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The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.

Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,

Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.

Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.

Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,

For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.

Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves

But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,

She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.

Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;

He saw the storm smoke out to ****
With fuming bows and ram of ice,
Fire on starlight, rake Jesu's stream;
And nothing shone on the water's face

But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.

Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons

And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball

Till every beast blared down in a swerve
Till every turtle crushed from his shell
Till every bone in the rushing grave
Rose and crowed and fell!

Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,

The whirled boat in the burn of his blood
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves

Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,

Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin's day,
My mast is a bell-spire,

Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.

From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute's bride drifts on
Old in her cruel bed.

Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death

Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl

Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed

And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,

The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked

Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream
And no-one stirs at Sheba's side

But the hungry kings of the tides;
Sin who had a woman's shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.

Lucifer that bird's dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,

Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.

Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.

Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.

The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!

See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.

Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!

Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil

One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,

Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:

Time is bearing another son.
**** Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.

He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains

Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.

The rod bends low, divining land,
And through the sundered water crawls
A garden holding to her hand
With birds and animals

With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its ****** laps

And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;

Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;

Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,

With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,

Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and ***** To-morrow and London
The country tide is cobbled with towns

And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his **** was a hunting flame

Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
The furious ox-killing house of love.

Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,

There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,

Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.

Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.
Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "
Zigzag Universe
Tom McCubbin Apr 2015
In my little-boy town up north
rivers were not yet plugged.
Poled men came down and watched
for silvered flashes.

Pink would be inside and make
a mouth want to melt it down.
The river power we would sing
Guthrie-style in grade school,

how rolling power and darkness
were misaligned, how wild
river and light was such empty logic,
and little boys learn to forget.

In school, where poor men send
the next young nation, a new
nation conceived in hydrodamnation
and simple salmon ******.

Little boy rain from Rockies
going near my door, and whipped
whirlpools spinning funnels of
quick deadening swim traps,

so stay so far from bad river,
doing nothing more than
running off to sea. Stay near shore
and enjoy the new electricity.
Titanic-Lover Aug 2013
If you didn't know my story,but saw me in a book,
You'd read my name and wonder,then take a second look.
A shadow of my former beauty,I've been ruined by many years,
The things that have happened to me always bring on many tears.
I do not hide my sadness,for it is fresh and always there,
As I wait here so very lonely in my sunless Atlantic lair.
My poor,proud body is rotting away,there is nothing I can do,
Except hope maybe one day,equality will be given me too.
I recall a sadness filled day within my lonely dark,
When a plastic cup came floating down,and on my tomb left a mark.
That was one of many times I would give up and cry,
For human cruelness hurt me so,I got this rather than 'good-bye'.
I do not hardly recognize myself anymore,I say it not to be vain,
I say it with truth and exactness,to my heart welled up with pain.
Some people truly love me,for them I'm truly greatful,
Others regard me as a rusty ship with eyes that bespeak hateful.
I cannot help what happened to me,they just don't understand,
I once had a heart adventurous that would lead a career grand.
My hopeful life was ended in the year of 1912,
And my dreams,visions and pride-filled youth to the bottom delved.
I was told that youth and beauty would get me far in life,
And with these assets I proudly boasted,I knew nonesuch called 'strife'.
Throughout the tumble and crash of waves rode my lean body's length,
I reveled many times over in my satisfying,thrilling strength!
****
On the evening tide of the 14th,I saw the iceberg  true,
A handsome,glittering,ethreal prince,what was a lonely girl to do?
I rushed as fast as could be allowed to greet this glacier born one,
Eager to introduce myself and rid forlornness akin to a ton.
But when I came up closer,my heart he did stab,
With that glittering,icy spellbinding look,'twas my start of being sad.
He tore into my body,bringing unsurmountable pain,
What was the purpose of such cruelty,what could he possibly gain?
And on the night my life ended,I travelled my beloved sea no longer,
Death so young,in such a way,could life be any wronger?
I hoped so much I would not perish in a life that did just start,
Yet hopes were banished by the truths of a rapidly weakening heart.
I tried to wait as long as I could to save my passengers dear,
But the ending for so many of us was soon becoming near.
I didn't want to say farewell to the things I did love so,
And yet time was running short,and I wanted them to know:

Olympic,my lovely sister,I hope your life is a promise true,
Of many voyeurs across oceans wide,a charmer you are too.
Treasure the sun's bounty that warms the evening's chill,
And know throughout your entire life,my love is with you still.
Enjoy the satisfaction of your beauty and strength even when in dock you sit,
For a day may come anytime,and a single moment end it.
Show the Captain you are bold-bold,lovely and free,
But do not toss caution in the spray thrown off the sea.
I trust you not to be lonely in travels near and far,
For my ghost is always with you,just look up at a star.
When days come to you and a disconsolate thought you may think,
Remember the unconditioning love of a sister who'd "Never Sink".
Remember my love at morning,remember it at night,
Remember it these coming days I will no longer be in your sight.
I love you,Fair Olympic,in wordless,heartfelt ways,
Your memory I shall treasure in my saddened,sunless days.

I rest on a sandy sea bottom,amongst accoutrements of life,
From an unforgettable day when I learned the meaning of strife.
The earth has covered the stab the iceberg in my side did maim,
But despite that all,the hurt in my heart did stain.
I relive in over and over,wishing it were just a dream,
Yet awaken to the truths to know,my broken funnels have no more steam.
The way I landed in this grave,I look like I shall sail ahead,
But,that is all a fantasy,my once-strong body is dead.
It will not go anywhere,today or ever again,
I am helpless to the trash that falls upon me from heartless men.
The ship that sail above me hold people bright and gay,
Who do not know the sorrows that were on a 15th of April day.
They sail on to their destination,thinking nothing of me,
Who haunts the very waves they ride on my beloved Atlantic sea.
They dream of their days ahead,cheerful and free of plight,
Disregarding any notion of a nightmarish Hadean night.
They dance,they revel and throw trash over the side,
Where it floats down eventually onto the Ocean's Queen who has died.
They do not know of an iceberg with a sinister,laughing gaze,
And who pleasured in so knowing he ended my happy days.
They do not know of terror,of the ocean flooding ones' heart,
They do not know suffering for a ship breaking apart.
They do not know the agony of bading goodbye,
To the sunshine and a beloved sister who would never,ever lie.
They stand aboard a breezy bow,above the white waves foam,
Knowing soon,within a few days,they will be going home.
They seem to forget I belonged somewhere once too,
My home wasn't supposed to be an ocean floor,far from the sky's blue.
They do not know I've loved,they do not know I've cared,
They do not know the pain in my heart,that in scrapping,my sister wasn't spared.
They are the people who have this phrase float off their lips:
"Olympic and Titanic ,they are little more than ships!"
You humans claim you hold a bond to those you love so dear,
How different is it for me,I ask,with my sister built so near?
There is so much out there for those to remember me,
But my poor,sweet sister is forgotten,plunged into ocean history.
When you recall me,try to think of her too,
Bring her alive within your heart,I leave it up to you.
Years have passed,times have changed,though down here it's the same,
I am still the great Titanic,though my bow no longer says my name.
Some people who have discovered me have been respecting and kind,
I shall never give up my secrets,but their visits I don't mind.
Then,there are others,who ravage me to know,
They steal my finery,what is rightly mine;how can they hurt me so?
Although I do not mind some visits,I am now accustomed to the dark,
For the lights they shine upon me are so horribly bold and stark.
I am now part of this sea for one-hundred and one years strong,
All stemming from an April night when the most horrible went wrong.
The rust that drapes off me,some people say are like tears,
And,partially they are,my dearest friend,of the sorrows of many years.
The ocean floor is somber,the ocean floor is cold,
All the more unpleasant for a girl who's growing old.
My song it is of truth,to show that life is not a game,
But,treasure it every minute you can,all the very same.
It may be pleasant,it may be sorrow,
But,hold close the day you live in,think not heavily of a 'morrow.
I thought I'd have a tomorrow too,as I sit here in my grave,
I had a tomorrow,yes indeed,but not in a life-filled way.
I rest under these bitter waves,a melancholy heart is mine,
A shadow of my former beauty,a ghost of the White Star Line.
In the Aprils of today,on the dancing surf above,
My soul rises up to haunt the sea I love.
My soul is not marred by tears,fright and rust,
Whole and in perfection,before my death it's just.
At the latitude and longitude of that long ago day,
I have stopped many a vessel,so,remember me that may.
The scrapping of my sister,the sinking of me,
Life ended none too kind for both Queens of the Sea.
Remember us,gay vacationers,as you gaze up at a cloud,
For Titanic and Olympic,death 'twas not proud.....

I rest under these bitter waves,
A melancholy heart is mine,
We are remnants of our former beauty,
We are the ghosts of the
WHITE STAR LINE...
This poem is dedicated to my beloved Royal Mail Steamship 'Titanic',and her more forgotten,yet beautiful sister,Olympic. Never shall the sea be host to two finer ocean liners.
Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, though on the right mainly,
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving. Blackberries
Big as the ball of my thumb, and dumb as eyes
Ebon in the hedges, fat
With blue-red juices. These they squander on my fingers.
I had not asked for such a blood sisterhood; they must love me.
They accommodate themselves to my milkbottle, flattening their sides.

Overhead go the choughs in black, cacophonous flocks --
Bits of burnt paper wheeling in a blown sky.
Theirs is the only voice, protesting, protesting.
I do not think the sea will appear at all.
The high, green meadows are glowing, as if lit from within.
I come to one bush of berries so ripe it is a bush of flies,
Hanging their bluegreen bellies and their wing panes in a Chinese screen.
The honey-feast of the berries has stunned them; they believe in heaven.
One more hook, and the berries and bushes end.

The only thing to come now is the sea.
From between two hills a sudden wind funnels at me,
Slapping its phantom laundry in my face.
These hills are too green and sweet to have tasted salt.
I follow the sheep path between them. A last hook brings me
To the hills' northern face, and the face is orange rock
That looks out on nothing, nothing but a great space
Of white and pewter lights, and a din like silversmiths
Beating and beating at an intractable metal.
Tyler Nicholas Mar 2011
The neighborhood hawk glides
gracefully over the dead ground.

He soars through the smoke of
my morning cigarette
My burning reminder of regret.

The hawk feels no anguish in the
haze
My haze.
That funnels above the dead ground.
Olivia Kent Sep 2013
Glorious day.
The Sabbath day.
Saw my little daughter.
Probably shouldn't oughta.
Cost me dear.
Gave her payday loan.

On the way home peeped over the bridge.
Down in the docks magnificence stood.
A queen and traveller.
As mountains in dock.
Waiting until the bells on the clock.
Decree it's time to leave.
To set them free.
To rove the seas again.

Tall and silent they stood no evidence of kerfuffle.
No brass bands just silence.
As cavernous funnels scratched the sky.
The queen had funnels.
The traveller none.

Appear like a tower block on the dock.
The Venturer was truly a giant.
Queen Mary minimal in some strange comparison.
Beautiful and elegant in their domain.

