“Oh you’re Irish?” he said.
“Did you learn the language much?” he said.
Honestly, what can I tell him? I was raised in the North - a ****** wasteland for such a naïve question.
Vague memories of fumbled classes where our secret history was ditched just to get straight into the basics (Cad é mar atá tú?)
No – seriously - I was not tied to it – it was anonymous to me at that age.
Forgotten like some distant echo of once visiting Coole House as a child.
Sure, we knew it was “important”, “our national language”, “heritage” etc. and we were warned it was quickly slipping into the drain of Western hegemony.
But it was baffling, unsexy and only the blunt-faced humorless IRA thugs amongst us were in any way keen.
Then it was gone, just like the faded memories of “The Children of Lir” from my primary school.

Looking back I wonder, what was the point?
A half-full measure paying lip service to our identity.
Teachers and headmasters terrified of the grand colonial reveal that the lessons might have hinted at (were they trying to stop us being Provos-in-waiting?).
And all of this against the awful shame of a common tongue that had no foe yet was slowly vanquishing from our shores.
It could have all been so different.
Rather than rushing to get something in our empty skulls, they could have given us a sense of joy, pride & belief in our own culture.
Calling on Yeats, Behan, Heaney and others to drown us in the language of our ancestors.
Telling the stories of old that only the academics & hippies were keeping from us then.
You know, it might kept us all on the same beautifully illuminated page.
We might have been comfortable in our skins and open to others,
not looking deep into our worthlessness and lashing out at them.
Language is being and language is connecting, I’ve learnt.
But that’s not something I got from my secondary school.

June-July 2018

Panic filled in the streets of Sun Rose city.. I remember the traffic jams.. The people running for cover.. It was because we saw the red lightning. At first it was mixed in with just your normal thunder storm.. But then people started to see the red lightning on clear nights.. It was then we knew.. They had dispatched the weapon.. It was already to late for everyone in the city.. The red lightning already burned through our air.. We were breathing in red death.. The Combined Tri-axis Empire retaliated..

We fired back using a weapon that would poison their entire water supply.. None of them would ever have a drink of clean water again.. Our air was being replaced with the red death.. and their water with blue death.. The red death however begin to grow worse and worse.. The small clouds turned into fog killing even the soil itself.. Nothing stood up to it.. No materiel could survive in it.. Then the red hurricanes came.. They left red lifeless dirt in their aftermath.. All oceans burned... The end of our world.. We once called it
Lij-Tm.. We were hoping to one day visit Lir-Te.. But that dream is over..

Lij-Tm ( Mars)

In rows like crumpled paper set,
The way one might design a brooch,
There sets a sparkle down so purely
Capital, beyond reproach and sure
She is the blackest flea who sits
Upon an old green dog, now should

You query, her name's a pond.  In Gaelic
It's pronounced: Baile Átha Cliath—
But in Irish she's plain, mightily named,
Dublin.  Where broods the dove, linnet
And swan.  Now take them pi'jons, they got
Dank habits and linnets lament the silent

Stones.  Sure, the goose gave out and took
To the air, but the swans, they've landed,
To roost, enchanted as 'Children of Lir,'
And so becomes a changeling child's
Fair city, for in her anointed proximity,
Gracious white birds do bathe and molt,

Supplied as I can tell, she looks black-
Pooled in clusters, long side her creases.
Stout nectar flows in near every nook
And cranny, but yer man, he's never
Busy, that malty fish, daftly avoids,
Swimming spirals round like buggies

Do on petals, he'd rather grace gardens
By drinking their dew.  O Dublin town,
She wends her ways and rows her houses
Round-a-bout on cobbled shores in tribute
To sprite, deary and fey, Anna Livia—
Who like a stem of blood, stabs right

To the heart of Dublin Bay— and proud
As a crowned thorny, who once had reeked,
She's bloomed large, into one grandeous
Beauty, like a céilí so finely fiddled—
A sandy, spirited, bombastic beach-
Flower, she is, a flag so fitting upon

The doons.  In dream, I flocked to her
Like the wild geese and saw her coy'd
Repose and there I spied, from mackerel
Skies— one monstrous, Irish rose!

