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Robin Carretti Aug 2018
Every* fine* detail*
Getting  flushed the
blues inside the
red I phones
The lonesome blue
Ring my Rolling Stones
Waking up in [Blue Oceania]
Mama Mia bluesy jazz me waterbed

Hazy, not one yellow daisy
*hurry up your driving me_crazy
          In love like the
Foggy Day in London Town
The saying *New York like no other town

Forget about it Brooklyn is my town

Wearing your face with frowns
like a vine of tomatoes

Is it your time for Victories

Those rotten movies and
throwing those forgotten
  Love potatoes
At the Villa looking
out he's the Captain of the blue sea
My Alaskan blue eye husky
Meet Charlie or the Bumble Bee
Tuna fish

Saw the fog getting stronger
The winter is hazy don't be
the chicken of the sea

  She was spinning her mind into the
vertigo love is crazy
The crazy love''Hugo"
Hers and his E- ecstasy twin-mail
Hazy is just the way you feel
His strings azure blues power tie
She felt other blues what lies

Workout blues hazy spirit greys
She prays hazy winters of blueberry pie

Hearing the blues rush of water
The waitress taking his order
Inside her tasty fingers
The blues "*****" lightly stir
How she met his brother
But why? Don't you love me, Sir

Eyes of blues flower irises
Her blues pour crystal sugar
She turned her head surprises
Swarovski crystal bead
What was said singing the blues
Shades of deep sensual gray
The shapes of things Godly pray
How many words could
you possibly say
When you catch your breath
His eyes are bluer than your
Heart intense red his iron shirts
Got badly burned

Pumpkin Head met sesame seed
flatbread in the modern flat world
Eating a blueberry muffin top
Who has the open mind
Her blues boysenberries
Doing Hip-hop
By her nook pulling the blinds
How the blood stain her lips
Fashion art Chanel cherries
The bloodshot eyes
Caught her fire candle

Wonka" Blues house Coffee Diva

Hazy blown out of
proportion blue
"Hazy Just So" how do you do it
Do you go through her dreams?

Another brainstorm little
boy blue like a fairytale
So inviting love true lights
Just so in her beam another
enticing clue its never what it seems
Just because there is so much blue
Life shouldn't trick you just kick
off your shoes


Just Relax meditate your body flex
The Gulf of Mexico the blue sharks
Take a bite any kind of fish the
whale of a blue wish
The weather so many changes
crazy or not
Everything feels right
when you tie the knot
So hazy the winter to the spring and the summer flowers bluish morning glory September trying to remember the birth of all shades of babies wearing little boy blue but this goes beyond anyone's spirit colors come out the way you seem to see it so live it singing the blues-rock your waves in those velvet shoes
judy smith May 2016
For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney
Robin Carretti Aug 2018
Are we all here
Or elsewhere
Treetops Robin birds
What!! Is it only words?
The sky she wore the
blue velvet cry
Whats still here what
will life bring
Afterlife sing before I die?

       *
Why

Headless horseman goodbye
Breadwinner Sportsman
Your worst enemy
The closer he gets knowing
your drama/ Cowboy-comedy

"Whats Here"

The Emmy meeting
another writer
      "Dude"
The Dude Ranch
Meet the "Ghostwriter"
The computer
early bird
Specially rude

The Medieval time of the
"Fable" sword fight
In a fork road, he was
born *English Sterling
The Silver anniversary
Dude piece boring
    
Whats here setting Ms.Dahla
Sweet Magnolia flowers
He's aiming for Azelia
What dudes grow
in her family
table
I'm here and he said
I'm the Dude

We are here Paul Revere rides
Breaks our glassware
Mr. Bigfoot needs to decide

Those Philly steaks "Heinz Ketchup"
Pittsburg tip of the iceberg here-up
Feeling sorry for the "Dude"