Got home.
Sat on my bed.
Delighted as my stomach was fed.
Looked out of my room.
Over the gardens.
Up the path.
More sunflowers .
Than were there before.
Many more blooming like solar majesty.

Queen of the gardens v queens of the sea.
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
I wrote this after going past Queen Mary 2 and Venturer in the docks.
I thought maybe comparing the queens of the seas with the queen of the garden may be a cool idea .
There’s a whisper down the field where the year has shot her yield
  And the ricks stand gray to the sun,
Singing:—’Over then, come over, for the bee has quit the clover
  And your English summer’s done.’
    You have heard the beat of the off-shore wind
    And the thresh of the deep-sea rain;
    You have heard the song—how long! how long!
    Pull out on the trail again!

Ha’ done with the Tents of Shem, dear lass,
We’ve seen the seasons through,
And it’s time to turn on the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail—the trail that is always new.

It’s North you may run to the rime-ring’d sun,
  Or South to the blind Horn’s hate;
Or East all the way into Mississippi Bay,
  Or West to the Golden Gate;
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail—the trail that is always new.

The days are sick and cold, and the skies are gray and old,
  And the twice-breathed airs blow damp;
And I’d sell my tired soul for the bucking beam-sea roll
  Of a black Bilbao *****;
With her load-line over her hatch, dear lass,
And a drunken **** crew,
And her nose held down on the old trail, our own trail, the out trail,
From Cadiz Bar on the Long Trail—the trail that is always new.

There be triple ways to take, of the eagle or the snake,
  Or the way of a man with a maid;
But the sweetest way to me is a ship’s upon the sea
  In the heel of the North-East Trade.
Can you hear the crash on her bows, dear lass,
And the drum of the racing *****,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and ’scends on the Long Trail—the trail that is always new?

See the shaking funnels roar, with the Peter at the fore,
  And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
  And the fall-rope whines through the sheave;
It’s ‘Gang-plank up and in,’ dear lass,
It’s ‘Hawsers warp her through!’
And it’s ‘All clear aft’ on the old trail, our own trail, the out trail,
We’re backing down on the Long Trail—the trail that is always new.

O the mutter overside, when the port-fog holds us tied,
  And the sirens hoot their dread!
When foot by foot we creep o’er the hueless viewless deep
  To the sob of the questing lead!
It’s down by the Lower Hope, dear lass,
With the Gunfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail—the trail that is always new.

O the blazing tropic night, when the wake’s a welt of light
  That holds the hot sky tame,
And the steady fore-foot snores through the planet-powder’d floors
  Where the scared whale flukes in flame!
Her plates are scarr’d by the sun, dear lass,
And her ropes are taut with the dew,
For we’re booming down on the old trail, our own trail, the out trail,
We’re sagging south on the Long Trail—the trail that is always new.

Then home, get her home, where the drunken rollers comb,
  And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
  And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They’re all old friends on the old trail, our own trail, the out trail,
They’re God’s own guides on the Long Trail—the trail that is always new.

Fly forward, O my heart, from the Foreland to the Start—
  We’re steaming all too slow,
And it’s twenty thousand mile to our little lazy isle
  Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song—how long! how long!
  Pull out on the trail again!

The Lord knows what we may find, dear lass,
And the deuce knows what we may do—
But we’re back once more on the old trail, our own trail, the out trail,
We’re down, hull down on the Long Trail—the trail that is always new.
The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when the earth touched our life, being able to see how the cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from the other taste of self-observing and seeing ourselves in the face of the Horcondising anti material And Universal Biomass. We preexist under science that models the energy and matter system in causes of the ancestors, with which their life and ours sneakily crashed. Gravity made us a great paternity in Vernarth Biomass, being in the Dodecanese, being the cosmos in the arcuate curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also the time2-space2 that has not been afflicted at the origin or in the abscess of the stars that move irregularly in zig zag, for the fractality of its component, which is clearly aramaic blue light, in circuits of cumulus movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young with gratitude’s "

The distribution of the nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are percentages of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a frozen present specific. Its final station is to stake the Zig Zag Universe on the re-expanding medieval crestomatia, in qualities of gregarious Sub-mythology, already settling here in Archangelos. The implosion of my gravity, has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring from the hexagonality the primogeniture of the passage, which from Jerusalem goes to Bethlehem, where the Davidian prism, of whose Original fractal is attributed in the two-dimensional shape of a line of the Mediterranean fractal flap, resembling the gems of the crown of the King David to that of the Messiah, appearing to be similes, but of irregular geometric formats, to build gems in landscape spines, basically sub dividing into equal conical funnels, and then being randomly displaced towards its central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to B ethlehem and then to the Church of the Shepherds in its fractured hexagonal base, figuring to be snow falling on the cusp of the roofs, where in the Kafersuseh manger, the Mashiach emerged and died in the abstraction of the One-dimensional Beams in the foreign eyes, eroding those who are mortal and do not see it with divine eyes in the self-likeness of our hypochondria and the failed plan to increase the size in the unknown analytic of this new implosive moving dimension of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailing in their nature and in the natural infinity, here the new privileged world was envisioned for self-similarity in the speculative and cosmogony functions of Vertnarth, at intervals in each space of shadowy walls , bringing accelerated bombs of messaging from Gethsemane among mutated olive trees to other humans. "Its correlation is infinite fractal with reversible observable time, and with the patronal belonging of mobile echoes of a space, which is occupied by Vernarth as multi monograph and integers between the fractional integers”

Finite is the curvature, between the time that walks between the grove of the Duouniverse as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, what is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the Beams One-dimensional of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change of arduous colors in gradient in Avant Garde, for its confines of perspectives of verbality, and of amendments of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the reaction disturbances and recreation of multiform plasmas of Christian cosmic savior. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of error of the current universe losing itself, in the second thousandths of figures that separate us from the Universe,but all of them being more than time ...!, remaining at the expense of the wick of all electro-matter "

The sub-mythology having already been established, Hestia appears, after having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was already two meters away from him she looked monumentally huge, but with a versatile physiognomy, therefore it was already appreciated in recent years. Footsteps, with her domestic Goddess figure emanating light years from the chimneys of her habitable galaxies. The critical immanence that would happen would preexist the perfectible plan for the Zig Zag Universe and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great ratio of proscenium in the vicinity to Tsambika, between Mind / Meditation for Wisdom / Meditant constant mechanism, according to the cosmological constant, taking them perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range; therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backwards advancing between the dizzying lights of creation. Immediately afterwards, the Universe is torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in her prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, “Prytaneum”, smoothing the light in the clarity of the faith of the owners of the hamlets that were founded when they arrived at Tsambika, in search of Vas Auric, cheering with the omphalos stone, that marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterwards. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between distances that discount minutes of the Hestian space, for such a corollary of approaching its finitude, and inaugurating the sub-finite, which will never be the source of a term in a disconcerting end of time that is not equationally physical. "This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)"
Zig Zag Universe / Part 19
WHO knows what I know
when I have asked the night questions
and the night has answered nothing
only the old answers?
  
Who picked a crimson cryptogram,
the tail light of a motor car turning a corner,
or the midnight sign of a chile con carne place,
or a man out of the ashes of false dawn muttering "hot-dog" to the night watchmen:
Is there a spieler who has spoken the word or taken the number of night's nothings? am I the spieler? or you?
  
Is there a tired head
the night has not fed and rested
and kept on its neck and shoulders?
  
Is there a wish
of man to woman
and woman to man
the night has not written
and signed its name under?
  
Does the night forget
as a woman forgets?
and remember
as a woman remembers?
  
Who gave the night
this head of hair,
this gipsy head
calling: Come-on?
  
Who gave the night anything at all
and asked the night questions
and was laughed at?
  
Who asked the night
for a long soft kiss
and lost the half-way lips?
who picked a red lamp in a mist?
  
Who saw the night
fold its Mona Lisa hands
and sit half-smiling, half-sad,
nothing at all,
and everything,
all the world ?
  
Who saw the night
let down its hair
and shake its bare shoulders
and blow out the candles of the moon,
whispering, snickering,
cutting off the snicker .. and sobbing ..
out of pillow-wet kisses and tears?
  
Is the night woven of anything else
than the secret wishes of women,
the stretched empty arms of women?
the hair of women with stars and roses?
I asked the night these questions.
I heard the night asking me these questions.
  
I saw the night
put these whispered nothings
across the city dust and stones,
across a single yellow sunflower,
one stalk strong as a woman's wrist;
  
And the play of a light rain,
the jig-time folly of a light rain,
the creepers of a drizzle on the sidewalks
for the policemen and the railroad men,
for the home-goers and the homeless,
silver fans and funnels on the asphalt,
the many feet of a fog mist that crept away;
  
I saw the night
put these nothings across
and the night wind came saying: Come-on:
and the curve of sky swept off white clouds
and swept on white stars over Battery to Bronx,
scooped a sea of stars over Albany, Dobbs Ferry, Cape Horn, Constantinople.
  
I saw the night's mouth and lips
strange as a face next to mine on a pillow
and now I know ... as I knew always ...
the night is a lover of mine ...
I know the night is ... everything.
I know the night is ... all the world.
  
I have seen gold lamps in a lagoon
play sleep and murmur
with never an eyelash,
never a glint of an eyelid,
quivering in the water-shadows.
  
A taxi whizzes by, an owl car clutters, passengers yawn reading street signs, a *** on a park bench shifts, another *** keeps his majesty of stone stillness, the forty-foot split rocks of Central Park sleep the sleep of stone whalebacks, the cornices of the Metropolitan Art mutter their own nothings to the men with rolled-up collars on the top of a bus:
Breaths of the sea salt Atlantic, breaths of two rivers, and a heave of hawsers and smokestacks, the swish of multiplied sloops and war dogs, the hesitant hoo-hoo of coal boats: among these I listen to Night calling:
I give you what money can never buy: all other lovers change: all others go away and come back and go away again:
I am the one you slept with last night.
I am the one you sleep with tonight and tomorrow night.
I am the one whose passion kisses
  keep your head wondering
  and your lips aching
  to sing one song
  never sung before
  at night's gipsy head
  calling: Come-on.
These hands that slid to my neck and held me,
these fingers that told a story,
this gipsy head of hair calling: Come-on:
can anyone else come along now
and put across night's nothings again?
  
I have wanted kisses my heart stuttered at asking,
I have pounded at useless doors and called my people fools.
I have staggered alone in a winter dark making mumble songs
to the sting of a blizzard that clutched and swore.
It was the night in my blood:
  open dreaming night,
  night of tireless sheet-steel blue:
The hands of God washing something,
  feet of God walking somewhere.
DJ Goodwin Jul 2012
The Queen of Absentia rises from royal
stool to watch the moon set sheathed
in broiling cloud as she skips whirling
adders that hiss in fat jagged coils, their
hollow blades jutting death in sprinkler
sprays of misting veils and her

head is hypethral; a Gaudi shipping
container soldered in reptile curves,
licked by arrowheads of falcate flame
as she rounds its laughing corners;
an adderaled lab rat, eyes black funnels
drinking electrodes pulsing crimson and
the stars are crackling in the pan as she    

sees planets torn shrieking down Hell’s hungry
plughole as fallen Gods divide by zero
and the clock’s skittering claws scratch
prophecies of consequence of poorly
sewn seams, but she smiles like a risen
crocodile and says,
    
‘you’re just jealous cos the
             voices only talk to me.’

