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"warty" poems
Deep within a leafy dell There lived a hairy fairy Who very often cast a spell That was frightening and scary. The only friend the fairy had Was an old green warty toad, He never thought the fairy bad, Just lonely and old. So he’d sit with her and croak And watch her practice magic. She very rarely often spoke, This to him was tragic. The fairy dress; the fairy wore Had seen better days. It was ***** tattered, creased and tore The hem hung loose in frays. Her head seemed always in a cloud, He never saw her smile, Her wand no longer taut and proud But still she was not vile. Somewhere inside he saw her love; He longed to be her mate, So he prayed to God above And asked her for a date. She thought he saw her as a joke. He was playing with her heart. Up she went, in a puff of smoke, That gave the toad a start. Never having seen this done before He had a mixed-up feeling. His warts and looks she must abhor And she found him unappealing. For days he waited there for her Because he was alarmed; A toad and fairy love was rare He thought she might be charmed. If she would only hear him out, That he may just explain. Then she, he felt, could have no doubt His love just would not wane. But if his looks she hated so, Then this he’d have to take. He’d just hop-off; away he’d go, Take bravely his mistake. He realised, ‘how sad it is, I never asked her name.’ With one loud bang and mighty **** Back to his side she came. “It occurred to me, you might be kind, My name is Nuff,” the fairy cried, “And I can read your mind.” “Fairy Nuff,” the toad replied. Then she kissed him on his cheek A shock that made him wince. Before he had a chance to speak He was a fairy Prince. She was beautiful and young, Like his clothes, hers were new. A love that’s ‘Magic’ is not wrong Especially for these two.
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Dec 7, 2009
Dec 7, 2009 at 11:13 AM UTC
FAIRY NUFF
Deep within a leafy dell There lived a hairy fairy Who very often cast a spell That was frightening and scary. The only friend the fairy had Was an old green warty toad, He never thought the fairy bad, Just lonely and old. So he’d sit with her and croak And watch her practice magic. She very rarely often spoke, This to him was tragic. The fairy dress; the fairy wore Had seen better days. It was ***** tattered, creased and tore The hem hung loose in frays. Her head seemed always in a cloud, He never saw her smile, Her wand no longer taut and proud But still she was not vile. Somewhere inside he saw her love; He longed to be her mate, So he prayed to God above And asked her for a date. She thought he saw her as a joke. He was playing with her heart. Up she went, in a puff of smoke, That gave the toad a start. Never having seen this done before He had a mixed-up feeling. His warts and looks she must abhor And she found him unappealing. For days he waited there for her Because he was alarmed; A toad and fairy love was rare He thought she might be charmed. If she would only hear him out, That he may just explain. Then she, he felt, could have no doubt His love just would not wane. But if his looks she hated so, Then this he’d have to take. He’d just hop-off; away he’d go, Take bravely his mistake. He realised, ‘how sad it is, I never asked her name.’ With one loud bang and mighty **** Back to his side she came. “It occurred to me, you might be kind, My name is Nuff,” the fairy cried, “And I can read your mind.” “Fairy Nuff,” the toad replied. Then she kissed him on his cheek A shock that made him wince. Before he had a chance to speak He was a fairy Prince. She was beautiful and young, Like his clothes, hers were new. A love that’s ‘Magic’ is not wrong Especially for these two.
