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Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
If it form the one landscape that we, the inconstant ones,
Are consistently homesick for, this is chiefly
Because it dissolves in water. Mark these rounded slopes
With their surface fragrance of thyme and, beneath,
A secret system of caves and conduits; hear the springs
That spurt out everywhere with a chuckle,
Each filling a private pool for its fish and carving
Its own little ravine whose cliffs entertain
The butterfly and the lizard; examine this region
Of short distances and definite places:
What could be more like Mother or a fitter background
For her son, the flirtatious male who lounges
Against a rock in the sunlight, never doubting
That for all his faults he is loved; whose works are but
Extensions of his power to charm? From weathered outcrop
To hill-top temple, from appearing waters to
Conspicuous fountains, from a wild to a formal vineyard,
Are ingenious but short steps that a child's wish
To receive more attention than his brothers, whether
By pleasing or teasing, can easily take.

Watch, then, the band of rivals as they climb up and down
Their steep stone gennels in twos and threes, at times
Arm in arm, but never, thank God, in step; or engaged
On the shady side of a square at midday in
Voluble discourse, knowing each other too well to think
There are any important secrets, unable
To conceive a god whose temper-tantrums are moral
And not to be pacified by a clever line
Or a good lay: for accustomed to a stone that responds,
They have never had to veil their faces in awe
Of a crater whose blazing fury could not be fixed;
Adjusted to the local needs of valleys
Where everything can be touched or reached by walking,
Their eyes have never looked into infinite space
Through the lattice-work of a nomad's comb; born lucky,
Their legs have never encountered the fungi
And insects of the jungle, the monstrous forms and lives
With which we have nothing, we like to hope, in common.
So, when one of them goes to the bad, the way his mind works
Remains incomprehensible: to become a ****
Or deal in fake jewellery or ruin a fine tenor voice
For effects that bring down the house, could happen to all
But the best and the worst of us...
That is why, I suppose,
The best and worst never stayed here long but sought
Immoderate soils where the beauty was not so external,
The light less public and the meaning of life
Something more than a mad camp. 'Come!' cried the granite wastes,
"How evasive is your humour, how accidental
Your kindest kiss, how permanent is death." (Saints-to-be
Slipped away sighing.) "Come!" purred the clays and gravels,
"On our plains there is room for armies to drill; rivers
Wait to be tamed and slaves to construct you a tomb
In the grand manner: soft as the earth is mankind and both
Need to be altered." (Intendant Caesars rose and
Left, slamming the door.) But the really reckless were fetched
By an older colder voice, the oceanic whisper:
"I am the solitude that asks and promises nothing;
That is how I shall set you free. There is no love;
There are only the various envies, all of them sad."

They were right, my dear, all those voices were right
And still are; this land is not the sweet home that it looks,
Nor its peace the historical calm of a site
Where something was settled once and for all: A back ward
And dilapidated province, connected
To the big busy world by a tunnel, with a certain
Seedy appeal, is that all it is now? Not quite:
It has a worldy duty which in spite of itself
It does not neglect, but calls into question
All the Great Powers assume; it disturbs our rights. The poet,
Admired for his earnest habit of calling
The sun the sun, his mind Puzzle, is made uneasy
By these marble statues which so obviously doubt
His antimythological myth; and these gamins,
Pursuing the scientist down the tiled colonnade
With such lively offers, rebuke his concern for Nature's
Remotest aspects: I, too, am reproached, for what
And how much you know. Not to lose time, not to get caught,
Not to be left behind, not, please! to resemble
The beasts who repeat themselves, or a thing like water
Or stone whose conduct can be predicted, these
Are our common prayer, whose greatest comfort is music
Which can be made anywhere, is invisible,
And does not smell. In so far as we have to look forward
To death as a fact, no doubt we are right: But if
Sins can be forgiven, if bodies rise from the dead,
These modifications of matter into
Innocent athletes and gesticulating fountains,
Made solely for pleasure, make a further point:
The blessed will not care what angle they are regarded from,
Having nothing to hide. Dear, I know nothing of
Either, but when I try to imagine a faultless love
Or the life to come, what I hear is the murmur
Of underground streams, what I see is a limestone landscape.
Mateuš Conrad Mar 2021
beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".
In Yucatan, the Maya sonneteers
Of the Caribbean amphitheatre,
In spite of hawk and falcon, green toucan
And jay, still to the night-bird made their plea,
As if raspberry tanagers in palms,
High up in orange air, were barbarous.
But Crispin was too destitute to find
In any commonplace the sought-for aid.
He was a man made vivid by the sea,
A man come out of luminous traversing,
Much trumpeted, made desperately clear,
Fresh from discoveries of tidal skies,
To whom oracular rockings gave no rest.
Into a savage color he went on.

How greatly had he grown in his demesne,
This auditor of insects! He that saw
The stride of vanishing autumn in a park
By way of decorous melancholy; he
That wrote his couplet yearly to the spring,
As dissertation of profound delight,
Stopping, on voyage, in a land of snakes,
Found his vicissitudes had much enlarged
His apprehension, made him intricate
In moody rucks, and difficult and strange
In all desires, his destitution's mark.
He was in this as other freemen are,
Sonorous nutshells rattling inwardly.
His violence was for aggrandizement
And not for stupor, such as music makes
For sleepers halfway waking. He perceived
That coolness for his heat came suddenly,
And only, in the fables that he scrawled
With his own quill, in its indigenous dew,
Of an aesthetic tough, diverse, untamed,
Incredible to prudes, the mint of dirt,
Green barbarism turning paradigm.
Crispin foresaw a curious promenade
Or, nobler, sensed an elemental fate,
And elemental potencies and pangs,
And beautiful barenesses as yet unseen,
Making the most of savagery of palms,
Of moonlight on the thick, cadaverous bloom
That yuccas breed, and of the panther's tread.
The fabulous and its intrinsic verse
Came like two spirits parlaying, adorned
In radiance from the Atlantic coign,
For Crispin and his quill to catechize.
But they came parlaying of such an earth,
So thick with sides and jagged lops of green,
So intertwined with serpent-kin encoiled
Among the purple tufts, the scarlet crowns,
Scenting the jungle in their refuges,
So streaked with yellow, blue and green and red
In beak and bud and fruity gobbet-skins,
That earth was like a jostling festival
Of seeds grown fat, too juicily opulent,
Expanding in the gold's maternal warmth.
So much for that. The affectionate emigrant found
A new reality in parrot-squawks.
Yet let that trifle pass. Now, as this odd
Discoverer walked through the harbor streets
Inspecting the cabildo, the facade
Of the cathedral, making notes, he heard
A rumbling, west of Mexico, it seemed,
Approaching like a gasconade of drums.
The white cabildo darkened, the facade,
As sullen as the sky, was swallowed up
In swift, successive shadows, dolefully.
The rumbling broadened as it fell. The wind,
Tempestuous clarion, with heavy cry,
Came bluntly thundering, more terrible
Than the revenge of music on bassoons.
Gesticulating lightning, mystical,
Made pallid flitter. Crispin, here, took flight.
An annotator has his scruples, too.
He knelt in the cathedral with the rest,
This connoisseur of elemental fate,
Aware of exquisite thought. The storm was one
Of many proclamations of the kind,
Proclaiming something harsher than he learned
From hearing signboards whimper in cold nights
Or seeing the midsummer artifice
Of heat upon his pane. This was the span
Of force, the quintessential fact, the note
Of Vulcan, that a valet seeks to own,
The thing that makes him envious in phrase.

And while the torrent on the roof still droned
He felt the Andean breath. His mind was free
And more than free, elate, intent, profound
And studious of a self possessing him,
That was not in him in the crusty town
From which he sailed. Beyond him, westward, lay
The mountainous ridges, purple balustrades,
In which the thunder, lapsing in its clap,
Let down gigantic quavers of its voice,
For Crispin to vociferate again.
Francie Lynch Jun 2014
Byron wants me to invite all my friends on HP to a pig roast. Rest assured, when Byron has a pig roast fun is surely to be expected. Here's his invitation.

You're invited to my pig roast.

I told him he'd have to do better, that he's talking to a collection of rhymers, wordsmiths, and gesticulating anthropomorphics. He had no idea what the **** I just said, but he did do an edit.

Here's his edit.

You're Invited to My Pig Roast

Your toad on the road
Only squats, never stands,
Or sits 'til he splits
Between the treads of your van.

Your mouse in the house,
If it isn't found out,
Drops pellets in pots,
'Til snap, then it stops.

Your bird on the wire
Sweetly sings then lets fire;
And a cat in a hat
Is cute, but that's that.

Your horse from the stable
Won't be served from your table;
And the deer by the brook,
Well, too much the Bambi to cook.

Yes a bear in the wood
Indeed craps where it should;
He's best left alone
While your meat's on your bone.

Then there is the PIG.
A ruddy pink porker,
Intelligent and clean,
An innocuous oinker.
It does nothing that's heinous,
And yes, it should shame us,
As it lies silently smiling
With a spit up its ****.

