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"tannoy" poems
Two strangers in a rickshaw in Varanasi: Two strangers who never felt like strangers. Two people lost and alive in the moment, The same moment With every sense standing, antennae bristling.. Two in a bubble Together, held apart. Caught up in a parade and surrounded by shy , smiling faces Waving modestly at the fair haired strangers, Laughing At their surprise and joy. Knowing that moment's awe Delighted to share the festival. Rickety trucks gaudily decorated blare out the tinny music and High pitched voices distorted by the tannoy add an urgency To the motion. Shimmering saris glisten, So in tune with the music that trembles with joy. That joy spills out from the Scents, the colours, the gleaming grins and the shy waving that marks our welcome, Till every sense tingles With life. And then the sand storm Swirling and circling the speeding rickshaw Arrived mysteriously, magically, Like dry ice in a theatre. The air now tangible; Surrounding us like the skin of a bubble Lifting us out Of ourselves as the scene comes and goes. The sand screen clears to reveal An elephant A beautiful, smiling elephant Dressed in splendour Accompanying us on our magic carpet ride. Close enough for us to touch his hide. Bejewelled and glorious Smiling too And all is one in that moment And each looks at the other and feels enchanted and wants the parade to go on forever Just like this; With motion And music And colour And smiles And laughter And An elephant.
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Sep 14, 2016
Sep 14, 2016 at 4:04 PM UTC
Varanasi
The station Tannoy’s so polite, Train’s here but late; commuter’s plight, Doors opening, pushed to platform’s edge, As the herd of bodies forms a hedge, Will she be there? A gap, way in, a scramble of feet, The desperate scans for a vacant seat, With a jolt and a whine we move away, Packed with the faces of one more day, Did she mean what she said? Past fields and cuttings the city nears, People gaze blankly, no smiles, no tears, Blurred names on platforms pass with a rush, London workers in etiquette’s hush, But where to meet? Slowing through tunnels, lean and rock, Roll under the canopy, groan to a stop, We pour from the doors like arterial bleeding, Swept in the flow, haemorrhaged carriage receding, By the trolley, she’d said Moving fast, with their own motivations, The eddy of souls takes me out of the station, Pull out of the crowd, out of the flow, Onwards they march to the tube lines below But we just hold tight under J.K.’s fake signs, And expression finds space, Between the lines. RD@2009
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May 13, 2014
May 13, 2014 at 12:09 PM UTC
Between the Lines
. When I fell, from you, Into loves' violet eye, Sea spray in my ears, I was on the strands, By the creeping seas. Sky called, a tannoy, Screed from seabirds And the sands sunken, Tapered me by footfall, Such recurring dreams, Air howling our names, The horizon lit in flame, We were twined in kelp And arms rail embrace On strands where I fell.
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Dec 2, 2016
Dec 2, 2016 at 2:42 AM UTC
On The Strands
He got on, I think, at the first stop I hardly noticed him at first. Another passenger, another journey Another person trying to get on further in the world But something caught my eye. Was it his looks? Perhaps, he was handsome, yes But the type of handsome in an antique That must be handled and cared for in sterile fashion. "Tickets please,"  belches the scratchy tannoy of the carriage As a red faced man in a deep hue of navy bumbles along the aisle. He presents him any papers on his person And looks at me with a stupid grin His old eyes of the deep trenches at sea, glisten There’s still life in the old boy yet. Impatience wins this round. His hands still fumble helplessly Through the sheets; not frailed though, just tired. Time passes, he daren't say a word And looks outside, without a sound. Time doesn't worry him It's treated him well. Or has it? As he paws his ginger mane The grey strands shine in the light A paper sits unread, unloved beside him Lights of distant towns blur past As he stares, unflinching, into the distance. Grunting and shrieking of rails let us know we're stopping The muddy blue pools shimmer as he rises. The blade from Cherryvalley assures us that yes, Yes. This is Lisburn alright. Getting up, sniffing the air Where nature is a predator, he heaves his dark blue tote bag Over his shoulder with a grunt. Roaming into the darkness of the late winter night Climbing. Climbing. Gone. I sometimes look into the windows of the 1802 at the lights; look at my reflection Where is he now? Is he like a stray a lone nocturnal animal, finding his way Or did he give up? Did he finally reach his den? And what will become of me? Time tells, I suppose It always does. I ruffle my auburn hair Oily, not greying. Scruff, not mane. Still tamed.