I'm right beside you here
Racers mouth racetrack win
More supernatural forces of sin
Rayban Mr. Sun-Ray glare
This was all I could take
in one day
It's important so let's stay
in one place
Where we can see one another
All dudes what eludes in character's

The false eyelashes her
prediction Alice madly
Tea party detention

Dancing in the
spiritual rain
She is the biggest pain

What cheeks swear
with her pinky
The blow dryer the
Big Lebowski stayer
Russian Roulette
Crystal fighter Swarovski
Homewrecker traveler
The dude investigation
*Risky business Dudes in the mansions

Rome cannot be built in one day
What's here your *Mom
is
baking noodle pudding today
You are laughing and both got
Brooklyn fever
Divine hour telling her how
much you love her
Familiar eyes hot dudes
delivery
The best flight activity
Getting you up
Your NativityI'm the dude cup

Always wondering you drift
Whose coming to dinner
*Mystery is it really here
        The Dude of a gift
Happy tears New Years

Darling
White Polar Bears

Days of daydreams dude stamps
All tolls and Polls
Twitter and Trumps
Or coming closer to
your darkest night
*
Forever wherever you are
It's the dark velvet satin

Night in White Satin
The other side of midnight
Humans animals always
the mating watcher's delight

Paper cuts of a paperweight
Feeling like a deadweight dude
The lightheaded most amazing night sky
The bright future warm you up
passionate guy

Whats here names
Don't use me usernames
Such con names, married names
Where each other's equal
Whats here love the sequel
The proud mother
My Bald Eagle

Hairy fluffy so cute beagle
*
He's the Quarter she backs up his note
The pushover Politician we deserve the vote

Writers believers lovers
and givers
Strangers are friends whats here
all depends
Getting mugged in Central Park
Grainy sugar you spark
Enjoying what I have today

The softer Rainy Lover
Whats here we are all here
Not elsewhere or over there
My Godly switch I'm here
Whats here you or me or who we believe to see let it be let it be
There are so many answers and those questions are here so reach don't start to preach show your love its whats here
judy smith Jul 2016
Veteran fashion designer Tarun Tahiliani believes that the Indian fashion industry has become more organised and a little more professional.

Best known for his ability to infuse Indian craftsmanship and textile heritage with European tailored silhouette, Tahiliani believes that the Indian fashion industry has become more strategised and cemented over the last 20 years.

"India's propensity to consume is gaining an international audience and this is changing the competitive landscape," Tahiliani told IANS in an email interview.

"It has certainly become more organised and a little more professional, and obviously the market has exploded, but I think that we still have a long way to go in terms of being more business oriented and there's still room to get more organised and professional," the designer added.

Eulogizing the new and younger crop of designers, Tahiliani, who has over two decades of experience in the industry, believes that they are doing well in terms of the handloom and textile industry.

"What's really heartening to see is that there are so many younger designers who are going places and are doing so well in terms of the handloom and textile industry... it has become more organised. I think handloom was very localised in terms of weavers with a certain look from a certain area sold through certain channels," said the Co-Founder of Ensemble -- a multi-designer boutique.

"There has been a lot more creative freedom and other regions are experimenting with textile alien to their region, especially if they are more lucrative. As long as people appreciate traditional craftsmanship and embroideries, machine work will never replace the richness of hand embroidery," he added.

Asked if the plus-size models are yet to move into the mainstream industry in India?

"Well, they should have moved into the mainstream long back. But are not normally associated with very expensive high fashion and couture," Tahiliani said.

Having draped most of the leading ladies of Bollywood like Priyanka Chopra, Aishwarya Rai Bachchan and Madhuri Dixit-Nene in his creations, Tahiliani says that fashion is his muse, not a Bollywood star.

"Art, architecture, interiors, history, travel and maharajas... My inspiration comes from many things. Sometimes it's from beautiful inlay work that I've seen in a fabulous monument; other times my inspiration can be something as simple as a beautiful kanjeevaram weave," he said.