And again she dives as unwanted
advice gibbers up out snapping drains,
and power points shoot sharp blue spears
lighting substrates of ancient horror, inchoate
but fattening before her eyes as she

sits, wrapped in ghosts, guarding her
ochre tea in its chalice of steaming bone,
trying to sell herself a ticket to
tomorrow’s sunrise, staring at thunderheads
bunching up satin over sodden ninjas sprouting
cardboard hair, slicing down legions of
roaring pearl as death hunts hollow-eyed below.

Her Majesty holds court, amid the percussion of
steel and plate, a matador to shadows
that clasp their hands and dance around, as
clouds hammer rain to the ground.
copyright 2012, David J. Goodwin
Jul 13, 2012
Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain—bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,—
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,—plunging glassy funnels
fall—

And—the other world—
the windshield a blunt barrier:
Talk to me.  Sh! they would hear us.
—the backs of their heads facing us—
The stream continues its motion of
a hound running over rough ground.

Trees vanish—reappear—vanish:
detached dance of gnomes—as a talk
dodging remarks, glows and fades.
—The unseen power of words—
And now that a few of the moves
are clear the first desire is
to fling oneself out at the side into
the other dance, to other music.

Peer Gynt.  Rip Van Winkle.  Diana.
If I were young I would try a new alignment—
alight nimbly from the car, Good-bye!—
Childhood companions linked two and two
criss-cross:  four, three, two, one.
Back into self, tentacles withdrawn.
Feel about in warm self-flesh.
Since childhood, since childhood!
Childhood is a toad in the garden, a
happy toad.  All toads are happy
and belong in gardens.  A toad to Diana!

Lean forward.  Punch the steerman
behind the ear.  Twirl the wheel!
Over the edge!  Screams!  Crash!
The end.  I sit above my head—
a little removed—or
a thin wash of rain on the roadway
—I am never afraid when he is driving,—
interposes new direction,
rides us sidewise, unforseen
into the ditch!  All threads cut!
Death!  Black.  The end.  The very end—

I would sit separate weighing a
small red handful:  the dirt of these parts,
sliding mists sheeting the alders
against the touch of fingers creeping
to mine.  All stuff of the blind emotions.
But—stirred, the eye seizes
for the first time—The eye awake!—
anything, a dirt bank with green stars
of scrawny **** flattened upon it under
a weight of air—For the first time!—
or a yawning depth:  Big!
Swim around in it, through it—
all directions and find
vitreous seawater stuff—
God how I love you!—or, as I say,
a plunge into the ditch.  The End.  I sit
examining my red handful.  Balancing
—this—in and out—agh.

Love you?  It’s
a fire in the blood, *****-nilly!
It’s the sun coming up in the morning.
Ha, but it’s the grey moon too, already up
in the morning.  You are slow.
Men are not friends where it concerns
a woman?  Fighters.  Playfellows.
White round thighs!  Youth!  Sighs—!
It’s the fillip of novelty.  It’s—

Mountains.  Elephants ******* along
against the sky—indifferent to
light withdrawing its tattered shreds,
worn out with embraces.  It’s
the fillip of novelty.  It’s a fire in the blood.

Oh get a flannel shirt, white flannel
or pongee.  You’d look so well!
I married you because I liked your nose.
I wanted you!  I wanted you
in spite of all they’d say—

Rain and light, mountain and rain,
rain and river.  Will you love me always?
—A car overturned and two crushed bodies
under it.—Always!  Always!
And the white moon already up.
White.  Clean.  All the colors.
A good head, backed by the eye—awake!
backed by the emotions—blind—
River and mountain, light and rain—or
rain, rock, light, trees—divided:
rain-light counter rocks-trees or
trees counter rain-light-rocks or—

Myriads of counter processions
crossing and recrossing, regaining
the advantage, buying here, selling there
—You are sold cheap everywhere in town!—
lingering, touching fingers, withdrawing
gathering forces into blares, hummocks,
peaks and rivers—rivers meeting rock
—I wish that you were lying there dead
and I sitting here beside you.—
It’s the grey moon—over and over.
It’s the clay of these parts.
RINGS of iron gray smoke; a woman's steel face ... looking ... looking.
Funnels of an ocean liner negotiating a fog night; pouring a taffy mass down the wind; layers of soot on the top deck; a taffrail ... and a woman's steel face ... looking ... looking.
Cliffs challenge ******; sudden arcs form on a gull's wing in the storm's vortex; miles of white horses plow through a stony beach; stars, clear sky, and everywhere free climbers calling; and a woman's steel face ... looking ... looking ...
Theresa Marie Oct 2015
There were furrows in his brow
Kept his music much too loud
Paper skin and paper grin
To his chest, a heart we'll pin

Veins are ****** tunnels
A carbonated bottle
A lump love funnels,
Bubbles over, feeling sober
Dismal future, no four leaf clover
Afraid to search around for a light
Afraid to wait around and see that it might
Not be all that worthwhile

He lived to take flight
Dark crimson in a ****** vile
Injection withdrawn, thin paper smile
Down below,
Ground is coming near
And before the pavement
A vision was clear

A final thought rummaged through his brain
A blissful blow, a final aching pain
A florescent concussion, an angelic cheer
A temporary life he lived
For it was not death he feared
Nat Apr 2021
Skin dislodged
A bone in the wrong place
Just the wrong size
Can't we see what's underneath?

Cold, empty air
Wind winds through the tunnels
And here and there and there
You can see the ****** funnels
preservationman Aug 2014
The numerous Tornado’s that roared
The frightening funnels that I saw
Being a Tornado chaser
I needed to be near
Death wasn’t a thought, but preserver becoming fear
I remembered being my car and suddenly being pulled into the funnel of a Tornado
I was hurled high into the sky and moving around the Tornado as if it was an amusement ride
As I was swirling around
I was above the storm and I knew I was Heaven bound
I smiled seeing the mighty warmth of the sun and clouds all gathering in stating, “It is done”
My heart quickly pounded and my blood rushed
Suddenly I felt flushed
I knew my spirit was on target for Heaven
My car abruptly dropped down
My soon would be my eternal bound
Immediately, the car was on a bull’s eye towards earth
My flesh made no sound and quietly my spirit descended from being all around
The Tornado being God’s call, and the remembrance in Standing Tall as I am the God for all.
Jack Cornwell was a Boy, First Class
On the Chester’s forward gun,
There to relay the settings with
A pair of headphones on,
He’d turned sixteen just months before
Was trained for his chosen task,
And hoped for a life of adventure as
He sailed, before the mast.

The Chester sailed to join the Fleet
That had left from Scapa Flow,
The Grand Fleet with its battleships
Sailed under Jellicoe,
They’d intercepted the German codes
And knew that they’d put to sea,
Hoping to split the British Fleet
And gain a victory.

The Chester turned to meet the flash
Of gunfire, far away,
The light was poor before the dawn
And the mist was thick that day,
Three funnels of a German ship
Came gliding through the mist,
And the Chester turned to starboard
Ready to show the British fist.

But the German ship was not alone
And the shells began to rain,
From the following battle cruisers
Shattering decks, in blood and pain,
Jack Cornwell stood at his post while all
His gun crew lay there dead,
Ready to take his orders, though
The Chester turned, and fled.

The medics found him with shrapnel wounds
Steel splinters in his chest,
He wouldn’t desert his post, he was
As brave as all the rest,
The Chester sailed for Immingham
Disembarked the wounded crew,
Put Jack in Grimsby Hospital,
There was nothing they could do.

He died just two days afterwards
Before his mother came,
She’d hurried on up from London
Where she’d caught the fastest train,
They buried Jack in a communal grave
So many men had died,
Fighting for King and country
Steeped in duty, worth and pride.

His name was honoured from lip to lip
How he’d stood beside his gun,
Determined to fight the German ships
‘Til the Chester turned to run,
Such courage born of England
Where it was tempered at the forge,
Was so inspiring in one so young
Said the Navy, to King George.

‘For shame,’ then cried the ‘Daily Sketch’
When they heard of the communal grave,
‘Is this how we treat our heroes,
Jack deserves the nation’s praise!’
The coffin was shortly disinterred
And draped with the Union Jack,
Drawn on an open gun carriage
With the Navy at its back.

His name went down in the history books
As the boy who stuck to his post,
In the midst of dead and dying men
As they made their way to the coast,
King George conferred the highest award
That there was, for bravery,
Awarded him the Victoria Cross,
Jack Cornwell, Boy, V.C.