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60
My Prince Charming has turned into an ugly, old toad, but that’s what happens when you choose this road. The road so traveled by all the toads before; makes me wonder what you see at the ****** door. I would think by now it would be rotten and smell, but that’s not where my thoughts will dwell. Why are they always uglier than me? It can’t be because you like what you see. Is it because the ****** like to drink beer? Or is it because they’ll **** on your spear? You’d think by now all of you would have warts. You know the kind that stays in your shorts. You think you’re so handsome, have you looked in the mirror? One day soon they won’t let you get nearer. But by then you will not make me cry and they’ll look like they were put up wet to dry. They may be younger but you keep getting older. What will you do when you get the cold shoulder? What will they do when you run out of money? I bet they won’t think that it’s very funny. Or how about when the pills are all done? I bet a fight will be caused over that one. Nothing like pill-head ****** to ***** around with. To get them drunk, does it take a fifth? An eight ball of coke, that ought to do it. When it’s all gone I bet you don’t get in it. I may have been with you through thick and thin, but I ain’t touching that warty skin. We did have magic for so many years, but that was before the coke and beer. One day I’ll see you all and grin. For you’ll have caught the clap: what a payback for sins.
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Mar 22, 2014
Mar 22, 2014 at 10:22 PM UTC
My Prince Charming
My Prince Charming has turned into an ugly, old toad, but that’s what happens when you choose this road. The road so traveled by all the toads before; makes me wonder what you see at the ****** door. I would think by now it would be rotten and smell, but that’s not where my thoughts will dwell. Why are they always uglier than me? It can’t be because you like what you see. Is it because the ****** like to drink beer? Or is it because they’ll **** on your spear? You’d think by now all of you would have warts. You know the kind that stays in your shorts. You think you’re so handsome, have you looked in the mirror? One day soon they won’t let you get nearer. But by then you will not make me cry and they’ll look like they were put up wet to dry. They may be younger but you keep getting older. What will you do when you get the cold shoulder? What will they do when you run out of money? I bet they won’t think that it’s very funny. Or how about when the pills are all done? I bet a fight will be caused over that one. Nothing like pill-head ****** to ***** around with. To get them drunk, does it take a fifth? An eight ball of coke, that ought to do it. When it’s all gone I bet you don’t get in it. I may have been with you through thick and thin, but I ain’t touching that warty skin. We did have magic for so many years, but that was before the coke and beer. One day I’ll see you all and grin. For you’ll have caught the clap: what a payback for sins.
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32
It kept her inside the workshop, the only noise, a sewing machine quietly purring like an old moody cat. Spools of threads closed into fists, Fingers curling back into their tiny shells. She places a piece of cloth on the table, The open seams sticking out like the yellow stains of a neck fold. An old worn out shirt with little holes filled with imaginary garden trolls. The smell of moth ***** seeping out. Curling her lips like a slug with a pinch of salt, A hesitant hand moves deliberately as if feeling the roughness of a warty toad. To keep one is to improvise, to mend spaces tightly with thread and needle on skin. She will say to herself: “I will keep him close” Her little lover’s shirt on her small bruised frame. chipped, she will drink liquor bitter. She will drink it long and drink it deep. November 2014
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Nov 6, 2014
Nov 6, 2014 at 4:35 PM UTC
Seams
Because I am mad about women I am mad about the hills,' Said that wild old wicked man Who travels where God wills. "Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies. Daybreak and a candle-end. "Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? ' I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?' Daybreak and a candle-end. Then Said she to that wild old man, His stout stick under his hand, "Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes.' Daybreak and a candle-end. "Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; ***** talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds. Daybreak and a candle-end. "A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay. Dayhreak and a candle-end. "All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman ***** upon horseback Or child hid in the womb. Daybreak and a candlc-cnd. "That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast.' Daybreak and a candlc-end.
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2.2k
The Wild Old Wicked Man
Because I am mad about women I am mad about the hills,' Said that wild old wicked man Who travels where God wills. "Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies. Daybreak and a candle-end. "Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? ' I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?' Daybreak and a candle-end. Then Said she to that wild old man, His stout stick under his hand, "Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes.' Daybreak and a candle-end. "Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; ***** talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds. Daybreak and a candle-end. "A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay. Dayhreak and a candle-end. "All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman ***** upon horseback Or child hid in the womb. Daybreak and a candlc-cnd. "That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast.' Daybreak and a candlc-end.
