The Beat of a Different Drum by Geof

He walks where echoes refuse to follow, a syncopated step on puddled glass, soft-footed rebellion, quiet as dusk pressing its fingertips against the day.

No band behind him, no metronome’s kiss, just the pulse of stray thoughts tattooed across his chest like whispered defiance.

The world hums in straight lines, he scribbles sideways. Timbre raw. Cadence cracked. Every silence he breaks rings in technicolour truth.

You call it offbeat; he calls it becoming. In his rhythm, the rules unravel and leave room for the beautiful wrong.


The Different Beat of a Drum by Geof

Not syncopation. Not jazz. Not tribal echo on moonlit skin, but something else: a crackle in the chest when rules bruise the breath.

It starts in the soles, like friction turned gospel. No conductor, no call and response. Just bone vibration and a whisper that won't beg for translation.

This beat, it skews the grid, skips the tidy wrap of genre. It breaks the silence like a grin in a funeral march.

He plays it anyway, thumb on steel, heartbeat misfiring into music. Some call it dissonance. He calls it home.


The Drum of a Different Beat by Geof

It sat in the corner like it knew things, skin stretched tight over secrets, rim worn smooth by the hands of those who didn’t ask permission.

No sheet music. No conductor. Just breath and bruise, just instinct knocking on wood until sound fractured into meaning.

Its beat didn’t match your step. It changed your step. Bent time like a flame licking the wick before the burn.

Each strike: a sideways sermon. Each silence: a dare.

They tried to tune it. Tried to name it. But it throbbed with its own alphabet and whispered in pulses only the wild could follow.

I left, not because I didn’t care,
but because care felt like a
t   i   g   h   t   r   o   p   e    w   i   r   e
strung across your moods.
I tiptoed,
hoping not to f
                              a
                               ­      l
                                           l
into the c          m of your silence.
                  h    s
                     a

You say I chose.
And maybe I did.
But choosing peace doesn’t mean I never wanted you.
You wished I had stayed.
I wished you had seen me before the goodbye.

You speak in switches;
Yes, no.
Blame, regret.
Like you're still rewriting the ending.
Hoping the script forgives the sting.

You say you never betrayed,
but what do you call the slow erasure of effort?
The absence that smiled and said it wasn’t personal?

I remember the warmth.
I do.
But I also remember the chill that came after you wanted me to read between lines that were never written.

You weren’t my boss, no.
But you were a map I couldn’t follow.
Every step felt like trespass.
So I drew a door
|. |
and walked through it.

And still, I think of your games.
But I don’t play anymore.

Play it slow-
not for romance,
but because the strings are blistered,
and every note splits the sky
with fire.

Stroll through the panic,
it’s routine:
duct tape on the windows,
radio on low,
a list of missing birds
tacked to the wall
like fallen saints.

You said you'd carry me,
but the world’s gone grey,
and the olive tree
is just smoke now.

There’s no audience left.
Just wind
and its thousand-watt warning.

Still, your spine curves to the rhythm
like a fever dream from Babylon,
hips like warning sirens,
ankles sunk in ash.

I want to understand
what we ruined,
but only at a drumbeat I can hear,
only with eyes closed.

There was a time
we dressed like lovers.
Now it’s mylar blankets
and filtered masks.

We knew the promise;
we broke it anyway,
above it,
beneath it,
inside it.

Someone keeps whispering
about children,
as if hope still blooms
in poisoned soil.

Play it slow,
with bare hands if you must.
But don’t pretend this isn’t a requiem.
Don’t dress it up in velvet or vows.
Just let the music float
and burn,
like everything else.

And
I’ll never be beautiful for anyone,
Not even for you,
I will never hide my chickenpox,
Grind me to sand, and I'll shout to the wind,
Wash me! Wash me away!

I’ll never pretend that I am pretty for anyone,
Not even for you,
I’ll let my skin dry like the Atacama desert,
I’ll let the harsh mountain storm bite my face,
The eagles eat my flesh on the tower of silence, so
There is nothing left to dream about,
Not even bone dust for the rain,

I’ll fight like gladiators, not to be beautiful for anyone,
Not even for you,
I won’t let the clouds overshadow my scalp,
I’ll pull right now, one by one, every hair follicle,

What you ask me to be is not beauty, it is a butterfly
That flies and flies around a light bulb
Until it dies

A shadow that weaves white nights,
I will not invent myself to be pretty for anyone,
Not even for you,

If you wish to enter my blood,
You have to swim in the imperishable waters,

Here at our rooftop, collegiate, ‘resort of the mind,’
an early heatwave has struck - we’ve been advised.
Like we needed it. It’s 94°f and climbing - we’re not insensitive.
We’re aware that the sun is bright and the air is crisp and hot.
It was Friday morning, until the sun pointed to noon.

Nothing’s going to stop the summer swelter except thunder storms - which are on their way - we’ve been advised.
A seasonable tempest is being piped-up from the sea.
Like we needed it. We can see the far horizon’s shadowed billows and curtains of rain - we feel the changing wind.

But we have every reason to be cheery, forewarned as we are,
here at the pool, in the still needed shade, armed with margaritas.
The weather may change, the season alter, but we will, unaltered, remain.

We seem to have captured a moment of buz. People are swinging-by, dropping-in, bringing drinks and party snacks then lurking by the pool.

Fridays are 'sui generis'—magical—because they play tricks with time. Dreary weekday landscapes seem to transform, as the old week wanes and ‘the pert and nimble spirit of mirth awakens.’
(A purposeful Shakespeare misquote).
.
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Songs for this:
Heat Wave by Linda Ronstadt
Heatwave by Bronski Beat
Heat wave - Bing Crosby