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Gregory K Nelson Apr 2013
"Turn back the pages of history,
and see the men who have shaped the destiny of the world. Security was never theirs,
but they lived rather than existed,"
said Hunter S. Thompson
at age 17,

before he became The Duke,
and shaved off a leg in Doonsbury cartoons,
before he rapped the sharp corner of his shot glass,
so too many times,
on the inch thick enamel,
of the Woody Creek Tavern bar top,
and waited until closing time
to begin blowing lines,
out of the divets he'd made.

The people clapping,
the moon attacking,
the red bone blood of America pumping past his eyes.


After he died, everyone there had a Hunter story:

Hunter shot his hot girl assistant in the *** by mistake,
but he felt like **** about it.

Hunter had a dozen red cheeked lasses he skied with,
but he never messed with them.

Hunter showed up in a Cadillac convertible packed with
strippers dressed burlesque.

But it was hard to tell just exactly what he was up to with
the strippers, the peacocks,
or anything else.

Alot of the stories had ****** implications,
but what they mostly implied
was he was cool about it.
He didn't write any of those stories.

Despite all evidence to the contrary he liked his privacy,
and what peace he found in rare quiet.
And he made **** sure they'd shoot his ashes
out of a ******* canon when he died.

The canon is still there.
So are the peacocks.
The Woody Creek Tavern, where Hunter used to hang, is still there.  The food is fantastic, the company is pleasant, but the prices are high.
Meagan Moore Jan 2014
Press me into the mossed tree
flanked in auric diaspora
lifting billowing dress with one hand
pressing it with mine into the drape of fabric
framed by tree bark divets
breath incumbent
drifting in mellowed heaves
heavy against my frame
pulse cadence
requisite engorging
blood thinned
eyes dilated
spine *****
pinning me
expectancy
pelvic tilt
sacral arch
calf raking thigh
I climb you
Lyzi Diamond May 2014
these old books and all those boys
tripping on squeaking baby toys
your mother's last apartment floor creaking
under seven or eight count teenage weight
spilling boxes of recorders and claves
from the highest shelf and a xylophone
crashing onto solid oak table
spilling the last standing mug of tea
steaming, staining, spitting varnish
resolving to small puddles
in the divets on the table
4/30/17

A cheetah speckled woman
With long curly red hair
Invited me to a bean shaped cushion
In her studio apartment.
her keys jingled in the closing door
Sealing us, a hot red room.

"Love is creepy"
She says, sinking into
Her candy apple bean shaped cushion

I am a watcher.
When We met, She was in her natual habitat.
A coat tail of men,
I admired how oblivious they were
to being faceless goons.
watched her direct them
like an ***** desperate orchestra.
My back against a wall,
Smoking a cigarette.

Now, I'm in this studio apartment
Again, I am a ******.
She tells me stories
Of bad tinder dates
as I survey the strung up Christmas lights
Posters of Marilyn monroe.
Teenage quotes of aspiration.
"Be unapologeticly you"

She smiles at my ignorance to her body.
I am not ignorant by any means
Only respectful
I notice her smirk at me swing around
Leaning into shelves of pottery and art supplies.
flying around with a clipped wing.

"Will I be a poem?" She asks.
"You're right. Love is creepy."

I pull wine out of my bag and place it on the counter, put Chicken and vegetables in the fridge.
She turns on Netflix and asks
"whaddaya wanna watch?"
"bird documentaries"
i say,
an effort to incite her own decision.
domestically,
A bird documentary starts to play.
I gloss over a smirk at my failure
We share wine meditating to the sounds of
Bad Voiceovers and chirping

We are the card dealers of moments
hourglass columns
sand falling where art should be carved.
fractures of timelessness stacked like
Jenga blocks
each sip of wine a ritualistic dymensia
blackjack tables with no dealer
just a bartender

We watch an owl puke up mouse bones
"Owls are Creepy."
We agree.
witness to me, is indulgence
silk strings pull my heart towards exhibitionists
When she changes to A pink robe
Textured to compliment my heart strings
the singsong of birds chirping.
provides an exotic baseline for her sway.