Please bring your own lawnchair, *****,  and women.
The pig's on me.
Mateuš Conrad Nov 2015
no matter what pronoun use is in place, there won’t be time
to decipher it as personal or impersonal, subjective or objective,
singular or plural... to write a book of philosophy pulsating
existentialism:
i miss the rugby world cup, i miss it,
the gay referee too,
i miss the hugging and blood mushroom sprouting
from the cartilage of smeared sneeze and sniff to a hark
of semolina saliva in the up-shoot...
i miss it in the scrum... away from
the balancing mary antoinette and ballerinas,
modern lawful facade: he anchored me! gone sail the titanic!
he anchored me! foul! see? precisely! a guillotine on the ready
for those insured legs of footballers...
i miss the rugby... i fancied playing it once in school...
we had p.e. (jerseys) on the reverse with a yellow stripe
going across all maroon... football was favoured...
even though i got the ball and walked 1/4 of the field in that sloth
of being fat... why do people always have such negative memories of youth,
esp. in school?! i don’t know... all i know...
when i walked for a bottle of brown whiskers tonight,
the streets of essex were filled with that fabled smog of 19th century london,
it wasn’t guy fawkes' night but the night bling bling was out...
the firework smog settled into the streets and i started gesticulating
‘trouble breathing! trouble breathing!’ using sign language...
i couldn't translate gasping into an onomatopoeia,
let alone sign-language... mime mime mime!
3 words: film... beginning with seismic shifts... severn!
it’s an american holiday for god’s sake
(the slavs are sombre remembering the day
with virgo mort of mexico... you’re out partying
******* and ******* on graves)... have some decency to be
remotely commonwealth in attitude... like australia!
i wished they won, 2nd half, 21 to 3 i thought they were whitewash flushed...
then they bounced back to 21 - 17... then the drop goal from carter...
ah it was a knockout...
never mind the mary antoinettes and ballerinas of football...
i said it once... i’ll say it again: ref! oink ref! police officer!
you missed a spot, this tile will not have anyone slipping!
it’s how you get a working man’s sport audience impassioned...
no middle-class sensibility in a sport...
make him give a wrong decision many a times...
and you’ll get the pub rumble...
not time-out... no: let’s see it on the BIG screen...
get the referee on the side of the masses and get them impassioned
through his bad decision / multitasking... i was imagining
a big mac / watching nickers being slingshot onto the pitch...
get the referee behind the crowd and orientate them
with william wallace at stirling crying - war war woad! tadpole ooh! tattoo! blue 28! blue... grr!
in rugby you’ll just get as much passion as a workable middle-class
english marriage... oops **** daisy loot the loo (with stressor r missing trill missing h):
bloom!
and your uncle was nicknamed ***** harry?
was he ginger and donned a beard?
must be royalty.
ah man, i miss the connectivity of rugby,
where everyone's making a sandwich... with football
you just get the replica of english sociological etiquette...
saying hello 5 metres apart...
so no french chequers kissing on the cheek
to feed intimacy? problem sorted...
let me just get my umbrella... seeing the teardrops
of feminism shower me under a roof salivating from the chandelier.
Mateuš Conrad Jul 2018
/ oh no no no... you don't get a jew artefact at this point, when the play of words comes between the son and the mother... no no no... you're target; she should be a ****, a stripper, a *****... but when you do what this, "englishman" did? undermining the concept of personal property? ownership? his property infringes on your property, and somehow: my, yours, our's doesn't compute... i'm ******* craving to **** my neighbour... because all i have left to lose is... frothing at the mouth.

at a supermarket:
within the confines
of a cashier:
- 'is this your typical
friday night?'
say it plain, chubby...
**** it: more cushion
for the pushin'...
   sunglasses at 6am?
a reply:
      - 'it could be'
  - 'if you were part of it'
            - 'what?'
i'd love to fiddle with excesses
of porky...

   migrant crisis?
  more like a ***** cricis...
    import black ****
given the white boy lay low...
it's not even funny,
i find it funny attempting
to whistle...
which i can't,
given that i found laughter...

just don't come between me
and mt "neighbour":
cos i'll **** the ******* ****!
and "he's" watching me?
sorry:
     i'll **** the ******* ****
****-face-****!

no, i will;
  i can't conceive retaining
the anglophone aspect of comedy
within the confines
of the monologue,
with a cabaret....
  
      i'll **** him...
next time we exfoliates
speaking to my mother,
and not... looking
         into my eyes...
  
   "englishman": spew!
   you! now! clean up this
*******!
*******,       english!
like you bred a people,
gesticulating with
a hand gesture...
new yankies...
    britain: home,
           of the the wankies.

p.s.

no... private property contra
private property
within this ****** vogue...
             i seriouslly will throw
a **** into his garden,
and say...
                not enough fox hunting,
d'uh!
Mateuš Conrad Nov 2016
not everyday you get to pet a labrador
at half past 10... during the night...
he sees you, you see him 10metres apart,
you start you autistic body-space crucial
talk; you start gesticulating, blinking
to-n-fro like some mad rhetorical adventist...
and then you signature the discussion
like any sensible curator might:
you insinuate a tut-tut, but the sound you
make sorta makes onomatopoeia obsolete...
you tut-tut while ******* a lemon...
and **** me! the labrador is yours!
teary eyed and tail in a tango-likened to-and-fro...
if ever picking up a girl in a nightclub could
feel as good... it wouldn't...
the mere antic of petting a stranger's dog:
i'd be salivating had it been a rottweiler...
never mind the labrador...
           ***** ate the would-be hetero...
we call him metro these days, salmon-tinged shirts
and the ooh-la-las to my mistake: faked camp.
  but they loved the political coup without the d'état!
which is a bit like pizza without cheder dangly,
or god forbid: a gorgonzola!
    oo, tangy! jokes really do necessitate a need
for punctuation.
for what god forbid was the p added when it
merely said cou? optometric lesson no. 1:
French... optometric lesson no. 2:
English; optometric lesson no. 3:
a year in Yorkshire: endure that and you'll endure
Germanic Hitlerite checking advents of
chequers grandpa... or those eager to await Auschwitz
and least eager to don mascara within
that tattoos of rightly-awaited wrinkle...
     oh yeah, yeah: they forgot the tribalism; silly wankers.          

is that a pooch or a Gucci?

i don't know, whenever i ask that
question or see someone
famous or fashionable
i just get fidgety,
like as Chinese person
seeing a doppelgänger -
with a billion's worth of populace,
you don't look out for a
"most photographed" face..
  you look out for doppelgängers,
lookalikes...
    
still, you end up petting a stranger's labrador in
the night sometimes,
while walking to a shop for a bottle of whiskey...
tearful eyed, tail waggling...
   which is more than picking up a girl in an Essex
nightclub would ever be...
          you end up petting a dog
and saying to heterosexual counterparts:
                                                     arrivederci!
because it was **** primus with Liberace
and fooled housewives sprechen butch speck,
bound to the glutton archives...
              **** me that labrador was all i needed tonight.
PK Wakefield Aug 2010
it,s loose cotton electric ***
copper children
          husky sighing t
                                      he
trickle of daughters into the little wet cracks
on Railroad ave. a beggars hand gesticulating empty spans
a river of grins course toward amber
oblivion and jarring rhythms. she's a white idea. a lemon dress *****.

          her hips are a delicious war of curving apparitions
a dearth of pleasure loaded folds. or else a caustic laceration;

     some hernia of capillaries blotting ivory thighs
            a
           n
                d all the children giggle, teeth cleaning pearly cheeks
splay the efforts of their throats all over the cobbles. it,s a night

   FRIDAY









          yes
Harry J Baxter May 2013
Sitting in that cafe
was like sitting atop the tower of Babel
a cacophony of language
like a hurricane was going on all around him
the homeless black men
who spoke with their own jive and jib
he knew some of the language
but was far from fluent
there were the Arabian men
talking into blue tooths on their ears
or into cellphones
or arguing with each other
outside over cigarette after endless cigarette
nothing but harsh blunt sounds,
it was beautiful in a way
and there is the Russian couple
bombshell athletic blondes
it was hard to determine whether the relationship was
Mother and Daughter
or coach and athlete
they were seemingly
all business
broken with interspersed bouts of laughter
and their were the Asian boys and girls
coming from Korea or Japan or China, or some other place
talking fast and easy
gesticulating wildly with their hands
and of course their was English
thick and arrogant in its tone
it was a language for movers and shakers
money makers and deal breakers
it sounded nowhere near as special
as the other languages
And there was him
sitting silently in the corner of the cafe
his language
the chitter chatter of the keyboard
Qweyku May 2014
As you attempt to pour more political doctrine down my throat
I check the change in my pocket
for
the laxative I‘ll have to buy
from my legal drug dealer

REALLY!?!

Did you not know that your words are;

indigestible,

incorrigible

&  

wholly corruptible?

How do you manage
to
politically caress your own eardrums
reach
through your sinuses,
tickling
the lining of your
esophagus
and yet,
make me cough?!

Your response to truth is truly painful,
you feel it in your chest,
your ***** heaves and razes
you have a fit gesticulating policies
flipping birds that won’t fly

It’s too late!

Mr "I went to Oxford so I must have the plan"
Mr Self-Interest man
Mr  Ivy-league, Whitehouse, Whitehall...."Cambridge was better",
Mr  I can do all things that superman can.
Mr  “If we win the elections next year”...

Man

Take your leave,
your term is over,
School is out
&  
the old boys no longer love you.

Time!
to
run for
cover,
under the
colour,
of
your favoured
currency umbrella.

But

If you’re African  
"it's okay"  
you can stay a little while longer
and bequeath the throne
to your brothers', sisters', uncles', sons' junior brother!

Turn it into a dy-nasty

Bring on board;

Kwadjo,
Mary,
Abena,
Kwesi,
Uncle Nepa,
Sista Tism
&
Aunt Ivy.

