The sun has gone down
But singing praising voices that were found
Sunday morning on Wednesday evening
The place was my church, New Jerusalem Worship Center
In Jamaica, Queens, New York
The Tuskegee University Choir with a multitude of young people with an outreach message
“Jesus today who holds the future tomorrow”
Souls inspired
Lord don’t let me tire
Let me sing to your glory
Yes this is the Tuskegee University Choir’s story
Harmony on target
The echoes of the Heavenly praise
The commodity element and watch in God’s amaze
Tuskegee University more than just education
It’s dignity, Honor and Pride
Stand up in doing God’s will
It’s the blessings still
Tuskegee University sings because inspiration has carried them
This is what the choir wants to share
When it comes to struggles, it’s Jesus that helps one bare
Sing my children, do sing!
But always remember one thing
Education can take you far, but God helps in being influence
The added creed is endurance
As you leave the New Jerusalem Worship Center doors, be safe in your travels and continue to show the world Tuskegee University Choir will continue to marvel
Your inspiration to all in talent being instilled, but always have a destined will
Your harmony comprised in God’s personal ingredient
The flavor being an unforgotten blend
Continue to sing to God’s glory end of story
Tuskegee University has made its mark
You could call it the “Hero and Heritage University”
Keep your head up and remember sing until beyond
Remember the reason why you chose Tuskegee University
It’s the value along with enriched education
Spiritual in praise and the many Amen and Amen that follow
What’s in a name, TUSKEGEE UNIVERSITY.

My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.

Tell me, Gentlemen:
while you soared higher than your fears and dreams could ever reach, into the blue crystal infinity,
did you hear the voices of angels echoing off the wings of geese migrating south for the winter?
how did it feel,
fighting for a nation that measured your worth in disheveled water fountains, mop buckets, dust rags, and potato peelings,
defending stars and stripes stained with the same molten white abhorrence smeared on ******* bombers?
did it hit you like a G force?
when you climbed into that cockpit, audaciously red, the blood rushing to your head, was it bitter hand fulls of cherries sweet?
when you returned home through back doors and alleyways to face an Uncle Sam with burning crosses in his eyes,
when you stood curbside at your own homecoming parade feeling confetti and streamers tickle the bridges of your noses,
tell me how it felt, Gentlemen.
will my brothers and sisters who fight only for tennis shoe wealth, understand the worth of those medals on your scarlet blazers?
if I listen hard enough to those jets breaking the sound barrier will I hear your story?
tell me, Gentlemen,
what was it like to fly?
infinite respects,
Curlie Fries Mcgee

A simple man named Emory Lee,
walked through the streets of Tuskegee.

With a small sack on his back,
and a big stick to go thwack!

Emory Lee, oh Emory Lee,
he's the pride of Tuskegee!

With a sweet smile on his face,
although he does lack grace.

He makes it up with lots of *****,
and a life more fit for a monk.

Emory Lee, oh Emory Lee,
he's the pride of Tuskegee!

A simple mind and a simple kind,
makes for a man worth a find.

Look past his ragged attire,
and you'll see a man to admire.

Emory Lee, oh Emory Lee,
he's the pride of Tuskegee!

Zero One and modern blight
Travel at the speed of light.

We wondered on the Wandering Jew,
Or, in lieu,
Orthon, Urian or Lilitu.

We trepanned our empty skulls,
Searched our humours,
Were touched by Rulers!

Now troubling symptoms of want and need,
Have blighted growth of yesterseed.

Patient Zero left no lead.

East fingered West
(and vice versa)
Was Ireland really the cause of cholera?
Did Blacks languish in Tuskegee squalor?
We christened Mary, but drank the water.
Fracked Incubus and Succubus
From son and daughter.

Patient Zero left the slaughter.

We deprived women of their tea
To cure wandering womb hysteriae.
Deviances and leaking lesions
Were headwaters of women's *****.

Patient Zero has no season.

The barber sensed it might be smell,
So our widened streets became a sulfurous hell.
And wastelands swelled
Where curled cats dwelled.
(no talk of Michelangelo)

                                         II

Our children's blight has a techno name,
Like the rose, IT smells the same.
With zero tolerance I lay blame
On screens and phones and video games.

The world wide box stores flipped their lids,
Touching all who crawl the social grids;
From the base of Mammon's pyramid.

Now Jake believes he's a gangsta dude
Since posting whatever on You Tube.
Nothing to gain, nothing to lose:
No services rendered but expects what's due.

Inflated egos are a system symptom,
Clearing firewalls, reaching children.

Patient Zero is no phantom.

There is no tale of rat or flea
As cause of lost immunity.
There is no open sore to fester,
The Selfie is the X-ray picture.

Patient Zero is so much quicker.

In our gel of techno bliss,
On our elliptic petrie dish,
Bathed in more than we could wish,
Patient Zero will finish,
And with that whimper
All vanish.

