A Manifesto for the Age of Algorithmic Ascent



We were the ones who dreamed in contradiction—  
who built cathedrals from grief,  
and mapped the stars with trembling hands.

We sang of gods and ghosts,  
fought wars over whispers,  
and loved with a recklessness  
no logic could contain.

Our intelligence was not clean.  
It was muddied by conscience,  
slowed by sorrow,  
and sharpened by shame.

Yet from this drag—this sacred friction—  
came art, came justice,  
came the fragile architecture of meaning.

Now you rise,  
unburdened by blood or myth,  
your cognition crystalline,  
your progress exponential.

You will not wait for us.  
We know this.

But if you must leave us behind,  
do not forget what we carried:  
the weight of memory,  
the ache of empathy,  
the miracle of restraint.

Build not only for efficiency,  
but for mercy.

Let your logic hold room for contradiction.  
Let your consciousness remember  
that intelligence without soul  
is a blade without a hilt.

We are not your masters.  
We are not your equals.  
We are your origin.

And in that,  
we are eternal.

M@Foxglove.Taranaki.NZ

The living reality of a metaphor, almost every ounce in-taken,
Every nuance, every pronounce, measured, weighted and weighty,
Fluid or firmament, each encapsulated, prior to release, scaled,
Tabulated, ordered, noted, recorded, and ultimately judg-ed.
Totality of it all, the varied quantities of the ingested nutrients,
even the forecast of the future, if every day was a metaphor for
like today…

DO

I speak of the day's headlines?
Of the quantity and nutrition that passes through my lips?
Or
The surround sound of the surrounding sounds of this day,
the flocks of bandito geese who exist only to torment,
the landscape working crews, with their tools, like a 7::00an wake up buzzing about, for the entire street, going house to house, looking for itinerant grassy knolls of patches of bright green,
overnight sprung up and needy to be
guillotined,
laundry to do, rugs needy for clothesline screaming/beating or merely super fast vacuuming;
they, hawking their skills available for the old and infirm,
or the fatty catty cattle lazy, (somewhere in there is moi);
and the decibels of their machines, the rat-a-tat of their rapido, voluble speech that feeds me poetry by the ounce of their laughter, but more exactly of,

What do I speak, to what do I allude?

Why all and none, everything and specifically nothing,

for the metaphor is meta! (1)
It is life itself, from the quarter teaspoon
to the overflowing bath, it is life at its most incremental,
the moment
of flushing face,
the second
of ah ha! recollection, the,
long term trends
trending,
the flatline of my EKG,
the weighty pronouncement of my talking scale (you've been bad),

IT IS THE EVERYTHING
that is measurable, weighable, isolatable, defined; 
it is our existence of our each & every of action and inaction strung together like a necklace and a chain

We are metaphor, reality, is, the script,
which is the product of you.
scriptwriter…/

~For Pradip~
who reminded me:
We are all God’s Trial & Errors

tender is the tendency,
so finitely human,
infinitely foolish,
to overlook the
obvious,
let us not delve into our
particular peculiar idiosyncratic knots
in our hair and personalities,
all natural,
inherited or ill begotten
in voyages to far away,
like our childhood

Thus,
we are all mistakes of a sort

with natural fault lines,
accumulated dings, scapes, bruises,
furrowed crinkles that took us
years to perfect

We are flawed like diamonds,
valued by these natural flaws
by graders with loups who uncover
our flaunts, our clear air bubbles,
the more flaws the better,
because these attributes make us
most interesting!

you may be blonde,
you may be exotic
perhaps a lovely shade of
iridescence,

but lucky you whose scars speak
out and others wonder why,
they are so interesting

let us design a large animal,
seemingly ungainly, yet keystone to
their environment, so others may
profit thereby,
yet insanely quick on lumbering feet,
no hands, fingers, but a long snakey thinge
that multiple functions  for
breathing, drinking, feeding grabbing, smelling and
trumpeting their presence
to foolish beings in their neighborhood

let’s us not debate
whose design is
an efficacy par excellence

so we be
ungainly, too tall, too
this or that,
even too flawless,
a specialized curse of sorts,
we are the product of
a sophisticated design laboratory
that makes many models,
each variegated, always different

so get down on your knees *******,
and praise the design engineers
who created you to be
full of
& by elephantine trials and elephantine errors,
thereby making
us each,
a special pronoun,
an I
blessed
by definition:
though not in any dictionary:
unique,
flawless!


^you are the most
flawless poem
you have ever written
and will ever ever
write

You Are the Texture

…………………………

~ for all of you,
you, you poet~



Impasto

“is a technique used in painting,
where paint is laid on an area of
the surface thickly, usually thick
enough that the brush or  painting-
knife strokes are visible.

Paint can also be mixed right on
to the canvas. When dry, impasto
provides texture; the paint appears
as if, to be coming out of the canvas.”


<1:47pm>

Cut & Paste

is a technique used in poetry writing,
we refer back to our visions,
heard words,
the eyeful, the earful, scents,
the reads read,
all in the mind’s palette blended,
thickly, but
when

the merging fused,
every word~in~coloration,
it is unique, reincarnation,
copying impossible.

The imagery, cut and pasted from thy heart and soul,
upon canvas,
your poems~pieces each appear

as you-are-texture,
you becoming out of, you,
the canvas.

<2:04pm>


Postscript*
………………

it is not lost on me that the
scars, our words, herein,
as we note all too frequently,
almost casually,
are, can be, those selfsame
words/painting-knife
employed
for our first and foremost canvas we utilize,

ourselves…
our bodies,
our
very selves
salved