Ah-Geee!!!

This nonsense is highly unpalatable
I’m past the word puke
my bile sack is empty
because your drunkenness is spreading

&  

y o u’r e

s t i l l

b l o w i n g

m e

f u m e s!



Your democracy
has made your Guinea-Pigs
demi crazy,
has captured this poets’ goat
Slaughtered it
&*
mandated this verbal frenzy

Enough!

Of this alcoholic experiment
I’m not drinking anymore,
I’ve cried blood!
and now *"my eyes are red"

Looking forward
to being 'tee-totally' sober,
while
U


c o n t e m p l a t e

t h i s  

v e r s e

o f

p o e t i c,

p o l i t i c a l,

M U R D E R.



**© Qwey.ku
Ralph Akintan Jan 2019
Water of remembrance sprinkled
On the mountain crest of recollection.
Indulgent mussy memory catapulted
Stones of retentiveness into the
Courtyard of events like bricole
Of battles.
Pendulum of reminiscences swinging
On oscillating milage of roads like
Trotting horse with drippage of sweat
And itching foots.
Ghost of reminiscences restlessly
Roaming with carriage of yesteryear.

Final year educatees required
Boardinghouse,
But list of items engorged dear
Mother's treasury

"where do l raise money
to buy oyinbo mattress, Ilori?"

Mind pullulated with weariness.
Intonation of worries.
Cantillation of wants.
Deficiency of measured means.
Oyinbo mattress beyond ladder
Of reach.
Gluttonously waiting to devour
Lesser items,
But rays of compulsion unslammed
The gate of respite.

Lordly arrival warmly welcomed by
The dorm room's porter,
Walking majestically to the bed-space
With the acquired cotton wool and raffia leaves mattress.
Gamut of items passed through the eagle's eyes of the housemaster.
Silver painted pail donated by a neighbour passed through the sentry of inspection,
And got its admission.
Mother's used cloak turned bedsheets
Passed through the rigorous scrutiny.
Newly built portmanteau unlocked and neatly dissected, item by item.

Agazed eyes focused on the cotton wool and raffia leaves hand-made mattress.
Expectations rattled mumbling astonishment.
Legs stuck in the mud of mystification.
Telepathic dews covered ocean of thought.
Tranquil silence engulfed vicinity,
Deflating the balloon of hope like a litigant awaiting verdict from the jurist's chambers.
Porter's gesticulating gesture connoted nothingness of demeaning disapproval, perambulating on the hilly terrain of approval.

Akimbo stood l.

Now the verdict!

Molten volcanic magisterial command erupted in a gestapo gesture,
Spudding out from the barytone's baritone voice from the selfsame housemaster,
From the bastion of authority,
And the house generalissimo like a wild brant squalled, matter-of-factly,

"we do not accept bed bugs cotton wool and raffia leaves hand-made mattress here".

Entreaties collapsed.
crowbarius Aug 2012
Daniel?

A piggish snort. Crusted eyes crack open like the wings of a beetle. Ragged nails scrape against the red-worn desert of an adolescent jawbone. A fishlipped yawn.

Ugh. What?

What did you call that plant thing again?

Jesus, James. Waxwood. It's a reddish bark. Oozes this cloudy stuff if you crush it.

Oh. Yeah, of course. Sorry.

Ambient silence. Raindrops fill with rotting organic sediment and fall into the leaves around the
clapboard tollbooth. A zealous fist of ivy tightens its tattered fingers across rheumatic windowpanes.


Dan?

Mm?

Why don't you like to talk about Clifftown?

Ambient silence. Raindrops. Ivy.

I’ll tell you why I don’t like to talk about Clifftown.

Go on.

Sigh.

I was born there. Before all this happened, it was this small village where onions grew. Not many people lived there. There was... Christ. A church, a chemist, a library and a few houses. The biggest house was this tall yellow clapboard place, which was on the cliff by the sea. This kid who lived there. He wasn’t -

A thud as a gesticulating knuckle rasps against splintered pine.

-Ow, **** - didn’t look human. His head was big and soft like a berry, and his eyes were wide and wet and creepy, and he never spoke. It was like he was empty.

What’d you say his name was again?

Never did.

A dusty rubbing noise as the fluid is forced out of a cheekbone.

Leviticus Croker. He died when he fell from a low salt cliff into the sea or something. Can’t remember.

****. I’m sorry.

Don’t be. I hated him.

A lump of pressed asphalt sends a clouded multitude of motes spinning and passes screaming through the glass pane of the sunwards window. A chuckle.

That was a year ago. They had to blame somebody.

Oh. Right.

An eyelid raised in revelation traps a mote against the skin stretched taut across a young skull.

Right. ****.
Mateuš Conrad Jan 2016
i think i chose the wrong artistic medium
to express myself,
i'm expressing, that's undoubted,
but as we all know success in the marketplace
needs you to be tacky, cheap,
ready for the tourist memorabilia,
too many professions attacked poetry,
first the philosophers, then the psychiatrists,
it became a beehive of femininity and teaching;
no, i definitely chose the wrong medium,
there's no raw product, the un-popularity
of poetry is due to the memory-market of
vocabulary, there are no raw materials used,
no paints or brushes, just backward experiences
used for the banking of investment,
poetry is either cheap or priceless,
a poet can confuse someone like a tarantula
what a philosopher must do in dialogue or paragraph.
my father was never taught german,
i rekindle the strangeness of germany on the autobahns,
eerie feelings feed the warmth of former home;
and they do, every winter i remember travelling east
from west germany always appealed to me for its
melancholia unforced where rome's light never shone,
britain is the perfect historical satellite,
it's moaning like a ***** when rome ***** her
and she becomes nostalgic... the ideal ***** i say,
she wishes rome's return like a boomerang.
'killed the wallaby?'
'aye and koala too.'
'**** the Tasmanian devil?'
'if only there was an angel to counter
freckled ****-in-boots readied dodo.'
capitalism is really heavy on poetic shoulders,
given that poetry doesn't sell, it's a near-identity of
dodo, near extinction, what will remain of poetry
in terms of language expressing poetic technique is rhyme,
the other rhetoric, rhyme the other rhetoric, sounds good,
nothing like couplets making you speak more, or more
persuasively: and all will be song, and no volatile
singled-out voice in the wilderness speaking,
whether actual with honey and locust diet
or homed wilderness of click click pixel algorithm.
poetry is almost like classical music these days,
with bach's wedding cake layering: there's a difference
concerning poetry and classical music:
classical music is almost non-vox, whereas poetry
is almost pure vox,
polyphony must be translated - the layering,
poetry must listen to bach, instead of sounds it
must be a poly- of subject matters, after all polyphony
is impossible given symbiotic otherwise chiral
resemblance: cat, kettle, knife (silent k),
                        psychology (silent p), gnostic (silent g)
                        pseudo (silent p), wrath (silent w), etc.
πολoιθεμα (many subjects, rather than sounds if poetry
was music, but it isn't): anecdote,
in england your ability to engage many subjects in
a conversation (the only antidote to engage with dialectics)
is summarised and thanked for by: you need a girlfriend;
good to be appreciated.
poetry has to change, it can't be as monochromatic and scarce
as it allowed itself to be, it has become akin to atlas
holding up the globe of the monochromatic theme of love,
modern poetry idealises too much, itself not the ideal medium,
after all, poets don't invest in oil paint, canvases,
brushes, studios, these compact artists need to escape
the sheered sheep laziness when engaging with the world,
first of all, they need the shield of honesty,
and a sword cutting through their comfort zone of scarceness
duping them into an adequacy of expected productivity.
and what will keep πολoιθεμα sustained?
the once famous enemy and murderer of poets, kant,
and the concept that fuels this poetic project:
per se, poetry has to become a relief, tentacles of an octopus,
range beyond the vector of safe coordination,
the only subject of relevance of poets is poetry in itself,
make poetry scarce in terms of aesthetics... but make
it distracting, distracting enough to be engaging.
what i mean by the poetic aesthetic is that
it's written with scarceness in my - but so much
blank space is left for so little wording,
it's almost like a telescope enlarging a needle-head,
of course you can keep it terse, keep it neat,
but will you vouch to keep it remotely relevant?
prose is far more economically sound in terms
of ink use and two-dimensional wood compressed,
it's economic to write prose, and less economic
to write poetry, and due to a forced interaction
with poetry, many more songs are heard
by impasse of laziness than poems are uvula coupled
for a sunday feast: where sabbath laziness was replaced
with a need for prayer; odd.
see these gesticulating lunatics before a non-existent
subject they poured so much attention at,
so many subjects appear so the non-existent object
can be gratified in the mimic or mute fluency:
not a sound mind among them, yet still the need to
assert some direction worthy of both prayer and
sacrifice... their salah is like a whirlwind of
cognitive contraception: put a ****** on your head
and be safeguarded against the thought of
refrigerators / frozen meats... and with prayer
all hope withstanding cancer; ******* lunatics;
islam is the best example of prayer, i could handle
the christian need for ******* at the stump of the crucifix,
but muslims mumble when raising their *****
to be ****** by shadow satans, and it's peculiar
to see them in their psychiatric asylum known as the mosque
freely going about their daily business
(personal reasons for criticism - given the pervasive
spirit of a few that tried to convert me, one that
almost killed me - and this need to be literate from
only one book, rather than many - this inherent
perception of a superiority of any monotheism,
which evidently implodes and provides schisms,
a bit like a w. b. yeats poem: things fall apart;
                                            the centre cannot hold).

