Submit your work, meet writers and drop the ads. Become a member
Emily Pidduck Dec 2013
My castigation was decided long before my backslide. And that is inexcusable, the righteous might declare "unfair". But I don't want any belligerent accusations against this 'unjust watchfulness' from above. Some entity must have understood that I didn't need guidance; I needed walls: some forcing to reach my destiny. Without my jailer, I'd have chosen one of three and let them lead me into a darkness that the pitiful call 'demons'. Claws and teeth? No, each monster was irreplaceable and I loved them. If possible, if they could comprehend a 'love', I vow they would have loved me. But the Warden took them: my punishment before my crime. Perhaps the disposal of these beasts seems considerate, but toss aside those foolish illusions because the burden has not lessened rather, it is unfamiliar. Omitting strength, for I  lost my foundation, I stand in fear with this hole. The Three aren't returning; I'm left with loose bindings - the knots are the songs of my memories. Beautiful Terrors, do I need you? Let me tell you their stories.

Number One:
I remember his voice calling for me. "Daisy! Flowers for you." It was our little game, and I'm sure he made girls jealous when he handed me a bouquet of roses.
My name was Petunia, but I hated that name, and I loved all that's yellow.
So when we were little he took my hand, and we went into a treefort, and he dubbed me Lady Daisy.
He was 7 and I was 4, and there began my adoration.
Then I was older and heartbroken, and I was calling him. "Waldon! It's hurting me."
He arrived so soon, I was still in hysteria - that of a 14 year old gone through breakup.
Then I cried harder because somehow my brother presented me with a tulip and declared, "It's an early present from the only boy who's going to love you more than I do."
17, and I understood fascination. And Willow (for though it's girly, I liked it more than Waldon, and he let it be) was entranced by a wild girl. She was a shockbomb - a warm sungirl that rocked stilettos and never littered nor waited past a minute.
He fell for her so hard from so high.
One day that girl kissed him straight on the lips, then jetted off to England.
Said he could follow her in spirit.
I couldn't hate her because she left his body, but it was hard to appreciate his body when the government took even that away, insisting he be laid beneath cold dirt. Then too many questions: "Why did you hold his hand for three days? Were you thinking of following? Petunia, why won't you buy flowers for the gravestone?" Then there were horrified eyes when I asked who Petunia was, because I had forgotten. Or, truthfully, there was no Petunia, only Daisy. And Daisy had Willow. The Flower and the Tree: that was supposed to be the story. So I refused to buy flowers, and without any sort of ceremony I stopped being 'Lady' and became 'Crazy Daisy', who talked to her demons. Now you see why I never wanted to part with Number One, because although he was a monster (you can't deny the terror of a body with no spirit), he knew me best.
Dear Warden, I've no suicide in me, and there's none left could lead me there, and it may be that I've grown taller, but I'm practically blind.

Number Two:
She was weak since I can remember. I'd say her vulnerability was pneumonia, which I can only presume led to my hatred of 'Petunia': two words incredibly similar when reason encounters a child.
And I liked her name "Maribel" because it sounded like a flower.
I mimicked my brother, but he was persistent that I must call her mother.
Again, this made no sense until 8, when I had a revelation that all this time I'd had no family. At least not in the heart of a girl, because Maribel wasn't a vibrancy to look up to., though she was my one relation.
There was just her in a bed. Sometimes a man visited but I never knew why Willow grew tense; all I saw was my mother acquire spots of brown. How I loved brown, because it seemed as though she was genuinely Mother, like all those other moms that the sun tans, or that could be given filthy hugs that left patches of dirt. In turn, I always welcomed that man, and he was a 'saviour'.
And Willow's father.
Death found both Willow and that man (I know, now, the difference) before I understood 'abuse', and try not to blame me because she never complained and I thought abuse meant people were unhappy, but I saw both of them smile. I laid her beside him, but with space inbetween: a ground for my casket. Because I'd gone slightly crazy and I was telling Number Two that if I awakened as a zombie, I'd need to be able to find his hand first.
That was nuts. But Warden, I don't fully understand. You stopped her bleeding, but I'm left with nothing. I hear their voices in my head, telling me I'm healthy, but I know I'm barely breathing.

Number Three:
I dealt Three tragedy. And in doing so, I guilted myself into worthlessness. Classic to the moral law is: it is not acceptable to introduce a roommate to a shady character. But I ignored the concept of shady - applauded my nonjudgmental attitude, because with my twisted past I would have also been a shadowy figure. With a sweet, sweet smile, I handed that bright girl over to a Peacock who promised to give her 'a good feeling.' And I ignored her tears, because he said he'd please her.
Maybe if I hadn't been loopy, the only way I could "be" with One, I might have noticed that me and he weren't the same, and I could have judged him like the others.
Annie, I'm sorry, please just shine once more.
Even if you're afraid of me and my wickedness, don't be ****** into the gloom, because I can't offer advice to resurface, when I think there's none.
Now, there's Zero for me to turn to, because that's what I am. I am empty. I suppose that's what happens when I trust a boy who leaves, yearn for one who's weak, and think I've the durability to rely on myself (but I've equaled a pitch black crater for a while now).
You're more clear now, Warden. I can understand why you've taken everything. Since nothing I had would give me my fairyland ending. But where's my reward? I need my gift first, because these feet don't know which direction to head, and it's more like I was holding onto rocks that cut me while they warmed me. My feet kick against the waves, but in this half-in half-out position I can't get a good momentum, so a hand now would be nice.