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63
she could not bring herself to kiss the ***** little frog not getting passed his green slimmey face and warty splotchy skull never handsome enough to love in spite of his viscous sincerity and her own yearning snail fish
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Oct 2, 2018
Oct 2, 2018 at 1:08 PM UTC
Fallen Queen...A ****** Up Fairy Tale
Under the spread hazel's winter umbrella hung with pale catkins pulling at a black bin liner rubble spilled, a little toad tumbles free from under in turmoil of warty limbs. A toad in this garden where is no pond found a moist pocket of plastic pleats and a larder of wood lice in the rotted pile sits on my palm calm as a buddha thoughtless, yellow-eyed, unidentified. Later, returning for forgotten secateurs he drifts down in the water *** I let in to the ground, trailing a bubble stream, an olive green indifferent nature god. The lordly stars sustain his crawlspace.
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Jun 4, 2011
Jun 4, 2011 at 2:12 AM UTC
Toad
The drone of voices surround me controlled chaos manipulated mayhem confusion raises his warty head as we all scramble ahead. Chuckling, chatting talking and mocking this office, these people this here my strife. I can't wait for this to be over I cannot wait for the silence.
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Feb 8, 2010
Feb 8, 2010 at 7:29 AM UTC
Monday
On the best day, she did not wear a dress, She had work and was under unusual stress. He had the day off, but there was so much to do With all those chores, he still found time for a surprise or two. The house was clean, and the groceries bought And when she came home, the first surprise was got Pumpkins, pumpkins everywhere! Big and small and warty and fair Her favorite day had pumpkins galore, With pumpkin macaroons made to match the décor Her man loved romance, and was charming to boot He was crazy enough to share in his pumpkin loot. She loved his quirky gesture, done solely to make her day So when his second surprise came, she knew just what to say— When he hit a knee and said, “I mustache you a question,” Her brain was slow to understand the desired accession With adorable ardor and love in his eyes, He declared his love, though his anxiety was hard to disguise He pleaded and begged and made himself look a fool Overwhelmed, her heart answered before her cheeks could cool Instead of pity and shame at his ardent endeavor, She smiled and made this his best day ever.
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Oct 16, 2013
Oct 16, 2013 at 2:42 PM UTC
Yes.
If you go searching through the bush And look under some rocks, You'll find a little fairy sprite In bright green stripy socks. Upon her head she wears alei Of bright and colourful flowers. And when it rains she collects the drops And that is how she showers! She wears a dress of golden silk She's spun from cocoons in the trees, It's glued together with native honey She's stolen from the bees. But if you try to trap her And keep her for yourself, You'll be turned into a warty toad By her friend the elf.
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Sep 18, 2012
Sep 18, 2012 at 11:06 PM UTC
Fairy Sprite
We're all looking for a fairytale A prince or a magic spell Though they don't always happily begin Everything's alright in the end Not always sunshine and roses Sometimes there're witches with big, warty noses A frog turned into a prince But it doesn't matter since It's a happy-ever-after, after all When the princess goes to the ball But in reality We can't have that mentality Things don't work that way Doesn't matter what they say True love and fairytales Don't always prevail
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Jul 6, 2012
Jul 6, 2012 at 5:45 PM UTC
Looking For A Fairytale
pije! kurwa pije! co mi wiepsz prawdy w twym chyba niby? ? jak masz dziecko i przypisz rękopis w grze.... kurwa! po co mi taki bachor!? ja nigdy z nim w ramach ojcem! spierdu du du; na wal równych w droge kończeń koni, aby ludzkiej myśli począć zaraz! prawde snu w obudzenie jako dalszym snem w obietnice spełnione! o karo! o karo! o karo jednego uścisku ust! o karo! krucjato! o karo! od tej ja szeptem myśli wołam: wolności mi trza! i tak od niej uciekam, bo nagle repliki mi nie trza skrobać w ogień! lecz ogień skrobie i proch wkoło - tyłem posąg, a przodem duch?! nie duch, lecz szept, niby myśl, to pierw nie zmuszone impromptu - a nie zmuszone bo, posąg warty kolan i modlitw - i ta wyryta droga ku ozora ślimaków, w kieszeni nagle w dal oddać znany obszar wachaniem ręki jakby pisać, owszem:                 zapomnieć o tym co w świecie było,               jest,                        i będzie.