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Sep 13, 2012
Sep 13, 2012 at 6:54 PM UTC
Man on the 1711
He got on, I think, at the first stop I hardly noticed him at first. Another passenger, another journey Another person trying to get on further in the world But something caught my eye. Was it his looks? Perhaps, he was handsome, yes But the type of handsome in an antique That must be handled and cared for in sterile fashion. "Tickets please,"  belches the scratchy tannoy of the carriage As a red faced man in a deep hue of navy bumbles along the aisle. He presents him any papers on his person And looks at me with a stupid grin His old eyes of the deep trenches at sea, glisten There’s still life in the old boy yet. Impatience wins this round. His hands still fumble helplessly Through the sheets; not frailed though, just tired. Time passes, he daren't say a word And looks outside, without a sound. Time doesn't worry him It's treated him well. Or has it? As he paws his ginger mane The grey strands shine in the light A paper sits unread, unloved beside him Lights of distant towns blur past As he stares, unflinching, into the distance. Grunting and shrieking of rails let us know we're stopping The muddy blue pools shimmer as he rises. The blade from Cherryvalley assures us that yes, Yes. This is Lisburn alright. Getting up, sniffing the air Where nature is a predator, he heaves his dark blue tote bag Over his shoulder with a grunt. Roaming into the darkness of the late winter night Climbing. Climbing. Gone. I sometimes look into the windows of the 1802 at the lights; look at my reflection Where is he now? Is he like a stray a lone nocturnal animal, finding his way Or did he give up? Did he finally reach his den? And what will become of me? Time tells, I suppose It always does. I ruffle my auburn hair Oily, not greying. Scruff, not mane. Still tamed.
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40
Oh God, how are you still talking? I can feel myself nodding, head bouncing like a metronome, Yes. No. Maybe. Of course I’m listening, Babe. Except I’m not - obviously. I’m  watching that girl walk by, all lithe limbs, languidly lounging past the window. I wonder where she’s going, I wonder where you’re going -   with this tiresome tirade. Your eyes rolling, like the reels on the fruit machine, No delay on your train of thought. Hard to keep track, can’t read the signals, eyes filled with smoke, trapped by your tedious tannoy, covering old ground, chugging relentlessly, chanting incessantly, crowing endlessly,   My job? It’s fine. My health? It’s fine! Finances? Enough to get a pint in! Can I risk a diversion? Why are you broadcasting this nonsense? When will it stop? Pregnant. Pause. Wait. What?
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Apr 22, 2012
Apr 22, 2012 at 7:33 PM UTC
Derailed
Friday morning. Sun shining brightly. Train jolted to a sudden halt. Guard announced over tannoy. Somewhat garbled. Sorry ladies and gents. 'We have an issue'. Can go no further. Moaning morning service users. Became somewhat foul mouthed abusers. Hey guard, what's happening'. Can't open the doors. Stuck in this spot. 'Okay ladies and gents I'll level'. There's a swan on the track. Our path is blocked. With a concerned voice he announced. My fat controllers agreed. These doors can be undone. Morning commuters all begone. Stepped from the train. Peeped to right. In front of my eyes a magical site. Cygnet sat. Greyish brown on the rails. Waterloo train. Held to ransom. A foot away from death he sat. Not flustered. Guarded by the queen. Went to work. Cared all day About how swan got taken away that day. On way home Asked the staff. Relieved at last. Taken away safe and sound. Now I smile! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Oct 21, 2013
Oct 21, 2013 at 4:40 PM UTC
The Swan and the Morning Train!
One by one The boys line up. A full night planned Spoiling their livers Under strobe lights. Across the platform The ticket man waits To catch the nine o'clock Back to his bed, Before the working day starts again. They talk about where they're headed through town - I wonder if they'll find true love Or just a kiss and a shove Near by the bar stools tonight. The tannoy sounds, The robot woman speaks, Doors part and revert back. I wish you were coming with me.
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Sep 1, 2015
Sep 1, 2015 at 5:25 PM UTC
Platform Blues
If the Sun doesn't get you the scorpions will. There were four of us in a half track and a little way back lay the fifth. The Sun got him good roasted and peeled him like a spud. Tannoy, the radio man was the next one to go, slow like a withering vine, sounded like static on the line then he went dead. Fitzroy, the Sepoy, more of a boy than a man prayed for a day and then went on his way to whatever heaven it is that Sepoys go. Bill, a bull of a man from Mill Hill and who spoke with a permanent stutter uttered his last and I travelled on at half mast cursing the Sun and the Sand and the hand I'd been dealt. Felt the scorpion sting as I pulled up and funny thing too I could swear that the scorpion looked like Frank Sinatra.