David Lewis Paget
Raygan Emma Jane Mar 2016
I was a ***** slushie flannel senior the first time I saw him,
an undid a button of morning regrets.
He was a nicotine stained midnight kiss I don't really remember,
A salt water perception of perfection labeled in a sly smile and small print,
he left bruises of lust on my wind pipes and I left my ear ring in the back seat of his Mazda.
He became my taxi driver,
my room full of people,
my absent fathers approval.
I took on my role of his unable to vote baby with librarian eyes.
And then one night he suggested an experiment to see if no other girl loves like the way my eyes beg him to stay.
He smiled down at me as if I should feel like I was in his gratitude,
he told me I should thank him for paper shredding me so I could learn to tape myself back together piece by piece,
so I could decipher my ripped description and learn to write again.
"Let me give you the most detailed inspiration, let me break you", he whispered, "so we can be equal".
Darling Slam the door on our hazy summer nights and remember me in disgust,
"Trust me", he said you need someone to look after you and only the smartest man can put a puzzle like your eyes together and only an artist will like the picture of your battle scares when you pick up the white flag.
I was naive that he thrived off a fight.
He claimed that the most intoxicating evening with me would be to be with me whether I liked it or not,
problem is I loved it.
He said he'd find ecstasy when I needed him less so he could crave me more,
and after way to many blue moon beer funnels mixed with the salt water of his absence he got what he wanted.
He took me to the doctor he used to claim to be yet I never once told him it was the frequency of his presents of not being present at all that made me bleed so deeply.
God I'm bandaging his self inflicted wounds for my own scabs wish list,
and now My fingers shake on how much I need his hands on my waist,
or how I'd do anything for those bruises out of love.
See all that's been on my mind is our ice cream melting pushed against the car first sober kiss and how he said he'd wanted to snap for me until I was oozing tears of joy cause all that he lectured about was learning to use a pen for myself again.
I prayed for inspiration,
I prayed for him to be my metaphorical daydream.
See this boy smiled religiously,
obviously aware that I didn't know a thing about happily ever after, he wanted to listen. Gripping my bible white sheets with his palms whispering,
Tell me when, where and I'll be there.
I believed him.
So for you my bipolar baby It's here, it's now and were finally equal.
Brea Brea May 2013
lights, lights
four ways
more ways
traffic
lights, lights
this world is a jigsaw
and my mind, habits
like a snake puzzle cube, ridged
fluorescent lights channeling into pairs of funnels
like eyes that peirce my calm simple soul
like a small petrified animal
about to be crushed
highlighting my nerves
hot like an electrical fire under my skin
like the fiery veins under my wrists
like that of a heroine ******
walking people from the face of the window
walking in from my peripheral vision
walking across the streets
like leather belts tight around my forearms
walking likes needles under my skin
from the front, from the left, from the right, from the back into the front, from the left
like ants, operating endless ribbons of motor vehicles
weaving endlessly dynamic patterns resembling my distrust
3.14159265358979323864264338327950288419716939937510 to 50 decimal places
despite the fact that I'm pulling my head back
my face feels like its plastered against the windows
a policeman of an installed reality man handling me from behind
eye lashes clung to the pane
humidity sticking my hair to the glass
tears warp my deformed perceptions
my tongue pressed hard to my cheek
I'm confused, flustered, how’d I get here
How do I make my case?
flustered, how do I get out?
small holes, air vents, locks, cracked windows
small things keeping me in my seat when I would find more immediate relief in jumping out.
of this pile of fire hoses snaked around me
feet deep around my thighs
It all started as tiles
tiles of a grocery store creeping in, creeping in until I am utterly
consumed, my vision contorted, maimed
my frontal lobes caving in
I keep pulling back
pulling back
and the world keeps coming in
coming in
my eyes are swelling
the tension jerks an anxious laugh
a series of hysterical laughs
like polaroid’s of my humiliation on clothes pins to a
relentlessly ceaseless rope.
my eyes following it like a speeding car until the images of my trauma are spinning into one shameful image like a thaumatrope on gasoline and electric
a spider swallowed by its own intelligent web
my soothing thumbs are rubbing my delicate skin thin
man handling myself to avoid something tragic
I want to knock the wind out of myself
because the magic isn’t helping me now
if I thought the world was invading my inner world then
I know they are now
their perceptions, their perceptive judgment casting eyes, like knives
ripping at the seams of my reality
digging into the once calm invisible cloak around me
tied from behind my eyes
irises like poison bubbling in my happiness, my solitution
if I were alone

I could just lose myself in the soft flexed ball of my body
as I talk hysterically into a seemingly empty room
talking gibberish
Alice in wonderland non-sense
vomiting the acidic parchment
ph balance of my word-feelings
dry heaving once the damage is done
waiting for the laughter and the words
and the breath to punch my gut silent
waiting in torment
in delirium
for the calming effects, the grounding effects of warm micro swiveling textures of a **** carpet
to take me over like a dopamine release
for my high child-self
to come down from the brain-drugs
like **** from condensed crack rocks
someone slipped in the container
that holds my brain
hugging it like a moat
sipping it unknowingly
that this is what would come over

me
Olivia Kent Dec 2014
Somewhere out there.
Spiders build non ending webs.
Funnels and tunnels, no trains passing through.

They scuttle as they dash through the hearth.
Where the fires of the hearts of queens once burned.
Madame summons's her lady in waiting.
To sweep away the creature she's hating.

Her ladyship is really posh.
She's eaten many you know.
Tells the world they're scrumptious nosh.

The ladies maid, collects her captured trophies in a trinket box.
Stashes them in the drawer.
The one where milady keeps her socks and hoes.
Even the hankies to wipe her regal nose.

But, once in the bluest of moons,
She melts some chocolate on a spoon.
Into the runny chocolate, the leggy hairy creatures get dunked.

Those spiders dipped in chocolate,they're  tasting really great.
A little bit of protein to satisfy the queen.
Her delicacy.
Apparently!
(C) LIVVI
EGDarling Mar 2013
I promised you i’d plant those **** pink roses but
that Sunday morning that you broke me in ways
even my best friend didn’t think was possible

and i realized it was probably a good thing
that the whole thing was a production of strictly pretend;
a play, a script, an authors first mistake-

that day, i clipped every last flower
off and set the remains in a little drawer
with shards of glass i broke in my sleep
because i loved you every single day

despite my
i’m over you i’m over you i’m over you
that i repeated with the foolish hope of
convincing somebody that air still funnels through my lungs

and it’s come to my attention that
i’d pick my head over my heart but that is only
because i am a toy car abandoned by every single
pair of hands to wind it up and let it go

And yes, I will reduce my emotions to dust or
enlarge them in full zoom but
I cannot get over that fact that the clementines rotted in front
of us and

you devoured the part of me that let my heart reign over
my head and snapped the key to my rib cage;

you promised you would keep it safe and
you *lied
john p green Mar 2016
Reaching into outer spaces
Twisted forms of time laid out
Do we fall in unreal places?
Identity twists the answering spout
Locked up, left out our minds ever racing
Chasing the Ones chewing the few
No breach in sight a new knots beginning
As with our hope, a simple adieu
out in the mountains,
when my feet are pressed and purpled
from pushing the world to roll her callused breast,
then each breath, deservingly,
funnels the friction into fire.

but here our milk flesh thumbs
flick the ridges of the flint
and through trees we **** a Bic
just to exhale flame again.

oh-two deprived at altitude
or getting high with all the dudes
you’d count them as two trails that lead to the same place

but that’s just what the map says.
neurotransmitter math has
sold, by weight, the dopamine
wrapped like gods great gift
in threads of nervous lace

and you forget that different paths
never summit the same
if steep, or shallow, the peak can be
epiphany pleasure or just good ****

in green pill bottles, they trap the trees
and plastic cages hang on me
when the weight of our minds
bends our necks towards the asbestos sky
where porous plains of ceiling tile
have us counting holes in the light

so you see my disappointment,
when you were too ****** or drunk or cold
and said it would be better
if we just went inside

as we circled up the stairwell
you stepped easily on plaster pieces
of white ceiling that had fallen to concrete

perhaps it is from fear
that some can find a comfort
having heavens built so brittle
that they crumble within reach
Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain—bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,—
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,—plunging glassy funnels
fall—

And—the other world—
the windshield a blunt barrier:
Talk to me.  Sh! they would hear us.
—the backs of their heads facing us—
The stream continues its motion of
a hound running over rough ground.

Trees vanish—reappear—vanish:
detached dance of gnomes—as a talk
dodging remarks, glows and fades.
—The unseen power of words—
And now that a few of the moves
are clear the first desire is
to fling oneself out at the side into
the other dance, to other music.

Peer Gynt.  Rip Van Winkle.  Diana.
If I were young I would try a new alignment—
alight nimbly from the car, Good-bye!—
Childhood companions linked two and two
criss-cross:  four, three, two, one.
Back into self, tentacles withdrawn.
Feel about in warm self-flesh.
Since childhood, since childhood!
Childhood is a toad in the garden, a
happy toad.  All toads are happy
and belong in gardens.  A toad to Diana!

Lean forward.  Punch the steerman
behind the ear.  Twirl the wheel!
Over the edge!  Screams!  Crash!
The end.  I sit above my head—
a little removed—or
a thin wash of rain on the roadway
—I am never afraid when he is driving,—
interposes new direction,
rides us sidewise, unforseen
into the ditch!  All threads cut!
Death!  Black.  The end.  The very end—

I would sit separate weighing a
small red handful:  the dirt of these parts,
sliding mists sheeting the alders
against the touch of fingers creeping
to mine.  All stuff of the blind emotions.
But—stirred, the eye seizes
for the first time—The eye awake!—
anything, a dirt bank with green stars
of scrawny **** flattened upon it under
a weight of air—For the first time!—
or a yawning depth:  Big!
Swim around in it, through it—
all directions and find
vitreous seawater stuff—
God how I love you!—or, as I say,
a plunge into the ditch.  The End.  I sit
examining my red handful.  Balancing
—this—in and out—agh.

Love you?  It’s
a fire in the blood, *****-nilly!
It’s the sun coming up in the morning.
Ha, but it’s the grey moon too, already up
in the morning.  You are slow.
Men are not friends where it concerns
a woman?  Fighters.  Playfellows.
White round thighs!  Youth!  Sighs—!
It’s the fillip of novelty.  It’s—

Mountains.  Elephants ******* along
against the sky—indifferent to
light withdrawing its tattered shreds,
worn out with embraces.  It’s
the fillip of novelty.  It’s a fire in the blood.

Oh get a flannel shirt, white flannel
or pongee.  You’d look so well!
I married you because I liked your nose.
I wanted you!  I wanted you
in spite of all they’d say—

Rain and light, mountain and rain,
rain and river.  Will you love me always?
—A car overturned and two crushed bodies
under it.—Always!  Always!
And the white moon already up.
White.  Clean.  All the colors.
A good head, backed by the eye—awake!
backed by the emotions—blind—
River and mountain, light and rain—or
rain, rock, light, trees—divided:
rain-light counter rocks-trees or
trees counter rain-light-rocks or—

Myriads of counter processions
crossing and recrossing, regaining
the advantage, buying here, selling there
—You are sold cheap everywhere in town!—
lingering, touching fingers, withdrawing
gathering forces into blares, hummocks,
peaks and rivers—rivers meeting rock
—I wish that you were lying there dead
and I sitting here beside you.—
It’s the grey moon—over and over.
It’s the clay of these parts.
Sarina Mar 2013
An army of little girls
poke dandelions through the skin of
every man who could hurt them.