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May 15, 2016
May 15, 2016 at 6:24 PM UTC
boli, boli bo na wygnaniu
I watched a hopping little frog He bounced across the road He landed upon a mossy log My feet got wet in the smelly bog It looked to me a warty toad I watched a hopping little frog I heard the barking of a dog Casing after a ball was throwed He landed upon a mossy log T’was hard to see through the growing fog I considered a shade of green unowed I watch a hopping little frog Just a piece of the ecosystem, a cog Dashing across grass freshly mowed He landed upon a mossy log I sipped a glass of eggy nog And thought of pictured I’d been showed I watched a hopping little frog He landed upon a mossy log
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Feb 1, 2016
Feb 1, 2016 at 5:46 PM UTC
fresh cut grass (villanelle)
Todd feels a toad Ugly and warty and full of slime Potential lacking everywhere Cannot see his own beauty until forced Yet then, he becomes the First to stand First to call out First to cry, "O Captain! My Captain!" Throwing aside his Gag and shackles Stepping up and Taking, the leap of faith.
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Nov 16, 2012
Nov 16, 2012 at 5:22 PM UTC
Keating
Ezra clamber’d o’er the crest to seek the way which he knew best which, passing by the yellow tares and turning at a grove of pears set him at ancient fungal oak where upon a branch he hung his cloak For on some odd-nights within his mare declared a warlock and his maiden fair: “Spindled by the peary copse after fields of shammy crops stands that vile toady oak shading torpid mystic folk “Percieveth thee the one with warty beak? ‘Tis to him whom you must speak. Rouse him from his slumber, Ezra, pray of him your task." The wizard with the moley snout reclining with a snoozy pout snored upward from that moldy bark and whispered “yonder peasant, hark! “Ezra, deary, there’s a bane The shepherds hold in some disdain for sheps can’t herd bereft of sheep and this bane ingests them in their sleep. Do strap on hip your faithful blade and into swampy depths do wade so to provoke this shepherd's foe and smite him lifeless head to toe.”
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Aug 19, 2014
Aug 19, 2014 at 2:32 AM UTC
Shores pt. 1: Ezra's and the Wizard's Quest
ty czyń mi co polak polaku... a nie ten skórwosić bólo-błąg łamania oczy-dam mattce i reszte pśym-ganagu! ty z zapomnienia by teś powiedzi łamane goobye: ja ci kurwa krewnym? ja ci kurwa krewnym?! spirdalaj tam gdzie cie mongoł łaskocze czołem wyrytym ambicją modłu wersją w dywan; lachu'hu'ju! albo to, albo kurwa: Wieden.... ja nie tobie krewny! o! patsy! polska slachta sie obudza! chyba cas na: sejmik... tak, pospolicie mówie... bez akcentu: po wiejsku! czy tam szwinsku! krew we mnie zastygła: płynie jeno rtęć... ja sam putin kiedy wabie polskie media poza exodus w anglii, na swojskim gnoju. słów wedle ognia ojca na czyn ten           zapomnieć    wtargwienie...                    skupą u dna.. bez dnia... nie ty jeden ubity          oddechu martwy i       warty braku łzu:                 krokiem kruka: nie tyś ostatni wichrem na tylko:                    by zaznać gnatom łomonym, a wtór! kałczugą łamany, to co: śmierdzi opałem, i piwniccą! bodaj jutro, i chybył: rodzaj zza        kwestją powiat...      bo to ci gniew: bogiem zgra             rękąpis wątek bydła, ku wnet liczidłem w słowo....     nadać iskr: szumu mieniem wiatr, martwa skorupa oddechu da, co o myśl wątku wyda tchłu: wakacyjna gwardia     czołem i kolanem w pacierz, zbyt, nabity, i tym, wymuszony;            skragi: ostatek.