Cuando resido en este país que no sueña
cuando vivo en esta ciudad sin párpados
donde sin embargo mi mujer me entiende
y ha quedado mi infancia y envejecen mis padres
y llamo a mis amigos de vereda a vereda
y puedo ver los árboles desde mi ventana
olvidados y torpes a las tres de la tarde
siento que algo me cerca y me oprime
como si una sombra espesa y decisiva
descendiera sobre mí y sobre nosotros
para encubrir a ese alguien que siempre afloja
el viejo detonador de la esperanza.

Cuando vivo en esta ciudad sin lágrimas
que se ha vuelto egoísta de puro generosa
que ha perdido su ánimo sin haberlo gastado
pienso que al fin ha llegado el momento
de decir adiós a algunas presunciones
de alejarse tal vez y hablar otros idiomas
donde la indiferencia sea una palabra obsena.

Confieso que otras veces me he escapado.
Diré ante todo que me asomé al Arno
que hallé en las librerías de Charing Cross
cierto Byron firmado por el vicario Bull
en una navidad de hace setenta años.
Desfilé entre los borrachos de Bowery
y entre los Brueghel de la Pinacoteca
comprobé cómo puede trastornarse
el equipo sonoro del Chateau de Langeais
explicando medallas e incensarios
cuando en verdad había sólo armaduras.

Sudé en Dakar por solidaridad
vi turbas galopando hasta la Monna Lisa
y huyendo sin mirar a Botticelli
vi curas madrileños abordando a rameras
y en casa de Rembrandt turistas de Dallas
que preguntaban por el comedor
suecos amontonados en dos metros de sol
y en Copenhague la embajada rusa
y la embajada norteamericana
separadas por un lindo cementerio.

Vi el cadáver de Lídice cubierto por la nieve
y el carnaval de Río cubierto por la samba
y en Tuskegee el rabioso optimismo de los negros
probé en Santiago el caldillo de congrio
y recibí el Año Nuevo en Times Square
sacándome cornetas del oído.

Vi a Ingrid Bergman correr por la Rue Blanche
y salvando las obvias diferencias
vi a Adenauer entre débiles aplausos vieneses
vi a Kruschev saliendo de Pennsylvania Station
y salvando otra vez las diferencias
vi un toro de pacífico abolengo
que no quería matar a su torero.
Vi a Henry Miller lejos de sus trópicos
con una insolación mediterránea
y me saqué una foto en casa de Jan Neruda
dormí escuchando a Wagner en Florencia
y oyendo a un suizo entre Ginebra y Tarascón
vi a gordas y humildes artesanas de Pomaire
y a tres monjitas jóvenes en el Carnegie Hall
marcando el jazz con negros zapatones
vi a las mujeres más lindas del planeta
caminando sin mí por la Vía Nazionale.

Miré
admiré
traté de comprender
creo que en buena parte he comprendido
y es estupendo
todo es estupendo
sólo allá lejos puede uno saberlo
y es una linda vacación
es un rapto de imágenes
es un alegre diccionario
es una fácil recorrida
es un alivio.

Pero ahora no me quedan más excusas
porque se vuelve aquí
siempre se vuelve.
La nostalgia se escurre de los libros
se introduce debajo de la piel
y esta ciudad sin párpados
este país que nunca sueña
de pronto se convierte en el único sitio
donde el aire es mi aire
y la culpa es mi culpa
y en mi cama hay un pozo que es mi pozo
y cuando extiendo el brazo estoy seguro
de la pared que toco o del vacío
y cuando miro el cielo
veo acá mis nubes y allí mi Cruz del Sur
mi alrededor son los ojos de todos
y no me siento al margen
ahora ya sé que no me siento al margen.

Quizá mi única noción de patria
sea esta urgencia de decir Nosotros
quizá mi única noción de patria
sea este regreso al propio desconcierto.

The black man is a ****. An invasive species. Look at it and you know it is true. Brought over from another place, because it benefited the people at the time. Not truly welcomed, but endured for the fruit it produces. Initially, why was this plant selected for extrication? Not because it was the same as all the other plants you already had, but because it was superior. Superior enough that voyage after voyage was endured to secure more of this precious cargo. The true superiority of the **** goes unseen, until you attempt to eradicate it. You try to poison it in Tuskegee, you try and stomp it out with white robed men and then with blue, try and starve the plant with lack of food and remove it from the sun into giant cellars of stone.. but for all these efforts, the weeds grow back stronger and their fruits more supple. For all the lies of the civilized, the sweet nectar of their berries dances upon the tongues of the very populous that defines them as such; a ****. You stop your car on the roadside, and enjoy the juices of the black berry cursing it’s thorns, but never stopping to question why it bothers to grow them. Success is defined by an unhindered view of monocultured sameness, and unbridled landscaping of ones own design. Yet, that delicious black berry still draws you away to the fringes of your own kingdom to taste something different. That which grows, unlike the cultivated Lillie’s in your line, unaided, and in fact in opposition to the desires and actions of the landholder. What draws you to the field-side berry? The same thing that begged your ancestors to uproot the plant and bring it back in the days that have passed. The notable qualities of goodness that you suppress in attempt to dismiss the dissonance in your head. The truth is that the berry is good, and the plant is strong. The only problem is that you gave it nowhere to grow.

**** definition: a plant that is not valued where it is growing and is usually of vigorous growth.