                                                         *θ = φ.
Jeff Stier May 2017
The right eye
is the window of hope
the left eye
the window of despair

And this proposition
is proven in my photograph
a portrait of a grizzled guy
taken just before
he stepped in front of a speeding car
while gesticulating wildly

Who knows what happened there?

Yet I will live!
gather fallen timbers
to form a stockade
against time

Because finally
I have discovered
that time is not my friend

It's a simple game she plays
time girl
trickster girl
but my ancient beams
will prevail

I swear it
by a handful of ash
and mark the moment
with a rune that exists
outside of time
and says simply

Be this.
You were forever thus.

It's a difficult rune to read
and a harder path
to follow.
Icarus Kirk Jul 2013
it is midnight, and i am lonely
perched near an open window
looking out into the city
full of strangers
pulsing through the streets

it is midnight, and i am lonely
the cool air striking my face
as i listen to the bells chime
and count them
one, two, three, four, five
and it is only when i get to twenty-seven
that i realize i'm doing something wrong

it is midnight, and i am lonely
laying on the worn mattress, thin bars pressing
into my back
staring at the cracked white ceiling
making constellations out of spiderwebs
and generally thinking about nothing

it is midnight, and i am lonely
wandering the empty streets of Harlem
plastic bags fluttering by
someone screaming
and me, walking

it is midnight, and i am lonely
standing in a large crowd
telling a joke and gesticulating emphatically
wiggling my eyebrows when i get to the funny part

it is midnight, and i am lonely.
Clem Nov 2016
Now let’s see what I can make of the chronology of Chase.
Some thick wet messy bird *****
missing its mark, a drop, browning vent
feathers, another drop
oozing perfectly in, to the oviduct, where
minerals and fetus and pre feathers formed.  

And now a slanted eye, lid half closed
after the fashion of a laying chicken hen,
a hen in its own right, Suzie Susan the bird,
sunflower seeds and malnutrition gracing her final
August days,
sits atop what can only be called a
cardboard cruelty to squeeze out the
rock and continue his

cycle
backward.

But: before.

The same lidded look, a male somewhere gesticulating
split rock shale hued feathers and
pink scaled lizard feet,
gripping,
as the unbelievable ordeal of egglaying begets
what will become a creature
((Chase))

and then warmth, a spot of raw pink
skin, so much like a goose bumped wet frozen bird
in the *** a day before supper,
warms the egg to a precise temperature
((Wikipedia knows what))
not to cook, but to love.

So many cages.  Straight up and down
black white silver metal plastic
bars, maybe a metal floor and maybe
unbreathable glass,
maybe even pine.  

How he made his way into a
rabbit’s cage much too sideways for
any bird, losing feathers from
eating buggy dry dusty seed which he loved
almost as much as procreating,
I wish to Hell I knew,
so I could ***** about it too
and hate not only myself, my parents,
the wooden door that ended him,
but their rotted brains as well.

Made perches.  Not safe, but sound.  
Wood, sycamore, not disinfected, but worn
down to a point of home decor.  
Birdshit everywhere, which was lovely
but I didn’t remember to clean it because
I was too young to know about anything
but Phantom of the Opera, dragons that have wings
and front arms always, don’t you dare ******* say different
because I will end you,
and the occasional long thin scab on the arm.

But, living.
Sitting by me -- hating me in a way that spoke
of kindred love and bond --
and nothing at all of the $3 diet that he somehow subsisted
on for possibly four years,
possibly thirteen,
or the improper bars slanted with thick white and gray urate and feces
paste uncleaned unchecked and untouched.

Or even the of the hard saved handful of cash earmarked for a
slightly less inadequate cage (but a cage nonetheless)
traded instead for a Nightmare on Elm Street box set containing
movies 1-6, plus 7, and Freddy vs Jason as well but not the remake,

but definitely of how someone, maybe me, taught you how to
whistle the Andy Griffith theme song even though I never watched
the dumb old show, and how to whistle
like a construction worker with a mild *******
after an unintended female, with the “best ***
I ever ******* saw,”

and of strict bedtimes always met with a decent blanket,
and maybe even of the bird-like night frights in which
I felt my heart leap, and I turned on music for you with the
useless old sixty pound boxy computer that happened to still have
a working copy of windows media player installed

and singing Billy Joel’s Lullaby which had nothing to do with you
or I and everything to do with divorce and dying
but which was perfect,
and put you back to sleep without a broken neck or wing,
yet.

Does it matter if he’s a bird or man?
I tell you that he’s both.
He ate and shat and ****** and loved
and sang and slept and had grumpy days
and happy days
and ****** people off and was too loud
and was startled by screams
had to face the still silent unmoving sickening pregnant heat wave of grief
had favorite foods and songs and tv shows,
lived in boxes and only wanted out.  

Greedy how he chirped so high on top of his lover
doing the tail spinny grindey dance against her pulsating *******
center, and squirting
secretly much like the **** before him, whatever
and whoever he was, his eyes
wide and mouth open slightly.  

And then her fat cinnamon body lay so many
thick shelled deadly pearls,
which were empty but never cold.
They loved their empty stale stagnant infertile eggs, by God,
these two perfect doomed parents given
not nearly enough to survive the
war of childbirth and rearing,
which they only tried out but were not privileged to suffer.  

I would’ve named his sons Columbo after some name
I read in a book or maybe an online forum, that is
supposedly Italiano and supposedly means “dove,”
the fat birds of varying white and gray hues with the occasional
dazzle of blue or brown or black
that embody all the soft qualities of Chase, and Suzy

and I would attempt to end the misbegotten trend
that started when I named Chase after the gorgeous golden Aussie
character from House (which someone of my age probably
shouldn’t have watched)
and add some little Renatos and Ninfas and little
Agapetos or maybe even Uccellos or Ucellas.  

But what would have been a family of tiny winged storm - skies
brought instead a slowish painful death, that could have been
oh so easily prevented and fixed with a little bit of love,
some mercy, some money, a vet, and possibly a fingertip amount of
dollar store canola cooking oil.

And Chase, what can I say of how you screamed an elegy, a dirge
more harrowing than Percy Shelley’s or Rilke’s or that poem Billy Collins
wrote about nine eleven, more true than the entire ludicrous book of Lamentations,
simply by screaming extreme, shrill and for so long, so long,
so through that the house shook with it and I cried too?

You wailed with a small dry wordless tongue
that shot into my ears and to my skull, brain, gray and white matter,
that absolutely trembled with the familiar horrific confusion
of suddenly waking to find that someone is gone and you
don’t know how but you know you’ll
never
see them again

you’d never stroke the smooth laughter of
her cheeks, you’d never press your small warm chest
against her wide brown wing again, my love,
and I
would never remember
where the hell I laid her body,
lost the grave that you needed to touch and
maybe walk on and sing to,
once more.

But this wasn’t your life.
That instead was summed up,
concentrated into the small pregnant moment when
It Happened,
the flash and squeal of your body being
broken, crushed smashed practically severed,
dazed and shaken and slowly shut down
over the span of a weekend,
again
and again as it
replayed in my mind --
again, again,
again, again.

But these are only words and you can’t
exist in them except as a small sliver,
a fragment of soul, a quick whiff of heartbeat --

but I didn’t lose your grave.
There’s a soggy ground where you were lain, and a small wooden
plaque over your bones which painted with the words:
in pace requiescat,
which I admit I only know from Amontillado,
and the day and month and the year that you died
because you, the great mystery, have no birth date.

And I would proceed to cry and hate so many people,
myself, and you, and firstly my lovely parents,
who allowed you to die and pretended to apologize,
but most of all I would hate the world,
for swallowing up and making me think
that a part of your flesh, sloshy like the soil,

was absorbed and embodied as fresh growth on your
large drooping willow tree

and that if I stroke it,
when I touch it with these fat white fingers and let
the bark pierce my skin roughly,
rub it red and ****** dry,
that I am touching you

and letting you know
I remember and that Chase -- you spilling of bird
***** and calcified ****
that somehow became a grayish soul that God hardly
gave enough moons --

I’m sorry
I hit you with a door
trying to close it,

but less sorry that I killed you and more sorry
that it was because, out of grandmotherly fear,
I never let you learn how to fly,

I clipped your wings and you, and we were so clumsy

that you ambled head first into its already severing crack

I hope wherever the hell you might be --
birdy paradise, Dante’s hell where lovers fly and that is torment --
that you have wings,
and they aren’t clipped,
and someone cleans up your ****.
Sometimes a bird is just a bird.

Am I pathetic for being so consumed by grief over a literal cockatiel? It's not even a metaphor, guys.
Rajat Ubhaykar Jul 2014
A cursed affliction of the heart

A human condition that drives us hither

And thither chasing a ghostly calling

On a restless search for mirages



We are all actors

Playing our role

Said a great sonnet writer

We use to quote platitudes



But what of those who wander

A crossroad of diverging futures

Where one role does not satisfy

Their boundless hopes and desires



A poet one moment

A grave digger the next

Who shovels mud in the darkness

And finds meaning in the light



A role fit for a novel maybe

Or at least a bad play

Starring unknown faces

Gesticulating to an empty theatre



Some find solace behind the pages

Of a tattered copy of  Crime and Punishment

Leading a vicarious life of alcoholics and whoremongers

And some become what they don’t read



Blessed is the mind whose devotion

Is pure, untainted by the spectre

Of what is and what could be

Charting a singleminded road that plods on



To heights heavenward

To places unexplored

In a narrow field of vision

Towards a sunlit horizon



And not be stuck in the bogs

Of indecisive action

Of halfhearted measures

In a dreary haze of possibilities



But it’s only a cosmic joke one would say

For why did the Almighty in his wisdom

Make a world so vast and beautiful

Our ambitions so conspicuously lofty

And our fleeting lives so very inadequate?
Onoma Nov 2013
...shake off...
who's Whoville's
lifelong dispatch!
without cut n' dip
deeper...O's to Joy...
possible not...

resplendence gesticulating
wildly... momently...
whilst depth lapsing...
beautifying its Void.
Tilly May 2013
Do you see him behind me?