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Jan 11, 2017
Jan 11, 2017 at 3:11 PM UTC
Ukrajina Bohun'ah (rtęć wzamian krwi, prologue: posąg)
The warthog is terribly warty. It has a million and forty.      You might think it would seem      A dermatologist's dream To catch one while out on a sortie.
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Dec 3, 2016
Dec 3, 2016 at 2:26 PM UTC
I have wondered this
Somebody said it was Halloween I hadn’t a clue till then, But the street was full of pumpkin heads Carved out, with the candles in, And the kids kept saying ‘trick or treat’ Though I didn’t know what for, They must have thought I was pretty dumb As I shooed them away from my door. Then Mandy came out dressed as a witch With a cloak and a pointy hat, And waving a broom they call a ‘swish’, ‘So what is the point of that?’ ‘Tonight the witches fly to their mass, Under a harvest moon, Shut your eyes as the broomsticks pass Or they’ll put you to sleep, till noon.’ I thought I’d better prepare myself So broke out my scatter gun, The moment a witch would show herself I swore that I’d have some fun, With Jack O’ Lanterns the only light As the night grew evil and dark, I almost forgot that we lived next door To the Mountainous Ski-Lift Park. There wasn’t a Moon that eerie night, It must have been hid by a cloud, I could hear the chatter of witches, laughing, How could they be so loud? At midnight all of the chatter stopped And everything went so still, Just as the Moon popped out of the cloud And the witches flew over the hill. I saw their shapes up against the sky Riding their broomsticks there, With warty noses and pointy hats And horrible tangled hair, I didn’t think, I just raised my gun And I blasted a spray of shot, And watched each witch as she fell to earth Whether they would, or not. Mandy screamed and she seized the gun, Ripped it out of my hands, ‘Have you gone crazy, what have you done?’ She wouldn’t cease her demands. ‘I saw them flying, up on their brooms, I blew them out of the air.’ ‘They didn’t fly, they just held on tight Under the Ski-Lift chair.’ Whenever Halloween comes around I tend to stay in my room, And woe betide any witch that tries Approaching me with a broom, While Mandy locks up my scatter gun, (That’s the one thing that will chafe), Then goes to the witches at the door, ‘Yes, the Ski-Lift chair is safe!’ David Lewis Paget
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Oct 23, 2015
Oct 23, 2015 at 8:02 PM UTC
Halloween
Somebody said it was Halloween I hadn’t a clue till then, But the street was full of pumpkin heads Carved out, with the candles in, And the kids kept saying ‘trick or treat’ Though I didn’t know what for, They must have thought I was pretty dumb As I shooed them away from my door. Then Mandy came out dressed as a witch With a cloak and a pointy hat, And waving a broom they call a ‘swish’, ‘So what is the point of that?’ ‘Tonight the witches fly to their mass, Under a harvest moon, Shut your eyes as the broomsticks pass Or they’ll put you to sleep, till noon.’ I thought I’d better prepare myself So broke out my scatter gun, The moment a witch would show herself I swore that I’d have some fun, With Jack O’ Lanterns the only light As the night grew evil and dark, I almost forgot that we lived next door To the Mountainous Ski-Lift Park. There wasn’t a Moon that eerie night, It must have been hid by a cloud, I could hear the chatter of witches, laughing, How could they be so loud? At midnight all of the chatter stopped And everything went so still, Just as the Moon popped out of the cloud And the witches flew over the hill. I saw their shapes up against the sky Riding their broomsticks there, With warty noses and pointy hats And horrible tangled hair, I didn’t think, I just raised my gun And I blasted a spray of shot, And watched each witch as she fell to earth Whether they would, or not. Mandy screamed and she seized the gun, Ripped it out of my hands, ‘Have you gone crazy, what have you done?’ She wouldn’t cease her demands. ‘I saw them flying, up on their brooms, I blew them out of the air.’ ‘They didn’t fly, they just held on tight Under the Ski-Lift chair.’ Whenever Halloween comes around I tend to stay in my room, And woe betide any witch that tries Approaching me with a broom, While Mandy locks up my scatter gun, (That’s the one thing that will chafe), Then goes to the witches at the door, ‘Yes, the Ski-Lift chair is safe!’ David Lewis Paget
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57