I stare at her body.
"My love is creepy" I say
pressing thumbs to divets in her hips
I am slave on her shadows
My hands trace contours
follow my worship eyes
"I like the attention" she says

In the morning
drafty eyes part

whisper From swirling pink elephant dazes
smiling at me.
the soft moans of her night
the reason I started dealing cards.
an addiction to that moment.
the reason I turn the hourglass.
the wide green foggy eyes
Watching me stare back.
stretching like a cat
who plays with the bird
brings it to it's master as a gift
limp and submissive,
Perhaps she is the bird.
Sunken to the curves of the bed.
a limp beautiful body
the most honest and intentionless fracture
love is creepy.
I am a watcher
ask only that you exist.
Existing is equally as creepy.
we have fingers
thoughts
consequences.
So why not stare at a part you want to keep?
Why not write it down for others to fly?
so many beautiful things are never seen
Oppurtunity wasted for fear of being creepy
Fear of love.
fear of cats
Fear of birds
when I stare I capture
When I write, you stare
love is creepy.
we are creepy.
birds are creepy
be my creepy love bird.
peace dove
fly with me, if for a moment.
and stare down at everything while we can see it
I want to see everything with you
For now I see you in everything.
Photoshop you into my dreams
Imaginary
Love is for the birds anyway.
Robyn Kekacs Dec 2013
Abiding in tidy quarters
In which space I will confine
But my life is full of hoarders,
Pack things rashly in my mind

Some more obvious, some more subtle
Seems likely I'll never
See through the rubble.
Rational thought can be transferred
Transplaced
Deterred
Through the nostalgia of a *** once stirred

Finding divets of respect
For those who expect me
To level at their self inflicted debt
Is beyond words that come to be

Break the dams down of succession
Find my daily dosed oppression
Is within the people I reside
I can't run, cause they know where I hide.

Move with me; I've moved with you
Contorted into mentalities by body couldn't do
Just to watch you stay untrue
I can't reflex anymore,
I'm deadened to your dramatic lores.

Done waiting for the progress
For reciprocation past due
Cause I'm waiting to wane this fever,
And the antidote's not you.
the Terror Dec 2015
every pretty metaphor has been used,
so instead of telling you,

"your eyes are like stars",

or,

"your skin is like glass",

or,

"your teeth are like porcelain",

I'll tell you the truth.

your eyes are brown,
brown like the color of blood,
when it's dried into my cotton sleeves.
with little dark flecks that look like footsteps in desert sand.

your skin is a landscape map.
it's got bumps and pockmarks and divets
and hills and valleys and wrinkled canyons
and forests where you don't shave because you don't care (I like that).

your teeth are tombstones.
a little jagged. not quite diamond white.
you smile too big for your cheeks, and
you had all your wisdom teeth cut out before we met
(you wish you had asked the dentist to keep them, but you were on drugs and forgot).

by now you're probably thinking,
"is this an insult?"

and I want to clarify that, no, it's not.
I think your eyes and your skin and your teeth are so ******* beautiful
I've looked at you and wanted to cry.
Meagan Moore Jan 2014
Floating
engulfed in penny light

the coppery-brine amalgamation penetrates my mouth
swallowing
viscous globe of blood-riddled ***

the shards of shell
spines split by the tide
echo my sentiments

current eschews shallow alluvial grave
cognizant cicumvolution
ambient gyre
diffuses carapace shrapnel into my calves

gulls enigmatically screech-stripped
slap briny padded patterns into the shoreline
pausing only upon my primal glottal stop

toes curl about inundated sand
clouting divets shift
dilatory run – slammed inert by invariable wave

cochineal effluvium plumes lilt
crepuscular rays refract further distortions

Neath the water I blindly ***** my body
Ridged projections jut from smoothed flesh
Puckering at my own touch

I sink beneath atmosphere
liquescent folds embrace promptly
I drop beneath chaos

Bare palm dig into viscid terrain
rung after rung demanding presence into the depths
I claw forth onto a sand bar

emerging
shard flanked form
eyes blazing
cuticles numb

pulse flit
patina of blood and grit

Fulgent tread propels
Upon shore
I walk back to my residence
A warrior - mortal
plated in copper and brine
c quirino Apr 2013
voices occur now,
or sprout up, one next to another one,
rowhouses built between
the natural divets and gaps
in our sound.