In rows like crumpled paper set,
The way one might design a brooch,
There sets a sparkle down so purely
Capital, beyond reproach and sure
She is the blackest flea who sits
Upon an old green dog, now should

You query, her name's a pond.  In Gaelic
It's pronounced: Baile Átha Cliath—
But in Irish she's plain, mightily named,
Dublin.  Where broods the dove, linnet
And swan.  Now take them pi'jons, they got
Dank habits and linnets lament the silent

Stones.  Sure, the goose gave out and took
To the air, but the swans, they've landed,
To roost, enchanted as 'Children of Lir,'
And so becomes a changeling child's
Fair city, for in her anointed proximity,
Gracious white birds do bathe and molt,

Supplied as I can tell, she looks black-
Pooled in clusters, long side her creases.
Stout nectar flows in near every nook
And cranny, but yer man, he's never
Busy, that malty fish, daftly avoids,
Swimming spirals round like buggies

Do on petals, he'd rather grace gardens
By drinking their dew.  O Dublin town,
She wends her ways and rows her houses
Round-a-bout on cobbled shores in tribute
To sprite, deary and fey, Anna Livia—
Who like a stem of blood, stabs right

To the heart of Dublin Bay— and proud
As a crowned thorny, who once had reeked,
She's bloomed large, into one grandeous
Beauty, like a céilí so finely fiddled—
A sandy, spirited, bombastic beach-
Flower, she is, a flag so fitting upon

The doons.  In dream, I flocked to her
Like the wild geese and saw her coy'd
Repose and there I spied, from mackerel
Skies— one monstrous, Irish rose!

Father, Father, where have you gone?
Where are your arms where we belong?
How far from these banks we’ve known
have you moved your kingdom’s throne?
Have you found another home?
Did you forget your children doomed to roam?
Is the family whole again?
New children where we should’ve been.

Father, Father, we’ve flown so far,
with neither guiding sun nor evening star.
Where did they go, where are our people?
We’ve lost a forest to gain a steeple.
We’ve knocked atop the hollow hills,
but could only hear the sound of mills.
Tell us if you slumber deep,
or if you’ve found a better sleep.

Father, Father, who are these men?
They dump waste into the river bend.
They say our people don’t exist,
but we see the faces in the mist.
We’ll sing one last haunting tune,
on tranquil waters ‘neath beaming moon.
We’ll sing goodbye to the world we knew
and go to die and be with you.

In rows like crumpled paper set,
The way one might design a brooch,
There sets a sparkle down so purely
Capital, beyond reproach and sure
She is the blackest flea who sits
Upon an old green dog, now should

You query, her name's a pond.  In Gaelic
It's pronounced: Baile Átha Cliath—
But in Irish she's plain, mightily named,
Dublin.  Where broods the dove, linnet
And swan.  Now take them pi'jons, they got
Dank habits and linnets lament the silent

Stones.  Sure, the goose gave out and took
To the air, but the swans, they've landed,
To roost, enchanted as 'Children of Lir,'
And so becomes a changeling child's
Fair city, for in her anointed proximity,
Gracious white birds do bathe and molt,

Supplied as I can tell, she looks black-
Pooled in clusters, long side her creases.
Stout nectar flows in near every nook
And cranny, but yer man, he's never
Busy, that malty fish, daftly avoids,
Swimming spirals round like buggies

Do on petals, he'd rather grace gardens
By drinking their dew.  O Dublin town,
She wends her ways and rows her houses
Round-a-bout on cobbled shores in tribute
To sprite, deary and fey, Anna Livia—
Who like a stem of blood, stabs right

To the heart of Dublin Bay— and proud
As a crowned thorny, who once had reeked,
She's bloomed large, into one grandeous
Beauty, like a céilí so finely fiddled—
A sandy, spirited, bombastic beach-
Flower, she is, a flag so fitting upon

The doons.  In dream, I flocked to her
Like the wild geese and saw her coy'd
Repose and there I spied, from mackerel
Skies— one monstrous, Irish rose!

In rows like crumpled paper set,
The way one might design a brooch,
There sets a sparkle down so purely
Capital, beyond reproach and sure
She is the blackest flea who sits
Upon an old green dog, now should

You query, her name's a pond.  In Gaelic
It's pronounced: Baile Átha Cliath—
But in Irish she's plain, mightily named,
Dublin.  Where broods the dove, linnet
And swan.  Now take them pi'jons, they got
Dank habits and linnets lament the silent

Stones.  Sure, the goose gave out and took
To the air, but the swans, they've landed,
To roost, enchanted as 'Children of Lir,'
And so becomes a changeling child's
Fair city, for in her anointed proximity,
Gracious white birds do bathe and molt,

Supplied as I can tell, she looks black-
Pooled in clusters, long side her creases.
Stout nectar flows in near every nook
And cranny, but yer man, he's never
Busy, that malty fish, daftly avoids,
Swimming spirals round like buggies

Do on petals, he'd rather grace gardens
By drinking their dew.  O Dublin town,
She wends her ways and rows her houses
Round-a-bout on cobbled shores in tribute
To sprite, deary and fey, Anna Livia—
Who like a stem of blood, stabs right

To the heart of Dublin Bay— and proud
As a crowned thorny, who once had reeked,
She's bloomed large, into one grandeous
Beauty, like a céilí so finely fiddled—
A sandy, spirited, bombastic beach-
Flower, she is, a flag so fitting upon

The doons.  In dream, I flocked to her
Like the wild geese and saw her coy'd
Repose and there I spied, from mackerel
Skies— one monstrous, Irish rose!