'Because I am mad about women I am mad about the hills,' Said that wild old wicked man Who travels where God wills. 'Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies.' Daybreak and a candle-end. 'Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? ' I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?' Daybreak and a candle-end. Then said she to that wild old man, His stout stick under his hand, 'Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes.' Daybreak and a candle-end. 'Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; ***** talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds.' Daybreak and a candle-end. 'A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay.' Daybreak and a candle-end. 'All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman ***** upon horseback Or child hid in the womb.' Daybreak and a candle-end. 'That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast.' Daybreak and a candle-end. W B Yeats
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Sep 9, 2019
Sep 9, 2019 at 3:26 AM UTC
The Wild Old Wicked Man
'Because I am mad about women I am mad about the hills,' Said that wild old wicked man Who travels where God wills. 'Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies.' Daybreak and a candle-end. 'Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? ' I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?' Daybreak and a candle-end. Then said she to that wild old man, His stout stick under his hand, 'Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes.' Daybreak and a candle-end. 'Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; ***** talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds.' Daybreak and a candle-end. 'A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay.' Daybreak and a candle-end. 'All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman ***** upon horseback Or child hid in the womb.' Daybreak and a candle-end. 'That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast.' Daybreak and a candle-end. W B Yeats
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64
An errant knight In days of old With hazel eyes And skin of gold Did venture forth To seek his fate To rob, despoil And desecrate Through dusky wood And sodden glade His course was true He never strayed An ebon steed It bore his weight Advancing at A steady gait So when upon The second morn Astride the very Cusp of dawn A winding tower Came to view And from the window Right on cue A cry for help And then redress As from a damsel In distress A call to save A maiden fair With rosy lips And saffron hair To bear her forth And find the witch Who'd locked her up That warty ***** To **** her minions Stone her crows Thwart her wiles Then break her nose Our noble knight Did pause for thought For many witches He had fought If you've seen one You've seen them all With matted hair And tatty shawl He took a view That fair was fair He'd only take His rightful share He left that maiden To her plight To save her for Another knight
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Apr 29, 2017
Apr 29, 2017 at 9:25 AM UTC
A Knight's Tail
I knew she was a filthy warty old witch Come to me a ****** beauty •• (The eyes of envy upon me as We strutted thru the corridors!) •• Even as her deseases started crawling Painfully thru my body •• •• Now I lie hideous and hidden in black woods And knowing that I Shall never die •• Remembering Remembering
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Nov 16, 2013
Nov 16, 2013 at 3:30 PM UTC
I love you
accursed creepily haunting phantasmagoria wraiths vandalize residents psyches within their sleep induced state sublimation shunts slumbering souls unknowingly held hostage successfully sacrificing semi-smothered silent species snoring simians steadfastly succumb subsequent sibilant sounds woo woebegone wicked transmogrification dilapidated divested bodies deposited wizard waves wand watching whirling wretched lovely bones whipsawing (in toto) within abyss whooshing whistling wheezing whets warlocks appetite wakening brutish nasty nightmare sinister hulking spirits steal assorted corporeal essence monstrous mashing somnambulant mephistophelian shadowy satanic satyrs supremely swallow senior citizen bankers deep within catacombs of Highland Manor, deadened defeated Delphic Oracle relegates human husks, viz spent embodiments to the under world lay siege sinisterly seeding, via sinister spirits one pure evil particularly wicked witch thy capering sickening ghastly plot against unsuspecting spouse snatched parch trey gnarled warty claws.