at first the male one starts chanting,
a softer female one sings next.
she affirms the divine hollow in each of our centers.
she says the first stage of the self healing has already begun.
JAM Dec 2013
Every wich way a switch blade cuts
The divets of the wounds give me a rush
Just enough too make me blush
Like...*******! can you really tell I like it that much?
Give me a bucket full of blood and a paint brush
I'll paint these walls, while you build a dutch
Never ever, lean on me cause I'm not a crutch
-J.A.M
Madeline Jan 2012
his whole life, in those
big-brown eyes
(burning, why aren't you helping me?)
everything wrong with the world is in
the divets between his ribs
the sharp jab
of his collarbone
against his black-black skin
(****, my iphone's broken again).
this kid has got to be twelve
starving years old
(he doesn't look half that).
we first-world *******, looking at that photograph
(feel sorry for a moment).
his whole world pooled in
the furrow over his eyebrows
(not understanding
his misery).
a hand wrapped
all the way around his arm, pulling him
back towards
the hunger,
but he stares
he
watches
that camera lens,
waiting
for
his
call
his
cry
to
be
heard.
S Smoothie Aug 2019
For me on your way,

Tell them I miss them

in every single way

Their glittering like gems

It aches more than words can say

The divets and patches across the stars

Are mirrored in my heart

As I dig my feet into the grass

Empty spaces pierced with Twinkles

Like lightning bugs in jars

Memories fade to dark

Ill sustained by lengthy time apart

May they not forget me

Collectively my spark

I'll pass on my memories

I'll strike a light so bright

it leaves a mark

not visible by so far

But caught up in solar whispers

May it carry from star to star

And tell you of news and how we are

Making a way back

To kiss you close

message from afar

A kiss on the solar wind

Travelling from quasar to quasar

With passion,

Your long lost love.
Never lose hope on love. It never ends it only transforms and always returns renewed
Nyx Jan 9
Honeysuckles blooming
In the harsh summer heat
Luring the butterflies near
All eager to eat

Honey-like nectar
An alluringly tender treat
I wonder if those lips will taste
As irresistibly sweet

Vines creeping and trailing
Covering me from head to toe
lacing into the divets of my skin
Choking me slow

A beading drop of honey
Gliding gently on my tongue
Soft fragrance lingers
All from when we were young

He is entangled in my soul
Just a taste
Steven Martin Mar 2014
He sat on his weathered couch in a dark and dank living room.

“Can you hear it calling?”

He seemed to speak to the silence.

“It yearns to lunge from my chest….Sometimes it pushes so hard.”

The words bounced off of walls and refracted…into…spider webs…

The heavy air loomed about his thoughts with unbearable weight. The darkness surrounding his cave seemed to expand forever.

“I don’t understand who has blessed me with this curse…is it arrogance or destiny?”

He sat with his large hands caressing the many wrinkles and divets of his wearisome and weathered face.

“You bring this upon yourself, you know.”

The voice echoed and boomed, enshrouding his very being.

It seemed the voice came from the walls…closing in….

“How can you say that?? Why would anyone do this to themselves??”

He shrieked in despair.

The walls themselves scoffed and howled in offense.

“This room. The blackness. The stench. The rotting carcass.”

Again the voice boomed with unrelenting and disconcerting authority.

“Who else is their origin? Things don’t just grow. Something manifests them.”

He pulled at his cheeks with his long and sharp fingernails, exposing the heavy dark circles below his bright and sunken eyes.

“How can I escape?? I never wanted this for myself! I can still hear it calling!”

His words pressed hard against the walls. The pounding energy of the blast continued to reflect and dance around shadows and spiders.


“There is no escape. You are a child of your choices and are chained to their destiny.”

At this he stood. He threw back the tattered and stained quilt he had been quivering beneath.

“Then I will face the darkness! I will stare fury and fire in the eyes and I will not quiver!”