In rows like crumpled paper set,
The way one might design a brooch,
There sets a sparkle down so purely
Capital, beyond reproach and sure
She is the blackest flea who sits
Upon an old green dog, now should

You query, her name's a pond.  In Gaelic
It's pronounced: Baile Átha Cliath—
But in Irish she's plain, mightily named,
Dublin.  Where broods the dove, linnet
And swan.  Now take them pi'jons, they got
Dank habits and linnets lament the silent

Stones.  Sure, the goose gave out and took
To the air, but the swans, they've landed,
To roost, enchanted as 'Children of Lir,'
And so becomes a changeling child's
Fair city, for in her anointed proximity,
Gracious white birds do bathe and molt,

Supplied as I can tell, she looks black-
Pooled in clusters, long side her creases.
Stout nectar flows in near every nook
And cranny, but yer man, he's never
Busy, that malty fish, daftly avoids,
Swimming spirals round like buggies

Do on petals, he'd rather grace gardens
By drinking their dew.  O Dublin town,
She wends her ways and rows her houses
Round-a-bout on cobbled shores in tribute
To sprite, deary and fey, Anna Livia—
Who like a stem of blood, stabs right

To the heart of Dublin Bay— and proud
As a crowned thorny, who once had reeked,
She's bloomed large, into one grandeous
Beauty, like a céilí so finely fiddled—
A sandy, spirited, bombastic beach-
Flower, she is, a flag so fitting upon

The doons.  In dream, I flocked to her
Like the wild geese and saw her coy'd
Repose and there I spied, from mackerel
Skies— one monstrous, Irish rose!

.
In rows like crumpled paper set,
The way one might design a brooch,
There sets a sparkle down so purely
Capital, beyond reproach and sure
She is the blackest flea who sits
Upon an old green dog, now should

You query, her name's a pond.  In Gaelic
It's pronounced: Baile Átha Cliath—
But in Irish she's plain, mightily named,
Dublin.  Where broods the dove, linnet
And swan.  Now take them pi'jons, they got
Dank habits and linnets lament the silent

Stones.  Sure, the goose gave out and took
To the air, but the swans, they've landed,
To roost, enchanted as 'Children of Lir,'
And so becomes a changeling child's
Fair city, for in her anointed proximity,
Gracious white birds do bathe and molt,

Supplied as I can tell, she looks black-
Pooled in clusters, long side her creases.
Stout nectar flows in near every nook
And cranny, but yer man, he's never
Busy, that malty fish, daftly avoids,
Swimming spirals round like buggies

Do on petals, he'd rather grace gardens
By drinking their dew.  O Dublin town,
She wends her ways and rows her houses
Round-a-bout on cobbled shores in tribute
To sprite, deary and fey, Anna Livia—
Who like a stem of blood, stabs right

To the heart of Dublin Bay— and proud
As a crowned thorny, who once had reeked,
She's bloomed large, into one grandeous
Beauty, like a céilí so finely fiddled—
A sandy, spirited, bombastic beach-
Flower, she is, a flag so fitting upon

The doons.  In dream, I flocked to her
Like the wild geese and saw her coy'd
Repose and there I spied, from mackerel
Skies— one monstrous, Irish rose!

That's it,I've had enough of it it's time to go,
all the work I've put in,with nothing to show,
the cronyism,phonyism,plagiarism,thievery,
like the Ireland I love is a fading memory,
reeling in the years,yeah great  nostalgia,
but staying any longer is a form of mania-
the banks and the builders and political ****,
it's all work no play,no mon no fun,
so **** it,now my bags are packed jack,I'm hitting the road
broad shoulders slowly dipping from the constant load,
of backstabbers,moneygrabbers,tribunals,and deaths,
make a break while I can,they haven't beat me yet,
yeah I gotta get goin' while the goin's good,
I hope you understand my reason's,both friends and blood,
now it's time to make a move before I go insane,
don't be grieving when I'm leaving on the next **** plane
(Sample john denver here)

"I'm leavin on a jetplane,don't know when I'll be back again"

Looking at those before me you can trace the tracks,
from the Wild Geese to the political flak,
the Children of Eire,like the Children of Lir*
fly from lake to lake,driven by need and fear,
and optimism-everybody wants a better life,
to escape the butcher's apron,and the subtler knife,
of poverty,loss of identity,clan's torn asunder,
a lightning storm rages,listen to the thunder,
austerity cuts,don't make me laugh,
fat greedy politicians cut your wages in half,
so they can stuff their faces,wallets,and banks,
said it 12 years ago,you think they give a ****?,
about your family's health,they say tighten your belt,
well mine's met in the middle,time to hand out welts,
a proud Celtic tradition flushed down the drain,
so slan leat for now time to catch that plane.