Blades in a briefcase, hide several
between their legs
until the wetness chafes her

right where the dark funnels
stop. The big people and his crosses –
armpits made of porcelain then dug

into little girl gardens,
a meadow of dandelions scrawled:
we do not give you ourselves

but we will give you our blood.
Their masculine fingers could not win,
too harsh for bald skinned little girls.
hurry boy, don't doze
etch the words before they perish
as the situation once again alters
coiling around your wrist
tugging you to that place
sleep every moment
dwelling in the blankets
soaking in that stale security
false impressions attached/removed
like velcro ripping in the silence
masks on masks on masks on masks on masks on
could spend days pruning in the seabed of potential
while the salt collects on my eyelashes and the days vanish like eons
there are days where the stillness in me quakes my feet
into the fervor of rabbit under moving tire and
I pound the walls for a train to pass and shake the foundation
but the tracks are too far away now, and the stillness creeps
dust collects on the fan blades, then the plastic grating, then the intake
the thing rattles all night now; loose ***** in the front
hardly a substitute for that rumble in your dreams
from an archer daniel's car rushing by at four
the bed is a lot better at this place though
king size, though I'd rather be in california
where the water is warm and the memories catch your falls
I've never been there and the idea is always better than the outcome
kicking sand like a beach bully *** flexing in strut
sun burns within seconds of shirtless self-reveals
the salt is being washed off of the cars
from an illinois winter that the plow conquered to the dismay of
the kids down the block who still waited
at dawn for the diesel yellow groan
the heat is swelling in the season
chirps return with the sting
of rolled up passenger windows
magnifying the clean white light
ninety-eight million miles marched
to a single point on a pale dot
burning that poor gal's cheek
but the medicinal effects
of the smooch are more than known
to generations of the summer awakened,
free-falling, reality born.
here we are again with showers and flowers,
here we are again with cyclones in the alley,
here we are again with cocoons and buffoons,
here we are again with milk in the valley.
this heart pumps as the snow goes rising
to the funnels and pillars east-stretched
where the baby boomers buy plots and
the love begins to reach for an even share.
tlp
Stacie Lynn Aug 2018
hot blood, red cheeks, burnt lips, and smoke incapacitating my lungs, i heave through the fire in my home
clouded judgement, feelings of hopelessness, i run through my home to find a place where i can feel safe to open my eyes
a place where my lungs are free to experience breath without tentative hesitance, where my senses are in allignment
i search for hydration, for a holistic cleansing of the soul, for a second chance to reclaim this home i have been so careless in
when i finally see myself
my sense of sight funnels in and out
has my skin always looked like this?
who let me destroy my home?
there is nothing to put out the fire
my skin revolts against my bone as my pulse laryngeally stabs me in protest of my reluctance to acknowledge the pain
i am ready to give into the flames, to be a soul of light
to transcend the blazing in my heart, in my veins, in my brainwaves, to go through this life, with open, kindled eyes, a fiery spirit
lungs of feathers
making it obvious that i have scars,
because every aspect of my being,
burns.
Vernarth was ready at the threshold of the validity of the constellation of Orion, barely a hundred millionths as indicated by the Duoverse in his Cosmogonic amphiboly, and sensitive to physical space with the Kli vessels that he carried on his back that were in the proximity of the Loop of Bernard as the Omission nebula as the exponential hemicycle in the center of Aurion's oculus waiting for Vernarth and redistribute its molecules at 518 light-years or 440 Parsec, with the diameter that will be reflected in Patmos of more than 300 light-years condensed with the element of Hydor or water from high space over Aurion. Vernarth, united by the fragrant hand of the Mashiach, could carry it when he moved away from the Opistodomos and the remains of incandescent lagoons of supernova materials that surrounded them to accelerate the mass of the Iridescent Nimbus that Vernarth would carry, and the Mashiach as a sentinel of his Purgation. already defined whenever the simultaneous explosion of the Super Nova with Patmos becomes effective, and the Terrestrial World in impulsiveness that admonished him under the right shoulder blade in the skinny hollow of the arm that was getting rid of the oscillometer right at the original entrance of Betelgeuse, and when Vernarth remained alone in the frontal altitude chamber to take off towards the cosmogonies of Eridanus to tune into the Ptolemaic astral. The Sybilla who acted as stellar consort would be Herophile with overtones of expansion and her brilliant metric mass that would take her through Betelgeuse Orionis allied to a multifunctional instrument such as the entrance Aulos, expelling hydrogen-like an Ace in 240 harmonic scales, and sounds of light that they boomed towards the Pleiades and the Milky Way where it would be the supposed first state of paradox where Vernarth would utter: "Give me a little Gála and I will be more than Zeus". This is where he will experience the diarthrosis of his synovial joints in the process of Hyaline cartilage, allying himself with the two bones and synovium to hunt down the Trapper Aurion in advance to wake up from the feared defenseless world that he feared since everything he abandoned despite having his Purg discharged, he kept sensing that if nothing would work for a lost world. Here Vernarth would hold Alexander the Great's first childhood vision as an infant at Péla using his scapula with the force of rubbing discs at the Olympiad making the sky his Odyssey-encrusted Constellation of whips, and sullen Hellenistic being by May in the amber trunk trapezoid and in each hand a Xiphos and Dorus.

The pathologies were at the forefront with dexterous inclinations of his Kopis to the west when he throws it and the whistle of return makes him see that the meteorites reached as far as his gaze could observe the latitudes of the Tyrrhenian. He takes his bronze-brass cudgel with the corrosive breath, filing the odysseys on the concupiscent ******* of Eos, Goddess of the dawn, opening the heavens of the eager natives of Gála, by sipping raw milk from the right edge of the corner of her upper lips before the first dawns of the world, when Eos would be in grains or grasses that brandished from the bronze club that Vernarth waited for before leaving Gaia, or rather the fertile land of Patmos that officiated at him. Mega hectares appeared that threatened Enopion's revenge, disturbing his eyes that shone in Hesiod's striae by advocating for him in the Duoverse where all deities would be annulled but his psychic ramifications as stellar humans would be covered by the action of Helium gas. In this way Vernarth was already bidding farewell to Saint John the Apostle with his rounded eye set on the shine of both pupils between Mintaka, Alnitak, and the third shine of his pupils united in communion with Vernarth when arriving sideways at the pale shine of Alnilam (The Three Mariah) fourth star to follow in Orion as the brightest of the three on Vernarth's neck like a necklace of precious pearls. In this way, he climbed the steps to measure the slow brilliance of the immensity of the celestial solstice that raised him with the expedient Sun that also led him towards the twelfth lunation of the celestial vault attached to Pléyone in his bolometric oceanic matrix, which will arise between the stellar limitrophe between the Canes Mayores and Menores, and a priori in the measurement of the eye of Aurion always harassing the Pleiades. The intrigue will be reborn for the second time from the Duoverse's momentum that Vernarth will have to leave in the biosphere oscillation wasteland of Prometheus already freeing himself from life in community, and from an extreme sensitivity of major psychic connections that will flow throughout the immensity of inaccessible time. , on the atmosphere of the earth like bronzes that twist in the necks of the oxen that urinate on the endowments of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles as flagrant Amphibology. The Kanti Steed and the Aorion nebula to the beat of a waltz will ionize chemical portents of ions free of electrons, on the neutral molecules of Betelgeuse to propagate in the nerves of the shoulders of the bronze club ad limit of harmonious praxis, and net compromise by supplying steps to the nebula and art of the Duoverse that shows the primeval daily days as in his alchemical armband, germinating astral Lynothorax and axillary armpit that held him in his maximum club, cutting down roots of Olivo Bernar after Barnard's Loops in between of fugitive stars that go regimented in their ionized bleeding esplanade, like Stellae Novae that transfers astronomical cults in the formation and pretext of going through the darkness to sleep near his parents Poseidon and Euryale, acclaiming him near the gramineous fields to paste him with explosive clay on the portfolio of such a smiling face drunk with Ionian wine, in precedence of the disemi nar by the new and expandable Duoverso, Vernarth was already on the last steps of the stairs similar to that of Florence in the Medicea Laurenziana as well said to feel alive when going to paradise next to the Messiah who came to pick him up. But at times electrifying residues would vanish over his field of vision in small beams or flashes, which would prevent him from moving forward to the last stirrups without looking back where all the Birthright was watching him for one last time.

Sitting on the edge of Andromeda, Zefian was waiting for him to meet him in his dark chamber, since the most intimate and primordial causality of his metaphysics emerged from the bases of the reason for all things that should exist, before everything was created and that it has never had pre-eminence as it is in this case of the parasitic chamber of Zefian in the company of the Auriga, which also came to wait for him in the calash running wild as prescribed by the Duoverse in the structures of luminosity in the midst of this colossal inter-planetary chamber, between molecular agitated points that will venture through the axon of infinity longitudinally unpredictable for light-years even though it is so. The thermal outcomes of superheated remnants over the entire luminosity will speak of the catastrophe, and of the inherent emptiness in the eyes of the eternal hothouse very close to the supernovae that can only strengthen the fusion of the space disks of the Universe-Duoverse long before the explosion between Orion and Andromeda. The axes of time will be dislocated between both astral components in this dissonant chaos that will contract with Vernarth's levitation whenever he has stepped on the last step before entering the Hydor chamber in every dark portion of the Universe, making both constellations the ferrule or ring that will yield to the underbelly of Betelgeuse, dispossessing the boasts of the appropriate Commander Hetairoi of his Lynothorax to resist the ravages and turbulence of the Apokálypsis, which brought the immense loads of matter that discharged all its constant energy through the circulating nuclear power plants, and tangents that caused galaxy changes pierced by Hetairoi Aorion clods satirizing expenses for retracting the galaxies below Soldier's precept and super homeostatic mass attracted from their distance on astronomical scales of 2.5 million light-years.

The galactogenic galaxy made use of great prominences that would cover the greater proportional that is outlined in Andromeda of the strands of the Universe adjacent to the spiral that rolls on the underbelly, deferring to telescope sections, and the gravitational field to execute its nocturnal translation like the Hyperdisis Galaxy that collects the bubbling of the belt in conjunctions of minor stars making star mechanics by exaltation, and magnetic disorders creating other leading atmospheres in those detached from the cord of Andromeda, the Milky Way, and Orion. Vernarth was still holding on to the transparent hand of the Messiah while he was climbing the ascension steps to Hydor that would transport him to travel with him through the globular clusters, they will form the perfect delay in transfusing the lineage and not another, in this way the Lynothorax or bleeding pectoral de Vernarth continued to flow from this polynomial tractatum between all area subjugation guidelines, and refinement of the sagittal profile of Hyperdisis in the inter-galactic reversible staked Duoverse.

Lenticular to irregular above the nails of the trapezoid, it spread towards Aurion's right armband, sequentially making the centric radiogram hiccup, despite taking advantage of interstellar matter to self-generate its own transmission light, this made it refrain from emanating the hybridity that came out of its body by vibrating above everything that expelled from its center towards the right rectitude of Orion, thus making the multiplied speed of containing itself of both parts of the null hemisphere of its free will when verifying that it never existed, that it was only an illusion of doubtful matter that would soon Go away like gasified water on the galactic repulsions that would settle on Patmos as devotions of Skalá, and Astro-omegas that would be adhered to the Xiphos and Kopis, who were still united to their being rather in the contour of the perimeter of his soul two meters floating like invisible quantum universes. The totality of everything was inciting the fields of omega-stars that would begin to advance after becoming visible from the spur of the sword that became denser with the viscosity of the Hebrew Adom, which trickled from Orion to Hellenic lands as an Omega age for Vernarth which is conceived early when it carries Hecate's Kleidia or keys to the Omega world towards the proto-galaxies that provide ultramarine loaves, knowing that the Milky Way and Andromeda come so close in their stellar mass that they can collide in a few million light-years. The Duoverse of Hyperdisis was predicted in the visual reality of a fusion of change to interact with each other as it dismembered but re-transformed into the new theoretical core of the Duoverse as a large Black Hole embedded in the center of Patmos. In such a way all the inhabitants began to worry when phenomenal masses of warm air that began to take on the appearance of the Universe plagiarized each other generating incoming earthquakes, not affecting the Opistodomos or the Primogeniture, nor the crowd that was waiting. of all the monstrosity of monks who were grouped kneeling on the top of the Profitis, floating the shattered shaggy skein parts of the Himation. As it was dyed in the albi-color of Calígine, demonstrating the darkness of the intrinsic terror of whoever plows later to free all the succumbed who fell throughout Greece and Judah, exposing all the origins of appearance from the internal now in the converted Universe that was reimplanting itself in the helical of polarity, and bifurcating by pretexting all the reincarnations and polishing the stagnant cessation of darkness towards a luminance that could warn them and observe where their feet could move, sheltered from the monumental litter of calorimetry, and chromatics that was linked in romances trivial with the residuals of the angel shark galaxies where Aurion's progenies will deliver in candelas per square meter: LV waking is the luminance, measured in Nits or candelas per square meter (cd/m²).