"Ultimately, however, my inspiration comes from India's rich traditions of craftsmanship, particularly when it comes to things like embroideries that we have in India. Nothing is more amazing than beautifully executed, intricate and fine technique. I don't design clothes keeping a Bollywood star in mind, but rather for the new age contemporary woman," he added.

Tahiliani is all geared up to showcase his collection The Last Dance of the Courtesan at the FDCI India Couture Week 2016 on Thursday here. He has artistically blended fabrics like cotton jacquards, cotton silks, crepes and cutwork jamdanis with Swarovski crystals for the range.

That's not all. He will next participate in the Vogue Wedding Show and then the prestigious Lakme Fashion Week, to be held in Mumbai in August.

"I will present my Ready to Wear Autumn Winter 16-17 collection at Lakme Fashion Week. It has been inspired by the works of Mrinalini Mukherjee (late sculptor) and the journey only gets bigger and better from here," he said.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/pink-formal-dresses
Mr Berg Oct 2014
Written there
in your eyes
the neon light of deceit.
Your focus
is all askew.
Is honesty obsolete?

Two sparkling Swarovski crystals
Fooling nobody but you
Turns out diamonds aren't forever
least not their tone or hue
Drawn from somewhere in the past.
My first attempt for a while,  life has been busy.
sinderella Sep 2013
sinderella was a nickname
because i was the sinner
and unlike cinderella
i was not a charmer

i was the known kid of sin
doing bad to make a livin'
never the girl scrubbing floors
i was the girl looking for new drugs
keen to experiment with death
and the guy i fell in love with

i wasn't a princess in disguise
or a servant dressed in rags
i was the troublemaker
in her fishnets & leather
wearing less than a dress
even during winter nights
drinking whiskey to fill me
to keep me warm as i
walk in the big city

stiletto heels and dark make-up
with a cool NYC diamond jacket
swarovski crystal encrusted
with chanel nails
a mcqueen bag
with my drugs
& all that ****
a wallet for
my few dollar bills
even though i
get drinks for free
because i'm young
attractive, little
darlin' me
© sinderella.
Swarovski is my couturier
And my interior designer.
Swarovski adds sparkle to my life
And stirs my Gypsy blood.

I have all that I can afford
To hang and wear and light my rooms.
I envy the Manhattan New Years ball
And the million-dollar Christmas tree.

But I’m alright with what I have,
As long as there is sun.
Without Old Sol the magic dies
And leaves just useless quartz.

Swarovski is my guiding light -
A mentor to my soul.
If I can sparkle like that glass
I’ll know my world is whole.
ljm
My spirit animal must be a Bluejay because I'm drawn to things that sparkle and shine.  My dream dress designer was Bob Mackie, creating for Carol Burnett and Cher.
Amitav Radiance May 2014
The furnished souls
Adorned with mahogany
Luxurious pieces in every corner
Eau de parfum, the finest from France
Does not allure the senses
The settees, chaise lounges and recliners
Standing there, forlorn, awaiting guests
The ornate crystal chandeliers adorn the ceilings
Trying to illuminate the gloominess
The flooring of Makrana marble on the floors
As if there is a puzzle to be solved
It looks quizzically at the incoherent footsteps
Of the infrequent visitors, not even interested
Mansion filled with embellishments
Yet there are no worthy inhabitants
The Swarovski crystal curtains, veils the outside world
That waits, without any expectations or superfluities
To furnish the soul with love