Took a long time,to make this decision,
every tear,every smile is another incision,
in the heart of me the start of me,born again,
looking at my boarding pass brings a pang of pain,
but everyone knows for me-it's time to move on,
and I'll keep the torch lit,Yeah-EC strong
turned from Hermit to Hermes,with a message to pass,
I've took enough names,time to kick ***,
so wish me luck wish me well,watch me give em hell,
I got a way with words and what a story to tell,
hurdles to pass and a long way to go,
so much to say but I still flow slow,
memories are pulling me in two directions,
spun my tires so long,time to gain some traction,
it's time for action,my reason's are plain,
so hold it down for me here,I gotta catch that plane"
(Sample john denver here)

"I'm leavin on a jetplane,don't know when I'll be back again"

And speaking to the western wind,
In the sped and turning time of the revolving sky
As a top unwinding like a dropped fable;
He dreams of taking leave, unraveling the coil
Upending his foil
Of listless sights as daylight creeps one more tread
And sweet belief breaks down once again:
Days that are ******* like a sad hunt
When the tracker is bent
On tragic orchestrations that only lead to a duel . . .
Undoing, Oh must it be, "Must we fit?"
Let us know and get on with it.

In his bed the women are only dreams
Phantoms, iridescent sirens.

  .    .    .    .    .    .    .    .    .    .    .   ­ .

Yes! I am not King Lir, nor could ever be;
Am a child cast out, transfigured, remote
Innocent, prey to the white flaming truth
The growing down, that clothes my name
Inconsequential, sheathed with shame,
Polite, capricious, calamitous;
Empty of all, it is unanimous
Nor even the memory of ripeness
Invisible, a drop in the pool.

I am weary . . .  I am weary . . .
I shall whisper to the newborns when I am old.

Shall I build upon the strand?  Have swordplay with the sea?
I shall tear my hair, mutter to the moon, bury my wounded knees
I have heard the Selkies singing, sailing with the breeze.

I do not think they will give their skin to me.

I have known them gliding beyond the ninth wave.
I still hear them sing so sweetly, weaving sorrows, on my back
Carving the blue waters as the waves are turning black.

We come and go in cycles with the moon, as tidal waves
Seep and seethe, foam and heave, lone captains setting sail,
In folly with a capsize brimming, before our boat has been bailed.

              

                                        ­                     ­                                               — after Elliot

And speaking to the western wind,
In the sped and turning time of the revolving sky
As a top unwinding like a dropped fable;
He dreams of taking leave, unraveling the coil
Upending his foil
Of listless sights as daylight creeps one more tread
And sweet belief breaks down once again:
Days that are ******* like a sad hunt
When the tracker is bent
On tragic orchestrations that only lead to a duel . . .
Undoing, Oh must it be, "Must we fit?"
Let us know and get on with it.

In his bed the women are only dreams
Phantoms, iridescent sirens.

  .    .    .    .    .    .    .    .    .    .    .   ­ .


Yes! I am not King Lir, nor could ever be;
Am a child cast out, transfigured, remote
Innocent, prey to the white flaming truth
The growing down, that clothes my name
Inconsequential, sheathed with shame,
Polite, capricious, calamitous;
Empty of all, it is unanimous
Nor even the memory of ripeness
Invisible, a drop in the pool.

I am weary . . .  I am weary . . .
I shall whisper to the newborns when I am old.

Shall I build upon the strand?  Have swordplay with the sea?
I shall tear my hair, mutter to the moon, bury my wounded knees
I have heard the Selkies singing, sailing with the breeze.

I do not think they will give their skin to me.

I have known them gliding beyond the seventh wave.
I still hear them sing so sweetly, weaving sorrows, on my back
Carving the blue waters as the waves are turning black.

We come and go in cycles with the moon, as tidal waves
Seep and seethe, foam and heave, lone captains setting sail,
In folly with a capsize brimming, before our boat has been bailed.

              

                                        ­                     ­­                                               — after Elliot

FAIRY TALE

I sit by your bedside
watching your dying.

Only Love
nails me to this pain.

I unable to escape
your dying.

I tell you
Irish legends
& Hans Christian Anderson

as you become
again

(if only for a little while)

the child
you used to be

once upon a time

when wonder & delight
were new
as daylight.

“Tell me Lir! ”

“Tell me the Children of Lir! ”

I tell
of how

they are turned into swans
& the loneliness of eternity.

I too knit nettles
to break the spell

throw the garment over
your cancer’d body

so you can
return again
to being

the human
I have known.