He shot his hands into the sky and blasted a billow of flame at the rotting wood he called a ceiling.

“If this is my home then I shall call it my domain! If this is my destiny then I shall be its master!”

With a great toss of his hands he banished the darkness from him and walked out of the door.
Miranda Lopez Oct 2013
You fill the spaces of me
that have been eroded away
by time and trials.
Your soothing waves rush
over the divets in the sand
that is my soul and re-smooth
the surface.
There is no easy way to let go, no shortcut to say goodbye for a really really long time. I guess you had been practicing in the mirror what you'd tell me if you ever got the chance because you took it. It was like we were in the fighting ring but i told you so many times i wasn't strong enough to defeat you. But over and over again you had your way with me. Pulled my hair like we were in the bedroom but i stopped falling for that when you told me the key to your heart was locked inside my very own thighs. Said if i opened them enough for you to slip in you'd grab the key and let me wear it on a string around my neck. The cops found it when i was hanging from the ceiling. Said i climbed too high. That when i jumped my parachute didn't open and that's why i got caught on the ceiling fan. The coroner stated there wasnt enough space between my heart and the ground and thats why it dropped repeatedly as you told me how worthless i am.
Twelve is not the time for sane people to be awake. Its the time for broken hearted people to weep over secret keeping sheets and a mattress filled with enough sharp objects if searched thoroughly could get an arrest warrant involved. It was 11:55 when you got enough ***** to tell me you weren't in love with me.
You told me you ached for my touch because it brought you to life but in reality you were just a ***** boy looking for a way to get off without actually doing any work.
I stopped wearing skin tight clothing afraid if i moved the wrong way another you would come along. I stopped wearing the clothes that hugged my curves like a blanket of snow because i didn't want them to see the bumps from the mistakes i made.
The nights are so empty without you but I've learned how to embrace the emptiness. I've been trying for countless nights to find the instruction manual on how to cope with saying goodbye to someone who isn't even there...not anymore at least.
The first day without a single wake up call from you was only then i got my wakeup call. I cant have you. And i deserve better. You will always be that glue i tried to peel off as a kid and once im done pulling off the majority, only specks of you will be intertwined in the divets in my palm. keeping you close but only as a distant memory
It was one in the morning and i wanted to be so drunk i couldn't even remember the sound i love you made because you mistaken it for my name every time i let you find your key.
Gregory K Nelson Nov 2016
"Turn back the pages of history,
and see the men who have shaped the destiny of the world. Security was never theirs,
but they lived rather than existed,"
said Hunter S. Thompson
at age 17,

before he became The Duke,
and shaved off a leg in Doonsbury cartoons,
before he rapped the sharp corner of his shot glass,
so too many times,
on the inch thick enamel,
of the Woody Creek Tavern bar top,
and waited until closing time
to begin blowing lines,
out of the divets he'd made.

The people clapping,
the moon attacking,
the red bone blood of America pumping past his eyes.


After he died, everyone there had a Hunter story:

Hunter shot his hot girl assistant in the *** by mistake,
but he felt like **** about it.

Hunter had a dozen red cheeked lasses he skied with,
but he never messed with them.

Hunter showed up in a Cadillac convertible packed with
strippers dressed burlesque.

But it was hard to tell just exactly what he was up to with
the strippers, the peacocks,
or anything else.

Alot of the stories had ****** implications,
but what they mostly implied
was he was cool about it.
He didn't write any of those stories.

Despite all evidence to the contrary he liked his privacy,
and what peace he found in rare quiet.
And he made **** sure they'd shoot his ashes
out of a ******* canon when he died.

The canon is still there.
So are the peacocks.
PoemOfThrones.com
#Matthew2016
Irate Watcher Aug 2017
I notice the difference
moment to
moment
less, and my
purpose seems to change as
quickly as the palms
blow above me -
this strange wind.

Shouldn't I write it?
Or is it decided?
Or is it too sacred,
never good enough,
scattered,
and self-deprecating
like my thoughts.
A comedy hiding
the tragedy I feel;
I feel too much.