Stood, in mists of muddy red, with arms gesticulating;

I can't...
With opened closures.
Muddy red aura - Anger (repelling)
Onoma Oct 2014
...Portend for the life of you--cast your
eyes as far from you, as what you could
not see coming otherwise.
A living through and through...of what
came first--word or sound, sound or word?
These spaces...spendthrift pages that are
but doorways to their impending figure,
wind coiling at its corners...coiling at its
corners.
As a thing grows into itself invisibly...
as so you fall the falling curtain--with no
audience at one side, nor actors upon the
other.
Irrevocably you are, that you are--sun
halved, golden bowls burning--of good and
evil--a miscellany saint's evocation...that
you are, irrevocably you are...amaranthine.
Gesticulating beyond time, times, and half
time...a procession of one whose sojourn
repeats upon itself.
A heaven ago...hell now...a hell ago--
heaven now, change knows all your names--
and because you withstood all it can ever
be, it holds them steadfastly.
Amaranthine...irrevocably you are...that
you are.
You, the faces of disambiguation--whose
seal you smile to open...with full marks
for bravery.
PK Wakefield Apr 2010
tiny darks
dartswivel over babbeling
collusions
of of of of of
gesticulating lips

make sounds

but i only see
*******
skin
legs
beautiful

between their
clothes and muscle
is where i want my
tongue
M Nov 2013
Today, I found beauty in hairy arms and a receding hairline.

My substitute for my English Literature class was a man. His name is Danny. He's short and a little fidgety, gesticulating with every word he speaks. His voice is moderately deep, strong and clear. He's attentive, though his fidgetiness makes him seem a bit scatter brained. His white t-shirt with a few buttons on the top and brown pants were rather plain. Rather, his attire was practical. Alongside his 5 o'clock shadow and glasses, he's average. He's your average middle-aged man, subbing an American Literature class.

But he isn't average. He's passionate. He knows what he's talking about. He's descriptive, knowledgeable, well-rounded. He's excited to examine and read and understand literature. He's genuinely excited to unearth the underlying meanings of our most recent readings. You can tell in his spazzy hand movements when he gets excited, or when he pushes his hair back and readjusts his glasses when he's in the middle of a thought. You can see it in his thoroughness of his explanations.  He's engaging- he talks to and with us, not at us. He loves his job, he loves his work, and it's very apparent.

So Danny is beautiful. I think he is beautiful because of his passion. It caught my attention and it has me hooked. For this first time this semester, I want to go to this class because I know he'll be there, eager to explain the reading and ask us what we think about it too.

People, I beg of you to be like Danny- find what you love, immerse yourself into it. Your passion for your work will flow out of you and captivate you to your core. When you're that invested, it becomes infectious. Others will be captivated and immersed as well, even if it is more so in you than it is in your passion. Passionate people are alluring and captivating. I think that's beautiful, more so than other things a person could be. It's beautiful to be so passionate about something that you exude and live it, almost as if your passion were the air you breathe.
dania Dec 2013
Your shoulders, sturdy,
hold me, heavy,
I am groggy but awake.

Push at a rock and hope it will move.
You reap what you sow but I did not
plan for your barren lands,
I hadn't thought of the desert,
I have not been able to dream, I have yet to fall asleep.
Watch me fall into the abyss of my own unconscious,  salvaging dollops of conversations we have not had.

Look at you ramble... uneasy, too afraid to let
a comfortable silence sit between us, too insecure
to share anything but emptiness disguised as words.

I did not believe in the power of company,
and their influence.

Now all I can do is stare inertly at the fallow lands of my nightmares
Only to awake, heaving, still heavy, gesticulating wildly,
reaching for familiarity.

I hate this obstinate reality.

We are friends by habit not love.
Mateuš Conrad Jun 2016
my my, ain't it June?! Juno, why have you given these poor people snowballs?! it's June and my central heating is on, it's close to 10 degrees Celsius, Bavaria is flooded, people embraced Einstein's relativity of the collapse of the = sign using a parabola, forgetting the basic Newtonian: cause & effect - the moment i coupled Socratic abhorrence of moral relativism, i took to dislike relativism kindred of: claustrophobia and agoraphobia... at some point Einstein's relativity equates space as time, rather than what Newton would suggest trans linear: algebraic squared, Newton still resides in cause & effect, space = ~space, given: 1 = millimetre, kilometre, and any other division... likewise with time... 20th century fashion being the perfect crop of quantum plagiarism, although in the 21st century the dance loop jumping between decades, back in the 20th century a linear expression, an evolution; quantum physics doesn't deal with linear excavations necessarily repeated, it's just repeats what is unnecessary. global warming and the mini ice age, June's here, Einstein too, Newton too, relatively speaking we're aether imprints... speaking via causality we're leaving a carbon footprint - well, **** me, two plus two... it's still scientific negativism, dietary requirements of modern man overshadowed all the scientific progresses in the field... never mind the cure for cancer! never mind that! as long as we can dress a diabetic in Lycra for bariatric surgery - never had i had i heard of such gastronomy, should it have been a pork chop smoked using zyklon B.*

we are living in the age of scientific negativism,
atheism a third limb
and our existential concerns reduced to
hamsters, calories and treadmills:
the basis of all modern inquisitiveness /
Aristotelian awe reduced to rubrics of dieticians
rather than theologians: at least with the latter
we could see the simple mind, hunched
in prayer... with the former we are experiencing
robots repeating the daily 2000 Kcal intake requirement
for a flat stomach... honestly, i prefer the praying
type, than the type regurgitating facts concerning
their diet - at least the former state of affairs
kept them shut up and mumbling, gesticulating
a type of shadow boxing while befriending
Jacob wrestling with an angel - at least that!
Mateuš Conrad May 2016
the west rid itself from the plague of doubt that cradled the concept of theology subscript submergence in philosophy or philology, it now expects to be cool with outright denial, but as Sartre pointed out: denial is representative of bad faith... hence in doubt i sit firm as if in a roller coaster and experience good faith... doubt so never appealing even with Pascal's wager, Pascal would have no wager as he had with doubt should such strict obedience of the 20th century teaching of denial had been his contemporary - both sides would hardly embark on the metaphor of a gamble.

after finishing the book reviews
from the saturday magazine
(typical, no review of poetry books,
all you get is a review of a poem - not a book -
in the sunday's news review section...
was Shakespeare born in England?
are you sure?! i'm starting to believe
he was born in Prague.)
i ended up reading the first few lines of
the weekend magazine,
about 50 year old women getting their libido
back prior to menopause
and 60 year old stallions...
i read the male perspective and threw the ****
newspaper into the gutter of my imagination,
then i started gesticulating at my bookshelf,
oi! Ezra! come 'ere! i've three cantos to finish
you off! come 'ere! i rather read you than this
filth... and the goats go, and the sheep
b'ah b'ah (there's no point writing an
onomatopoeia for a reference of goats)
in this Orwellian farm that once belonged to
McDonald Trump; where western society is
i don't know, 60 year old capitalist journalists
and diarists blame lack of ****** enthusiasm
of the young reciprocating pleasures on an
over exposure to ****... I BLAME THESE
DINOSAURS AND OUR PLIGHT ON CENSORING
A ******* LETTER! PAPA DON'T MIND
GIMP MASKS AND WHIPS... PAPA MINDS IT
IN F
CK OFF! i guess i better start learning
sign-language... actually i have one sequence
in sign language: why don't you *******,
bear with me, it goes like this:
a. index + ******* of the right hand slapped
   on the palm of the left hand (why)...
b. index + ******* of the right hand slapped
    on the palm of the left hand reversely / inside out (don't)
c. index + ******* in a V shape longed into
    the side of the left hand (you)
d. right arm made into a fist smashed against the palm
     of the left hand (****)
e. right hand with thumb ***** attempting to cure
    the ailment of spilled salt in an off direction
    from d., i.e. the fist slapping the palm (off).
Mateuš Conrad Feb 2019
with the most askance inspection
of the most
atomißed of man...

because what does... "fame" look
like in a small town?
i go the shop, the cashier "knows"
me... or at least i have
in possession...
a recognißable face
that can have immediate
impact,
   for whatever the worth
of recognition is worth,
                                   these days...

the nooks & crannies
of cliché tactics...
                  two girls lost in the night,
a stumbling wanderer
picking one of them up
after heaving himself
over
a public park fence...
exposed *****...
14...
         a black cat being cuddled
15 minutes later...
psychotic behavior...
finding the other girl
lying dead-pan face flat
at a bus-stop...
              a phonecall
to one of the girl's father
driving a black cab...
the guys getting home safely,
an IM from one of
the girl's mother: thank you...
the end...