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May 13, 2018
May 13, 2018 at 9:50 PM UTC
high jinx at the okay coral
Tonight, the sweat of the earth hangs heavily in the thick August darkness. Standing in the yard beneath the fat buttercream moon, I muse on the emptiness of dusk, on the lifeless hollow of another quiet night. At my feet, deep within a thick forest of rye grass, a hidden world writhes. The swollen moon has awoken the tumescent locust, who lunges, twitching through densely packed pthalo blades as he presses toward the siren song of a distant lover. Leaping forward, he startles corn borers and cabbage moths into flight which scatter upward like petals caught by the ancient wind. Abruptly, one petal is plucked from the sky, dragged back to the dark earth by the silent toad, soft pale wings disappearing within a vast and warty grimace. Tangled in the rhizomes and soil below, earthworms labor, purifying the fetid remains of the surface world, while grubs feast upon the great network of roots, preparing for inevitable transfiguration. Pouring from subterranean colonies, waves of ants toil under leafy branches and plump rotting fruit, then return to their telepathic mother, abdomens distended with nectar and saccharin honeydew. Nighthawks and barn owls sit perched above, their gleaming eyes recording the squirming earth as they plan their swift assaults. Amidst the chaos, amidst the living breathing wild I stand, a blind giant musing on the emptiness of night.
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Sep 1, 2016
Sep 1, 2016 at 8:07 PM UTC
Untitled
oj nie, nie w mej "parafii!" po prostej: spierdalaj z tym dziwatswem, jak naj dalej ty potrafisz! kiedy by to znało swego ojca, by tak samo zamordowało swego nosiciela, kiedyś zwaną matkę: nie kuś... nie kuś... to nie prosze: to groźba! to trza ducha trzymać - i swą odpowiedz dać; gdyby to nawet w mgle, w ogniu,   w czerni lochu                 dna bałtyku!     czy też            w węndrówkach                        cienia: wiatru! o czym, boga memu, ja z tobą mam o czym do gadania?! czy ty wreszczie zrozumisz ten żal, mego serca, kiedy powiem ci:           kiedyś raz, teraz "czasem",       a wkrótce nigdy! ponad ten jeden bolesny lecz piekielnie warty raz... nigdy! wiecej! wraz z swą morde:   zór kluskiem i kołyską, a kwit zęba na poczęcie gryzu...             aby to dziecie: nigdy nie widzialo zwyżu: ani ksziężyca, ani słońca!
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Jul 23, 2017
Jul 23, 2017 at 7:31 PM UTC
albino moth analogy
'Because I am mad about women I am mad about the hills,' Said that wild old wicked man Who travels where God wills. 'Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies.' Daybreak and a candle-end. 'Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? ' I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?' Daybreak and a candle-end. Then said she to that wild old man, His stout stick under his hand, 'Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes.' Daybreak and a candle-end. 'Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; ***** talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds.' Daybreak and a candle-end. 'A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay.' Daybreak and a candle-end. 'All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman ***** upon horseback Or child hid in the womb.' Daybreak and a candle-end. 'That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast.' Daybreak and a candle-end. W B Yeats
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Sep 9, 2019
Sep 9, 2019 at 3:27 AM UTC
The Wild Old Wicked Man
'Because I am mad about women I am mad about the hills,' Said that wild old wicked man Who travels where God wills. 'Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies.' Daybreak and a candle-end. 'Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? ' I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?' Daybreak and a candle-end. Then said she to that wild old man, His stout stick under his hand, 'Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes.' Daybreak and a candle-end. 'Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; ***** talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds.' Daybreak and a candle-end. 'A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay.' Daybreak and a candle-end. 'All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman ***** upon horseback Or child hid in the womb.' Daybreak and a candle-end. 'That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast.' Daybreak and a candle-end. W B Yeats
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