• F is the luminous flux, in lumens for the Andromeda triad, the Milky Way, and Hyperdisis in conjunction with Orion. From here Vernarth will supply all of them as the one who will dwell in it in the preface of his Fables of Calígine with the following: "Ex Calígine Chaos: ex Chao et Calígine, Nox, Dies, Erebus, Aether", which transliterated means "Of Darkness: Chaos. From Chaos and Darkness: Night, Day, Erebus, and Ether", Decreeing the (Burning Darkness) before Chaos as flow F, is he also the only one who divinized this abstraction, conferring a proper meaning to the word. And then make of the normality of dwelling in the darkness that is the irrevocable opulence of the desire to maintain the radiance of all the forces that devour eternity. From the remote aces came dark families of flying Lepidoptera Ditrisios, lined up with countless other species that carried dimensional eyes that will be devoured by ocelli or giant eyes that come from the chaos of Vernarth's Caligine to appease the effects of ultraviolet rays, which started from the Nimbus Iridescent creating a layer of protection between the new dimension of the twilight of flight that was already beginning to ignite from the Aurion's scaly fingers.

• dS is the surface element considered the triad Kímolos, Rodas and Patmos. While Vernarth is distracted, he manages to dissipate the twilight of the inverted Erebus between Eleos and Ezis, personifying Clemency and Sadness, where they border the worlds that are not yet riddled with chaos or Calígine, who exalted himself over Erebos with the redemption of Eleos, who was getting ready to swallow the sadness of Ezis. Therefore Kimolos, Rhodes, and Patmos will consolidate their hegemony of unalterable lands where Eleos' piece of clemency will bring the support that makes Ezis's faceless portent, close to the hybridity of the Itheoi gods, in the Transversal Valleys of the Horcondising, with the Norns and generosity of Apollo who had given them after long stays in Hyperborea as female spirits once again as advocacy and imperishable protection of the legacy of Smintheus's travels by providing the company of Dísir, Uror, Verdandi, and Skuld as a female entity, of the past, current and future that should occur by order of Skuld. This will allow the three to unite with the Ds to merge the three as a complement of three female entities that will safeguard all climate change on future disasters in the Dodecanese.

• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse. From this premise, the worst of Vernarth's fears was to let go of the Messiah's hand and fall into the anger that blushes even Hetairoi Hero from Deimos, when the night reverts to the rest of the demons and the night adopts those who go perceiving in Vernarth that perhaps he was holding hands with Ares for the battle alongside his brother Etrestles, under the orders of the savagery of the metaphysical engines of panic. From this vision, Vernarth manages to open his eyes with the desire to show those who were watching him and to be able to show that he was aware of being a prisoner of his emotions and escaping from himself in the illustrious suffering of thousands of arrows, which ran around him like fleeting meteorites to the flat field of Tisiphone's revenge. The luminances became and became colors that were molecularly twinned with disparate tones that were capable of differentiating them, and at the same time nullifying the power of obscuring Vernarth's countenance to take his right hand and take the arrow to break the darkness that was lunged at him.

• θ is the angle between the diameter from Andromeda and the Milky Way (2.5 million light-years), Nemesis or Ramnusia as the retributive coercion of disobedience, being aware Vernarth became more and more of a being adopted by balance Nemesis for balance to command him to his senses before entering the field of limpidity of his soul in transit to liberate himself from all the chained who used to be happy, but sad that no one acclaimed them except Aionius Itheoi of Vernarth who translated the messages that from now on will move diametrically from Andromeda to the Milky Way, without any of these two portions being invaded only under the order of Nemesis, and Vernarth abiding by the retributive justice of The luminance that can be defined from the radiometric magnitude of the radiance without more than weighting each length of the wave by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of Vernarth's eye in the underbelly of Betelgeuse, spilling plasma and magnetic bruises on the galaxies and Eyes of Orion.
Meanwhile, it manifested itself as a personal universe, not excluded from time and space for a metaphysical causality that will not be able to compose the mentality that is measurable in the joint senses of a Zig Zag birth from this same calígine emerging from another creature of self-observation and see the physiognomy of the anti-material and mass Universal Horcondising. From which we pre-exist to waste of science that models the system of energy and matter in causes of ancestors with which his life and ours that were propelled furtively. Gravity made great paternity in Vernarth's active Biomass, being in the Dodecanese and cosmos in the verification of curvature that makes us with the moon of its romantic astrophysical swings and exaggerated geometry of a Zigzag.

We are versatile multi-dynamic mass that expands simultaneously in the void that pauses in the Nothofagus Obliqua of Vernarth's Horcondising, and also of time2-space2 that have not been attributed to the origin of the stars that move irregularly in Zig Zag, for their immature componential that is clearly of Aramaic blue light from the Pealim of the Abba, circulating with bullets movements skimming the air of the grasses attracting the attention of the entire order of the hypnotized universe, making appear before them the duplication of the universe itself; in Duoverse, which is the recently shaken Universe and of gratitude in the distribution of nearby galaxies that are keys to the paleo kosmous already arranged in macro waves, which are percentages of the spaces of the Tri-solated energy fields, which interact with the phylogeny of the Mashiach in Gethsemane, lying now in a stagnant decomposed future, in a frozen present specific to the peri Kosmous. Its final station is to wager the Zig Zag Universe on the temporal middle Ages chrestomathies re-expanding in qualities of gregarious Sub-mythology, already settling here in Archangels to activate. The implosion of gravity has procreated worlds of visibility of magnanimous astronomical longings, in some fractions of time in Zig Zag by millions of fractioned light-years, as an irregularity that resembles the measure of everything quantifiable, being omniscience or not acquiring the hexagonal of the primogeniture of the fragment since Jerusalem goes to Bethlehem, where the Davidian prism whose Original is attributed fractal in form.

The personification of longevity was trapped by Geras, always escaping from the obfuscated universe or temperament that could be represented in humanity that relied on the antigens that served as support for the reversibility of every hero like Vernarth, who tried to glorify himself in the fullness of life in Heraklion or in the sand that was dyed red-azure when the soul of Alexander the Great would rise together with Vernarth with the Mashiach. The fractal beating line of the Mediterranean towards a vein resembling the rhinestones of King David to the Ziziphus of the Messiah simulating to be irregular symmetrical formats, to build gems in thorns of landscapes that basically subdivide into similar conical funnels, to then be randomly displaced towards its central point shared with King David's five o'clock Incorruptible crown, recursively reiterating it in each square until the eminence of the desired detail was reached in the curve that joins the landscape to Bethlehem and then to the Baptistery of the Shepherds in its hexagonal base, figuring to be the sleet in the final Crown of Rejoicing falling on the top of the roofs "Doroteo or theological gifts" in which the Mashiach's stable of Kafersuseh burst and agonized in the abstraction of the One-Dimensional Beams with foreign eyes, and own tissue eroding to mortal frowns that can be seen with their divine eyes in our own likeness, and of the planet n failed to increase the size so unknown and analytical in this peripeteia of the implosive ideology of the bubbling of the Verthian Duoverse.
The nature of the snowflakes in Bethlehem are natural fractals detailed in their nature, and in the natural infinity that here was envisioned from the new privileged world for self-similarity in speculative functions of Vertnarth, by intervals in each space of shadowy fences, bringing accelerated courier bulbs from Gethsemane in intermediates of olive trees transformed towards other humans.“Their correlation is infinite with reversible observable time, and paternal belonging to mobile gagged echoes of a space that is obstructed by Vernarth, in such a monograph and integers among the fractional integers "Finite is the curvature between the path that walks through the thickness of the Duo-Universe as an alternative of Zigzag and Duoverse energy, which is unleashed to our subconscious observable orb, and what a great beacon reflecting eye that ignores and prescribes extreme distant and focal parts of the One Dimensional Beams of Kafersuseh in Ein Karem. The Duoverse is the rehearsal Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse Orion, changes of arduous colors in gradient and Avant-Garde, for limits of perspectives and verbally of amendments of physical fields framed by an external gravitational means. The macro waves are exposed to matters not contained in the abrupt changes of the Mashiach optical selection with the One-Dimensional Beams, attracting selection crystals to atomize them in reaction disturbances, and recreation of multiform plasma saviors of Christian astronautics, examining the double of the macro waves and equation of them on the axis of the universe converted into Duoverse, already in millions of light-years, they will continue in the Duoverse, to reconvert from ectoplasm with large margins of assertiveness. Cartography is the error correction of the current universe, getting lost in the second thousandths of figures that separate us from the Universe, but all being more than time…!, remaining at the expense of the wick of the Cirio with all its electro-matter” Having already established the sub-mythology, Hestia appears after having slept a great dream, when she appeared before Vernarth in Tsambika she was seen changing size, when she was six meters away she looked tiny and when she was already two meters away from him It looked monumentally enormous, but with a versatile physiognomy, therefore it was already appreciated in the last steps with its domestic figure of a goddess that emanated light-years disserted by chimneys and its rooms. The critique of immanence that would happen, would pre-exist the perfectible plan for the Zig Zag Universe and Hyperdisis as Hyper-Hestia, bringing torn words for those who were approaching the main altar of the Vas Auric, which consisted of the great ratio of the proscenium in the Teodora vicinity of Tsambika, between Clairvoyance/Judgment for Wisdom/Meditating constant mechanisms according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called the Triverse. The oscillation of all these fantasies was observed by Vernarth, but he knew that he would have to collide with this finally, already precipitated by temperatures that acted on the average of the normal range, therefore it was imminent to mutate him into the proselytizing provisional Duoverse, which moves backward between the lights vertiginous of creation. Immediately afterward, the Universe has torn apart and lost among those around him, establishing units of millions of years of compressed light from the piccolo Aulós, which Hestia carried in one of his pale hands, his prytaneion was lighting up with the flames of the heart of fire and passion of consanguineous love, "Prytaneum", paving the light in the clarity of the faith of the owners of farmhouses that were founded when they arrived in Tsambika in search of the Vas Auric, acclaiming with the omphalos stone that marked the navel of the world with defiance wandering to the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face always walking to and from her home unscathed in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones who were staying in the cold fire of her climacteric losing fertility after his father swallowed them, and then they were expelled from himself regurgitated in flaming matches from a blessed house full of indemnity, giving the Duoverse another category calculated with angles never contained vibratingly sliding between distances that discount minutes of Hestian space for such a corollary of approaching to its finitude and inaugurate the sub-finite,  which will never be a source of terminus in a disconcerting end of time not finished flush with the physical equation. “This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is consummated and restarted in a process that does not end (sub-infinite).