was it necessary of me
write this?
                 don't know...
anything is worth bashing
a blank stare of a page,
intimidating me
to give me prompt...

i can cleave a slice off the meaty
dictum when it comes
to a small town dynamic
compared to biggie big-town
bad boy city...

fame...
          funny...
            i like claustrophobic
"fame"... imbued to a small town
interaction...
   oh sure... there is anonymity
involved...
  but the stage? recurrent...
the audience? non-existent.
the actors?
           blatantly bland
and repeateded beyond
the concerns of: the obvious...
  a granny doing shopping...
goes to the local store...
shops, talks to the cashiers...
returns to her home...
pretends to sleep,
switching on the television,
like...
  counting t.v. personnas...
shadow or shadows...
never mind the fact that she's
wide-awake...
         and there's "fame"...
the **** does fame juice-up-to-forget
about dynamic worth of:
the furthered conversation?
   small town...
yeah... you're famous...
when the supermarket cashiers
"know" your face...
or at least "being" recognißed...
   to have to starve for being
recognißed within the confines
of an anonymous crowd...
              like: being eaten alive
by zombies wishing for hyenas...
sordid crap...
  nothing Dickensian about it...
routine...
                            crisp cut off from
a missing paragraph...
that never was, that never will
be...
                    
modern, fame,
and that hybrid of the c.c.t.v.
mentality...
precursor, status worth,
the pre-aligned
sending of a postcard...
or a letter...
                 like...
'i almost tried to forget minding
my own double' (shadow)...
not that i would ever...
such the nature
of the big big, world...
and such the fate
of the little little, moi...

        big POP and
the little rock...
          one thing to **** against
the wind, one thing alotegether
to **** into a hurricane...
                 glaring
scoops of disgruntled shattering
to attempt to mend...

         fame...
                        famine in the mouths
of others...
   enoughs pigeons reading
to settle on a scoop of dead-beat
and we, have ourselves,
a democratic event!

           just when... god was never
an imaginary "friend",
or some leftover trait
of infantile leftovers...
         before that?
that parasite, is dislodged from
my mind,
excluded from giving me
some, if any, ontological focus...
i want St. Peter's to be toppled
to rubble...
      until then?
  then... who the **** is infantile
and who has me thinking
of a caged canary, to genesis with?!

big city: seeking fame...
little city: fame as the artefact
of familiarity...
some would call: metaphor:
claustrophobia...

            fame is not something
you will find,
beside... the clarity of
what big city provisions
you with...
an anonymous crowd...
no... little town?
fame?
        more like infamy...
oh for sure...
no kafkaesque novel
accomplice to support you...
either.

      nightmare:
anything, anywhere...
as long as it is bland...
    akin to... a supposedly
forgot, addition of,
necessary seasoning,
toying with the basics...
just... as simple as...
salt, pepper, bay leaf...
a whole all spice bud...

should i be seeking fame...
shoot me...
         any if all of...
only the past two years
has the journalist become
the status symbol of
a politician...
       equally not worth
being allowed a democratic
outlet
to begin with...

the day when
the word journalist = politician...
some people might
even suspect me of
amnesia...
  i wish it was amnesia...

             priest? long gone...
but of course
there's the propping
of the theatre...
           to ensure no truth
is left to be investigated...
as long as the murals
      the click-bait...
the mosaic sticks?
  
         as long as
a social contract...
a cordiality is solidified?
                   well!
what is there to complain about?
apart from a few
charlatans?!
   little town
come big city dynamic...
   2 centuries apart,
living, qua: in the same one...
paradox...
          
ever fold and unfold
an umbrella
quickly enough
to imitate the sound
of a crow
fluttering
its wings?
   you know: brrrr...
attempting to shake
off excess water from
the flight tools?
      
i couldn't handle being
boxed into a stereotype...
as i am...
still flirting with
         baron: anonymous;
once born
to be settled into
a grave...
             having to watch
some people agitate
the dead
        with their mea culpas
of... by the grave
a hubris...

           a recant...
the lighted candle...
the memory preserved...

or?
     hell... with the ******
on the conveyor belt...
NEXT!

       in these times...
even ghosts forgot to haunt...
all the schizophrenics are
like: no...
         beyond this world
beings talking to me?
so much... self-assurance...
everyone is taken
to silently gloat
about their telepathic
abilities?

      as old as the Cartesian
trinity... what? telepathy...
res extensa...
     extended thing...
   that's called telepathy...

me?
    i'm still trying to find the sort
of language that would
preserve me,
in continuing to burrow
something, resembling...
part-cipher
   and part-decipher (non-verb)...
all in all...
gesticulating between
overt metaphor,
and conscious of & when
a misnomer was
applied to bypass into
a waterfall, -esque,
                 fluidity of expression.

- this **** is not billboard
material...
what does it matter...
should it matter...
or will it ever matter...
          the grand choir composition:
NEIN...
                  its prime identity
of purpose...
    to never make it as text
worthy of a script
accompanied by canned laughter.
Andrea E Baide Feb 2013
What if my whole life,
The pain remained?
That same pain -
That same fear -
The boy's frightened look of agony.

We shall all of us die.
The world is too much;
We will be nothing.
Maybe I - conscious
of some other being,

May teach you more of man
Oratorically and gesticulating,
He lives then! Happiness courts the light!
Do you still prefer IT? Poor fellow, strange creature.
And now it seems to me - in silence...

What is grass?
Perpetual payment of perpetual loan?
Oh! Zero to the bone!
Space and Time; I see it's truth.
I am large. I exist as I am -- no more have I.
My "Found" Poem.
Mateuš Conrad Jan 2017
the **** came out from Egypt,
like a pyramid...
i'm, literally, not here...
i'm, not here...
            and that's a the end
with many more post-scriptums
coming from the kid of god...
kid, yes, baby goat antonym,
and no point using fingers
in the most weird arithmetic
counting to: that! it..
           or, i! the: obscure ref.
   to what's airy and prone to disperse:
                     a, and subsequently
without, i.e. a-,
           i don't under the point
europeans with european women pampering
to rich arabs, and why egyptians are
involved... there's enough hate
to sell another Holocaust,
    wasn't the last Holocaust so denied
as to not sell it?
  it's selling, right? what with Rachel Weisz...
the holocaust is selling hot, so what's
the argument? the Poles didn't even get to sell
the holocaust, they were partly to blame for it...
   so what's the problem with holocaust denial
if holocaust clap-clap is about endorsing it?!
   oh look here! the title got you,
what's missing? the articles, benefits of a, god...
lamb of god sounds like the right tame,
the worthy cliche...
                         there's always a devil, and the devil...
ha ha... but there's never a god, and the god
is monotheism... lamb of god, kid of devil...
baby goat... d'uh!
                                   teeth!
gnats and the crocodile bite-snap!
                                  well, trans-gender euphoria...
woo! hoo! youth day with the pope gesticulating
******* into it for a ****** cream advert!
woo! hoo! chug! chug! chug!
      wonders... and god does indeed work
in mystifyng ways... last time i checked, he
didn't include the encyclopedia in his genesis...
beginning with day 1...
                  but i'd expect Peckham to be on the list
in terms of gaff...
       shame it's never article bound with god,
but always article bound to say: devil...
it's not you even say a ****** of being godlike
by saying ***...
                    as you apply to devil,
and say: the devil... i really do believe in holy
matrimony... whether sealions have harems
or whether swans prescribe monogamy and the lonely,
wandering, widower...
            sounds about cello or male ******* slapped against
a tennis-racket crap to me...
don't know, were you expecting a narrative
of ping-pong?
                   well, the i is in the huh; that should be clue
enough for you.
        lamb of god is never as restrictive as kid of devil...
somehow g fakes being a consonant unlike the d...
               why does kid of devil ask for the or a preposition?
i'm almost crying... why does it need atheism in between?
                      can't you think of anything more demeaning
than being crucified?! how about being impaled on a pike?!
how about the blood eagel for those who transgressed
      the nordic social code... how about the iron maiden?!
you have to be ******* kidding me to epitomise being
crucified... they didn't crucify the son of god,
no more than they crucified an innocent man...
                    the ******* must have done something
to compenstate being a Jewish woman back then...
i'd establish being impaled on a pike to be more painful
than being crucified...
  and so we behold the least original form of execution
as our heart-rendering feeling toward keeping
a stranglehold of the throng...
        we had much more ingenuity come our way
in terms of how a human body would be mutilated
if allowed capital...
it's such a shame that i am left with this dust...
         but it's still a case of: lamb of god...
       and not kid of devil... atheism always pokes its
ugly head through... no one says: kid of devil...
there's nothing definite or indefinite about it...
           yes, kid, baby goat...
            no one bothers that with kneeling and
repentance...  you clean the language up,
   as it looks, the unearthing of the nag hammadi gospels
mostly read by western psychiatrists is no help to me...
    the transgender movement is a lazy way to say:
i really didn't read a lot of poetry...
because these people didn't!
the land of the pronoun is a wild west of what's
typically english, asexual noun appropriation,
   and general liking toward custard ****:
my my, it really does splash a bit about the place.
                              they decided it was easier to
do the genital chop... than read a poem...
                     i'm stating from year 0...
because there's really no point in asking this
Jew raised in Egypt to take us anywhere else, other than
here... if you can make as much money from
other people's ultimate miseries, as the money
made from the holocaust... good luck to you,
i somehow never see money as translatable goods...
too much a priori static... it's like you're not
expected to, but do so nonetheless...
  a right old need in asking for a bollocking...
          and here is nowhere... and i mean:
    i have no geneticists' bias to preserve the human race,
or that argument that really, really belongs in a museum...
  atheism is so lacking motivational convo,
  i'm almost starting to believe it... ****! i have started to
believe it! look at me! dodo haven bound!
           i'm about to get flustered and ask for
a balding swan to fuss about its feathers when
i ask: which way to the toilet, devoid
of toiletries? it's ok... really.. i have a sun tan;
what? isn't that enough?
       will schindler's list teach me anything,
will it teach me to hold your hand more gently than
my own?
    i have no respect for people making money
in making others respect it...
at least the old tesatment people put on a ******* kippah...
you just keep up with your religious
hollywood ******* of many ****** movies
and i'll make enough of them foundation
for the next pyramid! Belial unto Balaam sooth!
i have enough gravity to drag me beneath the seas,
  and make sure that the earth eats me whole,
enough crematoriums to remind fire it's chore...
   and enough air, worthy a ****,
  and a comic gag to choke on turning words
into fishbone, of that pinewood needle refined kind:
neunzig-acht rot bollons... needle... pop...
     ja, minus ein; papa apache made me do it!
gott... mein goot ęglish achtung!
                 we really did stand & deliver as
                       adam & the ants told us to do...
we obviously didn't spawn any babies...
to keep our body motivated toward a beyond a grave...
no matter... T2 came out... and
no sight of Arnie Schwarzenegger.
Sully Aug 2015
Picture yourself  taking the first of many punches
Picture yourself blowing out a few birthday candles
Picture yourself watching a doorknob turn with wide-open eyes
Picture yourself clutching a pillow and weeping
Picture yourself watching a ewe with a broken leg being shot
Picture yourself being guided by old hands who've seen war.
Picture yourself perforating a decaf coffee can
Picture yourself in doubt and guilt
Picture yourself damning a missed chance
Picture yourself gesticulating wildly and arguing about a parking ticket
Picture yourself telling a friend that you love them, and not feeling weird about it.
Picture yourself sipping the greatest cup of coffee you'll ever have
Picture yourself hand-feeding a small animal
Picture yourself shakily trying to appear like you know what you're doing
Picture yourself naked under a full moon
Picture yourself lost in a new city and loving ever minute
Picture yourself walking into a room and hearing everyone drop dead silent
Picture yourself roasting a marshmallow
Picture yourself looking down at a horrible injury that doesn't hurt yet
Picture yourself carrying a heavy load up a staircase
Picture yourself in an empty echoing room
Picture yourself making ceviche
Picture yourself illuminated by the blue lights of a police cruiser
Picture yourself staying cool and detached in front of someone you want to rip the clothes off of and make love to, right that second.
Picture yourself startled by a loud noise
Picture yourself cleaning something inordinately
Picture yourself in a boat on a river....
Picture yourself finding something funny, then feeling bad about it
Picture yourself remaining calm when a step-parent judges your choices
Picture yourself with the trappings of a more successful person
Picture yourself, standing in your best clothes, two hours after graduating college, drinking cheap malt liquor, on the balcony of a cheap apartment, beside the best friend you'll ever know.
Mateuš Conrad Jun 2016
woman's tennis is always more entertaining than the men's one-on-one, there are more rallies, more play in general, it's not one of those premature ******* stereotypes of a serve >110mph, or three-touch tennis... plus you can just imagine a clean-version of some shady *****, but with maria sharapova suspended... it's gone a bit quiet.