Like the times I just
felt tired and tied,
alone, listening to Coldplay,
and crying, yearning
to remember shades of
yesterday with the same
bright sun.

In the past,
I have yearned for
profound knowledge,
to understand
intense sensation,
general contentedness,
direction and beautiful places,
meekness and worn out spaces.

But I'm tired of contemplating,
the grass green, blue air, slight breeze.
I'm just hacking
incongruent chunks
of increasing size,
left with divets,
and a dull knife.
Dormitory Corner Mar 2019
Pull over the car,
There are daisies on the side of the highway, leaning delicately over glass.
Oil glistens on the cement, catching all of the vibrant colors that light could possibly make.
The glow from the sun is so pure, so warm.
Nature can only nurture innocent beings,
Hence the name Mother.
Her baby birds weep a melancholic song over me, but they can’t chime loud enough to drown out worn-down tires.
My burgundy brown stains mark the divets and cracks in the road, only until the gentle rain beats it away.
There is a new surface with the same trauma.
You see a scorched tree and wonder "how?"; curiosity is no longer stronger than comfort.
Please come out.
Outside of your car, there is a whole other world
A world Mother created that I was too young to explore
A world made that I’ll never have the chance to know.
Now I’m with her.
Explore the world and it’s vast wonders; care for it, nurture it
Because one day you’ll be down here with me and Mother
jude rigor Feb 2020
i. Prodigal daughter


I flew out my mother as a prophecy.
An oracle, a sinner; girl in the wrong
place at the right time. Not who I was
supposed to be. Scripture on my arms,
coating the back of my throat, words
I’ve never wanted to read.

I crawled out my mother’s womb
with a ****** cough:
Grandmother’s handkerchief.
Some letters.
No name. Not mine.

I carried myself out my mother’s soul,
hands stained red with prayer,
legacy shattering a baby’s spine,
bearing the sin of
prophecy.

She’s always told me,
You never cried.

ii. Menace


I bury my teeth in the backyard
to stop myself from biting back.
I have a few left up in
sore bleeding gums,
burning softly
and waiting
for the day
I will speak.

A demon somewhere in
the dirt runs its fingers
down my forearm.
There are bones
molting along
with feathers. I am
buying bigger
band aids these
days: they wrap
around my arms
as vines left in
the sun to rot.

Crows
wait on my windowsill
to make sure I am okay.

But I am a burning woman
settled in the wallpaper. I’m
sure my eyes are yellow again:
I cry as she paints, sealing my
body up in the floral silhouette.
This house is as haunted
                                         as me.

The demon has an alibi.
Liar, it spats.


iii. Flight of the wolves  

Moon takes me by the hand. Some
ancient light. Howls in the distance.
I dance through the edge of forest
wishing they would utter my name.

Moon calls out this time, urging me
to step closer. I prowl out to
the real world, greeted by snarls.
I bite at the air, our feral eyes
sliding into one another's.
Before I can
escape we are already
running.

The moon watches us:
In all our inhuman
humanity. we rush
through leaves and
spoiled mud, running
against ourselves
and bleeding stars.

fading as nothing
but hungry dogs
into the night.

Here, they whisper. Eat.


i.v. By the fireplace

I have never wanted touch
like this. They gather me
into their arms, one by one.
Something mysterious lingers
in the air, like an old cup of
tea. I feel as if I have swallowed
someone else’s sun, whole. I
do not let myself think of
prophecies. I cannot let
my spine feel it,
either. I want them
to stay.  

Fire has his hand in my mouth.
But I refuse to scream. Months
gather on, and I assimilate to
the fire and embrace. I’m
mumbling of prophecy
in my sleep. Bones
tremble as they realize
we’ll never know
what’s coming
next.

The future leads me to
a lavender loveseat
for just me alone.

Fire takes his hand
from my mouth
briefly, with pity
and permission
to breathe. They
wander, picking
dust and dirt from
my hair.

Oxygen tickles the
roof of my mouth,
and I realize the
settled words have
faded away. I am
warm now, despite
my barefoot stance
in the dirt.

