Submit your work, meet writers and drop the ads. Become a member
has been reduced to a mere
facebook status, a tweet, or
a battle of  likes and followers
crumbling, succumbing to
the pressure of creating

something

Theodor and Max would be sad
mad about how i treat my self and
my Art, as industry and enterprise
would use me as a commodity and

the object of Art is objectified
The Gothic Poet
Chapter 1

Looking down at this bar with its variously brown stained boards beneath its
glossy finish reminds me of a surfboard I wish I could just get up on and ride a
wave out of this place.This place full of people with their devil horned hand
gestures and uneducated mouths uttering ridiculous thoughts to me.constantly
coming after me with their thoughts about rock & roll,heaven,hell,love and
deception.The real deception is that there's life in this bar where I find
myself time and time again.There might as well be bars instead of walls,we are
all jailing ourselves I think as I take a big sip of draft beer to momentarily
ease the brain.but just as soon as I replace the glass to the coaster paying
careful attention to return it to the wet circle mark where it had rested before
the thoughts start again about the crowd I am not only surrounded by but am
among one of the abused and scared running away from the truths we have
desperately locked away in places as obvious as the lyrics of our songs,cowards
confronting no one,nothing except beer drenched microphones and crowds just as
loathsome to stand there and watch us and are repetitive garbage we
unidentifiably call art.                                                             ­                                                                 ­                                                          Theodor­e why are you sitting here I think to myself as I
light a cigarette and take and take a deep drag,a drag that seems to relieve me
for a brief second from the anger and desperation.Theodore Francis Boone why am
I called this,what  could my parents have possibly been thinking,were their
intentions to high,could they have been thinking I may be a discoverer,hold a
seat in the senate,fast talking lawyer with a phone full of numbers of people
that want to be around me,well Theodore you are none of things tonight here atop
your ripped fake leather barstool here tonight.I clicked the bar three times
with my lighter took a drag and as I did I felt a tap on my shoulder Reluctantly
I looked over at an oddly attractive girl standing there with a sort of perky
stature and my fears were loose as I anticipated what she could possibly
want.                                                        ­                                                                 ­                                                           She mumbled words that at the very least I could care less about especially
with them being drowned out by the music being played at decibels better suited
for an outdoor venue.Great show she said my name Tabby can I by you a
drink.Tabby I thought for a second looked at my beer clicked it twice with my
fingernail took the last **** on it and then gave her a quick look and said
thanks and then returned my eyes to my empty glass.I turned my head back around
to her and said I'll have a draft,just a draft she replied? absolutely I said
just a draft.With guitar distortion consuming the smoke riddled air like a buzz
saw I felt her tap me on the right shoulder just as my draft arrived on fresh
coaster and she proceeded to ask do you guys play here often?I don't know I
added as she relentlessly continued with the questions.I one worded my way
through them until finally she let up for a few minuets and I returned to the
draft she had bought me.As I took a sip I thought maybe she was getting the
picture that I didn't need a Tabby or anyone else for that matter in my life who
felt like talking about the band or how often we played here in this prison.                                                          ­                                                              
                                                             ­                                                                 ­                                                     But just then,just as I thought it maybe over I felt another tap on my shoulder and
as I turned she handed me a torn in half bar napkin with her phone number on
it.As I folded it she laid the other torn half in front of me and asked if I
could give her my number and I wrote it down thinking to myself why would she
want to talk to me again ,I had been pretty lousy company.She the torn paper
with my number and placed it in her purse.I took the last pull on my beer paying
close attention to finish every drop then stood up tapped Tabby on the shoulder
and made my way out of there.                                                           ­                                                                 ­                             As the door closed and I was now on the outside the
ringing in my ears became apparent while  making my way down the street in an
almost silent peace.This was always my favorite part of any day the quiet of the
night walking with little distraction.The city seemed so much more beautiful
when it wasn't full of people aimlessly wandering around it.Sure there was the
occasional drunk or druggie but they didn't bother me and I didn't bother them
most of the time ,it was sort of a mutual respect at this hour of
night.Generally it was the blaze of the daytime when the distasteful wanderers
where most displeasing.The boss's the politicians all those daytime degenerates
those are the ones to worry about,the bankers and the such.Those that think they
got it that think they are ahead of the game and got it beat,they always seem
way to persistent on getting me involved uncreative tasks,No none of them where
out here tonight to bother me and I could enjoy my walk home.
Mateuš Conrad Jan 2017
i'll write my german like my father soap operas his english, mangled, and disturbed... i mean grossly misjudged.. i mean like: did anyone really understand him? they must have since he now has a house... but then i was too lazy to begin with... which is nice, to begin with... i mean: that nice: clap clap... clap clap... all i need is a hope for encore... it's Borat pseudo Kazakh nice... i mean, i can speak the most perfect assimilation tongue for my host nation and end up on the street... just like i might become the ****** argument in germany... where i actually left my docier... now i love to write a bit of dangling ******* in german, dunno, maybe the pole in me felt like it... thankfully no knows jackshit about Polish history, or Mongolian history after Genghis Khan, therefore i'm not prone to a phobia of repeating historical demands! i mean: who the **** remembers John Casimir in the anglophone world?! umm... no one?! hurrah! we get the blond penguin tuxedo quiff juggernaut into power... but allah'u akbar... it wasn't the playboys of Dubai!