a beautiful day at Wimbledon, a ****** day up in the north east -
calm the nerves, calm the nerves,
go for a walk to buy whiskey and don't
look at the finálé of the Portugal v. Poland
game (yes, that's how i painted the
syllables in, like i manged to get a *sh
sound
in Greek, linguistic surgery, i.e.
σ-                       -χ-                  -ι-                   -τ
sigma                chi                  iota                ­tau
s-                        -h-                -i-                ­   -t         used
-igma                 c-i                   -ota                -au     not used)
i would say cheese grater either - you cut the buggers
up, it's a real mean anatomic revelry to mind what
to use, what to snip off, some might say a fashion
statement - or one of those fairy-tale moments
in variations of Cinderella - in the more gruesome variations
the two horrid sisters have their heels cut off,
or their big toes, they put the glass slipper on
and blood starts oozing out - i'm sure i've seen that
variation on the tale; beside the point,
the neighbours were supposed to get a new fence,
the fence installers called yesterday asking for my neighbour's
phone number, apparently they didn't have it,
phoned today, neighbour comes back with her worries,
a scheming ***** by the looks of it,
doesn't want a new fence, a woman, play three men against
each other - a Jewess recently converted to Islam
(never mind that, i like colour, i hate bleaching
people or stripping them bare to a "respectable"
ennui of defining them by pronouns alone,
if someone identifies themselves as... whatever...
i identify them also... there isn't going to be a a blank
canvas of respectable leftist or whatever language here
just like you wouldn't heave the earth by simply
stating it's an orb, would you now?) -
it's her fence and yet i'm talking and later my father
to the person about to put it up - in England
it's like in Hong Kong - you honk honk clockwise,
not anti-clockwise, the fence to my left is mine,
the fence to my right... ain't...
it ends up being a furore - i'm angry, my father's angry,
Poland just lost - but when i'm angry and don't
write my rage into poetry i enter into an autistic simulation,
i don't make eye-contact, i'm not angry with the
person i'm gesticulating to, an autistic virtuoso of
sharp tongue averted eyes - pretty much a Steptoe and Son
scenario - it ends up being a case of finding one email
(that doesn't exist) among 220 containing a supposed
phone-number... god... why did you endow me with
enough patience to enter relationships with women?
never mind, forget i even i asked that -
the ******* is your answer, i admire that conviction,
why would you ******* if you didn't have one?
being circumcised you definitely need a *******,
being circumcised and still ******* is pointless,
waste of the revision, Judaism, Christianity and Islam
thrown in together - that was the warning
to Abraham about to circumcise (rather than
sacrifice, Victorian polite society is done, gone) Isaac,
don't do it... now you need a constant sparring partner,
oh yeah, and here are some rules: 613 minor commands
in Judaism, 5 times a day prayers in Islam,
and this ****** comedy version of atheism in Christianity:
i'm sure atheists don't congregate -
i guess you need a plan-β - given the fact that the mere
idea of god is ****** into us, you still end arguing
and either / or off Kierkegaard -
for some it's a necessity to pursue ritual -
for other's it's a necessary means of writing books
and earning a backpack's worth of wages... win win
whichever side you choose.
Mateuš Conrad Apr 2016
such that you are, a bane of hurt
that to him a rib, a bane of craft rebellious
that i too rebellious
against my creator -
i did indeed take a book
into the forest
like i'd take a slice of glass
into a desert,
and herded horses, eating camomile
flowers, gesticulating,
pouring beer into my hand and
letting them drink it,
watching the ******* sunset
of london like watching a Chav buying
underwear in Primark + Armani = Primani...
the pair of them walked home...
i ripped off flowers from the spring bloom crop
to ease the footing... something resembling
Lavender and indeed camellia: a wedding, no pause -
for their feet treading - the most colourful
garbage littered and not bothered -
just left intact, like the many shades of autumnal auburn
littering the streets come November.
PK Wakefield Mar 2011
a stopping sort of started ending newing knewing sort of ended stopped and beganed sort of yesing sort of wooing newing
      sortofandalso
                                  alsok
    ­    i
         nd of stopped starting begunning
like well gee the summer was a nasal laughing roughness kind of sort of.
            i'd like to kind of
  or else to maybe
                                              with autumn who was distinctly haired
        in rich arresting dead
               that kind of starting stopping started
                                                                ­                    or well i'd like to think
     it,swellwhynotanywaybecause noone never didn't atall even in the big gabled church of dawn that strung the sky with gelatinous heaving fibers
all rabidly gesticulating puffy sansfinger hands grimaced on the slender naked
blue and black and bursting sort of kind of because sinewed fluffy hammers on because wrists because
                                               when you get all ***** in the mucky sterile daughters little pink little rose bud climbing open little rose bud up open big blooming like pink little sort of big sort of small sort of rose bud
        you kind ofwell you clean kind of your you you clean kind of clean it straight razor cleaning your you
          you cleaned with her big sharp little ******* all sharp and little and big under her shirts under her skirts kind of sort of because
                            that,s
                            w­her
                             e
                            she keeps it she
                            keepsitin there



                                                             ­                                                          summer:
she was unfreezing fresh squeezed lemon wedges sugar hilltops sweaty laughing nightmares in the big in the pale in the cordial surly pillow thick skinny heaps of gobbled luscious hot raining balmy slow quaking deaths every day i stood on that hill and i looked out over the city and she was really well gee sort of because.... . . . .               .                ,       ;       '                "
Zach Sanchez Jul 2013
Hiding the starving poems of my psyche
stuffing them down fragile green necked
aluminum mouths foaming up over
jaded cries for intelligence lingering
and are loathed
personally.

Tasted fire, blue Kool-Aid, tryptamine
in my drink finding a seat while on the bumper
someone hung from a smoking cigarette
gesticulating  in a foreign rhythm
lips sync
out of.

Highway headlight twinkling with
gasoline drive-shaft incandescence
going buzzed backwards sitting
on a bed of thorns; a truck
dreading the pitiful holes
of an untended freeway.