This dying is cruel
beyond belief.

An insult
to your life.

I love you so much I would **** you
if I could **** you
but I...can’t.

I want every breath
of you

not to be your last.

You journey to your death
dancing with your pain

my little mermaid
my little ballerina

I guard
your dying

a Constant
Tin Soldier

as you become
foam

foam
on the sea.

Just a day ago
******* a sultana

I held
on the tip of my fingertip

telling me to call your name.

“I love
living in your voice! ”

“So nice...so nice! ”

And I a blind Prince

wandering now
lost in the fairy tale

of your Death.

I close
your eyes.

kiss the last warmth
of your lips.

And speaking to the western wind,
In the sped and turning time of the revolving sky
As a top unwinding like a dropped fable;
He dreams of taking leave, unraveling the coil
Upending his foil
Of listless sights as daylight creeps one more tread
And sweet belief breaks down once again:
Days that are ******* like a sad hunt
When the tracker is bent
On tragic orchestrations that only lead to a duel . . .
Undoing, Oh must it be, "Must we fit?"
Let us know and get on with it.

In his bed the women are only dreams
Phantoms, iridescent sirens.

  .    .    .    .    .    .    .    .    .    .    .    .

Yes! I am not King Lir, nor could ever be;
Am a child cast out, transfigured, remote
Innocent, prey to the white flaming truth
The growing down, that clothes my name
Inconsequential, sheathed with shame,
Polite, capricious, calamitous;
Empty of all, it is unanimous
Nor even the memory of ripeness
Invisible, a drop in the pool.

I am weary . . .  I am weary . . .
I shall whisper to the newborns when I am old.

Shall I build upon the strand?  Have swordplay with the sea?
I shall tear my hair, mutter to the moon, bury my wounded knees
I have heard the Selkies singing, sailing with the breeze.

I do not think they will give their skin to me.

I have known them gliding beyond the ninth wave.
I still hear them sing so sweetly, weaving sorrows, on my back
Carving the blue waters as the waves are turning black.

We come and go in cycles with the moon, as tidal waves
Seep and seethe, foam and heave, lone captains setting sail,
In folly with a capsize brimming, before our boat has been bailed.

              

                                        ­                                                                —­ after Eliot

And speaking to the western wind,
In the sped and turning time of the revolving sky
As a top unwinding like a dropped fable;
He dreams of taking leave, unraveling the coil
Upending his foil
Of listless sights as daylight creeps one more tread
And sweet belief breaks down once again:
Days that are ******* like a sad hunt
When the tracker is bent
On tragic orchestrations that only lead to a duel . . .
Undoing, Oh must it be, "Must we fit?"
Let us know and get on with it.

In his bed the women are only dreams
Phantoms, iridescent sirens.

  .    .    .    .    .    .    .    .    .    .    .    .

Yes! I am not King Lir, nor could ever be;
Am a child cast out, transfigured, remote
Innocent, prey to the white flaming truth
The growing down, that clothes my name
Inconsequential, sheathed with shame,
Polite, capricious, calamitous;
Empty of all, it is unanimous
Nor even the memory of ripeness
Invisible, a drop in the pool.

I am weary . . .  I am weary . . .
I shall whisper to the newborns when I am old.

Shall I build upon the strand?  Have swordplay with the sea?
I shall tear my hair, mutter to the moon, bury my wounded knees
I have heard the Selkies singing, sailing with the breeze.

I do not think they will give their skin to me.

I have known them gliding beyond the seventh wave.
I still hear them sing so sweetly, weaving sorrows, on my back
Carving the blue waters as the waves are turning black.

We come and go in cycles with the moon, as tidal waves
Seep and seethe, foam and heave, lone captains setting sail,
In folly with a capsize brimming, before our boat has been bailed.

              

                                        ­                     ­                                           ­    — after Elliot

.
And speaking to the western wind,
In the sped and turning time of the revolving sky
As a top unwinding like a dropped fable;
He dreams of taking leave, unraveling the coil
Upending his foil
Of listless sights as daylight creeps one more tread
And sweet belief breaks down once again:
Days that are ******* like a sad hunt
When the tracker is bent
On tragic orchestrations that only lead to a duel . . .
Undoing, Oh must it be, "Must we fit?"
Let us know and get on with it.

In his bed the women are only dreams
Phantoms, iridescent sirens.

  .    .    .    .    .    .    .    .    .    .    .   ­ .

Yes! I am not King Lir, nor could ever be;
Am a child cast out, transfigured, remote
Innocent, prey to the white flaming truth
The growing down, that clothes my name
Inconsequential, sheathed with shame,
Polite, capricious, calamitous;
Empty of all, it is unanimous
Nor even the memory of ripeness
Invisible, a drop in the pool.