nein!
du kann nicht eine
  zivilisiert brutus,
mit verschwendenvolk
führ hyänewirbeln....
ja... art sortieren kindsouffle
wie mehrsaga...
   hinweis papa-pauß?
deine ein sauer antlitz...
ein fuchs-hyäne: herablassend,
trocken- nordpol otto theodor,
                 ein! sú!

i basically write the broken limb tongue my father speaks
on a construction site...
          i mean he speaks out of time, and sometimes
out of place...
   and every time i write his invoice i am
left heart relieved, had i a romance: i've be broken.
                        but the funny thing is,
i write this ******* and i can't even own a coffee machine
having said it...
             he speaks pish-boor english and gets a house,
a t.v. and a car....
      i write this perfect assimilate english and get
a postcard from australia: thanks, move here.
                   i'd hate to imitate the jew and turn to be
a nomad...
               but globalisation evidently demands that of me...
   it just gets boring after a while,
with all these needs and Neds trying to compete,
i just want to end up failing with fireworks...
become god at the age of 33...
                     and **** the rest of it if i should live
to be 66...
                        ah, come on man,
show some veterinary bias...
            some cult, some basis and futurism without
a regressive attitude... give the dauch the scoop...
and the lady her pooch pouch of vogue!
                  ah, then you're like me
talking german, like my father talking english...
perfectly... via fuchs-hyäne: perfect to the laugh
defining night; or licken-icken:
          für deutsche! über alles: für deutsche!
do brody, byczo jest! und nichts est!
               nienen warschau mitteklasse!
schwarz zirkusegen schatten: krächzen!
                pirdolony or-zełek twy... hujnia i motywa
      na badziewie.... mówi: matka... a potym... kórwa.
ha ha ha ha ha ha!
a po co ty i ten cymbał azjatyk? ten czambo kazak
i  pierdolony cynamon?! huh?!
po jebaną plombe, kasztan, mogiła, figa i pflaume
            i śliwowice?!
Liban na odzew reszty oliwek?! pospolity ruch?
   wnikąt rzeszy! masz! masz marsz kurwa na stambuł po wnót!
Sobieski Sobieksi i na głowie szambo!
te pizdy znów ci zawrót i chęć i nadzieją dały z
          genezą na coś by początek nie smiały miał być?
   ale tak naprawde nie tu... rogiem of warszawe roku '44...
bo wszystkich zycek wybito gazem,
gina musztardowym *smrodem
... senfstinken...
                    furzschreiten...
to wtedy tak naprawde to:
tak naprawde poza Warszawą to powstanie do głuchych
          oślą mową wzdycha wzbogaceniem zdobytą
                                 psim sumieniem i czekam na zdobycz
            to zwane honor i państwo... czyli
wszystko braku na uniwerku... póki braku ideału...
no ta... cerkwiew Piłsudskiego! ach ten wąs! niby Stalin!
ale brak tego romantyzmu z nad Litwy!
co ma ten sławny wąs z pod Gruzji!
już mi miód w portkach!
       na ten twój! w ochote i zamiar tchuża i
                             żacier w mgłe i proch!
jak i w papier i piasta mrok w paproć o zacier modlitw
                         i czarów!
       kłam ty oczekiwań mioteł i motyli takich fabryk
których... kochasz...  
oj oj... wmojym gardle hydra!...
                 na tyle narodów ile da sie pokrewni nadrobić
brata i siory... tak, dam te wojenke...by tańczył mi kozak!
a o tobie wspominał mnie jakiś tajny Romon zwany Wład,
Piłat ******!
             ksywa: wampir... nie wiem...
sporo drwena na maczugi... ale nie wiem po co on chciał
  tak na ostrzyć jak na ołówki... w dupy macać?
Jack Aylward Sep 2017
Wine, songs and love. They adorn the festive night: So live, whoever imagines kissing and loving and drinking and singing! Three friendly stars flash into the darkness of life; the stars sparkling so confidently; They are called song, love and wine ...