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Apr 11, 2016
Apr 11, 2016 at 2:22 PM UTC
Delirium.
The next station is where you want to go I'm happy to know it as far as I'm concerned the underground's a hit but to be honest I don't give a **** some lady on the tannoy is saying, ' thank you for travelling on the Central line' Well darling I don't have a choice the Central line ****** if it's fine by me packed in like livestock we're just cattle for the abattoir are you getting me? as far as it goes and who knows how far that will be the Central line is One more death of mine I hold in abeyance Catch me In the next seance You attend.
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Aug 22, 2016
Aug 22, 2016 at 7:41 PM UTC
It;s all ******** ask Rik he knows
With leaves fireworking their last defiant blaze against grey skies and the mud, once again I forget to remember the muted tannoy announces silence for customers and staff and the surreal descends among the tins of peas and carrots where the absence of the normal clatter suddenly roars, catches in my throat, the plaintive, Sally Army bugler scoring the sadness in these aisles, these isles with two minutes passed, the cacophony of the tide of plant based diets and too early Stollen returns to wash over, to forget
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Nov 14, 2021
Nov 14, 2021 at 6:51 AM UTC
Grocery
Timothy looks away Slightly disgusted By those around Flashing images streak by Gardens, yards Car park His breathing Frosts the window Sarah carefully Places one ear pod Into her ear To listen to Handel’s 5th Cameron looks Shiftily down the aisle For signs of The trolley cart That’s never on its way Signs of passing stations Shuttle by Side streets High streets Cobbled streets Timothy sighs Opens a book Pretends to be Invisible To fellow passengers The train manager Formally known as The Conductor Announces A delay due to points Failure Victoria Wishes she hadn’t Left Geoffrey Last Tuesday By the gas works wall Lamp posts, Telegraph poles Fence posts Flash by A trainee Train hygiene Operative Rustles a bin bag And asks for ******* Thomas smiles At the lady across the aisle Who quickly looks To the floor Hedgerows Sheep Green grass A tractor lazily ploughing a furrow Sandra, A mother looks embarrassed Shushes, tries to smother the cries Of her screaming child Trampolines Swings Slides Paddling pools Rush on by An old lady ***** Vigorously on a mint humbug Whilst knitting in rhythm With the motion Of the train Factories Smoking chimneys Industrial waste Barren landscapes Fly by Terry Anxious, Gets up and shakily Makes his way to check That his case is Still in the luggage storage For the fourth time Since The last station Garages with rickety wooden doors allotment sheds Lock ups Pigeon lofts Pass by The tannoy crackles The announcement That the train will soon Reach the next station And That All passengers Alighting Here Be careful to take all belongings And mind the gap Over grown weeds Wild rampant Budleahs Self seeded trees Glide past The 3:58 from
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Dec 21, 2019
Dec 21, 2019 at 9:15 AM UTC
The 3:58 from
Timothy looks away Slightly disgusted By those around Flashing images streak by Gardens, yards Car park His breathing Frosts the window Sarah carefully Places one ear pod Into her ear To listen to Handel’s 5th Cameron looks Shiftily down the aisle For signs of The trolley cart That’s never on its way Signs of passing stations Shuttle by Side streets High streets Cobbled streets Timothy sighs Opens a book Pretends to be Invisible To fellow passengers The train manager Formally known as The Conductor Announces A delay due to points Failure Victoria Wishes she hadn’t Left Geoffrey Last Tuesday By the gas works wall Lamp posts, Telegraph poles Fence posts Flash by A trainee Train hygiene Operative Rustles a bin bag And asks for ******* Thomas smiles At the lady across the aisle Who quickly looks To the floor Hedgerows Sheep Green grass A tractor lazily ploughing a furrow Sandra, A mother looks embarrassed Shushes, tries to smother the cries Of her screaming child Trampolines Swings Slides Paddling pools Rush on by An old lady ***** Vigorously on a mint humbug Whilst knitting in rhythm With the motion Of the train Factories Smoking chimneys Industrial waste Barren landscapes Fly by Terry Anxious, Gets up and shakily Makes his way to check That his case is Still in the luggage storage For the fourth time Since The last station Garages with rickety wooden doors allotment sheds Lock ups Pigeon lofts Pass by The tannoy crackles The announcement That the train will soon Reach the next station And That All passengers Alighting Here Be careful to take all belongings And mind the gap Over grown weeds Wild rampant Budleahs Self seeded trees Glide past The 3:58 from
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102
i look around the sweat cage there’s you looking good, me looking good back then. i could make a life from that one night i remember, if i was insane which seems normal now; the music playing gave us our bodies, it knows that our tight dance is better i’de forget it all, if it didn’t slice through my day and transform it from getting dressed to complete night blacking and blacking all else, untill your particular dress and style of step and hip, is the day; we’re given single hairs of such things that must last, past when the morning tannoy says ‘hey all boarding for gate eighty-nine!’ and you’re still sweating your mind out - to make it so far, I’ve always made it before the gates shut i run like a sprinter towards you which is where i have trained and keep on going.