© Amitav (Radiance)
Love needs no adornments, Love itself, is opulence...
Natasha Adorlee Apr 2014
It occurred too
As most things don't to me
That these lapses
Lapses?
What were we on
Obelisk over 40
Or is it over and then under.
¿Cuál es tu animal favorito
I've left the list behind on the plane and not
I'm not sure I can collect my thoughts that way anymore
At least not for today
Why? I left those thoughts on a plane and it has already set its tail aloft for soft breezes
The air the air, soft as Fred Astaire
And Ginger Rogers, is the night
She wraps her hand into his
8 steps forward and a shuffle ball-change  right.
But it is something else isn't it
Her bird like hips in a double tiered dress dripping with Swarovski and trimmed with ostrich as she descends the glass stairs from heaven onto a dimly lit ballroom
A slight curl of the hair and the sharpness of her nose the counterbalance to the wave of her *** in that beautiful ******* dress
Oh and Fred? You keep up. You do.
Autumn Mar 2015
My English teacher told me that my sentences didn't have enough commas. Sounds to me like she just needs some looser cardigans. I just want Swarovski crystals and silk pajamas. I want nice bed sheets and curtains. Preferably white and lacy. I want a nice little part time desk job that's only a few days a week. you see, I'm actually a good writer, but it's not straight A's on essays that I seek.
gd May 2014
Don't look too proud, darling,
because dignity is dripping off
the Swarovski crystals on this
broken chandelier and your
name is the last thing they
would spell out if they came
crashing down. A bunch of
boisterous words & boastful
stories won't get you very far
except for a couple steps
[s d a r w k c a b]

And if you wanted to dabble
a chord on my heart strings,
it would have been easier to
not say anything at all, but
your once dormant thoughts
began pouring out of your
once silent lips in some childish
attempt to rattle some sort of
r      a      t       o    
   e       c      i       n

And behind those innocent
eyes lie only craters you dug
out of yourself because of
your own selfish pride. So
don't act too proud, darling,
speak a little louder and you'll
end up biting off your own
t   o   n   g   u   e   .

gd
{sabotaging someone else's sanity won't make you feel at home}
Amaris Jul 2019
You gave me silken scarves and solitude
To weave my own bindings
You gave me surpluses of satin
Bandages for skin you broke
You gave me Swarovski accessories
As if it excused your absences
You gave me smooth apologies
A salve to my twisted fingers
judy smith Dec 2016
Ports 1961 just announced their company’s collaboration with iconic sportswear and boxing brand Everlast, made famous by the world’s greatest boxers and actors. The collection is now available in stores and on farfetch.com. Milan Vukmirovic, menswear creative director, has revived his Everlast classics such as the “Rocky” hoodie and other essentials. They are all adorned with a trademarked star camouflage motif. Unveiled on the catwalk at the runway show that opened Milan Men’s Fashion Week, this collaboration is a tribute to the fighter inside us all.

A true highlight of the menswear collection, Ports 1961’s signature men’s bow sneaker was also a hit. Their bow sneaker features a distinctive suede bow on top instead of laces or more predictable fasteners. Each pair of bow sneakers is raw-cut, hand-stitched and hand-knotted to be uniquely distinctive to the wearer. As well as bow fasteners, the sneakers can also be opened and closed with a central zipper in the heel for convenience and ease of wearing. These sneakers are available in fabrics and shades to match this season’s garments in classic raw-cut suede and leather. For comfort and durability, they feature hardy rubber soles.

Fashion East Men’s presentation for autumn/winter ’17 offered a significant designer lineup. Fashion East, with the continued support of Topman, was excited to reveal a double billing of bright, emerging talent. Sponsored by London Fashion Week’s Menswear, the showcase featured up-and-coming designers Charles Jeffrey Loverboy, Feng Chen **** and Per Gotesson.

A Central St. Martin’s MA graduate, Jeffrey is an illustrator with a radically creative style. For his Loverboy label, his cast included artists, musicians and friends who stomped stylishly down the runway. They created a club-night scene that the audience identified with immediately. Jeffrey’s tailoring was impeccable. His signature knits collaged with chainmail showed up with Swarovski bug-encrusted boxers and foam accessories.

**** was born in Beijing, but her business is based in London. She launched her label Feng Chen **** in 2015 after the completion of her MA at London’s Royal College of Arts. ****’s 2017 collection explored and celebrated connectivity in the digital age. She combines functionality with an astute attention to detail and puts a strong focus on outerwear pieces as the core of her collection. Her clothes are available in New York City.