Afterwards
victories to despair
bound to tender purging
supposing red cups
will release us all to
blacked-out porcelain heavens.
Drugs, *****, drunk, puke, party, blurred
Mateuš Conrad Sep 2018
. KONSTANTIN KOROVIN

HAMMERFEST
POLAR LIGHTS
1894–1895

i'd **** for this painting...

william turner?
the Westminster Bridge?
what a callous
plagiarism...

     notably the lacking green,
and the colors of midnight...
  boorish...
like all of English philosophy...
perhaps the poetics...
but when
it comes to philosophy or painting?

the english exaggerate
their... expertise of the sciences...
you certainly can't own
philosophy or painting...
  not, a chance...
in the living hell...
you think you are ruling,
Lucifer of...

          *******...
i'm being polite...
not a chance in hell...
      no...
   the English countryside was and will
always remain too pristine...
mind you...
  i'm a beggar...
a fox passed me shy of a meter,
and i didn't paint it...

       i wrote a poem,
but prior to: ******* charged at it,
to divorce it from
piercing a
        gesticulating at my cat...
with my neighbor's dog...
so much for the painting,
enough:
to allocate the life lived...
a heartbeat...
that...
thank god...
     misses the enclosure of
some variant of
hieroglyphics.
Emilia Leonetti Sep 2014
The lecturer stands, waving her hands
Wildly gesticulating
Squawking and screeching and and humming and preaching
Whilst our minds fix on matriculating

"Please, please I beg of you
Responsible for shaping heads
Tell your children this is true -
Use any verb other than 'said'!"

She demonstrates the dialogue tags
That we sages can impart
"Replied", "enquired", "sighed", "ragged"
"Norted", "blorted", "ogled", "blarted" -

But if a child uses all these
What kind of field will they have built?
Cohesive, engaging, with wonderful staging
Or splotted and sploged like a patchwork quilt?

For you see -

All the words inside your head
The ones who unwittingly cover for "said"
Are the drink-addled maidens you see in the street
Holding their heels and walking in bare feet

Flipping their hairs and waving their phones
Cackling and snickering in shrilliing, thrilling tones
As their best friends, the adverbs, grab them by their hair
Determined to prevent an emetic scare

To-ing and fro-ing, and never quite knowing
Where exactly it is they are going
All they know is they eschew intervention
By boldly pleading for more and more attention

But "said" is a lady of quiet grace
Wearing long tresses, muted dresses and a fair face
And sits beside each word with a natural restraint
Holding up quotations without complaint

Till it blends through the text like smooth, creamy paint
And fades till it becomes so, so faint
That it only feels natural to focus instead
On the intentions of the characters inside of your head

It's a word that fills most teachers with dread
But I earnestly plead to befriend the word "said"
For she's a hard-working lady with quiet conviction
- Does that help with your language affliction?
Nico May 2013
You
I wish I'd payed closer attention to my palms
because
that way
I could have traced the moments leading up
to when you embedded yourself into my lifeline
an errant lineament lying there
reaching towards my index finger
Wish I'd documented,
every twist of my hands,
to see where I wore them out gesticulating
telling stories about you.
Seen the moment my heart line feathered out and extended downward
like a giving tree.
Witnessed my head line curl around itself
like an overjoyed snake making a knot of itself.
I didn't pay attention,
so I don't really know
the exact moment our
heads
hearts
lives intertwined
But they say that in a dream,
you never know the beginning anyway
Mateuš Conrad Aug 2017
it usually happens like this, the moment you expand and exfoliate in vocab gymnastics worthy of poetry, and cannot fathom the mundane lumberjack constraints of writing fiction, were the use of a thesaurus is in plain sight... people start calling your sentence construct a "psychiatric" symptom of making salads... too bad these critics have such a limited vocab bank account, that they still have to use the thesaurus, in order to "spice things up"! i tried and i tried, but i can't make language rigid, systematic; i tried being the bricklayer of language with paragraph rooms: but i just end ******* it up, like a picasso.

a man might as well have said:
                      to have *shared
an experience,
is to also have paid  a remissions for qualms
of having lived a life: mostly apart -

and is that not so?
this "shared" experience,
   is nothing but a reinvention
of the dionysian cult -
and by that i mean:
nothing more than the obliterate
target practice against
any mould, or "biased" glue
to fathom beyond the thought:
something good.

fool the man and folly another,
should he come from an age
of technological "investigations"
and replica interventions -
seems only the nomad,
the less civilised is the one:
who sought wisdom, and found it...
*****-strapped in diapers
and mosquito bites...
    truth to power!
i once had e lake, now aye av a bog,
my my: a fine wide ranging
toilet crouch moment:
but my my, wh'ah a woo!
  i mean view... neever took a ****
and felt so exasperated by the canvas,
than the ease of me giving birth to
a ****-worm...
  oi! armstrong! stretch!

have you noticed why stand-up comedy
is a wholly black vs. white affair?
these days us peeps can't say
anything profound, nothing biblical,
so, we resort to not being taken seriously
and, crack a joke...
    i mean... it doesn't matter that i don't
come from a non-colonial white group,
i still can't say anything profound...
i have to crack a joke, to be taken seriously...

problem is: i might actually crack a bad joke...
i actually might not be that much funny
as a dog chasing its own tail...

a man might as well have said:
to have shared an experience,
is to also have paid
a remissions for qualms
of having lived a life: mostly apart -

and that's true, in that,
a "shared" experience is never a lived
experience...
      the ****'s up with these shamanic
holidays?
   we know we end up on cruise ships
trying to celebrate "thinking",
while at the same time succumbing
to "being" bored...
          
         the only lived we ever had was
down the pub...
    and the "shared" we attempted to
capitalise on?
    bad acid trips, bad shroom trips,
post-scriptum of a white girl
  injecting concentrated ayahuasca...
yeah, really "lived" through it together...
the sharing is not the living,
the week doesn't concentrate with
a weekend, with friday binge, saturday binge,
sunday rest...

     the left? do the capitalist infiltrators
even know what the left stands for,
the left orthodoxy? jew.
you have too much time on your hands,
scrap the 0-hour contracts, and make people
work the mandatory 6, as it was done
in post world-war II "******" states...
less time to riot and chant ******* slogans...
maybe these people can learn
the orthodox way...
        
           people with 2 days off usually waste
one of these days on utopia, and the other
on the status quo...

     **** me, that's decent, i'm going to stutter:

           people with 2 days off usually waste
one of these days on utopia, and the other
on the status quo...

oh yeah, and make army conscription mandatory,
given that universities are obsolete,
just for the boys out there, save the "boys",
bring back mandatory conscription;
it'll be like ilford county high vs.
the ilford ursulines: secular segregation,
and the mosques can just *******;

you know, i this idea of being a social engineer...
it's titillating! like saying the word scone
or crumpet to a russian girlfriend!
**** gives me the giggles!

b.t.w.: shhh, don't tell anyone...
it might be the *** talking...

no, i don't believe in ******* mud sweat
soaking condoms and cheap beer glastenbury of
shared experience...
      i don't believe in "sharing" an experience,
i don't believe in group yoga, group detox,
group schmuck worth of l.s.d. or a dope get-together
to listen to some impromptu jazz and recite
poetry like those beatnik quacks of the 60s...
if it's not a lived experience,
   like preparing dinner, and sitting by the table...
well... nothing is worth sharing... n'est-ce pas?

you either experience a lived experience,
or you experience a mockery of life -
   this... thing, called "shared" experience,
3 days at a festival, and then?
off you go vermin! back into your cages!
chop chop!
            on the ******* treadmills, pronto!
most of these people can't even imitate autism,
or the child, or concentrate within the focus
of solipsism, given the theory, some *******
even claim that it's a mental "illness":
or as i like to call it: the proper state of affairs
of being an only child.

these people do know that they're breeding really
******* patients, hiding behind the label
"mental illness", while at the same time not
calling islamic terrorists as also being mentally ill,
they know that, don't they?
   i mean, the media is breeding really angry people
with this dissociative-dissociation -
yes, i know, but this imminent tautological blunder
can't be metaphorical, akin to plain sighted
interaction of prefix-magnets...

        oh wait... associative-dissociation actually
does make more sense... d'uh: tautological prefixation
never works: the paradoxical blunder...

       oh ****, have a party,
   step it up with "tautological":
as i might also add: existentialism and the inverted
commas - the laziness regarding the aristotelian
genesis of proper nouns, and quick-hand-draw nouns;

and when you write so "confusingly" as to make
your reader distrust you, in that you have read
enough books, for them to not be able to make
identical references of a chronology of reading.

to be honest, given this western media punch-bag?
i'd rather be called a terrorist,
   than someone who's mentally ill...
  god's honest truth, since then i'd be dealing
with puritanical matters of conviction -
and as one theist said to another theist:
much easier contemplating a "non-existent"
being, than being stuck in an atheist's head
pretending to reinvent the wheel,
and the cave man, and return to mama chimp;
just saying... at least the idea of "god"
either brings the desire to procrastinate
by gesticulating the existence of: via prayer -
or being ****** by the void,
    of a non-existence of, the thing that consumes
thought - res edere cogitans;
still, much better than being cannibalised
at an atheist banquet;
i much prefer shoving my ego up his ***,
than into the mind of some atheist,
and then start nodding in approval like
some zombie carrier pigeon,
which scratches its delivery confirmation
with a hook of gangrene.

— The End —