My stories, did they surprise? I hear all this chatter about monsters, but I think we've got them wrong. Monsters simply have a hold one you, and there's no release before you've no choice but to part. They are strong, and it's true that I saw nothing stronger than the Willow.  Only my jailer saw my potential, and he directed me to Zero. He asked for recognition so that I knew my task was not optional and he raised my walls until I stood there, lonely - pushed into belief in myself. But now I am the strongest I know, and I am walking on wind, and from up here I cannot see a single barrier. But Warden, don't you ever leave because if those walls break for a second and I see my demons, I know I'll lose flight and beg them to come back. And that would be the end, because there's no chance Number Four.
Another slightly confusing one, so feel free to ask questions. Please don't take anything offensively, I simply thought that it's more powerful to have a strong viewpoint on 'demons'.
Coop Lee Oct 2015
ghosts of slumber parties past.
just a haunted betamax & a stack of oreo sandwiches.
sisters braiding eachother’s hair far past the witching hour,
contemplating life without supervision.

blue house. yellow lawn.
silverback gorilla in one garage.
two garage: empty.
three garage: a woman entombed in exhaust.

          [her bloated tongue]

a gang of bmx boys pizza-fed and friday-high,
hopped up on mountain dew and trading card collectible rituals ‘n rhythmics.
they conjure a demon just to **** and dismember it.
     for funsies.
     for keepsies.

a fang for the shrine at the foot of the old oak tree.
history on the skin, long history, long thoughts, long in the nod like a calm dead frog.
bubbled, boiled, toiled, and troubled.

the woods aren’t haunted.
you   are haunted.
you   are the conduit through which the darkness displays its vivid colors.

          [treefort aflame]

the seasons furrow/
                               / the leaves fall.
little plots of land etched out – subdivision and sprawl.
on the avenue, heaven
& hell made tame and tangible.
built, re-built, and refurbished – a lawn and a lantern.
a mortgaged glory of sparkle and decay.

          [dead cat is a new cat is the old cat ran away]

pictograms of morning light display on mom’s face
as she instructs us on the gusts of love       [scrambed eggs]
& teaches us the truth of nettles sprung
from violent pine.
                                      [toast with raspberry jam]
the television.
the microwave.
the blender beverages.
hymnals of an electric kingdom.
one mom dances, the other expires.

          [restless armless girls in orange sunsets]

girl with a gun at the edge of her lawn and selling lemonade.
girl in an old wicker chair.
save her horror story for another day.

boy with a bent frame bicycle limps his way home
from one end of the avenue to the other.
his pockets full of sparkly rocks found in the lime quarry pit.
one boy in a long line of lost planets.
the driveway.
the refrigerator.
the hum of a saturday night commercial-free cassette.
where’s dad?

                         the glow of an eerie crystal
                                                                     (continued…)
previously published in Gobbet Magazine
https://gobbetmag.wordpress.com/2014/10/08/coop-lee-one-poem/
Coop Lee Oct 2015
mom betrays us.
headlights into the night
& up the breakneck boulevard bluff overlooking town and terminus.
she brings his heart in a ziploc bag,
an offering
to that old burnt-out oak.

                     [husband\father\corpse]

front porch blood trails forever. she
claims self-defense and the camera-eyes caramelize her
fame & fortune & stepdaddies & book deals & ziploc pb&js & dead dog omens.
when did the heartache begin?

heir\son\brother\body
racing car ****** and fluxed up the boulevard in a ritual reach for daddy and the oak.
the girls are waiting. one two three, seeds.
brakes sabotaged. he
bursts into death, a molten ball of mazda.
father and son laugh there on the brim of here and hereafter.
apparitions uncoiled.

                    [home movies]

where mercury avenue ends
the woods begin.
& those woods are evil, an eldritch place, she laughs.
even the indians wouldn’t bury their dead there.

america.
caught between the whir of spokes and windshields reflecting
sky and skin, the blue hue
of television flickering on the hands of a family.

grandsons conjure grandmaster demons
on the ply of their treefort high.
the heart of grandma in a ziploc bag.
jupiter and saturn are in conjunction,
twelve past midnight on a tuesday in september.
a school night.

            [the babysitter brings over an unlabeled video tape, says its scary]

the children watch.
slumber party screams and pb&js.
ghouls blunted by pungent neighborhood inertia.
son, a ghost returned in rhythm and electronics,
hungry for pizza and pure vengeance.
previously published in Deluge Magazine, by Radioactive Moat Press http://www.radioactivemoat.com/deluge-issue-three.html
Coop Lee Feb 2015
truck-bedded teens smoke leaves above the tree branch cathedral;
treefort,
& fumes from her lips. her lips/
crush me oh my.
climb down to the street.
snap into a slim jim.
smash into a television.

            skateboard kids:
blackboy bent into dust and old motel.
whiteboy with fireworks spitting modern mallrat jazz.
girls of stuffed tiger and bottles shattered,
by blood
by beer
by now. she dreams
of the coast henceforth
& grips glass to imagine it like good futures.
    /****-hit.
    /swallow the pizza.

into the arcade ******,
like denim jackets and the mohawked-heads of foul foolish boys.
like little sister vanished into the music.
she presents her flesh before needled ink in the neon-rung afterlife.
she tongues flame.
she thumbs for fame and a highway to california.
she speaks in tongues to win enough tickets for the big panda bear.
her boyfriends punch faces in parking lots.

their generations gather at the apricot tree.
they pull at the seams of eachother’s tricky slips,
& watch hyenas tear through the trash
in the lawn across the street.

old factory:
old shrine of sky & night & bottles & bottlerockets
& her hair & us.
take the bus, or
walk the paths of backyards, home.
sneak thru the window,
cracked lip and shower.
to appear,
in a sunday dress.

— The End —