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Jul 18, 2013
Jul 18, 2013 at 7:59 AM UTC
club space
The jubilee line a different take on a journey I make because a change is as good as a rest, just doing my best to keep it fresh. It's Friday and why not? yes I know it was Friday a week ago but things have a way of repeating on me. It'd be nice to say that this was the better way, but it's so bleedin' cold and I'm shivering if the heating was on and turned up to a reasonable temperature I'd feel better and then I'm at Greenwich, the 02 must refer to the Fahrenheit scale. From Canary Wharf and Bermondsey I can almost see that London bridge is not falling down it's only sinking slightly might be me and my poor eyesight though. Southwark then Waterloo what do I do? get off and wait underneath the clock? taking stock of my situation and the weather and none whatsoever of the tick tock I lock my sights on Bond street and the Central line perhaps an interchange is as good as a rest too. Haha I missed out Westminster and Green park easy to do in the dark when it's cold. I opened my eyes to an announcement the tannoy tells me Waterloo station is closed I wasn't getting off there but I could have been and might have been waiting forever underneath a clock and no one would ever know. This is a nice line a twin track to that time when work wags Its finger at me. and that's it no observations on my fellow travellers, possibly because the carriage is empty, but I'm full of hope and that's a good line as well.
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Feb 23, 2018
Feb 23, 2018 at 1:19 AM UTC
The way around two straight lines.
(20 minute poetry) Under London brain off auto on avert eyes cut ties In a cocoon soon be there soho square life is rife in the West End under London this son's protected eyes directed at the floor can't be any more than a bystander when the seats are full. Workmen and Women all swimming downstream I go with this flow, it's the glue you get used to the one that I know smell it? I can. No one high they all try to be inconspicuous can you see them? I can. A swarthy gentleman who smells of paint a lady who ain't what she seems a tannoy announcing, mind the gap doors closing. Dreams a beach so close I could reach it daiquiri dearie? a bolt from the blue when lightning hit you a meadow a hedgerow a time to sit and watch the grass grow but it's time to go Soho I walk to the sound of it in the mood for it now.
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Jun 21, 2016
Jun 21, 2016 at 2:24 AM UTC
Express
Plastic flip-flops, curly hair Shorter dresses, mother's dare Inky artwork, shoulders bare Thumb rings, nose rings, dragon slayer Kookie, bookish, head is down Fantasy intensity, tiny frown Tannoy interjects ding-dong sound Battle pauses, station bound
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Feb 14, 2017
Feb 14, 2017 at 6:53 PM UTC
Girl on train
What if they weren't sorry? what if the inconvenience they cause was deliberate? what if this break or pause in service is what they intend? We get used to inequality and if it doesn't bother you why would it bother me? but why not ask why? or do we live just to die in ignorance? They're half asleep on this train looking inward, shadows heavy under heavier eyes more whys to think about. and more noise from the tannoy,the old boy grumbles as the tube rumbles on. We're not sorry for any inconvenience caused! that's the truth of it when we're carried like cattle through the underground and the bit that worries me are the things we do not hear but can plainly see, if they're fooling me why would you think they're not fooling you?
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Nov 16, 2017
Nov 16, 2017 at 1:17 AM UTC
Eighteen minutes late
I met her at Charing Cross station I kept seeing her look at me and smiling not knowing the reason why I was compelled to walk up to her I asked her, had I'd seen her before she giggled and then just smiled I ask again what is your name she replied you know my name I looked at her quizzically with my head to the side she laughed and then kicked me gently she then said, are you sure you don't know me I could not remember her for the life of me Then she beckoned me closer then whispered in my ear I will tell you tomorrow same time right here Just then the tannoy went informing me my train was in ok tomorrow I said but now I must go she waved me off smiling with finger motions slow The next day I was at the station at five past three at the same spot I met her, but where could she be what ever happened to her I will never know I never saw her again, what a shame and bad show By Christos Andreas Kourtis aka NeonSolaris
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Jan 8, 2015
Jan 8, 2015 at 3:05 AM UTC
The Tomorrow Girl