                                                                                          Theodor Körner
I want to share this beautiful poem which I translated from German into English from an antique wine cup. Hope you like it!  Theodor Körner (full name - Carl Theodor Körner) was a German poet and soldier, who had fought during the Napoleonic wars. He was born in Dresden in 1791 and died in Rosenow, 1813, aged just 21.
Homunculus May 2015
“The Only philosophy which can be responsibly practiced in face of
despair is the attempt to contemplate all things as they would present
themselves from the standpoint of redemption. Knowledge has no light but
that shed on the world by redemption: all else is reconstruction, mere
technique. Perspectives must be fashioned that displace and estrange the
world, reveal it to be, with its rifts and crevices, as indigent and distorted
as it will appear one day in the messianic light. To gain such perspectives
without velleity or violence, entirely from felt contact with objects – this
alone is the task of thought. It is the simplest of all things, because the
situation calls imperatively for such knowledge, indeed because
consummate negativity, once squarely faced, delineates the mirror-image
of its opposite. But it is also the utterly impossible thing, because it
presupposes a standpoint removed, even though by a hair’s breadth, from
the scope of existence, whereas we well know that any possible knowledge
must not only be first wrested from what is, if it shall hold good, but is also
marked, for this very reason, by the same distortion and indigence which it
seeks to escape. The more passionately thought denies its conditionality for
the sake of the unconditional, the more unconsciously, and so
calamitously, it is delivered up to the world. Even its own impossibility it
must at last comprehend for the sake of the possible. But beside the
demand thus placed on thought, the question of the reality or unreality of
redemption itself hardly matters.”
~Theodor Adorno, Minima Moralia
Robert L Jun 2018
(With apologies to Dr. Seuss aka Theodor Seuss Geisel)

Green eggs and ham is what I pick
I like my poems un-iambic.

To much pomp and circumstance
Has me gazing quite askance.

I ask your patience Sam I am
For poetic posing I must slam.

My poetry I like to rhyme
In simple form and simple time.

And have it held with just the same
Respect and even mild acclaim.

A birthday card I shall not ****
For that to me would be a sham.

Nor baptism or bar mitzvah
I just do not have the chutzpah.

No wedding notice or get well
Poetic arrogance we must quell.

Each greeting billet I shall defend
As one of our true brethren.

Yes poetry indeed I’ll slam it
No synecdoche* or enjambment.*

I’ll have no Haibun* or Kyrielle*
No Triversen* or Villanelle*.

Is simple rhyme anymore silly
Than didactic forms we praise so shrilly?

I do not like to follow forms.
I do not like these contrived norms.

It is the freedom of poetry
that first attracted me to thee.

And why can’t all poetics be
Of an equal equality.

Perhaps it’s not the forms I hate
But the pompousness they doth dictate.

I will not stand for Seussian abuse
I relish odes to eggs chartreuse.

And so I say to thee dear Sam
My poems are happy as they am.

© Copyright 2018 Robert C. Leung
Enjambment - (in verse) the continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.

Synecdoche is a form of metaphor, which in mentioning an important (and attached) part signifies the whole (e.g. "hands" for labour).

Triversen. William Carlos Williams invention: six tercets..
• Each stanza equals one sentence.
• Each sentence/stanza breaks into 3 lines (each line is a separate phrase in the sentence).
• There is a variable foot of 2-4 beats per line.
• The poem as a whole should add up to 18 lines (or 6 stanzas).

Villanelle. Five tercets and a quatrain.
The villanelle consists of five tercets and a quatrain with line lengths of 8-10 syllables. The first and third lines of the first stanza become refrains that repeat throughout the poem.

Haibun. Japanese form popularized by Matsuo Basho.
The haibun is the combination of two poems: a prose poem and haiku.

Kyrielle. Adjustable French form.
The kyrielle is a French four-line stanza form that has a refrain in the fourth line.
Ryan O'Leary Dec 2023
Synagogue of Satan


Don’t attribute their barbarism

  to Zionism, Jews were evil

long before Theodor Herzi's

1890 concept of a homeland.
Ryan O'Leary Dec 2023
Don’t attribute their barbarism

  to Zionism, Jews were evil

long before Theodor Herzi's

1890 concept of a homeland.

— The End —