Vernarth was a few meters from entering the Nimbus, when suddenly his soul darkened and his panic flared..., suddenly he felt a scream from above and below he saw how everything was made of rubble. Courage blinded him, not wanting to observe what the evident end of the world and rubble intended to consume him if he said goodbye to his most beloved beings, until the lines of infinity approached those of the earthly world, intending to eliminate all traces of his family lineage. In this way, he begins to run through his hands the reflected Hydor of colors that pierced the skylight of austere words. He manages to see Calígine del Apokálypsis farther from the mist, detached from all gravitational force, only being able to see his mother among the smoke, who was coming up by a ray of light, Vernarth tries to free her from that moment of expiration but does not reach the synchrony of catastrophe in what pretended to be from the hand of Eris as the disagreement that did not allow him to put his survival weapons in order, believing that this instance would not allow him to ****** her from the goddess Eris, if he could believe that it was inevitable that his mother Luccica became a granite coat of arms, after the dark night that threatened to unravel her from her flimsy solid state, and then crumble to the ground turned into the ground that was crushed from roots that postponed it to be consumed by the gift of the light of life, and end of a light that is visible in all the roots of the earth when consumed by the infinite that vanishes in the existence of all being.

Vernarth, when a moment of clarity allows him to see his mother, tries to rescue her, realizing that his father Bernardolipo was with her, between them they would try to redeem them from the spread of Nix and Calígine, who behaved with great pain by mocking the edges of the Ether that they received Crono, they could not be victorious in arriving in time to rescue them, if from the harmony of a troubadour of the Mashiaj he observed him see if he would return with him to enter. They became visible in their parents as they contended before an avoidable awareness of this indivisible event with the aggressor words of hindrances and generations of millennials who anticipated the omega of everything in the lower part, under the feet of their parents appearing insignificant one (w) that precedes and succeeds the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate to the metric unit of the numeral Myríaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand fewer than the horsemen, total thirty-seven thousand fewer than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriads of the Myriaz of Phalangists undermined by their Xiphos in the area of the right calcaneus of each faithful man under his command before facing the Achaemenides. During this period, Vernarth took extreme steps to rescue them and stop the numbing effect of all organic matter, not being able to rescue them, only granting them in the image of each one when they began to turn stone from feet to head until the fragile solidification of their eyes. when for the last time, they looked at each other only making it clear that it was a belated rescue gesture. The omega was ineffable even beyond the omicron, being Omega and Micron in the warfare primer of initiation of its cause within the prophetic in all the necropolis of lowercase omega (ω), towards an Omega that reaffirmed the raised hand in Saint John the Apostle to rewrite the Apocalypse twice, having to be the same but with the voice of Vernarth commanding the ten thousand Phalangists that made up the intergenerational gaps, more than mimicked alien ancestors. In such an effect, as is known, the Duoverse opened the skylights with its sheathed pillars and with the strings of tetrachloride of chlorine in solid angles of Ω in what was Virgo institutionum/Aurion, an entity that interfered by projections and leaks that converged in the strut of the omphalos of his heavenly father dealing in frequency and bloodless of immortality, consisting of an auxiliary being towards the planes of subconscious reprogramming and perspective. With its arms raised in each claw, a sword raised to pierce the vanishing point between the spaces that were ascribed, under the solid projection from an observer that inhibits and limits the biomass in all the aqueous filter pastes and lumens, towards the throne of the angelic guardian of Avant-guard by stereotype and sclerosis of Zeus of dissociated physicality, still being an amorphous entity with magnitudes pulverized between numerosities of Pi and Aureos, fading without area or volume.

Saint Jerome of Estridón: “Vernarth, I come from Bethlehem to help your life because I have detected the subsuming of the chains where your parents made the alliance from where your life has been erected from Sudpichi, Transversal Valleys in the temple that bears my pseudonym. The only rune that will determine that your parents can remain united, is through the action and direction that has been consecrated to me. No dead language will unsay what a dead soul cannot interpret. Our Mashiaj has entrusted me to free the languages that have conspired at night, and low luminance where Calígine has been uncomfortable seeing me knowing that it is my favorite environment, the memory of the chains want to incarnate in the stones that surround your parents, but  they are typical of a response that I will get to conclude by urging your mother and father to recognize that here they made the alliances, ordering, and reconciliation of your world that concerns us all in endless dictates to be agreed, I know very well that the point has not of allowing your atonement to have been prevented by this cosmological affront, here are the transverse Valleys in the favorite place of the Spirits lie the treaties that will move my greatest interest to re-marry your parents from the true chains of the complacent scholar, thus all the vastness that afflicts you will belong to your servant Jerome”

Vernarth replies: “At your service, his majesty, here I have been since dawn arriving at the town to meet them when they contracted their marriage. I know I shouldn't be here, rather I know that decades of inquiry had planned it that way. Of such conviction that their chains were anointed from the heights of the Kanthillana whose partiality emits the partials close to your direction? As is known, my very extensive walk through these dusty paths must recognize that the personality and nobility of its burial mounds will strengthen my presence so that everything that is incomprehensible if it is brief by making it neighbor to my reason”

Saint Jerome of Estridón: “everything has been planned like this, and as time drags on I know that your wounds burn in my epistolary like Latin and Greek voices that reluctantly direct me to your aid. Everything is beautifully comparable, and first to what should not be said..., but to do to the genre that above all it practices, the second to one of the ways with the above all that it practices "
By the reverse of the expletive to the insurmountable destiny, Vernarth takes his hands and Saint Jerome withdraws them telling him that it was not time for greater vain for the equivalence of minor desires to please him if he had not appeared before him. It shows him to celebrate him and to want to make of him the permutation of his golden polysemy or interpretation of the world's Apokálypsis by not changing his axis of change, by redirecting them to stated comfort interests. Namely; the leaders of the world in their world of annulled freedom of will to practice following as they please when interpreting the Apokálypsis only as a revelation, and not as a destiny that exalts the senses and compensation that will reconquer the consistency of the nature of the Apokálypsis that adheres to humanity as golden that will consolidate humanity fearful of its own ******* and excess of greed, just as it was just a few steps before entering the Temple of San Jerónimo in Alhué hand in hand with Vernarth already fully healed of his Lynothorax pectoral. They go to the ambo and Saint Jerome essentially takes out of his pockets chaff that was from the escape of the mass of stone that had not yet finally hardened, allowing them to generate a mystical sermon so that their parents return to the nave of the temple in person to surpass farther from the spring of awakening of the Kantillana requesting the unification of the ashes of his father Bernardolipo and Vernarth, to rescue his mother from a poor abundance, and is transposed by the metaphor of the life-giving spirit. Immediately afterward, Saint Jerome pours the chaff of his parents all over the surface, a great noise is produced, the doors and windows of the temple are suddenly closed, and his parents can be seen walking along the central row of the nave, where fiction could testify that everything was a fantasy, rather a great testament that would exhibit the union of two juxtaposed flanks prior to an invaluable crossing of smiles and flowers that fell from the upper altar on their crowns, they came holding their arms like open borders with the procedure before the harsh reality of a metaphor made real in the future of two beloved shepherds who crossed the limbo of their fingers, with the ferrule or the act of engendering rings of family procreation. The crosses of Lisbon and Saint Jerome resembled the monograph in beats of her wealthy feet that were consistent with the nubile gesture of her lips and then released with all frenzy towards the meeting of her beloved Vernarth, the three of them dancing together on the central pinnacle of the obese light that sheltered them, meaning from the testamentary Hebrew the Aleph on the way to Sudpichi after the Raphaca “Healing” ceremony until the diastole that adheres between the middle of the gap that was produced when the three confronted each other and the word “Heth” again He was bent over to take them like gigantic camels to meet his relatives and ghosts that surrounded him when observing the heights of Kanthillana at the assent of all this.

Because of all this similarity, the tribulation from Patmos was raging with very strong resistance, leaving totally clear of the conditionals of the flint or flint, which enveloped the parents, began to fade from their bodies while it was recomposed of seven elemental forms in relation to the transcription and identification of the three as a family trunk enormously of its exegetical possibilities. Tangent to the transcription, and if it is the case identification of the names that we stick to reunion and redemption of their parents, like all anthropology that was chained to the figures and characters that cordoned off the top of the temple when the three met they hugged and held hands as a sign of illustrative demonstrations of never surpassing oneself. Beginning with the compensations in the fullness of the tables, and completion of all the facts that showed that nothing of language escapes what an eye can observe; that is to say, as long as there is a speaking light, it will always be necessary to listen and then observe in the presentation of the mechanics by the lines that expressed the figures, which were increasing the number of letters that were possible to decipher; called stichometry or measurement of the lines in the texts that Saint Jerome that they were ordering to order a vade mecum or memorandum of this unbridled situation, which in any case had to simplify it whenever it is indicated for the reading of three beings that would meet in what literal of four spirits articulated in the continuum, in such a way that Vernarth added his bilocation to this symmetrical experience to meet again with the Mashiach who awaits him on the third step before entering the Iridescent Nimbus.

