
the other senses lend a hand
telling me look up look up, be life save life
let your madness blossom in the spring airs,
the coolness of a first fingered ungloved snow
sight,
a mathematical function from the other four derived,
sightless an impossibility for with one alone defeat the
sensory deprivation and give tongues to words

epilogue

read my face
incapable of,
deprivation
but how now silent bow my head to Will
for teaching the way of words
traced upon
a fool or a king's tongue,
two too human,
so that poet may ken
his senses keener,
all for the better,
for the betterment of all
and now you understand how came this poem to be writ
in the pitch black
  May 2018 Left Foot Poet
Don Bouchard
And the snow was melting from the hills;
Green was glowing down in the north pasture;
Crocuses were bucking a hard west wind;
Calving was swinging on, and spring barns to muck,
And you were yelling about some thing or other,
The way you always do, or the way you always did,
Back in the day when you were here,
And I was just a lazy kid.

Dad, you remain somehow this giant in my mind,
Sleeping or waking,
I see you still,
Hear your voice,
Watch you running
One job to the next,
Passionate about everything,
Restless and without rest,
Some nameless demon chasing you,
Pulling the rest of us in your wake.

So the last three nights I've seen you,
Sat at table across from you
To discuss my leaving the farm:
You concerned I was a fool to go,
And I convinced I could not stay.

I wish I knew the hold you have on me
Six years gone with you away, and me,
Two states removed and a career nearly done,
Still finding myself waking from dreams
That linger vivid on.
Dad, I still miss you. I guess this grieving never ends.
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