They will tell you there is a right way.
They will hand you a torch and call it the sun.
They will roll their words in raw linen and whisper:
"This is what poetry is meant to be."

And you will nod.
Because they have made it so that not nodding feels like blasphemy.

But listen—
the ink does not check your credentials.
The meter does not ask if your suffering is organic.
A line does not collapse because it was crafted instead of bled.

They will tell you a poem must be naked, barefoot, aching—
as if there is no beauty in a well-cut suit.
They will decry the temple and build a pulpit in its ruins,
preaching freedom in a voice that allows no dissent.

Good poets are cult leaders,
and the first rule of the cult
is that they are not one.

So write the sonnet, carve the sestina,
sculpt the page in iambic steel.
Or break it, shatter it, scatter its bones—
but let no one call your wreckage untrue.

And if they do,
smile.
Because poetry does not kneel to priests.

She,
voracious reader, nearly a book a day,
she loves Rushdie, Ishiguro, E. Stout,
and so many, many more, a daily add
to an ever growing list of auteurs, all
venerable and venerated, my little bits
pale, don’t even qualify to compare,
so what’s a poet to say, or feel, beside
tears in his eyes, so hereby withdraws his
awarded accolade, HGF,
His Greatest Fan

now that there is a vacancy, looking for
fufillment, now that there is a hollowed
hallow plus a clogged artery, side by side,
both within,

even
an officialized fossilized a
doctor declaration of “chronic heart failure”

who knew docs still diagnosed love sickness?

loss of love could manifest
itself so decisively physically,
and yet I blame her not, and
thank her for the inspiration,
for all the poems birthed in
her presence, and what swill
will /may follow will never be as good,
for memories inevitable yellowing,
discoloration infestation inevitable,
earn my pallor palest poverty
and like a used car, good enough
for daily trips to the office, but not
for cross country trips,

and perhaps
that means,
only smaller,  
somewhat
used up,
and  e v e n
not only,
only love poetry

open to direction
road trip to
Sweet Sorrow Land

There's still an imprint of
your hand on my face,
from the day you first struck me-
a love story between
paper skin and
iron fists.
It's been long since the redness faded
(long, not gone)
a bruise visible to not another soul
but mine.
𝘠𝘖𝘜 𝘋𝘐𝘋 𝘛𝘏𝘐𝘚.

It smiles back in pictures
mocks me in mirrors
follows me on the street.
You created the mark
but I gave it a life,
a name- a structure
and decorated it with my self worth.

Bruised knuckles smeared in betrayal
𝘭𝘰𝘰𝘬 𝘢𝘵 𝘶𝘴 𝘯𝘰𝘸
Snake infested waters
𝘐 𝘸𝘪𝘴𝘩 𝘸𝘦 𝘩𝘢𝘥 𝘥𝘳𝘰𝘸𝘯𝘦𝘥.