Midnight’s sun rains down
my face, my tears, my happiness
like shallow birds that fall
from the ground
causing earthquakes of joy
on my paintings,
on the glory of beauty;
because the day is high
the poet writes and
I fall into the sky
and spread my dreams
and go where you take me,
to whom hours wheep.
I love you.
I love you.
I love you.

"Sabiendo nada más que vivir es estar a solas con la muerte"
sabiendo que palpita en la sien la rabia
de la vida no descrita, tal vez pensada.
Sabiendo la amargura, de la muerte los colores
y la sangre.
¿Somos felices?

//

"Knowing that living is being alone with death nothing more"
knowing that in the temples pulses the rage
of life not described, maybe thought.
Knowing the bitterness, of death the colors
and the blood.
Are we happy?

Night is  day covered with tears,
my tears,
and they fill my night's hands
and it drinks them.
Salty with scent of fallen ladybirds
they take residence within my night
and they come to play each sunset.
I don't like tears running alone
so I give them more.
And tears come from my eyes
just to play,
not real reason,
yet so profound.

A day's oscurity,
shadows.
There are men who live in those shadows
there are men who have lost
all they fought for.
These people are nothing but wanderers
and they wander.

I am destined to join them,
some day,
when I lose all I fight for,
which is shadowed and half lost,
which is close to nothing.

"Hubo un día en que el día no engañaba,
en que sus manos tristes no sostenían un cuervo
indiferente como los labios de la lluvia,
como el rojizo hastío."

Hubo un día en que la noche aún soñaba,
aún se perfilaba agridulce como el graznido de una cebolla,
como la luz del espacio indiferente.

Esos días son largamente pasado,
de ensueño esas noches difusas,
ensueño de luz de alba, de nacer de día.

En estos días sueño con tus noches,
con tu paradisíaco mirar naranja
y tu dionisíaco sabor azul.

En estas noches lloro por tu pérdida,
por los sentidos perdidos,
por los placeres privados;
y añoro con añoranza tu existencia vana.

//

"There was a day in which the day didn't deceive,
in which its sad hands did not hold a raven
indifferent like the lips of rain,
like reddish boredom."

There was a day in which night still dreamt,
still took shape bittersweet like the croacking of an onion,
like the light of an indifferent space.

Those days are long past,
of dreams those dim nights,
dream of dawn's light, of day's birth.

In these days I dream of your nights,
of your heavenly orange look
and your dionysian blue taste.

In these nights I cry for your loss,
for the lost senses,
for the deprived pleasures
and I long with longness your vain existence.

"Un hombre gris avanza por la calle de niebla,
no lo sospecha nadie. Es un cuerpo vacío;
vacío como pampa, como mar, como viento,
desiertos tan amargos bajo un cielo implacable.

Es el tiempo pasado, y sus alas ahora
entre la sombra encuentran una pálida fuerza;
es el remordimiento, que de noche, dudando;
en secreto se aproxima su sombra descuidada.

No estrechéis esa mano. La yedra altivamente
ascenderá cubriendo los troncos de invierno.
Invisible en la calma el hombre gris camina.
¿No sentís a los muertos? Mas la tierra esta sorda."

La tierra está sorda y no oye,
no oye a los muertos llamando por ella;
por ella que les ha dado tanto,
que les ha acogido cuando les exilió la vida.

La vida desentendida camina por los campos de trigo
cuando le cae la noche, le cae la niebla
y su camino se cruza con el andante implacable,
el andante que es sombra, el andante vacío.

Con la mirada aún feliz estrecha su mano,
y la yedra altiva asciende cubriendo los troncos del invierno.
Sus manos estrechadas los cuerpos se vacían.
¿No sentís a los muertos? Mas la tierra está sorda

//

"A grey man passes through the streer of fog,
nobody suspects of him. He is an empty body;
empty like pampas, like sea, like wind,
deserts so bitter under an unstoppable sky.

He is the past time, and his winds now
in the shadow find a palid strength;
he is remorse, whom at night, doubting;
in secret aproaches his neglected shadow.

Don't shake that hand. The climbing plant proudly
will ascend covering the trunks of winter.
Invisible in calm the gray man walks.
Don't you feel the dead? But the earth is deaf."

The earth is deaf and she can't hear,
she can't hear the dead calling for her;
for her who has given them so much,
who has welcomed them when life exiled them.

Life without noticing walks on the wheat fields
when night falls on her, fog falls on her,
and her path crosses with the unstoppable walker,
the walker who is shadow, the empty walker.

With her view still happy she shakes his hand,
and the climbing plant proudly ascends covering the trunks of winter.
Their hands shaken the bodies empty.
¿Don't you feel the dead? But the earth is deaf.

In the state of Oregon
the roads of air have names of snakes
and there's a smell of music in the air
music of flowers, scent of love.

Even ravens laugh, and cry with laughter
even ravens smell of snakes
and have names of love.
Blossoms cry love and ask for more,
but it's not to come,
because the grey men creep,
and their grey hands reach
my heaven on Earth.