Gotesson is originally from a small town in the province of Smaland in Sweden. This London-based designer is also a graduate of London’s Royal College. His looks are voluminous denim pieces in classic blues and monochromes juxtaposed and worn with white tops. The collection played with proportions and was an experimental take on the designer’s own wardrobe. “It’s about scale and about finding balanced pieces between either huge or small,” he explained.Read more at:http://www.marieaustralia.com/mermaid-trumpet-formal-dresses | www.marieaustralia.com/backless-formal-dresses
PaperclipPoems Jun 2018
(Short Story)

The questions burned inside of me
searing through my guts to my core
leaving a trail of ash through this house
treating my blood like gasoline
smoke rising to my head
melting my brain
Down to this;
One question -

Did he do it?

I could hear my heart beating and watched the hairs on my skin shake a little from the rumble of its thunder.

I asked this question to myself over and over. First, in disbelief. Not letting the facts in front of me fully sink in. But as hours passed, the question began to change and I began to see the woman in the mirror staring back at me a little bit differently.

We’ve almost been here. Time and again. This place of such uncertainty and unknown. But never this close. Not here where we are today. I poured a glass of wine and kept the channel 3 tv on mute. Leaned against the cabinets and granite counter top in the kitchen. I put my head down. Starting at the residue of water stains on the glass that I had chosen. These water stains are disrupting my peace, I thought. Just another flaw in this house that nobody else sees. Infidelity allegations, sleepless nights, bedroom fights, and now this?

I put the glass down, found my way slowly in my Saint Laurent Swarovski crystal-embellished satin pumps through the dim, echoing hallway to the den. My place for morning light and his for evening company and cigars. I looked all around, starring at every wall. Flashbacks of us stripping down, him gripping my waist as he thrusted inside of me while I held on to these walls for stability. A house that has seen many things. If these walls could speak I may not believe their stories.

But this story, is difficult to disbelieve. Not revealed from walls, but through the power of the news media crew. Unfolding and developing stories ringing in my ears. Like high frequency waves making me dizzy. The story of Anna. The last breath she took and the last person to see her alive. The man they believe to be her lover. A quiet man, intuitive, logical and a realist. A hard working, loving and devoted family man. My husband, Oliver. Now under the authoritative custody of the Mipson county sheriff department, as a prime suspect for the ****** of Miss Anna B Delaney.

Details of the scene have not yet been released so it is still unclear and most inconceivable to imagine what happened to Anna.
ljr Apr 2020
when we get out
when i get out, i will dance with my eyes closed and my heart full
with my friends
we will sing songs
excited and pitchy and a little too loud
like our heart beats
tone deaf, but in sync nonetheless
we will hold each other like never before because now we know that at any moment, that string that connects our hearts and minds could be cut
when i get out i will take you to the moon, we can hop from star to star until we find what we are looking for
i will drive you to the edge of the earth just to hear your laugh and feel your warmth for as long as i can
we will spend hours trying to figure out how to fit our thumbprints together like puzzle pieces
we won’t stop until we get it
when i get out, the sun will
shine a little brighter than it had before
when we get out you will feel my love in every breath, deep or shallow, long or short
puffs of air littered with a trillion swarovski crystal hearts
just for you
Ana Habib Jul 2018
Is this really happening?
pinch me?
Ouch
**** that did not help
He is just smiling into the distance
He goes to work whistling
He does his chores half-heartedly
He is finally paying attention to his physique
after 10 years
Slim fit only
His hair is in a new style
mmm what is that I smell
Allure from Chanel?
No more hanging with the boys
playing poker
sitting in front of the TV binging on horror shows
Works Overtime
I think i just saw him buy a new cellphone
Missed calls
Weekend Trips
Candy hearts and vanilla almonds
Blue Swarovski box
Is this all for me?

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