I am weary . . .  I am weary . . .
I shall whisper to the newborns when I am old.

Shall I build upon the strand?  Have swordplay with the sea?
I shall tear my hair, mutter to the moon, bury my wounded knees
I have heard the Selkies singing, sailing with the breeze.

I do not think they will give their skin to me.

I have known them gliding beyond the ninth wave.
I still hear them sing so sweetly, weaving sorrows, on my back
Carving the blue waters as the waves are turning black.

We come and go in cycles with the moon, as tidal waves
Seep and seethe, foam and heave, lone captains setting sail,
In folly with a capsize brimming, before our boat has been bailed.

              

                                        ­­­                     ­­                                      — after Eliot
.

And speaking to the western wind,
In the sped and turning time of the revolving sky
As a top unwinding like a dropped fable;
He dreams of taking leave, unraveling the coil
Upending his foil
Of listless sights as daylight creeps one more tread
And sweet belief breaks down once again:
Days that are ******* like a sad hunt
When the tracker is bent
On tragic orchestrations that only lead to a duel . . .
Undoing, Oh must it be, "Must we fit?"
Let us know and get on with it.

In his bed the women are only dreams
Phantoms, iridescent sirens.

  .    .    .    .    .    .    .    .    .    .    .   ­ .

Yes! I am not King Lir, nor could ever be;
Am a child cast out, transfigured, remote
Innocent, prey to the white flaming truth
The growing down, that clothes my name
Inconsequential, sheathed with shame,
Polite, capricious, calamitous;
Empty of all, it is unanimous
Nor even the memory of ripeness
Invisible, a drop in the pool.

I am weary . . .  I am weary . . .
I shall whisper to the newborns when I am old.

Shall I build upon the strand?  Have swordplay with the sea?
I shall tear my hair, mutter to the moon, bury my wounded knees
I have heard the Selkies singing, sailing with the breeze.

I do not think they will give their skin to me.

I have known them gliding beyond the seventh wave.
I still hear them sing so sweetly, weaving sorrows, on my back
Carving the blue waters as the waves are turning black.

We come and go in cycles with the moon, as tidal waves
Seep and seethe, foam and heave, lone captains setting sail,
In folly with a capsize brimming, before our boat has been bailed.

              

                                        ­                     ­­                                               — after Elliot

The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels’ tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Published by Celtic Twilight, Celtic Lifestyles, Boston Poetry and Auldwicce. Few legends have inspired more poetry than those of King Arthur and the Knights of the Round Table. These legends have their roots in a far older Celtic mythology than many realize. Here the names are ancient and compelling. Arthur becomes Artur or Artos, “the bear.” Bedivere becomes Bedwyr. Lancelot is Llenlleawc, Llwch Lleminiawg or Lluch Llauynnauc. Merlin is Myrddin. And there is an curious intermingling of Welsh and Irish names within these legends, indicating that some tales (and the names of the heroes and villains) were in all probability “borrowed” by one Celtic tribe from another. For instance, in the Welsh poem “Pa gur,” the Welsh Manawydan son of Llyr is clearly equivalent to the Irish Mannanan mac Lir. Keywords/Tags: King Arthur, wild hunt, Halloween, Artur, Bedwyr, Valerin, Valynt, Gawain, Owain, Devon, Wales

A simple curved stone bench
Set in a rustic niche.
Outside, this city bustles,
here, time passes by the inch.
There’s a fine array of roses
and stone tablets on the wall.
The inscription is in Irish,
It tells of a rise and fall.
As I sit, quiet, here
Near the bronze children of Lir
The reflecting pool brims full
of my races’ gathered tears.

FAIRY TALE

I sit by your bedside
watching your dying.

Only Love
nails me to this pain.

I unable to escape
your dying.

I tell you
Irish legends
& Hans Christian Anderson

as you become
again

(if only for a little while)      

the child
you used to be

once upon a time

when wonder & delight
were new
as daylight.

“Tell me Lir! ”

“Tell me the Children of Lir! ”

I tell
of how

they are turned into swans
& the loneliness of eternity.

I too knit nettles
to break the spell

throw the garment over
your cancer’d body

so you can
return again
to being

the human
I have known.

This dying is cruel
beyond belief.

An insult
to your life.

I love you so much I would **** you
if I could **** you
but I...can’t.

I want every breath
of you

not to be your last.

You journey to your death
dancing with your pain

my little mermaid
my little ballerina

I guard
your dying

a Constant
Tin Soldier

as you become
foam

foam
on the sea.

Just a day ago
******* a sultana

I held
on the tip of my fingertip

telling me to call your name.

“I love
living in your voice! ”

“So nice...so nice! ”

And I a blind Prince

wandering now
lost in the fairy tale

of your Death.