His parents will be the co-princes gathered on the Supichi road bound for the Horcondising, where Vernarth all Austral Winter Solstices will come to ask his parents for an audience in the Kanthillana Heights where they will summarize the exact day, that everything happened from a Thursday to a Sunday in the first hour of the most certain Saturday in which the twelve unnatural candles will be incorporated into the Duoverse from the branch of the Raedus Codex, specifically from the Antiphon that accompanies them to the compromised one, and sinuous height that was misted by the mist of snow, and vehemence that was perceived in the greatest regulars of Spílaiaus, having a ring of lights as if such were a gesture of Jerome and everything that was named in the concordance that could be confusion that slipped from the metaphysics of new space by beginning. From such a root emerges the Eta or value number and Vernarth symbolized as  N times from "8" to the entire value of the figure of 800 "w" or Omega, which will be the values of figures and numbers to predispose the alternation of the visits that will take place. to have with his precursors each Solstice, after alternating with the Elves of Archimedes, and to cross with them the manifestations that made him lighter than air, as could be expected before the imposition of everything that he imagined to sleep to the badly gestated world that had been altered, even with a remote Faith that symbolized the decisions of Saint John the Apostle by disposing of the salvages of the vestiges that had been destroyed in the physiognomy of a cause that proved more eloquent than a mere revelation that was never believed which would awaken from its very Semitic superlative. In this case, the allegory surpassed the prototype of all curly visual language that emanated from Vernarth's decision for the humanity that needed him, on the one hand, Saint Jerome already resolved, and Saint John the Apostle in the division of two events of the same story that It was melting into the complexity that would be unspeakable for two Saints in the middle of Vernarth, demonstrating that he had taken them with all the power of the force that is capable of pulling and manipulating until arriving at the darkness of the senses where all understanding and reasoning fall asleep. only allowing the silence to take them in the ellipsis recently emanated by the Nothofagus that were walking on the flaccid snow, the three went with graces of faith and satisfaction, Saint Jerome escorted them with everything healthy that made the incomparable awakening of two latitudes explode who managed to revive in invisibility, after resisting the latent verbigrace of the Apokálypsis that showed that the incomparable topic denoted the ma Greater resistance to everything destructive and Omega with the only subjection that only the verb "Love" does. They reached the icy and stinking gases similar to what Santa Rita de Casia emanated, which at the same time would be dividing breakers like those declared by the Corinthians about the Israelites when they were blinded by the radiance of Moses. The same would happen in the veil of little snow that was left behind his last steps when everything was white as a growing incident that would be attached at once to Patmos and Sudpichi, as well as Kanthillana and Olympo. He says goodbye to his parents and they carry their impulsive agreements to meet on the next Solstice together with Saint Jerome and Spilaiaus on the plateau.
Genesí of  Apokalypsis
mario Sep 2018
The white billowing funnels of purely antiquated fluff rolled by like wind in a lazy sail. The syrupy cirrus disasters dripped heaven unto passersby. Everyone watched and waited, but not a wretch took even an instant to notice that a malevolent tempest brewed south. Mortals went on with their days, hell's revenants. Constructing sin and suchwhat. All was lost before it had begun. God's master plan. Flaming meteorites launched spectacular displays of warfare and catastrophe in the firmament. Corpses showered the celestial Terra for years, months, days, hours, minutes, and seconds. Only when hot hate ran through the streets of humanity was it finally forgotten. Over and done with. Then a new day began, a purplish-pinkish day, complete with stiff greens, cool blues, posh reds, and the occasional stygian black. A conclusion before there was even a conception. There was a sky.

And suddenly, the sky made love.
Ilia Talalai Nov 2013
The world I walk through is a deep cavern 

filled with cool air and brilliant water.



I jump from puddle to puddle weeping

at all the wonders my little chasm is filled with. 


My feet carry me in syncopated skips to those small funnels 

where the invisible breeze tickles and sings in my ears. 


My breath gives me pause to reminisce on how lucky I am. 



These various rhythms of enthralling fascinations 

leave lasting echoes that reverberate off my cavernous edge 

feeding upon one another,
until the cacophony is too painful for me to ignore. 


                                                              ­                            I must rest until it passes.

...Walking with you
                                   ...that steady pace you take...
                              
                          ­                       resonates against my walls. 


All I have to do to is match your step 
and
marvel at how the echoes sync 
with every one of your resounding steps. 
 


Each in turn, building upon the last into a glorious orchestra. 

They shake my stones until one little loose rock comes plummeting down.



In its stead,
               a wondrous beam of light shines radiance through my dusty air. 


                                                       (sfumato)
    
My all enveloping world is no longer.

I know there is more for me,
                                                   far away.


A world of light, 

       A world of joy,
                A world of love
                          Out beyond these beautiful walls. 



...I am weak
                                                          an­d my world crumbles

                                      from the beauty your footfalls have left on my soul
Ignatius Hosiana Oct 2023
"When your turn finally arrives," he says,
"you'll understand why the wait was really long.
You'll see why the storm was rough and strong,
Why the Ocean was endless, the sails torn.
When your turn finally arrives, every tree in this jungle will make sense.
You'll appreciate each wound and scratch for the beautiful scars they are.
You'll finally see adventures in your endless journey.
You'll realize that the burdens and weight you couldn't bear
were merely the crucible where your strength was forged.
The wrecking heartbreaks, the tears you've shed,
You'll learn chiseled your spirit and your character made.
When your turn finally arrives, you'll understand that
The purpose of going through the deepest caverns and the darkest tunnels
was to unearth hidden gems, like precious pearls in funnels.
When your turn arrives, amid life's daily stumbles,
You'll discover that each loss you picked up along the way
collectively turned you into the masterpiece that you are."
Eric W Mar 2017
The pressure drops,
and the leaves begin to
swirl around a dusty lake.
Fire in the sky
rolls in with the clouds
riding a difference between a
splitting of hot and cold.
The hot air ***** the rain
further,
while the cold air cushions
and pushes
further.

In another distance
a similar storm brushes in
with a deep wind that
has carried it across an ocean,
to pull in more water
to travel
further,
pushed by the cold of what
is behind
and pulled by the heat
of what is ahead.

These two of a system
meet over this lake
and crash together,
like two gas giants.
The Earth shakes,
the lake creates waves,
and a look above shows
the funnels coming down.

One of pure chaotic wind,
and another of raw destructive water.
Trapped by each others
opposition
and support,
they dance across the lake,
lifting the leaves
and spinning
the weight of their composition
into one another,
until finally
they merge into a
brief or non-brief
union,
pull into the sky
as it splits apart,
breaks the storm
and leaves
clear skies.
'Round the orange warm pit of fire
Phantom dancers enter in
Where the sparks were rising higher
Smudging face paint near our din

Beating loudly, harder, faster
They drift up inside the smoke
Smoke that's swirling in wind circles
Rhythmic funnels of split oak

In connected, spinning trance state
We could see them, could we not?
With their beaded braids a shaking
And the red glow fire hot

Through the cloud puffs
of our drum smoke
With the magic of our minds
We saw ghostly lupine beings
Come from feathered years behind

We were beating, harder, faster
With hypnotic drumstick hands
Frozen hands kept pa pa pumming
To invoke the spells of man

Healing sounds of pa pum drumbeats
Ice and fire wolf moon clan
They soft footed round our powwow
Took our spirits to their land

Written by Sara Fielder © Jan 2016
m Oct 2010
On some distant island
The fish swim –
In the air
And upside-down.
And they talk like people
And they talk unlike people
And they always look silly.
I’m sure of it.

I know because I want to know.

Has a curious vision-arrow ever glanced your eye,
Forsaking your pupil and enjoying your iris?
One or two have mine.
I think to the bowman always:

A black hole, and at least as complex,
But not a hole of darkness.
Nay, in my own, I see the fish.
An extravagant concavity that appears convex.

Eye – flipped funnel
Man – flipped funnel
The mind works like class notes,
Disheveled.

A realm of those aqueous creatures
Can’t be possible and
Must be possible because
I want it to be.

Even holes are filled with earth, air, ether
Even funnels.

Who is to tell me
That my fish can’t have their reality elsewhere?
Some infinite alternity where
Things go and are made
And holes, filled, are emptied?

Who to tell me?
A man who sees colors
To describe to a man who sees black
Some ethereal place
Which is neither black nor color?

No.

On some distant island,
The fish don’t fly –
They swim in the air.

I promise.
Adam Latham Sep 2014
Far over the mumbling Mountains of Moan
Where blazing hot Firebirds are nurtured and flown,
Through silver veined canyons and mines filled with gold
By Dwarves in their halls seeking riches untold.

There lives by the side of a babbling brook,
Buried deep in the earth, in it's own special nook,
Underneath a quite small yet conspicuous knoll,
Hidden from prying eyes is the home of a Troll.

Alone in his cavern of amethyst ore,
He sleeps undisturbed with a grunt and a snore,
And makes the ground tremble with dream induced growls
That fly up with spit from his thick flapping jowls.

The floor all around is a sea of gnawed bones
Stained pink by the light from those crystalline stones,
That shimmer and sparkle like miniature storms
Left raging for aeons in mineral forms.

His slow beating heart sounds a deep thumping boom
That scythes through the half light and twinkling gloom,
By which, if you look in the cold that persists,
The Troll's heavy breath funnels up into mists.

A great iron club with its spots of rust red
Stands upright and ready close by to his bed,
The Troll's hairy fingers draped over his prize
To ****** at the hilt should the instant arise.

One beady eye open, the other shut fast,
Only the foolhardy would dare to creep past,
Wake him at your peril, no need to surmise,
You will meet a brutal and violent demise.

A wrinkled behemoth with rings through his nose,
The truth of his origin, nobody knows,
Some say Trolls were spawned at the dawn of the world
When primeval magics and such swished and swirled.

While others less fanciful look to the West
Where dark Elvish wizards in black arts invest,
The wrong incantation performed on a man
Is rumoured to be how the Troll race began.
#Troll
Brea Brea May 2013
Well, you'll pobablly be in another womans arms in the years to come
but that doesnt faze this thing
welling
that runs through the tunnels and the funnels of this heart
my love
because it gives me conviction when you are weak
it gives you the loving that you seek
and yours
like chemistry
it gives me the wish fullfillment, the dream I'd always wanted to meet
you are my sorrows dry
the tear drops from tears
separated from thier highest fate
transmuted from young coal to old gold
you bring something with you
with that pride welled up in your heart
ike a wise kind serpant
that only seeks to help
only seeks to pleasre it self
to helping me
and those who are comming
you have the ancients in those eyes
considerable, and powerful
they recognize the same power inside
me
I didnt need your acknowledgment for it to be here
but without it
I wouldnt be here
it would die whith te last morsels of my heart
to a kindly but devious part
Ive been called from the old story books, then
when the gods were our best of friends
but now I am here
in a world that is no longered catered to
because of fear
the children are blind and weak
and recognition, friendship wa all that I really ever seeked
with shoulder bones of gold
you reached into me
and saw something old
saw something untouched by the hardships that has the power to turn something beautiful
decreppid and old
not that Ib havet
havent felt the shiver of the cold
by my own small fraction of foolishness
because I listened to what this life had shown
but all the while I thought of you
even while others ran me through
this same kindness isnt wasted on you
it gives me great pleasure to do
all of this for you
because you dont look down on me
yu see yoursef in my glee
and I see a young god
with a youthful nourished body from the glitters its mind contains
like a wise stag, you've lived your ife as not to shame
the wisdoms and truth carried in your name
you make love to me
my wounds you clearly see
My lovliness dare not loosen themselves from me
my spirit is wise
and its beauty
its heart
its demise
but I am safe with you making love from behind my thighs
I am recognized for the creature I really am
not the kind to still be walking the land
but with your face in mine
my eyes flicker with a hope, completely consolidated

by your firm touch

your firm kiss

upon my soft halo

we are

the same creature
Allen Wilbert Jan 2014
Storm

Darkened room, darkened sky,
no one asks or wonders why.
It's the calm before the storm,
temperature, getting a bit warmer.
Board up windows,
bolt up the door,
but still wanting more.
Storm clouds getting closer,
hands shaking like a composer.
Starts with wind and rain,
not easy to explain.
Thunder than lightning,
this all seems so exciting.
Running outside to check it out,
the end of the longest drought.
Funnels forming everywhere,
but you don't seem to care,
Not a clear sky in sight,
it's day, but it looks like night.
Back inside for some shelter,
family huddled all together.
All the dogs begin to bark,
living in the trailer park.
Storm passed by with no damage,
living in Kansas is such a challenge.
All the people in the trailer park,
get scared when day becomes dark.

— The End —