I’m sorry, Fire mumbles. I had just hoped to help.


v. Town fair memory

They find me by the craft table
breathing in an elixir of sunset.
Shadows tiptoe around my adolescence.
Maybe they are all my first loves.
Is this a family? I’m not entirely
sure if they’ll stick around once
they find I am drenched in
divination and sweat.

Three ghosts drift across the market
and I make some sales. I wondered
what a ghost would do with coffee,
if taste and touch were really
connected.

Hours live on, and fireflies
beat against paper cups
and strong-willed
children.

l on the cooling blacktop
with my friends. The sky is pink
but not as warm as us, and we can see
the stars from here:
I have no
intention on
waking up from today.

Scars morph into smaller divets, like
scratches of clairvoyance against
ancient
oracle bones.

They drive me to an artist in a
city cottage. It’s okay, I am reassured.
She will not hurt you here.
Leaves run down the walls.
Water speaks in some foreign tongue.
I feel oddly safe. We cover up my
prophecy, which was never real to begin with.
Prophecies are a sin, of course. And though
we have transformed from monster to human
and back again
I might be the biggest sinner of them all.

A distasteful monster
hellbent on some
halfway
lack of legacy
to pass on for
generations.

I did cry, I tell myself. But I think we will be okay.
Girl, the demon whispers;
Child, the moon sighs;
Live! They cry.

And Fire says
nothing
from
his place
between our
hearts.
Robert Gretczko Oct 2019
yesterday is the workshop of your tomorrow
   craft well, be careful... avoid pitfalls and sorrow
if you can... and you believe it's writ and all done
   or think, you can change, rearrange how it's begun

step around distractions and divets that come your way
   with practice and living, you'll not go astray
but, as you put more past in your backpack
   weighed down, closer to earth you'll fashion a deeper track

steady ahead your journey will pass filled with life
    it's coming your way with joys and strife
be bold in your words, manner, and thought
    take heed to contrasts... and embrace support

it comes inexplicitly when your eyes will not hear your heart
    fiercely defend your place... do not fall apart
as your dreams and days sync to your, presence and time
   seize the smart sense of it all... stay unafraid and sublime
Mick Oct 2018
the sun is hazy, dripping in behind the curtains
I am scratching wooden table tops, sorting bits of us into piles of each other
you'll take my lazy smile, I'll have your small hands curled into anatomically incorrect hearts
you are lying in waves against my mattress on the floor, one leg is wrapped around and around and around my waist as I work huddled over my wooden table top
the brown or beige fingerprints that determine who we will become when they set into the pores of our skin, marking the traits that belong to us alone, are unevenly built into sand castles
I speak as quickly as the sound of razors against the divets in my wooden table top, "a one night affair with her won't change how I love you, and I am desperate to know what she feels like under my skin"
you do not whisper but nearly scream the distaste in the idea of another woman in my veins, where you have been memorizing the paths to my fingertips
the plastic straw that brushes the edge of my nostril is striped, looks just like my left arm, instead of spotted like your upper thigh
I laugh too harshly and agree to stay to the quieter things
you convince yourself to believe me

the first time I cheat on you with a mistress sharper than the way you spit my name out of your teeth these days
I'm in the parking lot down the street from our house
the backseat of a blonde boy's blue SUV
I use an alcohol wipe, sterile needles and a cotton ball
I measure the water to poison ratio so that I know that it will not **** me
when I get home we lie in the grass in front of our apartment and watch the sun, it's hazy, or I'm just high
I hide the pin ***** under the ******* my watch and listen to the hands tick away the orange in the sky until it is dark

the last time
I am at a stop light on the way to your house, we're going to a meeting together
but I hurt so badly my teeth chatter as I pull with them the head band above my elbow
I pour a cap full of poison into my chemistry project and mix in enough water to watch it melt
I tear the filter out of my cigarette and count to three before pulling all of the dripping amber sunset into a needle that costs the rest of my sanity
I say your name in my head three times, can't find a vein, won't register, I never liked roses anyway
when she kisses me it is almost like saying goodnight
her voice sounds so much like yours and then I see you
piling into the backseat of my silver pick up truck
I whisper that I love you the most
you convince yourself to believe me

— The End —