I close
your eyes.

kiss the last warmth
of your lips.

And speaking to the western wind,
In the sped and turning time of the revolving sky
As a top unwinding like a dropped fable;
He dreams of taking leave, unraveling the coil
Upending his foil
Of listless sights as daylight creeps one more tread
And sweet belief breaks down once again:
Days that are ******* like a sad hunt
When the tracker is bent
On tragic orchestrations that only lead to a duel . . .
Undoing, Oh must it be, "Must we fit?"
Let us know and get on with it.

In his bed the women are only dreams
Phantoms, iridescent sirens.

  .    .    .    .    .    .    .    .    .    .    .   ­ .


Yes! I am not King Lir, nor could ever be;
Am a child cast out, transfigured, remote
Innocent, prey to the white flaming truth
The growing down, that clothes my name
Inconsequential, sheathed with shame,
Polite, capricious, calamitous;
Empty of all, it is unanimous
Nor even the memory of ripeness
Invisible, a drop in the pool.

I am weary . . .  I am weary . . .
I shall whisper to the newborns when I am old.

Shall I build upon the strand?  Have swordplay with the sea?
I shall tear my hair, mutter to the moon, bury my wounded knees
I have heard the Selkies singing, sailing with the breeze.

I do not think they will give their skin to me.

I have known them gliding beyond the seventh wave.
I still hear them sing so sweetly, weaving sorrows, on my back
Carving the blue waters as the waves are turning black.

We come and go in cycles with the moon, as tidal waves
Seep and seethe, foam and heave, lone captains setting sail,
In folly with a capsize brimming, before our boat has been bailed.

              

                                        ­­                                                                ­ ­— after Elliot

Come close, friends, and huddle near
As I retell the story of the Children of Lir
Come close, ye travelers, I'll try to be breif
I can tell of the messy teenager, Blackfooted Gulleesh
Come close, little children, and listen all
To what happens when leprechauns venture into kings halls
Come close by the light in this untimely snow
I'll tell of Balar and Lugh's mighty throw
And as we fall asleep and turn off the  lights
I'll tell of how cunning beats giants in a fight

.
And speaking to the western wind,
In the sped and turning time of the revolving sky
As a top unwinding like a dropped fable;
He dreams of taking leave, unraveling the coil
Upending his foil
Of listless sights as daylight creeps one more tread
And sweet belief breaks down once again:
Days that are ******* like a sad hunt
When the tracker is bent
On tragic orchestrations that only lead to a duel . . .
Undoing, Oh must it be, "Must we fit?"
Let us know and get on with it.

In his bed the women are only dreams
Phantoms, iridescent sirens.

  .    .    .    .    .    .    .    .    .    .    .   ­ .

Yes! I am not King Lir, nor could ever be;
Am a child cast out, transfigured, remote
Innocent, prey to the white flaming truth
The growing down, that clothes my name
Inconsequential, sheathed with shame,
Polite, capricious, calamitous;
Empty of all, it is unanimous
Nor even the memory of ripeness
Invisible, a drop in the pool.

I am weary . . .  I am weary . . .
I shall whisper to the newborns when I am old.

Shall I build upon the strand?  Have swordplay with the sea?
I shall tear my hair, mutter to the moon, bury my wounded knees
I have heard the Selkies singing, sailing with the breeze.

I do not think they will give their skin to me.

I have known them gliding beyond the ninth wave.
I still hear them sing so sweetly, weaving sorrows, on my back
Carving the blue waters as the waves are turning black.

We come and go in cycles with the moon, as tidal waves
Seep and seethe, foam and heave, lone captains setting sail,
In folly with a capsize brimming, before our boat has been bailed.

              

                                        ­­                     ­­                                          *— after Eliot

FAIRY TALE

I sit by your bedside
watching your dying.

Only Love
nails me to this pain.

I unable to escape
your dying.

I tell you
Irish legends
& Hans Christian Anderson

as you become
again

(if only for a little while)      

the child
you used to be

once upon a time

when wonder & delight
were new
as daylight.

“Tell me Lir! ”

“Tell me the Children of Lir! ”

I tell
of how

they are turned into swans
& the loneliness of eternity.

I too knit nettles
to break the spell

throw the garment over
your cancer’d body

so you can
return again
to being

the human
I have known.

This dying is cruel
beyond belief.

An insult
to your life.

I love you so much I would **** you
if I could **** you
but I...can’t.

I want every breath
of you

not to be your last.

You journey to your death
dancing with your pain

my little mermaid
my little ballerina

I guard
your dying

a Constant
Tin Soldier

as you become
foam

foam
on the sea.

Just a day ago
******* a sultana

I held
on the tip of my fingertip

telling me to call your name.

“I love
living in your voice! ”

“So nice...so nice! ”

And I a blind Prince

wandering now
lost in the fairy tale

of your Death.

I close
your eyes.

kiss the last warmth
of your lips.

FAIRY TALE

I sit by your bedside
watching your dying.

Only Love
nails me to this pain.

I unable to escape
your dying.

I tell you
Irish legends
& Hans Christian Anderson

as you become
again

(if only for a little while)

the child
you used to be

once upon a time

when wonder & delight
were new
as daylight.

“Tell me Lir! ”

“Tell me the Children of Lir! ”

I tell
of how

they are turned into swans
& the loneliness of eternity.

I too knit nettles
to break the spell

throw the garment over
your cancer’d body

so you can
return again
to being

the human
I have known.

This dying is cruel
beyond belief.

An insult
to your life.

I love you so much I would **** you
if I could **** you
but I...can’t.

I want every breath
of you

not to be your last.

You journey to your death
dancing with your pain

my little mermaid
my little ballerina

I guard
your dying

a Constant
Tin Soldier

as you become
foam

foam
on the sea.

Just a day ago
******* a sultana

I held
on the tip of my fingertip

telling me to call your name.

“I love
living in your voice! ”

“So nice...so nice! ”

And I a blind Prince

wandering now
lost in the fairy tale

of your Death.

I close
your eyes.

kiss the last warmth
of your lips.

I took the sea to brest
Kissed the waves and sipped
Sipped until my lungs waterlogged
In salty sea I dried them out
Plastered algae up and down my legs
Until they bled raw, raw and chafed
And withstood the grain of sand
Withstood the coals and fires of mercy,
Mercy be great upon me
But my lover, you reside nowhere on land
Weary among driftwood longing to crumble to dust
I prayed to the heavens and I prayed not to a God
For Lir is my only and let’s face it
No release comes thence like from your holy brow
In the folds of your wings and your flame
Determined, I waited, shackled into silence
By suffocation I am breathing barely moonglow
That rests heavy on my stomach overwritten by black night
As it is slowly eaten away by *****,
In your name
I was screaming, crying, praying your faith in me
For your ire and your judgement
And redemption from the world wherein I was lain.
You a poesy written in the blood of me
Choking the flow for which I begged you not to
And to hear me, gentle angel, gentle God
Gentle power of the heavens above
To claim me, for I have sacrificed.

FAIRYTALE

I sit by your bedside
watching your dying.

Only Love
nails me to this pain.

I unable to escape
your dying.

I tell you
Irish legends
& Hans Christian Anderson

as you become
again

(if only for a little while)

the child
you used to be

once upon a time

when wonder & delight
were new
as daylight.

“Tell me Lir! ”

“Tell me the Children of Lir! ”

I tell
of how

they are turned into swans
& the loneliness of eternity.

I too knit nettles
to break the spell

throw the garment over
your cancer’d body

so you can
return again
to being

the human
I have known.

This dying is cruel
beyond belief.

An insult
to your life.

I love you so much I would **** you
if I could **** you
but I...can’t.

I want every breath
of you

not to be your last.

You journey to your death
dancing with your pain

my little mermaid
my little ballerina

I guard
your dying

a Constant
Tin Soldier

as you become
foam

foam
on the sea.

Just a day ago
******* a sultana

I held
on the tip of my fingertip

telling me to call your name.

“I love
living in your voice! ”

“So nice...so nice! ”

And I a blind Prince

wandering now
lost in the fairy tale

of your Death.

I close
your eyes.

kiss the last warmth
of your lips.

FAIRY TALE

I sit by your bedside
watching your dying.

Only Love
nails me to this pain.

I unable to escape
your dying.

I tell you
Irish legends
& Hans Christian Anderson

as you become
again

(if only for a little while)      

the child
you used to be

once upon a time

when wonder & delight
were new
as daylight.

“Tell me Lir! ”

“Tell me the Children of Lir! ”

I tell
of how

they are turned into swans
& the loneliness of eternity.

I too knit nettles
to break the spell

throw the garment over
your cancer’d body

so you can
return again
to being

the human
I have known.

This dying is cruel
beyond belief.

An insult
to your life.

I love you so much I would **** you
if I could **** you
but I...can’t.

I want every breath
of you

not to be your last.

You journey to your death
dancing with your pain

my little mermaid
my little ballerina

I guard
your dying

a Constant
Tin Soldier

as you become
foam

foam
on the sea.

Just a day ago
******* a sultana

I held
on the tip of my fingertip

telling me to call your name.

“I love
living in your voice! ”

“So nice...so nice! ”

And I a blind Prince

wandering now
lost in the fairy tale

of your Death.

I close
your eyes.

kiss the last warmth
of your lips.